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Preserved by the Academy Film Archive in 2012.",[17,92],0.7622,"\u002FmNMNLb51Vj1PhwzHE8y0cXDnWxz.jpg","1979-12-17",{"id":119,"adult":6,"title":120,"video":6,"overview":121,"softcore":6,"genre_ids":122,"popularity":123,"vote_count":8,"poster_path":16,"release_date":124,"vote_average":8,"backdrop_path":16,"original_title":120,"original_language":125},831178,"Murray and Max Talk About Money","A virtuosic study of sync-sound cinema, Cagean organizational strategies, and montage.  Preserved by the Academy Film Archive in 2009.",[],0.8862,"1979-01-01","pt",{"id":127,"adult":6,"title":128,"video":6,"overview":129,"softcore":6,"genre_ids":130,"popularity":131,"vote_count":132,"poster_path":133,"release_date":134,"vote_average":135,"backdrop_path":136,"original_title":128,"original_language":33},265631,"Sikkim","Satyajit Ray's poetic documentary was commissioned by the Chogyal (King) of Sikkim at a time when he felt the sovereignty of Sikkim was under threat from both China and India. 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Preserved by the Academy Film Archive in 2012.",[],0.6424,"\u002F89iQiLOLdFYgyYaScZq3hccjY2h.jpg","1999-10-09",7.3,"\u002FnWjk61fEpMt4zr2G1jQ47gzptN7.jpg",{"id":155,"adult":6,"title":156,"video":6,"overview":157,"softcore":6,"genre_ids":158,"popularity":159,"vote_count":40,"poster_path":16,"release_date":160,"vote_average":161,"backdrop_path":16,"original_title":156,"original_language":33},267479,"Real Italian Pizza","\"Taken between September 1970 and May 1971, with the unmoving camera apparently bolted to the window ledge, this film, a ten-minute eternity, chronicles what takes place within view of the lens. The backdrop is a typical New York pizza stand, the actors are selected New Yorkers who happened to be there during the half year, the plot is the somewhat sinister aimlessness of life itself.\" - Donald Ritchie, Museum of Modern Art, NY.  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Preserved by the Academy Film Archive in 2000.",[17],0.8537,"\u002FAjbc58eqSavlmoQvYpnkoc8Ko5B.jpg","1945-01-01",6,{"id":172,"adult":6,"title":173,"video":6,"overview":174,"softcore":6,"genre_ids":175,"popularity":177,"vote_count":178,"poster_path":179,"release_date":180,"vote_average":181,"backdrop_path":182,"original_title":173,"original_language":33},267616,"The Sun's Gonna Shine","A lyrical recreation of Lightnin’ Hopkins’ decision at age eight to stop chopping cotton and start singing for a living.  Preserved by the Academy Film Archive in 2013.",[26,176],10402,0.9492,8,"\u002FeDKUNWVQNpSin7aLS9oMmeWbyC9.jpg","1969-01-02",6.9,"\u002FglxgPNWEgOHZ5oQwZIHbAYpVvqO.jpg",{"id":184,"adult":6,"title":185,"video":6,"overview":186,"softcore":6,"genre_ids":187,"popularity":188,"vote_count":132,"poster_path":189,"release_date":190,"vote_average":191,"backdrop_path":16,"original_title":185,"original_language":33},267577,"Surfacing on the Thames","‘A beautiful, mysterious yet satisfying optical illusion…celebrates the early passing of a steam on the Thames. Using freeze-frame techniques, elaborate dissolves, and most of the resources on the optical table, this picture is, amongst other things, a Turner come to life. Rimmer’s concern with the surface nature of the film is most evident in this work which, in spite of its filmic complexity, is incredibly simple.’ — Donald Richie.  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Preserved by the Academy Film Archive in 2010.",[],0.7728,5,"\u002FeceCz9tFa0R1pmh0zNt2oD36H7O.jpg","1983-01-01",7.2,{"id":203,"adult":6,"title":204,"video":6,"overview":205,"softcore":6,"genre_ids":206,"popularity":207,"vote_count":8,"poster_path":208,"release_date":124,"vote_average":8,"backdrop_path":16,"original_title":204,"original_language":33},637955,"Mend","Is it happening in the screening room or on the screen; in a snowstorm or inside; what isn't surrounding and what is? From filming Ann sewing, on a grey winter day.  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