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Director Lydia Steier stages Strauss’ opera according to an aesthetic concept by Austrian artist Gottfried Helnwein. Diana Damrau sings the Marschallin. Joana Mallwitz, chief conductor at the Konzerthaus Berlin, conducts the Orchester der Oper Zürich.",[11,113],0.1572,"\u002Fvh0OHIDp2onTFYvqQom5wYl8Krt.jpg","2025-09-21","Der Rosenkavalier","de",{"id":132,"adult":6,"title":133,"video":6,"overview":134,"softcore":6,"genre_ids":135,"popularity":137,"vote_count":138,"poster_path":139,"release_date":140,"vote_average":141,"backdrop_path":142,"original_title":143,"original_language":144},25623,"House","Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. 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As the New York Times wrote Mr. Kaufmann made his debut in the part, and he calmly, confidently sang it for the ages.",[11],0.1646,"\u002Fns13ATUeC4X358molrfs9oSbHa2.jpg","2017-06-21","\u002FzUmgFlb2qBaerwjQW5aU3R4qgw6.jpg",{"id":244,"adult":6,"title":245,"video":6,"overview":246,"softcore":6,"genre_ids":247,"popularity":248,"vote_count":249,"poster_path":250,"release_date":251,"vote_average":252,"backdrop_path":253,"original_title":245,"original_language":29},37028,"The Magic Flute","During World War I, in an unnamed country, a soldier named Tamino is sent by the Queen of the Night to rescue her daughter Pamina from the clutches of the supposedly evil Sarastro. 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Here, however, she makes ravishing use of those bits of tone that only she can produce: those instances of coloratura and dramatic legato with little asides and small florishes of style that suggest her intelligent approach and her high degree of musical involvement in this role. She does this in her I Puritani and her Anna Bolena, less so in Roberto Deveraux and Maria Stuarda(both sets).  Listen to Addio del passato and the Sempre Libra...ravishing, yes, but there are again those nuances learned from Callas that she makes her own. A very singualr perform,ance, and extremely moving with its detail and cry for pity throughout..from the start even.  Neil Schicoff is excellent, not an unworthy Alfredo at all! 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First performed in Vienna in 1905 and here performed in the English version by Christopher Hassal.",[11],0.1387,"\u002FjA5LLrLlVZTg0DUjOWhh4052yaM.jpg","1988-02-23",{"id":312,"adult":6,"title":313,"video":6,"overview":314,"softcore":6,"genre_ids":315,"popularity":316,"vote_count":8,"poster_path":317,"release_date":318,"vote_average":8,"backdrop_path":42,"original_title":313,"original_language":319},651385,"Werther","The production was the Vienna State Opera debut for the young Swiss conductor Philippe Jordan – the Argentinian tenor Marcelo Álvarez, took the title role. His Charlotte on this occasion was the young Latvian mezzo-soprano Elīna Garanča. Her performances have been enthusiastically received and she has already been labelled as the new mezzo wonder. Staged by internationally sought-after Rumanian director, Andrei Serban, the apparently sentimental love story – normally presented in 18th century period costumes - reveals a study of personal relationships and a close observation of a woman, who comes of age too late. Serban’s aim was to rid the opera of the unjustified reputation of banality that clings to it despite its underlying tragic mood. By setting the production in the stiff, claustrophobic atmosphere of a small town in the 1950s, he aimed to make the audience more aware of its deeper levels of self-denial.",[11],0.2511,"\u002FdbiFVbq6OlVJCwYhXOjKPYirg9G.jpg","2005-11-05","fr",7872,157433,"","https:\u002F\u002Fwww.operaphila.org\u002Fwhats-on\u002Fin-theaters-2022-2023\u002Fblack-lodge\u002F","Set in a nightmarish Bardo, a place between death and rebirth, a tormented writer faces down demons of his own making. Forced to confront the darkest moment in his life, he mines fractured and repressed memories for a way out. 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