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It was Paik’s own way of summarizing his artistic career with video. The film installation consists of fast-paced and overlapping images that completely cover the gallery walls and ceiling—one of the most under-appreciated parts of architecture, according to Paik. With its electronic visuals and booming audio, interspersed with periods of silence, the immersive installation stands in stark contrast to the experience of its namesake.",[11,61],1.2878,"\u002FeInya8NK8SVNQsyAkiUWA9HuuAH.jpg","1993-10-13","xx",{"id":125,"adult":6,"title":126,"video":6,"overview":127,"softcore":6,"genre_ids":128,"popularity":129,"vote_count":8,"poster_path":130,"release_date":131,"vote_average":8,"backdrop_path":132,"original_title":126,"original_language":55},1642927,"Split","A man in a wheelchair moves through the world. We see what he sees and we see how the world sees him. 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Addressing his motivations and the meaning of this potentially dangerous mechanical art object, Burden discusses such topics as the role of the artist in the industrial world, \"personal insanity and mass insanity,\" and \"man's propensity towards violence.\"",[11],0.3234,"\u002Fq3d3bh9mcXt4dPNVkhQvOrmpdbK.jpg","1980-01-01",{"id":160,"adult":6,"title":161,"video":6,"overview":162,"softcore":6,"genre_ids":163,"popularity":164,"vote_count":8,"poster_path":39,"release_date":165,"vote_average":8,"backdrop_path":39,"original_title":161,"original_language":55},1485399,"Stray Light","A reflection on the iconic headquarters of the Johnson Publishing Company in downtown Chicago. The eleven-story Modernist building on South Michigan Avenue was home to Jet and Ebony magazines since its design in 1971. The building was heralded as the first major downtown Chicago building designed by an African-American architect since the eighteenth century. 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During British rule of Ghana (1821-1957), the colonisers used trains to transport gold and other resources to the coast. Remnants of track now lie abandoned as silent reminders of this history of exploitation. They are ‘scars in the landscape’, in the words of Mahama.  The project brings new energy and self-awareness to local residents. Meanwhile, Mahama reflects on his role as a sought-after artist and builder of local communities.",[11,200],10770,0.1739,"\u002F9s483I63CCERwyzYtwobEIE7fsR.jpg",{"id":204,"adult":6,"title":205,"video":6,"overview":206,"softcore":6,"genre_ids":207,"popularity":208,"vote_count":8,"poster_path":209,"release_date":210,"vote_average":8,"backdrop_path":211,"original_title":205,"original_language":55},1707732,"WHEN CINEMA SPEAKS...","Zineb Sedira pays tribute to the history of African Cinema and the filmmakers who had inspired her.",[11,61],0.3058,"\u002Fibu4GATW8EPFzH1xokj1AEVotQ8.jpg","2026-05-13","\u002FaiSCvlp6UXUNt2GvPFz2dHkOOK7.jpg",{"id":213,"adult":6,"title":214,"video":6,"overview":215,"softcore":6,"genre_ids":216,"popularity":217,"vote_count":8,"poster_path":39,"release_date":218,"vote_average":8,"backdrop_path":39,"original_title":214,"original_language":123},1317367,"Tierra","\"Regina José Galindo’s Tierra (2013) explores connections between the exploitation of labor, resources, and human life in Guatemala. Presented at a larger-than-life scale, Galindo stands naked on a parcel of land that is excavated by an encroaching bulldozer. Conjuring imagery of machine-dug mass graves, the work draws attention to the massacre of hundreds of thousands of Indigenous people, mostly Maya Ixil, during the Guatemalan Civil War (1960–96). As the excavator digs around her, the artist stands fixed and unrelenting.\" - MoMA PS1",[11],0.1963,"2024-04-04",{"id":220,"adult":6,"title":221,"video":6,"overview":59,"softcore":6,"genre_ids":222,"popularity":223,"vote_count":42,"poster_path":224,"release_date":225,"vote_average":226,"backdrop_path":227,"original_title":221,"original_language":228},1745788,"Il Suono Dell'apocalisse",[14,11],0.105,"\u002FgHPrjsxXC5DIrMspXxESypJRZqe.jpg","2026-08-08",8,"\u002FgbZ4Xku21hfcDqO8zWv1SDOcHF5.jpg","it",1001,20001,"In February 2013, the New World Symphony presented Making the Right Choices: A John Cage Centennial Celebration, a spectacular three-day festival dedicated to the music and ideas of John Cage. As part of the festival, NWS hosted a new video installation entitled NWS: 4’33″, created by New York-based composer, director, performer and recording artist Mikel Rouse; which consisted of video performances contributed by Cage fans via a special YouTube site set up by Rouse. The public was invited to record and submit their own video, and visit the installation during the festival to see their work in the SunTrust Pavilion at the New World Center. These videos will be included in an online Archive of the event, a lasting tribute to this defining and seminal artist.",0.2895,"\u002FrZCCgmgnxgI4IfO0sK2QEZJ6RdS.jpg","2013-02-08",[236],"US",{"results":238},{},[240],{"name":241,"iso_639_1":123,"english_name":241},"No Language",[243,246],{"id":244,"name":245,"logo_path":39,"origin_country":59},209029,"eDream Institute",{"id":247,"name":248,"logo_path":39,"origin_country":59},209030,"The National Center for Supercomputing Applications",[250],{"name":251,"iso_3166_1":236},"United States of America",45,"A documentary story that tends to land well.",[]]