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Burian, the film Chceme žít (We Want to Live, 1949) is probably his worst. The intention to create a powerful work of cinema that would combine modern means of expression with the ideological canons of socialist realism failed completely. Ježek and Tarnovski discovered these „shambles“ and tried to rebuild a structure out of the hopelessness and futility of life. Ježek has photochemically “transcribed” selected passages with the greatest possible degree of humility towards the work of the great avant-gardist, Tarnovski similarly makes the soundtrack visible. The improvised encounter of sound and image in dialogic mode can lead to various misunderstandings resulting in ambiguous compromise.",1.701,[],[23],{"iso_3166_1":16,"name":24},"Czech Republic","2022-10-28",35,[28],{"english_name":29,"iso_639_1":17,"name":30},"Czech","Český","Released","We Want to Die",{"cast":34,"crew":35},[],[36,44,49],{"adult":5,"gender":37,"id":38,"known_for_department":39,"name":40,"original_name":40,"popularity":41,"profile_path":7,"credit_id":42,"department":39,"job":43},2,3770041,"Directing","Jaroslav Tarnovski",0.5192,"6364e3579653f6009140f9ae","Director",{"adult":5,"gender":37,"id":45,"known_for_department":39,"name":46,"original_name":46,"popularity":47,"profile_path":7,"credit_id":48,"department":39,"job":43},2695084,"Martin Ježek",0.4739,"6364e34e2ac499007e7f2ad5",{"adult":5,"gender":37,"id":38,"known_for_department":39,"name":40,"original_name":40,"popularity":41,"profile_path":7,"credit_id":50,"department":51,"job":52},"6367a194d8d329007fb2abe8","Sound","Original Music Composer",{"page":54,"results":55,"total_pages":246,"total_results":247},1,[56,68,79,89,101,112,122,131,140,151,159,166,175,185,194,202,210,221,229,238],{"adult":5,"backdrop_path":57,"genre_ids":58,"id":60,"title":61,"original_language":62,"original_title":61,"overview":63,"popularity":64,"poster_path":65,"release_date":66,"softcore":5,"video":5,"vote_average":67,"vote_count":54},"\u002F7vCksrXyMn6IXUv4TpHN7Q4H8ic.jpg",[11,59],10402,1029943,"Memory","pt","Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.",1.4917,"\u002FpCBy8Y1PB0IqugVOENAoFCQ2Z8H.jpg","2007-01-01",4,{"adult":5,"backdrop_path":7,"genre_ids":69,"id":70,"title":71,"original_language":72,"original_title":71,"overview":73,"popularity":74,"poster_path":75,"release_date":76,"softcore":5,"video":5,"vote_average":77,"vote_count":78},[11],272285,"Meat Joy","en","\"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City.\"",1.4127,"\u002Fcg35YWMrooFnoezwFy4KcKwIizi.jpg","1964-05-29",6.7,6,{"adult":5,"backdrop_path":80,"genre_ids":81,"id":82,"title":83,"original_language":84,"original_title":83,"overview":85,"popularity":86,"poster_path":87,"release_date":88,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002F3UsbyNrzjPeAqkOWESTlexJ2DlI.jpg",[11],1610144,"Futura Free","ar","An experimental odyssey through altered realities and reconstructed archives, where  wandering voices of the past, present, and future unravel the elusive nature of time  and memory.",1.0969,"\u002FwyzHaXwNPzlpTBOX0K7bBIifQZB.jpg","2025-06-19",{"adult":5,"backdrop_path":90,"genre_ids":91,"id":92,"title":93,"original_language":94,"original_title":95,"overview":96,"popularity":97,"poster_path":98,"release_date":99,"softcore":5,"video":5,"vote_average":100,"vote_count":78},"\u002Fql1g3tJv0JbYm07nCtYFMAir9ij.jpg",[11],1427520,"No God No Father","fr","Ni Dieu ni père","The film explores a young man's intimate relationship with the Internet. While the absence of a father figure has left him searching for answers, he finds an unexpected mentor in Google. From learning everyday tasks like shaving to discovering deeper knowledge, the algorithm becomes much more than a simple search engine, blurring the boundaries between real and virtual.",1.0342,"\u002F2ju0KUdHQ5jcQVnwn19TKNoYOoM.jpg","2025-02-01",6.8,{"adult":5,"backdrop_path":102,"genre_ids":103,"id":104,"title":105,"original_language":72,"original_title":105,"overview":106,"popularity":107,"poster_path":108,"release_date":109,"softcore":5,"video":110,"vote_average":111,"vote_count":54},"\u002FzmUg7Ib2aMolMTbNl2jotUUPvP9.jpg",[11],469501,"By Brakhage: An Anthology, Volume One","Working completely outside the mainstream, the wildly prolific, visionary Stan Brakhage made more than 350 films over a half century. Challenging all taboos in his exploration of “birth, sex, death, and the search for God,” he has turned his camera on explicit lovemaking, childbirth, even autopsy. Many of his most famous works pursue the nature of vision itself