[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1058033-en-US":3},{"detail":4,"match":257,"insight":258,"providers":259,"providerLink":27,"trailer":27},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":36,"revenue":23,"runtime":37,"similar":38,"tagline":110,"homepage":110,"overview":236,"softcore":6,"popularity":237,"vote_count":23,"poster_path":238,"release_date":239,"vote_average":23,"backdrop_path":27,"origin_country":240,"original_title":7,"watch\u002Fproviders":242,"spoken_languages":251,"original_language":63,"production_companies":252,"production_countries":256,"belongs_to_collection":27},1058033,false,"The Sun Never Sets",75000,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19,29,33],{"id":20,"job":21,"name":22,"adult":6,"gender":23,"credit_id":24,"department":25,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":28},3527936,"Director","Ben Daitz",0,"638f6a46196757026ca54937","Directing",0.2993,null,"Writing",{"id":20,"job":30,"name":22,"adult":6,"gender":23,"credit_id":31,"department":32,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":28},"Producer","638f6a74d388ae008c722c7e","Production",{"id":20,"job":34,"name":22,"adult":6,"gender":23,"credit_id":35,"department":28,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":28},"Writer","638f6a51ca0e170090daa63f","tt2758738",54,{"page":39,"results":40,"total_pages":234,"total_results":235},1,[41,54,64,74,83,94,103,111,121,130,139,147,155,164,174,183,195,204,217,225],{"id":42,"adult":6,"title":43,"video":6,"overview":44,"softcore":6,"genre_ids":45,"popularity":46,"vote_count":47,"poster_path":48,"release_date":49,"vote_average":50,"backdrop_path":51,"original_title":52,"original_language":53},1045175,"Infinity: The Universe of Luigi Ghirri","In this poetic portrayal of Luigi Ghirri (1943–1992), a master of contemporary photography, the director gives voice and, in particular the image, to the protagonist. The photographer takes the audience on a tour of the outskirts of daily life as seen from the corner of his eye, the area in between what is artificial and authentic or grand and small – the meso-scale.",[11],0.6761,2,"\u002FbfiqK8KunlXoh02BjxG30xAdsiu.jpg","2022-10-15",8,"\u002FwZTzeBJ5Cdhf0CWpNV38mcT7fz9.jpg","Infinito. 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This is a snapshot of her mind and what it feels like to run a campaign in an overlooked place.",[11],0.8009,"\u002FyuMsg872cHOfdXXTLdPUvOTS9tX.jpg","2021-12-17","\u002FpdCPAiyAiSfDglSDhnhyHkORbrs.jpg",{"id":84,"adult":6,"title":85,"video":6,"overview":86,"softcore":6,"genre_ids":87,"popularity":89,"vote_count":23,"poster_path":90,"release_date":91,"vote_average":23,"backdrop_path":27,"original_title":92,"original_language":93},1055165,"Resistance, Why?","In 1970, Christian Ghazi and Noureddine Chatti met with a number of Arab political figures, especially Palestinians residing in Lebanon, resulting in this piece of armed (alternative or third) cinema that captures a crucial cross-section of the Palestinian resistance in Lebanon in 1970. The film features footage of Ghassan Kanafani, Sadiq Jalal El-Azm, Nabil Shaath and other personalities who share their vision of the Palestinian revolution, tracing its history back to the early 20th century. These testimonies describe the numerous strikes and popular protests that took place in Palestine under the Ottoman occupation, followed by the British colonization and the settlement of the Jewish state in 1948. They enumerate the objectives of the struggle, emphasising the necessity for a free and democratic Palestine, defended through armed or non-armed struggle by all its citizens, men and women of various affiliations.",[11,88],36,0.7957,"\u002F1SR2BPM5yORYWuxd0ytCD5Lgzvl.jpg","1971-10-04","لماذا المقاومة","ar",{"id":95,"adult":6,"title":96,"video":6,"overview":97,"softcore":6,"genre_ids":98,"popularity":99,"vote_count":23,"poster_path":100,"release_date":101,"vote_average":23,"backdrop_path":27,"original_title":102,"original_language":63},296182,"Ulrich Seidl - A Director at Work","This cinematic portrait shows the Austrian filmmaker Ulrich Seidl at work. The much-discussed ‘Seidl method’ is conveyed here vividly and directly: The camera watches over Seidl’s shoulder during the filming of his new production IM KELLER, and observes him at the rehearsals for his latest theatre production ‘Böse Buben \u002F Fiese Männer’. The film paints the picture of a fascinating and exceptional artist using a combination of extensive interviews and excerpts from earlier works.",[11],1.469,"\u002FryxDHKfXW0JLNh8tJ3w9wiLNl41.jpg","2014-10-05","Ulrich Seidl und die bösen Buben",{"id":104,"adult":6,"title":105,"video":6,"overview":106,"softcore":6,"genre_ids":107,"popularity":108,"vote_count":23,"poster_path":109,"release_date":110,"vote_average":23,"backdrop_path":27,"original_title":105,"original_language":73},1250667,"Oh