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Premiered at the National Theatre in the composer's hometown of Brno 115 years ago, the opera took him nine years to complete and is the first in which his distinctive voice can clearly be heard.",1.5681,"\u002F881GQTWCsOQltJYHiyvnEN2rNsO.jpg","2019-10-02",true,{"adult":5,"backdrop_path":7,"genre_ids":191,"id":193,"title":194,"original_language":184,"original_title":194,"overview":38,"popularity":195,"poster_path":7,"release_date":196,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11,192],35,1410739,"Turek v Itálii",0.8676,"1985-12-13",{"adult":5,"backdrop_path":198,"genre_ids":199,"id":200,"title":201,"original_language":202,"original_title":201,"overview":203,"popularity":204,"poster_path":205,"release_date":206,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002FbBtbaiQnPd9QrMyJrpF3xUbLdc6.jpg",[11],451537,"Die Entführung aus dem Paradies","nl","The man looks back on a turbulent love life, which he does not dare to opt definitively for a permanent love. 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In contrast to Elektra's vengeful obsession, her sister Chrysothemis desires to get on with life. When their long-missing brother, Orestes, returns to do the deed, Elektra celebrates with a dance of death and, her sole purpose in life fulfilled, dies. Strauss joined the hermetic plot to music of the utmost opulence, violent and yearning by turns, evoking the cardinal principles of Greek tragedy - pity and terror.",0.7148,"\u002FnLYMj3C1rHQk2cyi6CqGBIHs8zC.jpg","1980-02-16",{"adult":5,"backdrop_path":217,"genre_ids":218,"id":219,"title":220,"original_language":221,"original_title":220,"overview":222,"popularity":223,"poster_path":224,"release_date":225,"softcore":5,"video":5,"vote_average":226,"vote_count":66},"\u002FnRlPFNWWbLIkIEnJh055hswVF3S.jpg",[11,14],267072,"Lucia di Lammermoor - Metropolitan Opera","it","This telecast offers a rare opportunity to see the legendary Joan Sutherland in the role that first catapulted her to international stardom. She drove audiences wild by the way her opulent voice caressed the music’s long phrases and sprinted effortlessly through the fiendish runs, trills, embellishments and stratospheric high notes. One of the glories of the operatic world, her portrayal of Donizetti’s hapless heroine is a multifaceted and moving characterization. The incomparable tenor Alfredo Kraus is Edgardo, the man Lucia loves but cannot have.  (Performance taped November 13, 1982. Broadcasted September 28, 1983.)",2.2991,"\u002FmgchKHVtVsx2Erb3lJCNvSrKMkP.jpg","1982-11-13",8.5,{"adult":5,"backdrop_path":7,"genre_ids":228,"id":229,"title":230,"original_language":211,"original_title":230,"overview":231,"popularity":232,"poster_path":233,"release_date":234,"softcore":5,"video":5,"vote_average":226,"vote_count":66},[11],267096,"Ludwig van Beethoven: Fidelio","Two years prior to the opening scene, the nobleman Florestan has exposed or attempted to expose certain crimes of the nobleman Pizarro. 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Place: A Spanish state prison, a few miles from Seville; Time: Late 18th century.",1.115,"\u002Fiuh4wpisn0enk5yj9zUfko7hp43.jpg","2003-10-15",{"adult":5,"backdrop_path":236,"genre_ids":237,"id":238,"title":239,"original_language":211,"original_title":239,"overview":240,"popularity":241,"poster_path":242,"release_date":243,"softcore":5,"video":5,"vote_average":244,"vote_count":245},"\u002Fjx6jUMCLhRWB05ngVjaGxPpLq5x.jpg",[192,14],5143,"Hannah and Her Sisters","Between two Thanksgivings, Hannah's husband falls in love with her sister Lee, while her hypochondriac ex-husband rekindles his relationship with her sister Holly.",6.3515,"\u002FgARgIRb2QFRFVrsziwWE389u1pK.jpg","1986-02-07",7.454,1211,{"adult":5,"backdrop_path":7,"genre_ids":247,"id":248,"title":249,"original_language":250,"original_title":249,"overview":251,"popularity":252,"poster_path":7,"release_date":253,"softcore":5,"video":5,"vote_average":109,"vote_count":62},[192,11],267239,"Car Men","xx","Car Men is a collaboration between the renowned choreographer Jíri Kylían and filmmaker Boris Paval Conen.  