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Rigoletto encourages and welcomes the Duke's conquests, pitilessly mocking his victims until he discovers that the Duke has abducted the one person he genuinely loves, his own daughter. 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Pierre Audi's mythical staging and Jean Kalman's fabulous set design complement the composer's own musical direction, forging the dazzlingly versatile soloists, the Netherlands Chamber Orchestra and Cappella Amsterdam to a stunning symbiosis of elements across time and space, a true testimony to cultures intertwined in globalization.",[11],1.3244,"\u002FsrZ3IeAuupi9olw35OOM597ifzf.jpg","2008-01-01",{"id":230,"adult":6,"title":231,"video":6,"overview":232,"softcore":6,"genre_ids":233,"popularity":234,"vote_count":24,"poster_path":235,"release_date":236,"vote_average":82,"backdrop_path":237,"original_title":231,"original_language":210},638007,"Claude Debussy - Pelléas et Mélisande","Drama lyrique in five acts, after the play by Maruice Maeterlink",[11,62],1.305,"\u002FaPFZ8mB6cZGqG5cBItMRS6PbRJy.jpg","2012-01-01","\u002FyybuyDWXVpJ5xhgNEIMYqZm8vie.jpg",{"id":239,"adult":6,"title":240,"video":241,"overview":242,"softcore":6,"genre_ids":243,"popularity":244,"vote_count":47,"poster_path":245,"release_date":246,"vote_average":247,"backdrop_path":248,"original_title":240,"original_language":210},455824,"The Metropolitan Opera: The Exterminating Angel",true,"After the acclaimed Met premiere of Thomas Adès's \"The Tempest\" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic \"El Ángel Exterminador\", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. 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In this performance, Bulgarian soprano Sonya Yoncheva is the passionate title diva, opposite charismatic tenor Vittorio Grigolo as her lover, the idealistic painter Mario Cavaradossi. Baritone Željko Lučić is the menacing Baron Scarpia, the evil chief of police who employs brutal tactics to ensnare both criminals and sexual conquests. 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Berg's uncompromising portrayal of brutality and madness generated much controversy, but the significance of Wozzeck was soon recognised; its compelling lyrical expansiveness, large-scale dramatic gestures and remarkable musical structures producing music of overwhelming emotional intensity. The Financial Times declared this to be 'a beautiful, moving, engrossing production… this is a consummate Wozzeck, blending clarity, lyricism, compassion and crushing force.'",[11],0.7426,"\u002FrBuVWf0mVO9SgkbbCfcZVfPlvjx.jpg","2018-01-11","\u002Fc044y4RebIxs1kAHXRq6GeaT2bA.jpg",{"id":285,"adult":6,"title":286,"video":6,"overview":287,"softcore":6,"genre_ids":288,"popularity":289,"vote_count":8,"poster_path":290,"release_date":291,"vote_average":8,"backdrop_path":292,"original_title":286,"original_language":293},638061,"Alban Berg - Wozzeck","The soldier Wozzeck (Christian Gerhaher) flits through a world that he is unable to decipher. The doctor torments him with absurd medical experiments; the captain humiliates and ridicules him. And Wozzeck’s lover, Marie (Gun-Brit Barkmin), with whom he has a child, cuckolds him with the drum major. Wozzeck becomes a murderer, stabbing Marie to death. Georg Büchner’s drama fragment, on which Alban Berg based his first opera, is an unflinching case study of social injustice and human suffering. But it is also a grotesque piece that thrives on exaggeration – and in which only a fine line separates the unfathomable from the ridiculous. 