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Soviet architecture of the 1960s and 70s was by and large utilitarian, regimented, and mass-produced. Yet the bus stops Herwig discovers on his journeys criss-crossing the vast former Soviet Bloc are something else entirely: whimsical, eccentric, flamboyantly artistic, audacious, colourful. They speak of individualism and locality, concepts anathema to the Communist doctrine. 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Rooted in Los Angeles, the movement drew inspiration from visionary architects such as Frank Lloyd Wright and John Lautner, while firms like Armet & Davis brought futuristic flair to the commercial landscape. Though many original structures have been lost, preservationists now champion Googie as a serious architectural expression—one that captured the aspirations of postwar America and reshaped the visual identity of the modern city.",0.226,"\u002FwX0hj5ITMdLSrCVQUtjoBBkHwZm.jpg","2026-02-12",{"adult":5,"backdrop_path":292,"genre_ids":293,"id":294,"title":295,"original_language":296,"original_title":297,"overview":298,"popularity":299,"poster_path":300,"release_date":301,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002FjkcP7pb3qkKvCnxuNOYmkldvUV7.jpg",[11],821265,"5x7","it","5x7 - Il paese in una scatola","A beautiful collection of pictures ties Frank Cancian, an elderly photographer and retired professor of anthropology, American with origin from Veneto, to the people of Lacedonia, a small town in southern Italy. 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