[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1057172-en-US":3},{"detail":4,"match":266,"insight":267,"providers":268,"providerLink":6,"trailer":6},{"adult":5,"backdrop_path":6,"belongs_to_collection":6,"budget":7,"genres":8,"homepage":12,"id":13,"imdb_id":14,"origin_country":15,"original_language":17,"original_title":18,"overview":19,"popularity":20,"poster_path":21,"production_companies":22,"production_countries":23,"release_date":24,"revenue":7,"runtime":25,"softcore":5,"spoken_languages":26,"status":27,"tagline":12,"title":18,"video":5,"vote_average":7,"vote_count":7,"credits":28,"similar":68,"watch\u002Fproviders":262,"videos":264},false,null,0,[9],{"id":10,"name":11},99,"Documentary","",1057172,"tt20102440",[16],"US","en","Wonderland of California","Short film made up of various clips showcasing the Cinecolor process, including a visit to a Marx Brothers film set.  Preserved by the Academy Film Archive in partnership with The Film Foundation.",1.0213,"\u002FhfLMi1kFaG0AMPxtWs81V5UfmiX.jpg",[],[],"1933-01-01",7,[],"Released",{"cast":29,"crew":67},[30,40,46,53,60],{"adult":5,"gender":31,"id":32,"known_for_department":33,"name":34,"original_name":34,"popularity":35,"profile_path":36,"cast_id":37,"character":38,"credit_id":39,"order":7},2,10798,"Acting","Groucho Marx",1.3232,"\u002FpJEDzCd8XbvZkOvpn8SKLol5PEE.jpg",1,"Self","638ce67615376c3d9ae17d4e",{"adult":5,"gender":37,"id":41,"known_for_department":33,"name":42,"original_name":42,"popularity":43,"profile_path":44,"cast_id":31,"character":38,"credit_id":45,"order":37},10804,"Margaret Dumont",1.067,"\u002F4NZQ4HmGnT3EptK7J8FyWcf2LMu.jpg","638ce6c1a76ac50096f57091",{"adult":5,"gender":31,"id":47,"known_for_department":33,"name":48,"original_name":48,"popularity":49,"profile_path":50,"cast_id":51,"character":38,"credit_id":52,"order":31},10800,"Harpo Marx",1.5927,"\u002F1IVJmmYcp9XCuALQIRA8peLA6wI.jpg",3,"638ce6c9a76ac500c89ffeba",{"adult":5,"gender":31,"id":54,"known_for_department":33,"name":55,"original_name":55,"popularity":56,"profile_path":57,"cast_id":58,"character":38,"credit_id":59,"order":51},10799,"Chico Marx",1.22,"\u002FskCr15bjcjhCheQMGvE4k3U0LGp.jpg",4,"638ce6d72dc9dc0087e440c4",{"adult":5,"gender":31,"id":61,"known_for_department":33,"name":62,"original_name":62,"popularity":63,"profile_path":64,"cast_id":65,"character":38,"credit_id":66,"order":58},30262,"Robert Greig",0.8038,"\u002F4tOqP4ZmUPwM8MdElXPq01sy2u1.jpg",5,"638ce6e4b09bde00c22fd8cf",[],{"page":37,"results":69,"total_pages":260,"total_results":261},[70,80,89,101,111,120,131,142,150,159,167,176,184,193,201,212,222,231,239,250],{"adult":5,"backdrop_path":71,"genre_ids":72,"id":73,"title":74,"original_language":17,"original_title":74,"overview":75,"popularity":76,"poster_path":77,"release_date":78,"softcore":5,"video":5,"vote_average":79,"vote_count":51},"\u002FkEbYIWjBF2CpaI9Z1GFByltBeDy.jpg",[10],265631,"Sikkim","Satyajit Ray's poetic documentary was commissioned by the Chogyal (King) of Sikkim at a time when he felt the sovereignty of Sikkim was under threat from both China and India. Ray's documentary is about the sovereignty of Sikkim. The film was banned by the government of India when Sikkim merged with India in 1975. The ban was finally lifted by the Ministry of External Affairs in September 2010.  Preserved by the Academy Film Archive in 2007.",0.9079,"\u002F3BgBI2eLjq5avQhQE2s9cR1prQo.jpg","1971-04-01",6.7,{"adult":5,"backdrop_path":6,"genre_ids":81,"id":82,"title":83,"original_language":17,"original_title":83,"overview":84,"popularity":85,"poster_path":86,"release_date":87,"softcore":5,"video":5,"vote_average":88,"vote_count":31},[10],449277,"Manzanar","Short film about the Manzanar Japanese American internment camp.  