sirop","Sugaring time marks the end of the Quebec winter, and the traditions associated with this highlight of the year are centered around the sugar shack. The production of maple syrup, as much as the gatherings it causes, has been anchored in Quebec culture for hundreds of years, and the transmission of the know-how it requires is more often than not a story of family. Our meeting with 5 Quebec families producing maple syrup, professionally or artisanally, highlights this tradition which is still evident and lived today. From tapping trees to manufacturing maple products, Oh Sirop is interested in maple growing practices that are part of history, which are passed down and adapted from generation to generation.",[11],0.4296,"\u002FeQYEDATnpBvnf4pLrYDVhxouONJ.jpg","",{"id":112,"adult":6,"title":113,"video":6,"overview":114,"softcore":6,"genre_ids":115,"popularity":116,"vote_count":23,"poster_path":117,"release_date":118,"vote_average":23,"backdrop_path":119,"original_title":113,"original_language":120},1636159,"Träume und andere Realitäten: Rückblick auf 30 Jahre junge Welt","The film looks both back and forward, examining traditions, ruptures, and reinventions. It recounts the struggle for survival in the years following German reunification, the unique role of *junge Welt* as a national Marxist daily newspaper, and its place within the Left movement—as well as the repression, resistance, and visions for the future it has encountered. 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The documentary follows Petti as he documents the circumstances surrounding the expansion, the project's transition to a hot-button political issue, and the broader impact on riders who depend on the various systems every day. It also explores themes of retaining optimism and taking charge for change in the transit system in the face of cynicism.",[11],1.1513,"\u002Fvwun7vGrIIkJXpyJfwhL9rcyGAt.jpg","2026-07-11","\u002Fb7UQgwyDgfhyZjPojLePywAujKL.jpg",{"id":165,"adult":6,"title":166,"video":6,"overview":167,"softcore":6,"genre_ids":168,"popularity":170,"vote_count":23,"poster_path":171,"release_date":172,"vote_average":23,"backdrop_path":173,"original_title":166,"original_language":63},285368,"My Survival as an Aboriginal","Essie Coffey gives the children lessons on Aboriginal culture. She speaks of the importance of teaching these kids about their traditions. Aboriginal kids are forgetting about their Aboriginal heritage because they are being taught white culture instead.",[11,169,88],10751,0.7309,"\u002FkOBhbf0SN9xxNgxXD6tvYqWbIcf.jpg","1979-07-10","\u002FhwMYCGRHdrM4F8dsH8Sq7hUi0Ry.jpg",{"id":175,"adult":6,"title":176,"video":6,"overview":177,"softcore":6,"genre_ids":178,"popularity":180,"vote_count":23,"poster_path":181,"release_date":182,"vote_average":23,"backdrop_path":27,"original_title":176,"original_language":63},658804,"Albert Maysles: The Poetic Eye","A delve into the character and life of Albert Maysles, who, alongside his brother David, created some of the most well-known and iconic documentaries of the 20th century. 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Under the title 'The Changing face of Salford', the film was in two parts: 'Life in the slums' and 'Bloody slums'.",[11],0.5887,"\u002F2tHESu4Vb8LJoDxmdNURt3AauM5.jpg","\u002F6XXqD5tFm1tsPJEJAr7MLCpk74t.jpg",{"id":226,"adult":6,"title":227,"video":6,"overview":228,"softcore":6,"genre_ids":229,"popularity":230,"vote_count":23,"poster_path":231,"release_date":232,"vote_average":23,"backdrop_path":233,"original_title":227,"original_language":63},1615976,"Currently Spinning","A look into the world of a record shop",[11],1.2851,"\u002F5Qb7l5BOHc1ztQLFgJjtlN657Bc.jpg","2026-01-30","\u002FsRWvuPJv8tXyrK4cYtDS7ft7Zcl.jpg",1001,20001,"Smithsonian Magazine once asked the rhetorical question, 'Can a weekly paper in rural New Mexico raise enough hell to keep its readers hungry for more, week after week?' The Rio Grande Sun, published in Espanola, New Mexico is considered one of the best weekly newspapers in the country. The Sun is known for its investigative reporting. It broke the story that its own rural community had the highest per capita heroin overdose rate in the country. It has led the fight for open records and open meetings in a county where political shenanigans are the rule. The film follows the Sun's reporters and editors as they write about the news, the sports, the art and culture of a large rural county. John Burnett, an NPR correspondent, reports on the Sun's Police Blotter--'the best in the country.' Tony Hillerman, the celebrated author and newspaper editor, speaks eloquently about the value of community newspapers. 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