[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1061254-en-US":3},{"detail":4,"match":260,"insight":261,"providers":262,"providerLink":6,"trailer":263},{"adult":5,"backdrop_path":6,"belongs_to_collection":6,"budget":7,"genres":8,"homepage":12,"id":13,"imdb_id":14,"origin_country":15,"original_language":17,"original_title":18,"overview":19,"popularity":20,"poster_path":21,"production_companies":22,"production_countries":26,"release_date":27,"revenue":7,"runtime":28,"softcore":5,"spoken_languages":29,"status":30,"tagline":12,"title":18,"video":5,"vote_average":31,"vote_count":32,"similar":33,"watch\u002Fproviders":237,"videos":239,"credits":249},false,null,0,[9],{"id":10,"name":11},99,"Documentary","",1061254,"tt0221379",[16],"US","en","Mardi Gras Carnival","The film is part of Eye Filmmuseum’s Mutoscope and Biograph Collection. This collection consists of about 200 films preserved on their original 68 mm format. The digital file provided is scanned in 2022 at Eye Collection Center, from the 35 mm duplicate negative that was made in 1998. After the first analogue preservation round made 25 years ago, Eye is now undertaking the digital restoration of the Mutoscope & Biograph Collection. “Mardi Gras Carnival” became the focus of attention, thanks to its inclusion within ‘The Artistry of REX’ exhibition, that opened in the summer of 2022 at the Louisiana State Museum.",0.6017,"\u002F2NAfrNMyfd3L3p3VuNuBjKvwfbS.jpg",[23],{"id":24,"logo_path":6,"name":25,"origin_country":16},13131,"American Mutoscope & Biograph",[],"1898-02-16",2,[],"Released",6.6,7,{"page":34,"results":35,"total_pages":235,"total_results":236},1,[36,47,54,63,73,84,95,104,113,121,131,141,152,161,172,183,194,205,213,223],{"adult":5,"backdrop_path":6,"genre_ids":37,"id":39,"title":40,"original_language":17,"original_title":40,"overview":41,"popularity":42,"poster_path":43,"release_date":44,"softcore":5,"video":5,"vote_average":45,"vote_count":46},[10,38],10402,267616,"The Sun's Gonna Shine","A lyrical recreation of Lightnin’ Hopkins’ decision at age eight to stop chopping cotton and start singing for a living.  Preserved by the Academy Film Archive in 2013.",0.8469,"\u002FeDKUNWVQNpSin7aLS9oMmeWbyC9.jpg","1969-01-02",6.9,8,{"adult":5,"backdrop_path":6,"genre_ids":48,"id":49,"title":50,"original_language":17,"original_title":50,"overview":51,"popularity":52,"poster_path":6,"release_date":53,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],651086,"Atol","A documentary abstraction recorded at night in Los Angeles backed by the music of Stockhausen. It is a preliminary effort to organise camera and audio images through a cybernetic editing model and a digital computer.  Preserved by the Academy Film Archive in 2013.",0.4903,"1966-01-01",{"adult":5,"backdrop_path":6,"genre_ids":55,"id":56,"title":57,"original_language":17,"original_title":57,"overview":58,"popularity":59,"poster_path":60,"release_date":61,"softcore":5,"video":5,"vote_average":62,"vote_count":34},[10],285641,"On the Pole: Eddie Sachs","A direct-cinema portrait of Indianapolis 500 driver Eddie Sachs, filmed before, during, and after the 1960 race as he competes from pole position. Using pioneering mobile camera and sound techniques, the film captures the psychological intensity of racing and the personal cost of high-speed competition.",1.1652,"\u002F89pZDRcsKcLcc3y8NxhAaEzhqea.jpg","1961-08-31",10,{"adult":5,"backdrop_path":6,"genre_ids":64,"id":65,"title":66,"original_language":17,"original_title":66,"overview":67,"popularity":68,"poster_path":69,"release_date":70,"softcore":5,"video":5,"vote_average":71,"vote_count":72},[10],277664,"The Art Director","A film's art director is in charge of the set, from conception to construction to furnishing. This short film walks the viewer through art directors' responsibilities and the demands on their talents. They read a script carefully and design a set to capture the time and place, the social strata, and the mood. They must be scholars of the history of architecture, furnishings, and fashion. They choose the colors on a set in anticipation of the lighting and the mood. Their work also sets styles, from Art Deco in the 20's to 30s modernism. Then it's on to the next project.  