Preserved by the Academy Film Archive in 2011.",0.9711,"\u002FpB9O0vnVmCj7tobVRG8hVfZr2o3.jpg","1972-01-01",6.5,{"adult":5,"backdrop_path":90,"genre_ids":91,"id":94,"title":95,"original_language":17,"original_title":95,"overview":96,"popularity":97,"poster_path":98,"release_date":99,"softcore":5,"video":5,"vote_average":100,"vote_count":65},"\u002Fq7NYlePdLwkqaBQ8xfL05gu7ECc.jpg",[10,92,93],10752,36,271007,"Appointment in Tokyo","Produced by the Army Pictorial Service, Signal Corps, with the cooperation of the Army Air Forces and the United States Navy, and released by Warner Bros. for the War Activities Committee shortly after the surrender of Japan. Follow General Douglas MacArthur and his men from their exile from the Philippines in early 1942, through the signing of the instrument of surrender on the USS Missouri on September 1, 1945.  Preserved by the Academy Film Archive in 2013.",1.3064,"\u002Fq1qzQP4zR0PbXtTu4gdaGOANrcQ.jpg","1945-12-07",6.4,{"adult":5,"backdrop_path":102,"genre_ids":103,"id":104,"title":105,"original_language":17,"original_title":105,"overview":106,"popularity":107,"poster_path":108,"release_date":109,"softcore":5,"video":5,"vote_average":88,"vote_count":110},"\u002Fe6IPjjDzZDkgdkvxQtCjaVCMYJF.jpg",[10],133,"Primary","Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring.  Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.",1.2873,"\u002FgVloWsthHRlw719vzRWRpBqDM20.jpg","1960-11-08",42,{"adult":5,"backdrop_path":6,"genre_ids":112,"id":113,"title":114,"original_language":17,"original_title":114,"overview":115,"popularity":116,"poster_path":117,"release_date":118,"softcore":5,"video":5,"vote_average":119,"vote_count":51},[10],266491,"The Town","The Town was a short propaganda film produced by the Office of War Information in 1945. It presents an idealized vision of American life, shown in microcosm by Madison, Indiana. It was created primarily for exhibition abroad, to provide international audiences a more well-rounded view of America, and was therefore produced in more than 20 translations.  Preserved by the Academy Film Archive in 2012.",2.438,"\u002FnwLRMuQzdAGVgTwY0kDvDyUXYu7.jpg","1944-01-01",6,{"adult":5,"backdrop_path":121,"genre_ids":122,"id":123,"title":124,"original_language":17,"original_title":124,"overview":125,"popularity":126,"poster_path":127,"release_date":128,"softcore":5,"video":5,"vote_average":129,"vote_count":130},"\u002Fw3dOhwSPOZcZXTzsWURiPyLHfyX.jpg",[10],266697,"God Respects Us When We Work, But Loves Us When We Dance","Les Blank's poetic documentation of 1967's Los Angeles Easter Sunday Love-In.  Preserved by the Academy Film Archive in 2002.",0.9778,"\u002Fws1vAuhGUpZ294RCTfoDsJWDVOL.jpg","1968-10-01",5.7,14,{"adult":5,"backdrop_path":6,"genre_ids":132,"id":134,"title":135,"original_language":17,"original_title":135,"overview":136,"popularity":137,"poster_path":138,"release_date":139,"softcore":5,"video":5,"vote_average":140,"vote_count":141},[10,133],10402,267616,"The Sun's Gonna Shine","A lyrical recreation of Lightnin’ Hopkins’ decision at age eight to stop chopping cotton and start singing for a living.  Preserved by the Academy Film Archive in 2013.",1.2371,"\u002FeDKUNWVQNpSin7aLS9oMmeWbyC9.jpg","1969-01-02",6.9,8,{"adult":5,"backdrop_path":6,"genre_ids":143,"id":144,"title":145,"original_language":17,"original_title":145,"overview":146,"popularity":147,"poster_path":148,"release_date":149,"softcore":5,"video":5,"vote_average":79,"vote_count":51},[10],270251,"Showman","Albert and David Maysles (Gimme Shelter) directed this 53-minute documentary about movie tycoon Joseph E. Levine (1963).",0.9654,"\u002FsF5OBUYv9mOnjyukh8XRoCJc9L0.jpg","1963-01-02",{"adult":5,"backdrop_path":6,"genre_ids":151,"id":152,"title":153,"original_language":17,"original_title":153,"overview":154,"popularity":155,"poster_path":6,"release_date":156,"softcore":5,"video":5,"vote_average":157,"vote_count":158},[10],263125,"Deus