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Her name was Maria. Her children, we, Raúl and Santiago, discover among the objects left by our mother hundreds of photographs from our maternal grandfather, from REGINA -our great-aunt-, from our mother, from our father... And through those photographs, and with the help from an old camera -my grandfather's inheritance-, I, -along several trips to the places where those photographs were taken-, seek to recover and not lose my memory... that of my family. 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The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.",[11],0.2305,"\u002FqdUZN5B3pQ0v9xwbaASMMhIboHt.jpg","1988-04-01",{"id":230,"adult":6,"title":231,"video":6,"overview":232,"softcore":6,"genre_ids":233,"popularity":234,"vote_count":8,"poster_path":235,"release_date":236,"vote_average":8,"backdrop_path":237,"original_title":238,"original_language":70},1027393,"I forgive you, Mama","Maya is Ayaibex's daughter, an addict in recovery that feels a blame for damages that caused her daughter, Maya decides to remember her mother's childhood experiences in her world of addiction to seek the redemption of the weight that her mother has loaded for 20 years and get both to forgiveness.",[11],0.5884,"\u002ForG0EqLMiti0ZdhSDuMNcDVPmhA.jpg","2024-06-24","\u002F57d6qvTo89ioV1lWkwOyMCkvaL7.jpg","Te perdono, Mamá",{"id":240,"adult":6,"title":241,"video":6,"overview":242,"softcore":6,"genre_ids":243,"popularity":244,"vote_count":21,"poster_path":245,"release_date":246,"vote_average":247,"backdrop_path":35,"original_title":248,"original_language":81},829943,"Slowly Forgetting Your Faces","Two men, the hint of a sofa corner and a pile of letters. Using minimalist means, the film tells the story of two brothers caught between exile in a foreign country and resistance in the underground. It takes us back to the time when the revolution seized power in Iran and tells of life between the fronts. Daniel Asadi Faezi sketches the story of his father and his brothers - based on correspondence that has lain in the cellar for 30 years.",[11],0.7443,"\u002F2vNyeGDBykctXiHxa5LqyC43NfR.jpg","2021-05-05",10,"Langsam vergesse ich eure Gesichter",{"id":250,"adult":6,"title":251,"video":6,"overview":252,"softcore":6,"genre_ids":253,"popularity":254,"vote_count":21,"poster_path":255,"release_date":256,"vote_average":162,"backdrop_path":35,"original_title":257,"original_language":108},1236405,"Bright Nights","In an experimentally compiled film review, Danielle Jaeggi, Paule Baillargeon and Claudia von Alemann reflect on their work as filmmakers and life as mothers. Just as the title is based on Michel Leiris' book of poems Bright Nights and Many a Dark Day, the film has its own poetry, which is also evident in shots of everyday activities, such as hands washing dishes. “Just the hair or the relationship of the hands to each other or gestures, and then words come in between and film clips that we talk about, and we were amazed to find that the women we portray in the films always have a lot of trouble with theirs Identity, their search for something, for lost people or lost things. “They are usually looking for something that has been lost, forgotten or gone,” said Claudia von Alemann in the 1992 interview conducted by Renate Fischetti, A Pioneer of Female Film Language. An essay about desire, doubt, contradictions. 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