Based on the opera 'CARMEN' by Georges Bizet they shot a hilarious and poetic short film in the destroyed landscape of a Czech brown coal mine. The actors in this film are older dancers from Kylían's troupe (around 50 years old) and the main prop is a 'TATRA 87', a famous car from 1937.",1.2173,"2006-11-26",{"adult":5,"backdrop_path":7,"genre_ids":255,"id":256,"title":257,"original_language":221,"original_title":258,"overview":259,"popularity":260,"poster_path":261,"release_date":262,"softcore":5,"video":5,"vote_average":263,"vote_count":86},[11,192],267252,"The Marriage of Figaro","Le Nozze di Figaro","This is a good video of \"Figaro\", but there are a couple of better ones available. The Bohm and the Pappano are better still due to the female members of the casts. The reason for buying this one is the \"Figaro\", Bryn Terfel. No one can top him today in that role. John Eliot Gardiner also stands out. Many of us have voiced their opinion that If the Metropolitan Opera would release it's 1998 version, that would be the one to get.",0.931,"\u002FyCUUtNs8dwFGJTjoH00iWo8Islo.jpg","1993-12-01",10,{"adult":5,"backdrop_path":265,"genre_ids":266,"id":267,"title":268,"original_language":221,"original_title":269,"overview":270,"popularity":271,"poster_path":272,"release_date":273,"softcore":5,"video":5,"vote_average":274,"vote_count":62},"\u002FeKIc3rHG6xV9WN9d52NzapwwqQH.jpg",[11,14],267255,"Puccini: Manon Lescaut","Manon Lescaut - Metropolitan Opera","All the throbbing eroticism—and ultimate heartbreak—of Puccini’s youthful score is unleashed by James Levine and his top-flight cast. Plácido Domingo is Des Grieux, the handsome, headstrong young aristocrat who falls head over heels for the enticing, impetuous Manon Lescaut (Renata Scotto). Manon returns his love, but her obsession with luxury ruins them both. Gian Carlo Menotti’s opulent production, with sets and costumes by Desmond Heeley, superbly captures the colorful world of 18th century France.",2.3963,"\u002FsZgIh6WZRkmnBhUKOuaUxkF5Gkm.jpg","1980-03-29",8,{"adult":5,"backdrop_path":7,"genre_ids":276,"id":277,"title":278,"original_language":184,"original_title":278,"overview":38,"popularity":279,"poster_path":7,"release_date":280,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1410698,"Lékař a lékárník",0.8542,"1985-03-30",{"adult":5,"backdrop_path":7,"genre_ids":282,"id":283,"title":284,"original_language":184,"original_title":284,"overview":38,"popularity":285,"poster_path":7,"release_date":286,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11,192],1410724,"Fraška o kádi",0.9243,"1985-10-11",{"adult":5,"backdrop_path":288,"genre_ids":289,"id":290,"title":291,"original_language":20,"original_title":291,"overview":292,"popularity":293,"poster_path":294,"release_date":295,"softcore":5,"video":5,"vote_average":263,"vote_count":62},"\u002FqO6BogVundZSmNIX1QEqNRoGCEz.jpg",[11],451165,"Strauss II: Die Fledermaus","Glyndebourne's pulsating new production of the  Waltz King's much-loved comic operetta.  Its story centers on a magnificent masked ball, given by a Russian prince, that brings together all the main characters in various disguises. The three-act journey from boudoir to ballroom to jail provides ample opportunities for farce and humor, but also for genuine human emotion and a surprisingly realistic view of urban life.",1.3375,"\u002FuqBbu57fVthod4UceTPyiij7shS.jpg","2003-07-23",{"adult":5,"backdrop_path":297,"genre_ids":298,"id":300,"title":301,"original_language":302,"original_title":303,"overview":304,"popularity":305,"poster_path":306,"release_date":307,"softcore":5,"video":5,"vote_average":274,"vote_count":62},"\u002Faq1kFiBg2YPK5DSssv4qktO5nHa.jpg",[299,11],99,1595244,"The Three Tenors - Birth of a Legend","fr","Die Drei Tenöre - Geburt einer Legende","On the eve of the 1990 World Cup final, Plácido Domingo, José Carreras, and Luciano Pavarotti sang together for the first time. 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The Academy Award-winning director Michael Haneke once said that he was merely being precise and did not want to distort reality. 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When Pollione loses his high rank in the army and is offered as a sacrifice, Norma promises him freedom under one condition.",1.4724,"\u002FqQTHr7VL5yGhNe0WiWzVFDcaKqH.jpg","2017-10-07",{"adult":5,"backdrop_path":349,"genre_ids":350,"id":352,"title":353,"original_language":211,"original_title":353,"overview":354,"popularity":355,"poster_path":356,"release_date":357,"softcore":5,"video":189,"vote_average":358,"vote_count":86},"\u002FmVZASS7IzCWmwEZRvawI3JgjBh0.jpg",[351,11],14,455824,"The Metropolitan Opera: The Exterminating Angel","After the acclaimed Met premiere of Thomas Adès's \"The Tempest\" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic \"El Ángel Exterminador\", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.",1.753,"\u002F956Ut2rWRUCp0fOLwleh8ZE2m4q.jpg","2017-11-18",7.7,1001,20001,{"results":362},{},{"results":364},[],45,"A music story that tends to land well.",[]]