Ex","I have been many times very ill in hospitals; and I drew on all that experience while making DEUX EX.",0.5921,"1971-09-19",5.3,11,{"adult":5,"backdrop_path":6,"genre_ids":160,"id":161,"title":162,"original_language":17,"original_title":162,"overview":163,"popularity":164,"poster_path":165,"release_date":166,"softcore":5,"video":5,"vote_average":79,"vote_count":51},[10],277664,"The Art Director","A film's art director is in charge of the set, from conception to construction to furnishing. This short film walks the viewer through art directors' responsibilities and the demands on their talents. They read a script carefully and design a set to capture the time and place, the social strata, and the mood. They must be scholars of the history of architecture, furnishings, and fashion. They choose the colors on a set in anticipation of the lighting and the mood. Their work also sets styles, from Art Deco in the 20's to 30s modernism. Then it's on to the next project.  Preserved by the Academy Film Archive in 2012.",3.0705,"\u002F57b5sX4bRqKvkaVBXYL627R2Mpp.jpg","1949-11-12",{"adult":5,"backdrop_path":6,"genre_ids":168,"id":169,"title":170,"original_language":171,"original_title":170,"overview":172,"popularity":173,"poster_path":174,"release_date":175,"softcore":5,"video":5,"vote_average":157,"vote_count":119},[10],279200,"Gyromorphosis","xx","According to the director, \"Gyromorphosis strives to bring into actuality the inherent kinetic qualities seen in the construction-sculpture of Constant Nieuwenhuys of Amsterdam. To realize this aim I have put into motion, one by one, pieces of this sculpture and, with colored lighting, filmed them in various detail, overlaying the images on the film as they appear and disappear. In this way, I have hoped to produce sensations of acceleration and suspension which are suggested to me by the sculpture itself.\"",0.9418,"\u002F5MJAImSRuKiCfh4osc4j4UBya9e.jpg","1954-12-01",{"adult":5,"backdrop_path":6,"genre_ids":177,"id":178,"title":179,"original_language":17,"original_title":179,"overview":180,"popularity":181,"poster_path":6,"release_date":182,"softcore":5,"video":5,"vote_average":183,"vote_count":37},[10],655309,"Seeing Them Through","Documentary short film reporting on the activities of the American Red Cross and the useage made of contributed funds for the previous year.  Preserved by the Academy Film Archive in 2012.",0.6573,"1945-02-01",10,{"adult":5,"backdrop_path":6,"genre_ids":185,"id":186,"title":187,"original_language":188,"original_title":189,"overview":190,"popularity":191,"poster_path":6,"release_date":192,"softcore":5,"video":5,"vote_average":25,"vote_count":37},[10],478966,"It's Up To You","de","Es liegt an Dir","A historical film contrasting the two Germanies – the good and the evil – which struggled for power between the two world wars.",0.8277,"1948-05-28",{"adult":5,"backdrop_path":6,"genre_ids":194,"id":195,"title":196,"original_language":188,"original_title":197,"overview":198,"popularity":199,"poster_path":6,"release_date":200,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],480084,"Between East and West","Zwischen Ost und West","Short by Stuart Schulberg.  