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And this man she speaks to, does he really exist? Unless the director has interpreted Cocteau’s words to the letter and the telephone has become a “terrifying weapon that leaves no trace, makes no noise”…",[11,62],1.14,"\u002F9xz8Ka9JZqFynUKNvh8rYuvtTtt.jpg","2018-06-01","\u002FarwiSTfIc6SMDqy33PKUpRuKKbh.jpg","Poulenc: La Voix Humaine \u002F Bartók: Le Château de Barbe-Bleue",{"id":305,"adult":6,"title":306,"video":6,"overview":307,"softcore":6,"genre_ids":308,"popularity":309,"vote_count":24,"poster_path":310,"release_date":311,"vote_average":75,"backdrop_path":29,"original_title":312,"original_language":313},830044,"Janacek: Jenufa","\"Yenufa\" is an outstanding phenomenon in the music of the 20th century. Drawing on Moravian folklore, Janáček faithfully and deeply conveyed the drama of a peasant girl. The composer followed the path of Mussorgsky, revealing the spiritual life of people through the recreation of intonations of living speech. 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For his second time directing at La Monnaie, Tobias Kratzer preserves the original order of the pieces, while weaving them together to form a narrative whole, like a circle with no end. With a cast of artists from the extended La Monnaie family, Alain Altinoglu is the ideal conductor to meet the daunting challenges posed by this triptych.",[11],1.3259,"\u002FwXd8DRnuwBSovfVBpBQoOfiG6k3.jpg","2022-03-15","\u002F9B7gaBwYR0edyhPEHXKRz4tESct.jpg",{"id":340,"adult":6,"title":341,"video":6,"overview":26,"softcore":6,"genre_ids":342,"popularity":343,"vote_count":24,"poster_path":29,"release_date":344,"vote_average":68,"backdrop_path":29,"original_title":341,"original_language":313},1022114,"Míček Flíček",[14,34],1.394,"1972-01-01",{"id":346,"adult":6,"title":347,"video":6,"overview":348,"softcore":6,"genre_ids":349,"popularity":350,"vote_count":61,"poster_path":351,"release_date":352,"vote_average":353,"backdrop_path":29,"original_title":347,"original_language":210},824302,"let me come in","Bill Morrison’s experimental short features decayed film reels from the lost, German silent film Pawns of Passion (1928).",[11],1.176,"\u002FnnVDqjVYVfe2xg8cBABJH667LZH.jpg","2021-04-10",6.4,{"id":355,"adult":6,"title":356,"video":6,"overview":357,"softcore":6,"genre_ids":358,"popularity":360,"vote_count":24,"poster_path":361,"release_date":362,"vote_average":82,"backdrop_path":29,"original_title":356,"original_language":220},448890,"Rita","a film opera; music by: Gaetano Donizetti (Philharmonic Orchestra of Rome) Directed by Giuseppe Zedda.",[11,359],35,1.1966,"\u002F2IxmRe3qz84hnJjQi57vJeXK4C1.jpg","1962-01-01",{"id":364,"adult":6,"title":365,"video":241,"overview":366,"softcore":6,"genre_ids":367,"popularity":368,"vote_count":8,"poster_path":369,"release_date":370,"vote_average":8,"backdrop_path":371,"original_title":365,"original_language":313},636276,"Jenůfa","When a beautiful young woman in rural Moravia becomes unexpectedly pregnant, she learns that love is sometimes only skin-deep.  Janáček took Gabriela Preissová's grim tale of infanticide and redemption, and condensed it into a masterful, spine-chilling drama. The tragic plight of the protagonists is presented with unsentimental realism that cannot help but trigger a response of deep compassion. Premiered at the National Theatre in the composer's hometown of Brno 115 years ago, the opera took him nine years to complete and is the first in which his distinctive voice can clearly be heard.",[11,62],1.6581,"\u002F881GQTWCsOQltJYHiyvnEN2rNsO.jpg","2019-10-02","\u002FtzdjE6CKeWCvbr91bGFN87uDqUy.jpg",{"id":373,"adult":6,"title":374,"video":6,"overview":375,"softcore":6,"genre_ids":376,"popularity":377,"vote_count":68,"poster_path":378,"release_date":379,"vote_average":380,"backdrop_path":29,"original_title":381,"original_language":313},269213,"Him and His Sister","Postman Brabec is a welcome guest of the revue theatre for his sense of humor, and he brings his director Holt letters from female admirers every day. 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