Preserved by the Academy Film Archive in 2012.",2.2021,"\u002F57b5sX4bRqKvkaVBXYL627R2Mpp.jpg","1949-11-12",6.7,3,{"adult":5,"backdrop_path":74,"genre_ids":75,"id":77,"title":78,"original_language":17,"original_title":78,"overview":79,"popularity":80,"poster_path":81,"release_date":82,"softcore":5,"video":5,"vote_average":32,"vote_count":83},"\u002FpXC7DjLo5ayYpqLcnj1fAxzP4Wc.jpg",[10,76],35,99189,"Werner Herzog Eats His Shoe","Werner Herzog fulfills a bet he made with his assistant Errol Morris to inspire him to complete his first feature film, \"Gates of Heaven\".",2.1437,"\u002FvUJ2HJN74q4niaaEmH74AaFE3T8.jpg","1980-02-19",74,{"adult":5,"backdrop_path":85,"genre_ids":86,"id":87,"title":88,"original_language":17,"original_title":88,"overview":89,"popularity":90,"poster_path":91,"release_date":92,"softcore":5,"video":5,"vote_average":93,"vote_count":94},"\u002FgO9FMcemVlZDDdnc3oUOU39LiwV.jpg",[10],123398,"Who Killed Vincent Chin?","This film recounts the murder of Vincent Chin, an automotive engineer mistaken as Japanese who was slain by an assembly line worker who blamed him for the competition by the Japanese auto makers that were threatening his job. It then recounts how that murderer escaped justice in the court system.  Restored by the Academy Film Archive and The Film Foundation, in association with the Museum of Chinese in America. Restoration funding provided by the Hobson\u002FLucas Family Foundation, with additional support provided by Todd Phillips.",1.0487,"\u002FtZcnNgeHoBti6EAe4HEEgwTw5Kd.jpg","1987-03-11",6.8,5,{"adult":5,"backdrop_path":6,"genre_ids":96,"id":97,"title":98,"original_language":17,"original_title":98,"overview":99,"popularity":100,"poster_path":6,"release_date":101,"softcore":5,"video":5,"vote_average":102,"vote_count":103},[10],123916,"()","P. Adams Sitney, Professor of Visual Art at Princeton University, wrote a short essay for Artforum International \"Medium Shots: the films of Morgan Fisher\" in which he describes the film \"().\" \"Fisher's most recent film, (), succeeds astonishingly where Frampton's parallel effort, Hapax Legomena: Remote Control (1972) failed; it uses aleatory methods to release the narrative unconscious of a set of randomly selected films. () is made up entirely of \"inserts\" from feature films organized according to Oulipian principles. Inserts were usually shot by assistants when star actors, large crews, or expensive sets were not needed. These include details of weapons, wounds, letters, signs, tombstones, machinery, games of chance, timepieces, money, and even intimate caresses.",0.4407,"2003-10-18",6.2,9,{"adult":5,"backdrop_path":6,"genre_ids":105,"id":106,"title":107,"original_language":17,"original_title":107,"overview":108,"popularity":109,"poster_path":110,"release_date":111,"softcore":5,"video":5,"vote_average":112,"vote_count":34},[10],382414,"Angel Blue Sweet Wings","An experimental film poem in celebration of life and visions. Techniques include live action, animation, montage and found images.  Preserved by the Academy Film Archive in 2011.",0.5499,"\u002FgVtazXQfXtzF6SaEEHHFQkpBlsD.jpg","1966-02-12",6,{"adult":5,"backdrop_path":6,"genre_ids":114,"id":115,"title":116,"original_language":17,"original_title":116,"overview":117,"popularity":118,"poster_path":119,"release_date":120,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],382415,"Waterfall","A film poem using found film and stock footage altered by printing, home development and solarization. It is a film using visual relationships to invoke a feeling of flow and movement.  