Preserved by the Academy Film Archive.",0.7378,"1949-06-09",{"adult":5,"backdrop_path":202,"genre_ids":203,"id":204,"title":205,"original_language":17,"original_title":205,"overview":206,"popularity":207,"poster_path":208,"release_date":209,"softcore":5,"video":5,"vote_average":210,"vote_count":211},"\u002FpVspyFNl8uE8jAoY3C973XkjTgB.jpg",[10],33324,"Harlan County U.S.A.","A heartbreaking record of the thirteen-month struggle between a community fighting to survive and a corporation dedicated to the bottom line.",2.2406,"\u002F4TQwyqULcE87BHCOIt7NvCEzfQi.jpg","1976-10-15",7.6,124,{"adult":5,"backdrop_path":213,"genre_ids":214,"id":215,"title":216,"original_language":17,"original_title":216,"overview":217,"popularity":218,"poster_path":219,"release_date":220,"softcore":5,"video":5,"vote_average":210,"vote_count":221},"\u002FpkqLvkkRJOPVE1hadZJOvBFtweC.jpg",[10],38616,"Marjoe","Part documentary, part expose, this film follows one-time child evangelist Marjoe Gortner on the \"church tent\" Revivalist circuit, commenting on the showmanship of Evangelism and \"the religion business\", prior to the start of \"televangelism\".  Preserved by the Academy Film Archive in 2005.",1.689,"\u002FfVSNmaflCEso1i9JAlJmQdJvUnf.jpg","1972-07-24",35,{"adult":5,"backdrop_path":6,"genre_ids":223,"id":224,"title":225,"original_language":17,"original_title":225,"overview":226,"popularity":227,"poster_path":228,"release_date":229,"softcore":5,"video":5,"vote_average":230,"vote_count":119},[92,10,130],485532,"Food and Magic","A sideshow barker uses magic and visual aids to alert the public that proper food management is both a resource and a weapon that could be to America's advantage if conserved properly in winning the then current World War.  Preserved by the Academy Film Archive, Academy War Film Collection, in 2008.",0.9204,"\u002FgmZ70JypYxSPRb5JcaeAmbPLLQV.jpg","1943-11-18",5.8,{"adult":5,"backdrop_path":232,"genre_ids":233,"id":234,"title":235,"original_language":17,"original_title":235,"overview":236,"popularity":107,"poster_path":237,"release_date":238,"softcore":5,"video":5,"vote_average":100,"vote_count":141},"\u002FyCE8XF41KGALs5y5g8ypuxw1VaR.jpg",[10],296294,"The Wormwood Star","A portrait of artist, actress, poet and occultist Marjorie Cameron, presenting images of her paintings and recitations of her poems.","\u002F6Q3lEkW9WKVVbou16U8Qsw1qA8g.jpg","1956-01-01",{"adult":5,"backdrop_path":240,"genre_ids":241,"id":243,"title":244,"original_language":17,"original_title":244,"overview":245,"popularity":246,"poster_path":247,"release_date":248,"softcore":5,"video":5,"vote_average":249,"vote_count":119},"\u002F5RRxTaqdDKAmTJewqNTaeOTGlQH.jpg",[10,242],16,489179,"No No Nooky T.V.","NO NO NOOKY TV posits sexuality to be a social construct in a \"sex-text\" of satiric graphic representation of \"dirty pictures.\" Made on an Amiga Computer and shot in 16mm film, NO NO NOOKY TV confronts the feminist controversy around sexuality with electronic language, pixels and interface. Even the monitor is eroticized in this film\u002Fvideo hybrid that points fun at romance, sexuality, and love in our post-industrial age.  Preserved by the Academy Film Archive in 2017.",0.897,"\u002FdaKbDINQjn0zNZETozps3TeyDaB.jpg","1987-01-01",6.8,{"adult":5,"backdrop_path":251,"genre_ids":252,"id":253,"title":254,"original_language":17,"original_title":254,"overview":255,"popularity":256,"poster_path":257,"release_date":258,"softcore":5,"video":5,"vote_average":210,"vote_count":259},"\u002Ft5dzF5wHcra6cBsqMC8n5KeR25R.jpg",[10,92],42449,"Hearts and Minds","Many times during his presidency, Lyndon B. Johnson said that ultimate victory in the Vietnam War depended upon the U.S. military winning the \"hearts and minds\" of the Vietnamese people. Filmmaker Peter Davis uses Johnson's phrase in an ironic context in this anti-war documentary, filmed and released while the Vietnam War was still under way, juxtaposing interviews with military figures like U.S. Army Chief of Staff William C. Westmoreland with shocking scenes of violence and brutality.",2.2157,"\u002FyXnpP2RAZbG3DQufUGcOM5hU4cF.jpg","1974-12-20",96,1001,20001,{"results":263},{},{"results":265},[],45,"A documentary story that tends to land well.",[]]