[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1055137-en-US":3},{"detail":4,"match":249,"insight":250,"providers":251,"providerLink":26,"trailer":26},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":26,"revenue":8,"runtime":31,"similar":32,"tagline":236,"homepage":236,"overview":237,"softcore":6,"popularity":238,"vote_count":8,"poster_path":26,"release_date":239,"vote_average":8,"backdrop_path":26,"origin_country":240,"original_title":7,"watch\u002Fproviders":242,"spoken_languages":244,"original_language":46,"production_companies":245,"production_countries":246,"belongs_to_collection":26},1055137,false,"The Black Album",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19,28],{"id":20,"job":21,"name":22,"adult":6,"gender":8,"credit_id":23,"department":24,"popularity":25,"profile_path":26,"original_name":22,"known_for_department":27},3808265,"Editor","Art Kemplin","6386c9121b157d009717f54a","Editing",0.1199,null,"Directing",{"id":20,"job":29,"name":22,"adult":6,"gender":8,"credit_id":30,"department":27,"popularity":25,"profile_path":26,"original_name":22,"known_for_department":27},"Director","6386c904cb8028007cb56a7b",6,{"page":33,"results":34,"total_pages":234,"total_results":235},1,[35,47,56,72,81,91,100,111,119,127,136,146,158,168,177,186,196,205,214,222],{"id":36,"adult":6,"title":37,"video":6,"overview":38,"softcore":6,"genre_ids":39,"popularity":41,"vote_count":42,"poster_path":43,"release_date":44,"vote_average":45,"backdrop_path":26,"original_title":37,"original_language":46},268367,"Heterodyne","“Geometric animation made entirely by sculptural methods: cutting, punching, welding colored leader. HETERODYNE is related to some of my other work as RNA to a protein or polypeptide. It was made in abject (if blissful) ignorance of Paul Sharits’ early work.” –Hollis Frampton",[11,40],16,1.0107,4,"\u002FvIv4hIO4pPpvxYMpxdBL2mt0EwY.jpg","1967-01-01",5,"en",{"id":48,"adult":6,"title":49,"video":6,"overview":50,"softcore":6,"genre_ids":51,"popularity":53,"vote_count":8,"poster_path":54,"release_date":55,"vote_average":8,"backdrop_path":26,"original_title":49,"original_language":46},642367,"VISIONS_OF_NY","Experimental short film exploring New York City's multicultural history through the eyes of three chosen individuals.",[11,52],9648,0.5242,"\u002F7YF0WSLT4mYp3TsBQVJG9wit2l5.jpg","2019-03-12",{"id":57,"adult":6,"title":58,"video":6,"overview":59,"softcore":6,"genre_ids":60,"popularity":65,"vote_count":66,"poster_path":67,"release_date":68,"vote_average":69,"backdrop_path":70,"original_title":71,"original_language":46},464910,"60 Seconds of Solitude in Year Zero","An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.",[61,62,11,40,63,64,52],18,35,27,53,1.137,8,"\u002F9HcuU9JzCWTweaAL8KsCtTTWa4U.jpg","2011-12-22",4.3,"\u002FoqVGh3bliUZfDYsQRfgZDZkcKxC.jpg","60 Sekundit Üksindust Aastal Null",{"id":73,"adult":6,"title":74,"video":6,"overview":75,"softcore":6,"genre_ids":76,"popularity":77,"vote_count":8,"poster_path":78,"release_date":79,"vote_average":8,"backdrop_path":80,"original_title":74,"original_language":46},651330,"Kill Your TV: Jim Moir’s Weird World of Video Art","Jim Moir (aka Vic Reeves) explores Video Art, revealing how different generations ‘hacked’ the tools of television to pioneer new ways of creating art that can be beautiful, bewildering and wildly experimental.",[11],0.7004,"\u002Fv0rca7GMZnorrFolEGmZbtF1pR8.jpg","2019-11-24","\u002FYGJqS9ML1S7MGcG0G7DFJcPaQj.jpg",{"id":82,"adult":6,"title":83,"video":6,"overview":84,"softcore":6,"genre_ids":85,"popularity":86,"vote_count":8,"poster_path":87,"release_date":88,"vote_average":8,"backdrop_path":26,"original_title":89,"original_language":90},650932,"The Boundaries","Shenzhen River (the border btw Hong Kong and Shenzhen), and the Second Line of Shenzhen Special Economic Zone (the border between Socialism China and Capitalism China) were compared to the Berlin Wall. The Second Line were constructed June 1982, demolished June 2015. The First Line (Shenzhen