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After recognizing that his land, always under siege, is hopelessly doomed to be conquered, Sultan Yusuf I undertakes the construction of a magnificent fortress with the purpose of turning it into the landmark of his civilization and his history, a glorious monument that will survive the oblivion of the coming centuries: the Alhambra.",1.3033,"\u002FhdLbAKNUfJhBlcMNY4xYCR2jXKl.jpg","2022-11-24",7.1,8,{"adult":5,"backdrop_path":7,"genre_ids":145,"id":146,"title":147,"original_language":110,"original_title":147,"overview":148,"popularity":149,"poster_path":150,"release_date":151,"softcore":5,"video":5,"vote_average":143,"vote_count":53},[11],453164,"Tree of Knowledge","It started with filming the tree. Something was released in that manner of filming seemingly farthest removed from the procedure of the early films. I first thought a simple ordering of this rich material might be enough, something related to BARN RUSHES [...] But the film only came into its form-life with the idea of linking this deep-rooted and far-outreaching tree material with that film on paranoia that had fascinated me for many years. –L. G.",0.5945,"\u002FcUg6CWBqFHwPeJ4PDLEDkRuFo0H.jpg","1981-01-01",{"adult":5,"backdrop_path":7,"genre_ids":153,"id":154,"title":155,"original_language":110,"original_title":155,"overview":156,"popularity":157,"poster_path":158,"release_date":159,"softcore":5,"video":5,"vote_average":51,"vote_count":53},[11],453166,"Machete Gillette... Mama","\"With characteristic wit and rigor, experimental filmmaker Larry Gottheim here applies his impressionistic editing style to footage collected during his travels in the Dominican Republic. Gottheim’s formal emphasis on repetition and fissures between sound and image resonates here as a mode of sociological reflection (with the fragmentary montage mirroring elements of ritual while also destabilizing the ethnographic gaze). A largely overlooked antecedent to the contemporary blending of avant-garde and ethnographic filmmaking, MACHETTE GILLETTE… MAMA still poses a potent challenge to documentary convention.\" - Max Goldberg",0.6683,"\u002FlGxDUwlsmTywbnTXWmTbE0PlEoc.jpg","1989-01-01",{"adult":5,"backdrop_path":7,"genre_ids":161,"id":162,"title":163,"original_language":164,"original_title":165,"overview":166,"popularity":167,"poster_path":168,"release_date":169,"softcore":5,"video":5,"vote_average":44,"vote_count":53},[11],457108,"Every Wall is a Door","fr","Chaque mur est une porte","Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the filmmaker gives a pop-style and in-depth chronicle of the gentle – even “over-gentle” – 1989 revolution.",0.4693,"\u002FAvaTUw67Hu8Ts8BgyqCC0nU32uN.jpg","2017-03-25",{"adult":5,"backdrop_path":171,"genre_ids":172,"id":173,"title":174,"original_language":175,"original_title":176,"overview":177,"popularity":178,"poster_path":179,"release_date":180,"softcore":5,"video":5,"vote_average":51,"vote_count":181},"\u002F3Y6rLMpA6RjAjsyYqdw38YJWM12.jpg",[11],273320,"Chinese Viola","pt","Viola Chinesa","The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Otelo, where, in a mixture of decorated and improvised text, we discover a little manifesto to the Brazilian experimental cinema. 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Drawing on archival imagery, Black geographies, and the dying declarations of Black Martyrs, it explores the complexities of truth, empathy, justice, the law, life and death for the Black Mass.",0.495,"2019-10-02",{"adult":5,"backdrop_path":7,"genre_ids":200,"id":201,"title":202,"original_language":203,"original_title":204,"overview":205,"popularity":206,"poster_path":207,"release_date":208,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],829679,"-YAMASE-","ja","山瀬","Film by Kenji Onishi. With friends. Mr. Yamase as main character, Sasakubo and Shinojima. And the girls having a good time. The camera is all you need. Looking still at the Mt. 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Ancient and modern explorer texts of Easter Island are garbled together by a computer narrator, resulting in a forever repeating narrative of discovery, colonialism, loss and departure.",0.528,"2002-01-01",5.8,{"adult":5,"backdrop_path":7,"genre_ids":233,"id":234,"title":235,"original_language":110,"original_title":235,"overview":236,"popularity":237,"poster_path":7,"release_date":122,"softcore":5,"video":5,"vote_average":76,"vote_count":53},[11],263851,"The Red and the Blue Gods","An ethnographic field report in which the Anthropologist describes the mythic creation of an unnamed ‘sun-scraping structure’ through the ritualized actions of the Red and the Blue Gods.",0.4968,{"adult":5,"backdrop_path":7,"genre_ids":239,"id":240,"title":241,"original_language":110,"original_title":241,"overview":242,"popularity":243,"poster_path":244,"release_date":245,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],451825,"Rumstick Road","A video reconstruction of the 1977 Wooster Group production Rumstick Road, an experimental theater performance created by Spalding Gray and Elizabeth LeCompte after the suicide of Gray's mother. 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We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.",0.6925,"\u002Fa5DE4owZPRePeBQVCygRzmwPtvM.jpg","2021-04-29",{"adult":5,"backdrop_path":7,"genre_ids":268,"id":269,"title":270,"original_language":175,"original_title":271,"overview":272,"popularity":273,"poster_path":274,"release_date":275,"softcore":5,"video":5,"vote_average":65,"vote_count":53},[11],449521,"The Fish","O Peixe","\"A fisherman, dark-skinned and shirtless, sits in a boat on a quiet river and, before long, catches a fish. The fish gasps for air and the fisherman holds it to his chest until it dies. This sequence—performed by a series of fishermen, of various ages and using various styles of capture—is the spine of the work, interrupted by passages of quiet natural beauty; one shot is a steady, stately pan through scores of trees and empty air behind.\" - Vinson Cunningham",0.8815,"\u002F4S52qq0a02BhVXU7Og8cUxa5tUD.jpg","2016-11-14",{"adult":5,"backdrop_path":7,"genre_ids":277,"id":278,"title":279,"original_language":110,"original_title":279,"overview":280,"popularity":281,"poster_path":282,"release_date":283,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],449815,"Spirit House","A tale of 2 passages within the Spirit house. This is the first in a series that looks at the places we find our spiritual presence augmented, inflamed, or simply acknowledged.",1.6011,"\u002FdgTf0N7xpqojQy5P3ekRREfIj1W.jpg","2008-06-22",1001,20001,{"results":287},{"ES":288,"PT":296},{"link":289,"free":290},"https:\u002F\u002Fwww.themoviedb.org\u002Fmovie\u002F106196-aguaespejo-granadino\u002Fwatch?locale=ES",[291],{"logo_path":292,"provider_id":293,"provider_name":294,"display_priority":295},"\u002F5BBtkfnbubfLyPXDtscrgQHg1cq.png",2620,"CaixaForum+",84,{"link":297,"free":298},"https:\u002F\u002Fwww.themoviedb.org\u002Fmovie\u002F106196-aguaespejo-granadino\u002Fwatch?locale=PT",[299],{"logo_path":292,"provider_id":293,"provider_name":294,"display_priority":300},47,{"results":302},[],45,"A documentary story that tends to land well.",[]]