Preserved by the Academy Film Archive in partnership with National Film Preservation Foundation in 2011.",0.6157,"\u002F3P7oSF2v0DP18n6qJjjtbOEqjY2.jpg","1968-02-12",{"adult":5,"backdrop_path":6,"genre_ids":122,"id":123,"title":124,"original_language":17,"original_title":124,"overview":125,"popularity":126,"poster_path":127,"release_date":128,"softcore":5,"video":5,"vote_average":129,"vote_count":130},[10],129532,"Castro Street","Inspired by a lesson from Erik Satie, a film in the form of a street: Castro Street, running by the Standard Oil Refinery in Richmond, California.",1.5458,"\u002Fkych8w0YWnBjiHb7Y37IgJSk70a.jpg","1966-08-10",6.1,31,{"adult":5,"backdrop_path":6,"genre_ids":132,"id":134,"title":135,"original_language":17,"original_title":135,"overview":136,"popularity":137,"poster_path":138,"release_date":139,"softcore":5,"video":5,"vote_average":112,"vote_count":140},[10,133],16,93507,"Permutations","An experimental short film by John Whitney Sr. which combines animated shapes and colors; Computer graphics as dynamic, swirling art.  Preserved by the Academy Film Archive in 2014.",1.2783,"\u002F50blpQQfZcyF0vOcqGJuVLWPncE.jpg","1968-12-21",19,{"adult":5,"backdrop_path":142,"genre_ids":143,"id":144,"title":145,"original_language":17,"original_title":145,"overview":146,"popularity":147,"poster_path":148,"release_date":149,"softcore":5,"video":5,"vote_average":150,"vote_count":151},"\u002FiKBt1UeAKah43uAC4dsMjHVh6dP.jpg",[10],97509,"Cat's Cradle","Images of two women, two men, and a gray cat form a montage of rapid bits of movement. A woman is in a bedroom, another wears an apron: they work with their hands, occasionally looking up. A man enters a room, a woman smiles. He sits, another man sits and smokes. The cat stretches. There are close-ups of each. The light is dim; a filter accentuates red. A bare foot stands on a satin sheet. A woman disrobes. She pets the cat.  Preserved by the Academy Film Archive in 2006.",0.9281,"\u002F9mTKvJp3ktjmeO3xGyX9rrwdUHO.jpg","1959-01-01",5.9,40,{"adult":5,"backdrop_path":153,"genre_ids":154,"id":155,"title":156,"original_language":17,"original_title":156,"overview":157,"popularity":158,"poster_path":159,"release_date":160,"softcore":5,"video":5,"vote_average":45,"vote_count":83},"\u002FbaeDIDBPQBAo7kJflesefDsLipN.jpg",[10],97513,"Window Water Baby Moving","On a winter's day, a woman stretches near a window then sits in a bathtub of water. She's happy. Her lover is nearby; there are close ups of her face, her pregnant belly, and his hands caressing her. She gives birth: we see the crowning of the baby's head, then the birth itself; we watch a pair of hands tie off and cut the umbilical cord. With the help of the attending hands, the mother expels the placenta. The infant, a baby girl, nurses. We return from time to time to the bath scene. By the end, dad's excited; mother and daughter rest.",1.2416,"\u002FcDGJ3vy1WIBCKfZkeqpBYu0Ava4.jpg","1959-08-02",{"adult":5,"backdrop_path":162,"genre_ids":163,"id":164,"title":165,"original_language":166,"original_title":167,"overview":168,"popularity":169,"poster_path":170,"release_date":171,"softcore":5,"video":5,"vote_average":129,"vote_count":32},"\u002F58ZSgzvPWdG2u5MAyMgPgG87KQw.jpg",[10],118881,"The Olympics in Mexico","es","Olimpiada en México","Documentary about the XIX Olympic Games in Mexico City in 1968.  Preserved by the Academy Film Archive in partnership with Sony Pictures Entertainment in 1999.",0.7635,"\u002FoevlgUEXXkfWsYmp8eit8pzxIwH.jpg","1969-08-29",{"adult":5,"backdrop_path":173,"genre_ids":174,"id":176,"title":177,"original_language":17,"original_title":177,"overview":178,"popularity":179,"poster_path":180,"release_date":181,"softcore":5,"video":5,"vote_average":182,"vote_count":112},"\u002FmMOY4eoYgZw6f2WaNrC6azPmGCV.jpg",[10,175],10770,379895,"Adventures on the New Frontier","A look at the daily business of U.S. President John F. Kennedy, with a focus on some of the political issues he faces six weeks into his term.  