River) still flows, running deeper and deeper after 1997. Artist Miaoyuan LONG and Zen LU (the ON\u002FOFF media Group) documented major checkpoints along these two boundaries. It’s a piece to illustrate the Big Escape (Touch Base Policy) from mainland China to Hong Kong during 1950-70’s and the geopolitical history of Shenzhen. The 48min audio-visual live performance version was Official selection of Draft Systems 2017 WRO Media Art Biennale, Poland.",[11],0.2339,"\u002F7Y8jx3ozrrbAkDH4nZwmA71lwH.jpg","2019-11-11","边界计划","zh",{"id":92,"adult":6,"title":93,"video":6,"overview":94,"softcore":6,"genre_ids":95,"popularity":96,"vote_count":8,"poster_path":97,"release_date":98,"vote_average":8,"backdrop_path":26,"original_title":99,"original_language":90},651637,"Rock and Cliff: The Geological Surface of Horn Town","Video essay ‘Rock and Cliff' investigates the creation of Horn Town, a new model village and centre of large scale tourist development, and the experiences of rural residents moved there through government-led displacement. Horn Town is located in Wulong, a rural district near the Three Gorges Dam administered by the Chongqing municipality (a city of 30 million people). Narrated in the style of a science documentary but using local Chongqing dialect, the video brings a geological and topographical perspective to types of 'rocks' found in the area,from mythological stones from a mountain cliff, to ruins of the original settlement, to a stone sculpture from a dubious 'Land Art Biennial', in order to address issues of land acquisition, top-down development and spatial politic.",[11],0.2595,"\u002FhBdh02ZKxpGIPK57vpIK7v0wOXj.jpg","2019-12-02","碛石与危岩：羊角镇的地表现实",{"id":101,"adult":6,"title":102,"video":6,"overview":103,"softcore":6,"genre_ids":104,"popularity":105,"vote_count":42,"poster_path":106,"release_date":107,"vote_average":108,"backdrop_path":109,"original_title":102,"original_language":110},465057,"In continuo","\"In continuo\" uses slaughterhouse imagery to present the warlike nature of man, first depicting the cleaning and mechanical preparations for the slaughterhouse and then the killing, however, the animal slaughter itself isn’t shown.",[11],0.5386,"\u002FaKMSMmM13nccZycgoyhrC0VwuZH.jpg","1971-01-26",6.8,"\u002F9oeZgBiADd5YbIaTIOzfsjqqcra.jpg","it",{"id":112,"adult":6,"title":113,"video":6,"overview":114,"softcore":6,"genre_ids":115,"popularity":116,"vote_count":8,"poster_path":26,"release_date":117,"vote_average":8,"backdrop_path":26,"original_title":113,"original_language":118},639846,"Trópico violeta","Women, landscapes and manifestations of color meet experimentally with the possibilities of the artisanal copying technique on 16mm.",[11],0.3776,"2019-10-08","es",{"id":120,"adult":6,"title":121,"video":6,"overview":122,"softcore":6,"genre_ids":123,"popularity":124,"vote_count":8,"poster_path":125,"release_date":117,"vote_average":8,"backdrop_path":26,"original_title":121,"original_language":126},639849,"La Jardinera","Starting from frame by frame in-camera editing, the film translates a nursery garden from Chillán into a filmic landscape, with a rhythm and structure coming from a personal relationship with color, light and occurrences that took place near the end of the summer at the Olaxis garden. This is the first part of a work which takes reference from Violeta Parra's poetry, created from flowers, plants and certain places of the Ñuble area.",[11],0.2934,"\u002Fq873dypbqytA6VFi5OGglaZ7nak.jpg","xx",{"id":128,"adult":6,"title":129,"video":6,"overview":130,"softcore":6,"genre_ids":131,"popularity":132,"vote_count":42,"poster_path":133,"release_date":134,"vote_average":135,"backdrop_path":26,"original_title":129,"original_language":46},467027,"Like a Dream that Vanishes","\"Like a Dream That Vanishes\" continues Sternberg’s work in film both thematically and formally: the ephemerality of life echoed in the temporal nature of film, as the stuff of life echoed on the energy, life-force in rhythmic light pulses (Your