and transcend the act of filming. Some, including the legendary Mothlight, were made without using a camera at all, as he pioneered the art of making images directly on film, by drawing, painting, and scratching.",0.9202,"\u002FpNq69l8VLIZbheepR5KwGxWxVLu.jpg","2003-06-09",true,7,{"adult":5,"backdrop_path":113,"genre_ids":114,"id":115,"title":116,"original_language":117,"original_title":116,"overview":118,"popularity":119,"poster_path":120,"release_date":121,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002FhvOTmrHPcGADSmHFdxgqlUQhgNC.jpg",[11],1616842,"Forever…Forever","de","The uninterrupted light trail of one year and ten months, condensed down to 20 minutes, filmed on a self-made camera. Daily rhythms accelerate, slowly at first, then more intensely. A structuralist film about transience.",1.3376,"\u002Fo7Xuaeb9V4nEhNN3IiwhyIpot2b.jpg","2026-02-18",{"adult":5,"backdrop_path":123,"genre_ids":124,"id":125,"title":126,"original_language":62,"original_title":126,"overview":127,"popularity":128,"poster_path":129,"release_date":130,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002FpGeifU2kEiRpL6iiPqDsIb6PrBU.jpg",[11],1616856,"Filme Pin","Between light, metal and silver, a collection of solidarity pins turns into an archive of another scale: spectres of exile and international struggle against Portugal’s fascist and colonial regime.",1.1233,"\u002F4nXy9clHHvJYkpdmuEQytHRKFqG.jpg","2026-02-15",{"adult":5,"backdrop_path":7,"genre_ids":132,"id":133,"title":134,"original_language":135,"original_title":134,"overview":136,"popularity":137,"poster_path":138,"release_date":139,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1233333,"detours while speaking of monsters","tr","Here, where even monsters are political, the topography has its own memory. It has the mythological blues. Meanwhile, old gods are upset with us, and I am upset with my father.",0.8857,"\u002Fvoov5e4sT8NXhJStUW5zuodOp92.jpg","2024-02-20",{"adult":5,"backdrop_path":141,"genre_ids":142,"id":143,"title":144,"original_language":145,"original_title":146,"overview":147,"popularity":148,"poster_path":149,"release_date":150,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002FxR6nlE9Tlocb2fwcMph1abTIcmX.jpg",[11],1616808,"In Sum","th","ผีพัฒนา","Corroded pixels struggle to form an image as they move through Cold War promises of development in rural Thailand, haunted by archival voices.",1.967,"\u002FuLP9LLB86oL1779OHzUV6gY5qpf.jpg","2026-02-14",{"adult":5,"backdrop_path":7,"genre_ids":152,"id":153,"title":154,"original_language":155,"original_title":154,"overview":156,"popularity":157,"poster_path":7,"release_date":158,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1434617,"The new cinema","sv","A new type of cinema you can perceive with your butt hole.",0.4931,"2024-01-01",{"adult":5,"backdrop_path":7,"genre_ids":160,"id":161,"title":162,"original_language":117,"original_title":162,"overview":163,"popularity":164,"poster_path":7,"release_date":165,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1434620,"Bonjour Madame","A performance television show hosted by the presenter Ruth. With humor, she interviews Leila Mousavi, Nicholas Mboya, and Vicente Hirmas, graduating art students from HFBK. Filmed in July 2023.",0.5012,"2023-07-31",{"adult":5,"backdrop_path":7,"genre_ids":167,"id":168,"title":169,"original_language":62,"original_title":170,"overview":171,"popularity":172,"poster_path":173,"release_date":174,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1233696,"Moving Memories","Memórias em Movimento","On April 1st, 2022, my grandfather passed away and i felt lost. I think my path changed when, some days after he passed away, i was offered a small VHS camera. \"Moving Memories\" is a visual journey that makes the viewer reflect on our momentary presence on earth and questions the nature of memory. Throughout this journey, we get to the conclusion that memories are more than just static photographs in our minds, they're alive and in constant movement, changing while we evolve as individuals. These memories have influence and help us to move on.",1.1701,"\u002F5roBgsPoQaOpofwIHmSo4Qn3dL1.jpg","2024-05-10",{"adult":5,"backdrop_path":7,"genre_ids":176,"id":177,"title":178,"original_language":179,"original_title":178,"overview":180,"popularity":181,"poster_path":182,"release_date":183,"softcore":5,"video":5,"vote_average":184,"vote_count":54},[11],1434932,"The Eight Alps","xx","A solo audiovisual performance. Eighth entry into deeply beguiling series of works responding to the Alps acted as the closing night event of Alchemy Film