Preserved by the Academy Film Archive in 2007.",1.7285,"\u002FdNLfaxKFBxwCPvHvowbEjkkf5JG.jpg","1961-03-28",5.5,{"adult":5,"backdrop_path":184,"genre_ids":185,"id":186,"title":187,"original_language":17,"original_title":187,"overview":188,"popularity":189,"poster_path":190,"release_date":191,"softcore":5,"video":5,"vote_average":192,"vote_count":193},"\u002FrJePnjeUmZ1znNGASCsbzkipSEc.jpg",[10],92215,"Scared Straight!","The filmed depiction of a program where convicts tell troubled kids about the horrors of prison life.  Preserved by the Academy Film Archive in 2007.",2.0319,"\u002FgZsuFndUZlf12g71enRaO3y7vjq.jpg","1978-11-02",7.5,14,{"adult":5,"backdrop_path":195,"genre_ids":196,"id":198,"title":199,"original_language":17,"original_title":199,"overview":200,"popularity":201,"poster_path":202,"release_date":203,"softcore":5,"video":5,"vote_average":45,"vote_count":204},"\u002Fl6od0iSA0qSqE7dClouW7VtalDd.jpg",[10,197],10752,101586,"With the Marines at Tarawa","Documentary short film depicting the harrowing battle between the U.S. Marines and the Japanese for control of the Pacific island of Tarawa.  Preserved by the Academy Film Archive in partnership with National Archives and Records Administration in 2005.",1.4551,"\u002Flxe4nBCQFRfEhn19a9VNpcXqhcC.jpg","1944-03-02",12,{"adult":5,"backdrop_path":6,"genre_ids":206,"id":207,"title":208,"original_language":17,"original_title":208,"overview":209,"popularity":210,"poster_path":211,"release_date":212,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],546500,"Al Neil: A Portrait","An award winning 45-minute film portrait of Al Neil’s life, music and art.  Preserved by the Academy Film Archive in 2013.",0.7871,"\u002F3A0nKn8RdGNJZ4ecyRvn0JxVnw6.jpg","1979-01-01",{"adult":5,"backdrop_path":214,"genre_ids":215,"id":216,"title":217,"original_language":17,"original_title":217,"overview":218,"popularity":219,"poster_path":220,"release_date":221,"softcore":5,"video":5,"vote_average":32,"vote_count":222},"\u002F7fdQDgaUtEVQK1HCdf4fMzjo2Nz.jpg",[10],111793,"Crossroads","The 1945 atomic-bomb explosion at Bikini Atoll becomes a thing of terrible beauty and haunting visual poetry when shown in extreme slow motion, shown from 27 different angles, and accompanied by avant-garde Western classical music composed for electric organ by Terry Riley.  Preserved by the Academy Film Archive in partnership with Pacific Film Archive in 1995.",1.5819,"\u002Fe2S3Ia3g5SHlioqMvcQKtvsJP7P.jpg","1976-03-30",21,{"adult":5,"backdrop_path":224,"genre_ids":225,"id":226,"title":227,"original_language":228,"original_title":229,"overview":230,"popularity":231,"poster_path":232,"release_date":233,"softcore":5,"video":5,"vote_average":31,"vote_count":234},"\u002FdzJPkdl5B3m4qthk2zyZgSafTvM.jpg",[10],91288,"World Without Sun","fr","Le monde sans soleil","Fascinating underwater documentary filmed with hand-held cameras by frogmen and mostly filmed in deep-water seas from within a special designed batiscaff, by the Cousteau family of sea explorers.  Preserved by the Academy Film Archive in 2010.",1.368,"\u002Ffvgkry9Nnp9vmLjDvCssMHdV0J4.jpg","1964-09-30",17,1001,20001,{"results":238},{},{"results":240},[241],{"iso_639_1":17,"iso_3166_1":16,"name":242,"key":243,"site":244,"size":245,"type":246,"official":5,"id":247,"published_at":248},"Mardi Gras Carnival 1898","65DpZ_0nByE","YouTube",1080,"Clip","639c86aa93db92008cee49bc","2022-06-30T08:54:40.000Z",{"cast":250,"crew":251},[],[252],{"adult":5,"gender":7,"id":253,"known_for_department":254,"name":255,"original_name":255,"popularity":256,"profile_path":257,"credit_id":258,"department":254,"job":259},1090565,"Directing","Frederick S. Armitage",0.4685,"\u002FqfpTe72CKZnkAw4CK4U1LFnJmO6.jpg","66e754693768a73f8d919246","Director",45,"A documentary story that tends to land well.",[],{"iso_639_1":17,"iso_3166_1":16,"name":242,"key":243,"site":244,"size":245,"type":246,"official":5,"id":247,"published_at":248}]