life is like a candle burning). Imageless emulsion is inter-cut with brief shots of natural elements and mise-en-scene of the stages of human life: a little boy runs and falls; teens hang out together at night smoking; sun shines through tree branches; men pace, waiting; flashes of lightning; an elderly man speaks philosophically about miracles.",[11],0.5068,"\u002Fn92Ou73z2hYfHIg7XAipE9FoL6h.jpg","1999-10-01",5.2,{"id":137,"adult":6,"title":138,"video":6,"overview":139,"softcore":6,"genre_ids":140,"popularity":141,"vote_count":33,"poster_path":142,"release_date":143,"vote_average":144,"backdrop_path":145,"original_title":138,"original_language":46},847635,"Hauntology of the Retrodromomania","Hauntology of the Retrodromomania is an essayistic motion picture, a locomotory legwork, a deambulatory non-rural land survey, a casual journeying in a punctual dissertation around the phenomenon of the nostalgic feeling, discoursing on a late capitalistic landscape of social emotions, which are of yore, yet coloured of the postmodern tint of pixelated neo-noir, a socio-philosophical flâneur’s trip in critical theory escorted by the spirits of French post-structuralists. For a Sociology of Nostalgia revisited.",[11],0.2597,"\u002F1fz0YCMKUxH0i0PoiIYXvbxAEEW.jpg","2021-06-08",10,"\u002FmVE1AovJ1QVERrHeCnD3JuCWTkr.jpg",{"id":147,"adult":6,"title":148,"video":6,"overview":149,"softcore":6,"genre_ids":150,"popularity":151,"vote_count":152,"poster_path":153,"release_date":154,"vote_average":155,"backdrop_path":26,"original_title":156,"original_language":157},274986,"A Silent Day","A depiction of a girl’s uneasy state of mind as it wavers between life and death.",[11],0.3811,3,"\u002F451lNCXahjisTRF1PWWl1rCQcEP.jpg","1999-04-26",8.7,"静かな一日","ja",{"id":159,"adult":6,"title":160,"video":6,"overview":161,"softcore":6,"genre_ids":162,"popularity":163,"vote_count":164,"poster_path":165,"release_date":166,"vote_average":31,"backdrop_path":26,"original_title":167,"original_language":46},459656,"Max Ernst: Journey into the Subconscious","The inner world of the great painter Max Ernst is the subject of this film. One of the principal founders of Surrealism, Max Ernst explores the nature of materials and the emotional significance of shapes to combine with his collages and netherworld canvases. The director and Ernst together use the film creatively as a medium to explain the artist's own development.",[11],1.353,2,"\u002F9cI1XOP9BXzndnYhg02mdtf0CgU.jpg","1964-01-01","Max Ernst - Entdeckungsfahrten ins Unbewußte",{"id":169,"adult":6,"title":170,"video":6,"overview":171,"softcore":6,"genre_ids":172,"popularity":173,"vote_count":8,"poster_path":174,"release_date":175,"vote_average":8,"backdrop_path":176,"original_title":170,"original_language":46},1430996,"Animal Eye","Scientists and philosophers work to understand animal vision in this multi textured rumination exploring our relationship to the nonhuman world.",[11],0.3572,"\u002FdTucy22CWOfAkhqkNw4P9Z2ZmTk.jpg","2025-02-28","\u002F28SmZpcsqLnEFhtU14ZBMxi0biS.jpg",{"id":178,"adult":6,"title":179,"video":6,"overview":180,"softcore":6,"genre_ids":181,"popularity":182,"vote_count":8,"poster_path":183,"release_date":184,"vote_average":8,"backdrop_path":26,"original_title":179,"original_language":185},469994,"A Messenger from the Shadows (Notes on Film 06 A\u002FMonologue 01)","Thanks to his myriad film roles, Lon Chaney is known as “the man of a thousand faces,” and you could say that the early horror era never beheld a figure more intriguing. Yet because of his numerous transformations, his face never became as iconic as that of, say, Boris Karloff. Accompanied by a soundtrack from Bernhard Lang, this “re-imagination of shots” taken from Chaney´s forty-six surviving films offers a beguiling excursion into the history of film. The director reveals surprising associations, while highlighting the enduring magic of works which are now more or less