Festival. The images are studies of the Alps degraded and distorted live at the front of the auditorium; the picture pixelated, streams of colour engulfed the screen like a crashed desktop, and as hawks hovered over the mountains they left staggered trails of glitches across the screen like computerised vapour trails. The audio was also created live using short atonal precomposed tracks. The aim was to create a digital alchemy, an abstracted journey into the mountains, a wild wonder inside and out.",0.6157,"\u002F2EziRVhLPkouaa8rHZSFM9bUqrv.jpg","2019-01-01",5,{"adult":5,"backdrop_path":7,"genre_ids":186,"id":187,"title":188,"original_language":189,"original_title":188,"overview":190,"popularity":191,"poster_path":192,"release_date":193,"softcore":5,"video":5,"vote_average":184,"vote_count":54},[11],1435105,"Desconocida Leyendo En Un Autobús","es","A girl reads during a bus ride",0.8687,"\u002FtT8zfJIKjHV5iTVdG2P51MQtUI8.jpg","2025-02-18",{"adult":5,"backdrop_path":195,"genre_ids":196,"id":197,"title":198,"original_language":189,"original_title":198,"overview":13,"popularity":199,"poster_path":200,"release_date":201,"softcore":5,"video":5,"vote_average":184,"vote_count":54},"\u002Fhgf7hhxLboQINHFDvh0ouOigYyA.jpg",[11],1435053,"Metropia",1.0695,"\u002Fzi2x5l8oZbz1KTYbFEozVXBEkJm.jpg","2025-03-20",{"adult":5,"backdrop_path":7,"genre_ids":203,"id":204,"title":205,"original_language":206,"original_title":207,"overview":13,"popularity":208,"poster_path":7,"release_date":209,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],640924,"Fireworks","zh","炮仔聲",0.469,"2019-10-11",{"adult":5,"backdrop_path":211,"genre_ids":212,"id":214,"title":215,"original_language":17,"original_title":216,"overview":217,"popularity":218,"poster_path":219,"release_date":220,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002FeHafSIDQsI5Cnzc39q0Y2AkIOzz.jpg",[11,213],18,1042252,"a-B-C-D-e-F-G-H-i-JONESTOWN","á-B-C-D-é-F-G-H-CH-í-JONESTOWN","A children's film about the largest mass suicide of the 20th century reconstructs the 1978 event. The Reverend Jim Jones forced nearly a thousand followers of his People's Temple sect to drink poison in the settlement of Jonestown, Guyana, South America. A third of them were children. Jan Bušta gives sadists, voyeurs, and necrophiliacs one minute to leave the cinema. His self-reflective documentary, which is the result of ten years of time-lapse filming, does not depict dramatic scenes. To the sound of an audio recording from that fateful day, we see a collage of child ghosts preaching about escaping the corruption of the world.",0.95,"\u002F1lN8nP4ysvpQ4kfB4gnadhQKaeF.jpg","2023-01-12",{"adult":5,"backdrop_path":7,"genre_ids":222,"id":224,"title":225,"original_language":62,"original_title":225,"overview":13,"popularity":226,"poster_path":227,"release_date":228,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[223,11],14,1611800,"Memorial",1.468,"\u002F19TwxfZaw5LfWxiH5Ayt6z2Pyoc.jpg","2026-01-07",{"adult":5,"backdrop_path":7,"genre_ids":230,"id":232,"title":233,"original_language":189,"original_title":233,"overview":234,"popularity":235,"poster_path":236,"release_date":237,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11,231],10751,1611614,"Vestígio","An experimental home documentary where you step inside the director's lens. A journey through his childhood via his own early recordings, exploring the origins of his craft and how that child’s gaze is still there, captured in time.",1.1808,"\u002F6ilfgFAeJV3egFC3RLlcOVH7nbA.jpg","2025-12-23",{"adult":5,"backdrop_path":7,"genre_ids":239,"id":240,"title":241,"original_language":72,"original_title":241,"overview":242,"popularity":243,"poster_path":244,"release_date":245,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1043057,"The Architects","Amie Siegel’s film installations often reveal the hidden narratives behind architecture and design, investigating the mechanisms by which objects, materials, and spaces accrue meaning and value. The Architects examines the processes of architectural creation, using the artist’s signature slow, parallel tracking shots to offer insight into the inner workings of multiple architecture firms, slicing through them laterally like an architect’s section plan... Siegel not only punctures the myth of the singular “master architect” but also poses questions around creative autonomy, the sociopolitics of labor, and the circulation of capital. (Source: MoMA)",1.4063,"\u002FjOw575yEOuY24IYGrTGN52dHLtJ.jpg","2014-06-23",1001,20001,{"results":249},{},{"results":251},[],45,"A documentary story that tends to land well.",[]]