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Just as the title is based on Michel Leiris' book of poems Bright Nights and Many a Dark Day, the film has its own poetry, which is also evident in shots of everyday activities, such as hands washing dishes. “Just the hair or the relationship of the hands to each other or gestures, and then words come in between and film clips that we talk about, and we were amazed to find that the women we portray in the films always have a lot of trouble with theirs Identity, their search for something, for lost people or lost things. “They are usually looking for something that has been lost, forgotten or gone,” said Claudia von Alemann in the 1992 interview conducted by Renate Fischetti, A Pioneer of Female Film Language. An essay about desire, doubt, contradictions. 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The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.",[11],2.0399,4,"\u002FqdUZN5B3pQ0v9xwbaASMMhIboHt.jpg","1988-04-01",6,{"id":189,"adult":6,"title":190,"video":6,"overview":191,"softcore":6,"genre_ids":192,"popularity":193,"vote_count":8,"poster_path":194,"release_date":195,"vote_average":8,"backdrop_path":196,"original_title":190,"original_language":90},1643264,"Diagnosed: Overdramatic","What causes women all over the world to be told that they are hysteric or overreacting when seeking for medical help? Why are so many women diagnosed: Overdramatic? The female body has only recently started to be researched, which lead to a big lack of information on women's physical and mental health. 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In this non-fictional road-movie their vision of what cinema is, of what is hidden behind the images, intersects with the world of beekeeping, architecture and the human landscape.",[11],1.2446,"\u002FhE30r0uf9xlUJDRRwpO32O6c1ev.jpg","2018-11-22","\u002Fm8J4CSeUp0w2Kgflr12Z4vImbtV.jpg","Lurralde hotzak","eu",{"id":217,"adult":6,"title":218,"video":6,"overview":219,"softcore":6,"genre_ids":220,"popularity":221,"vote_count":222,"poster_path":223,"release_date":224,"vote_average":225,"backdrop_path":226,"original_title":227,"original_language":228},554967,"Varda by Agnès","An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on her experience as a director, bringing a personal insight to what she calls \"cine-writing,\" traveling from Rue Daguerre in Paris to Los Angeles and Beijing.",[11],3.188,79,"\u002F99xU63PePSbtffV5CUqPQYu84XY.jpg","2019-04-05",7.8,"\u002FvNYnOjQJykFModnm0e7jpnVTryG.jpg","Varda par Agnès","fr",{"id":230,"adult":6,"title":231,"video":6,"overview":232,"softcore":6,"genre_ids":233,"popularity":234,"vote_count":8,"poster_path":235,"release_date":236,"vote_average":8,"backdrop_path":237,"original_title":238,"original_language":177},564731,"No Father, No Mother","Three young people circulate in different mobility categories. 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Part bio-pic, part social history, it details the life of a woman born beneath a tree north of Alice Springs in 1939, her childhood living under the Aboriginal Protection policies and the impact, both good and bad they had on her life.",[11],0.7668,"\u002F95fsuZgCq3Vk9Qr4jKQwVmcHgsd.jpg","2018-10-13",5,{"id":258,"adult":6,"title":259,"video":6,"overview":260,"softcore":6,"genre_ids":261,"popularity":262,"vote_count":8,"poster_path":263,"release_date":264,"vote_average":8,"backdrop_path":26,"original_title":259,"original_language":90},541453,"The Woman and the Car","Artist Kate Blackmore looks at motherhood and mobility, film and feminism through the prism of Margaret Dodd's 1982 classic short film 'This Woman is not a Car.'",[11],0.9044,"\u002FeTt04HxxmvxJiEryMwWHDj9JU1p.jpg","2018-10-14",{"id":266,"adult":6,"title":267,"video":6,"overview":268,"softcore":6,"genre_ids":269,"popularity":270,"vote_count":8,"poster_path":26,"release_date":271,"vote_average":8,"backdrop_path":26,"original_title":267,"original_language":90},1485119,"Bride of Trailer Camp","A compilation of \"coming attractions\" from bad '50s melodrama through the greatest disaster movies of the '70s. Features a chain of your divas including Bette Davis in What Ever Happened to Baby Jane?, Jeanne Moreau in Mademoiselle, Elizabeth Taylor in Butterfield 8 and Boom, Kim Novak in The Legend of Lylah Clare, Susan Hayward in I'll Cry Tomorrow, and Judy Garland in I Could Go On Singing. One clips is a young Rock Hudson promoting Christmas Seals. Bride of Trailer Camp includes specimens of movie trailer artistry.",[11],1.3508,"2001-06-21",1001,20001,"Documentary examining the way women are shown and described in newsreels from 1930-1960.",0.5497,"\u002FaVtJL7iCGjH0Bk4CPW2YSAp5gNL.jpg","1997-07-09",[279],"SE",{"results":281},{},[283],{"name":284,"iso_639_1":285,"english_name":286},"svenska","sv","Swedish",[288],{"id":289,"name":290,"logo_path":291,"origin_country":279},2999,"SVT","\u002FzGSqFee9aDgDuLD6vcs2mcJUem4.png",[293],{"name":294,"iso_3166_1":279},"Sweden",45,"A documentary story that tends to land well.",[]]