forgotten.",[11],0.4993,"\u002FrAQTdjs8iW8EVqplsNYIBN3cSpY.jpg","2013-01-01","de",{"id":187,"adult":6,"title":188,"video":6,"overview":189,"softcore":6,"genre_ids":190,"popularity":192,"vote_count":8,"poster_path":193,"release_date":194,"vote_average":8,"backdrop_path":195,"original_title":188,"original_language":46},851491,"Rummaging for Pasts","Rummaging for Pasts is an experimental juxtaposition of two cinematic documents: the video diary of an international archaeological excavation and a collection of assorted eight millimeter found footage of Indian weddings.",[11,191],36,0.2209,"\u002F9JSZBSUN3hTHlCasRACwfxUnWZv.jpg","2001-11-23","\u002FbqBnotaFwf5Q5qKx2BCwc3Mzm0V.jpg",{"id":197,"adult":6,"title":198,"video":6,"overview":199,"softcore":6,"genre_ids":200,"popularity":201,"vote_count":8,"poster_path":202,"release_date":203,"vote_average":8,"backdrop_path":204,"original_title":198,"original_language":46},463389,"Discovering Buñuel","Luis Bunuel, the father of cinematic Surrealism, made his film debut with 'Un Chien Andalou' in 1929 working closely with Salvador Dali. Considered one of the finest and controversial filmmakers with, 'L’Age d’Or' (1930), attacking the church and the middle classes. He won many awards including Best Director at Cannes for 'Los Olvidados' (1950), and the coveted Palme d’Or for 'Viridiana' (1961), which had been banned in his native Spain. His career moved to France with 'The Diary of a Chambermaid' with major stars such as Jeanne Moreau and Catherine Deneuve.",[11],3.888,"\u002Fi2PN6wQNBCDPloJZo0Jw5rqhtbA.jpg","2012-01-01","\u002F24WFb9w4i9fr2s2QAyTvU8jZDnp.jpg",{"id":206,"adult":6,"title":207,"video":6,"overview":208,"softcore":6,"genre_ids":209,"popularity":210,"vote_count":33,"poster_path":211,"release_date":212,"vote_average":66,"backdrop_path":213,"original_title":207,"original_language":46},455020,"Electro-Pythagorus: A Portrait of Martin Bartlett","Electro-Pythagorus is an intimate and subjective portrait of the late Martin Bartlett, the Canadian electronic music pioneer who studied with Pauline Oliveros, David Tudor, John Cage, and Pandit Pran Nath. His contribution as an interdisciplinary composer, educator, and founding member of Western Front, though undoubtedly extensive, is in danger of being erased from cultural memory since his death from AIDS in 1993.  Navigating an array of archival materials including letters, correspondences, notebooks, personal photos, and a huge body of unreleased music and field recordings held at the archives of Simon Fraser University, Electro-Pythagoras is a journey through the evolution of Bartlett’s musical time and space, softly guided by Luke Fowler’s insightful camera and montage—creating an experimental portrait that defies one-dimensionality.",[11],0.7678,"\u002FhbkFUBza3fgbpHVv9GIQs31yfkD.jpg","2017-02-26","\u002FxOoP9CZB7zURnfNPM0Iep2H3lnR.jpg",{"id":215,"adult":6,"title":216,"video":6,"overview":217,"softcore":6,"genre_ids":218,"popularity":219,"vote_count":8,"poster_path":220,"release_date":221,"vote_average":8,"backdrop_path":26,"original_title":216,"original_language":46},451761,"Popsong","The world appears black on black until it separates from itself, looks at itself, includes itself, and sees colour.",[11],0.6529,"\u002F8vO1t1haYwKrrnrYIy3SzHDPVp7.jpg","2016-10-01",{"id":223,"adult":6,"title":224,"video":6,"overview":225,"softcore":6,"genre_ids":226,"popularity":227,"vote_count":228,"poster_path":229,"release_date":230,"vote_average":231,"backdrop_path":232,"original_title":233,"original_language":185},222,"Berlin: Symphony of a Great City","A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.",[11],2.9944,132,"\u002F1APQoI9PKgZtg6PWZjIbr0U7GvZ.jpg","1927-09-23",7.5,"\u002FlVnUdJ7nqho86UievvSr1LpfU6k.jpg","Berlin, Die Sinfonie der Großstadt",1001,20001,"","The Black Album places scrutiny on the notion of \"Black Excellence\" in a revisionist take.",0.2731,"2023-01-05",[241],"US",{"results":243},{},[],[],[247],{"name":248,"iso_3166_1":241},"United States of America",45,"A documentary story that tends to land well.",[]]