[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1074520-en-US":3},{"detail":4,"match":317,"insight":318,"providers":319,"providerLink":26,"trailer":26},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":26,"revenue":8,"runtime":115,"similar":116,"tagline":195,"homepage":195,"overview":291,"softcore":6,"popularity":292,"vote_count":8,"poster_path":293,"release_date":294,"vote_average":8,"backdrop_path":26,"origin_country":295,"original_title":7,"watch\u002Fproviders":297,"spoken_languages":307,"original_language":127,"production_companies":308,"production_countries":314,"belongs_to_collection":26},1074520,false,"Kainai",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":37},[18,28],{"id":19,"name":20,"adult":6,"order":8,"gender":21,"cast_id":22,"character":23,"credit_id":24,"popularity":25,"profile_path":26,"original_name":20,"known_for_department":27},969626,"Stanley Jackson",2,9,"Commentary","63d2f4b3e72fe800e9e69834",0.1383,null,"Directing",{"id":29,"name":30,"adult":6,"order":31,"gender":8,"cast_id":32,"character":33,"credit_id":34,"popularity":35,"profile_path":26,"original_name":30,"known_for_department":36},3892218,"Wallace Manyfingers",1,10,"Narrator","63d2f4cda410c8125be6ed46",0.0311,"Acting",[38,42,50,57,63,68,73,78,83,88,93,100,105,110],{"id":19,"job":39,"name":20,"adult":6,"gender":21,"credit_id":40,"department":41,"popularity":25,"profile_path":26,"original_name":20,"known_for_department":27},"Writer","63c4b34307216600dc1f6512","Writing",{"id":43,"job":44,"name":45,"adult":6,"gender":21,"credit_id":46,"department":47,"popularity":48,"profile_path":49,"original_name":45,"known_for_department":27},1085853,"Producer","Colin Low","63c4b3f0988afd008a308fa8","Production",0.1858,"\u002FnLNsXY9AzmjEfSoDXniMgwVGflJ.jpg",{"id":51,"job":52,"name":53,"adult":6,"gender":8,"credit_id":54,"department":55,"popularity":56,"profile_path":26,"original_name":53,"known_for_department":55},3874789,"Editor","Jeanette Lerman","63c4b3657719d70080e77d9c","Editing",0.0071,{"id":58,"job":59,"name":60,"adult":6,"gender":8,"credit_id":61,"department":27,"popularity":62,"profile_path":26,"original_name":60,"known_for_department":27},1318018,"Director","Raoul Fox","63c4b317988afd00828625ee",0.0143,{"id":64,"job":65,"name":66,"adult":6,"gender":8,"credit_id":67,"department":65,"popularity":56,"profile_path":26,"original_name":66,"known_for_department":65},3892221,"Sound","John Yanick","63d2f4f8e72fe8007ca45e6b",{"id":69,"job":65,"name":70,"adult":6,"gender":8,"credit_id":71,"department":65,"popularity":72,"profile_path":26,"original_name":70,"known_for_department":65},1482581,"Claude Delorme","63d2f4e9cb71b800a10d85bb",0.0739,{"id":74,"job":65,"name":75,"adult":6,"gender":8,"credit_id":76,"department":65,"popularity":77,"profile_path":26,"original_name":75,"known_for_department":65},1708228,"Claude Hazanavicius","63d2f4ef031a1d00c0953aef",0.1208,{"id":79,"job":65,"name":80,"adult":6,"gender":21,"credit_id":81,"department":65,"popularity":82,"profile_path":26,"original_name":80,"known_for_department":65},1197111,"Claude Beaugrand","63d2f4d65a07f500dc9e99b6",0.048,{"id":84,"job":65,"name":85,"adult":6,"gender":8,"credit_id":86,"department":65,"popularity":87,"profile_path":26,"original_name":85,"known_for_department":65},1499546,"Bev Davidson","63d2f4e2031a1d0079d59063",0.0718,{"id":89,"job":65,"name":90,"adult":6,"gender":8,"credit_id":91,"department":65,"popularity":92,"profile_path":26,"original_name":90,"known_for_department":65},1625120,"Richard Besse","63d2f4dd66ae4d007bf6d307",0.045,{"id":94,"job":95,"name":96,"adult":6,"gender":21,"credit_id":97,"department":98,"popularity":99,"profile_path":26,"original_name":96,"known_for_department":98},1123025,"Director of Photography","Savas Kalogeras","67981bf1372cb20cf8237b80","Camera",0.1277,{"id":101,"job":95,"name":102,"adult":6,"gender":21,"credit_id":103,"department":98,"popularity":104,"profile_path":26,"original_name":102,"known_for_department":98},1089001,"Jacques Fogel","679821c7ba4f941f448f19b6",0.2054,{"id":106,"job":95,"name":107,"adult":6,"gender":21,"credit_id":108,"department":98,"popularity":109,"profile_path":26,"original_name":107,"known_for_department":98},1870502,"Don Virgo","6798220216f0d960df23cac6",0.0911,{"id":111,"job":95,"name":112,"adult":6,"gender":21,"credit_id":113,"department":98,"popularity":114,"profile_path":26,"original_name":112,"known_for_department":98},1034809,"John Spotton","67982217b921c548d82ae077",0.0691,27,{"page":31,"results":117,"total_pages":289,"total_results":290},[118,128,136,147,155,165,176,184,192,199,206,214,223,232,240,248,255,262,268,278],{"id":119,"adult":6,"title":120,"video":6,"overview":121,"softcore":6,"genre_ids":122,"popularity":123,"vote_count":21,"poster_path":124,"release_date":125,"vote_average":126,"backdrop_path":26,"original_title":120,"original_language":127},264803,"The Hutterites","A look at the Hutterites, an Anabaptist religious community similar to the Amish or the Mennonites in rural Alberta.",[11],0.1704,"\u002FpvXbGsX7Dio8i6iHBDrfroNM7LQ.jpg","1964-01-01",8.5,"en",{"id":129,"adult":6,"title":130,"video":6,"overview":131,"softcore":6,"genre_ids":132,"popularity":133,"vote_count":31,"poster_path":134,"release_date":125,"vote_average":22,"backdrop_path":135,"original_title":130,"original_language":127},802652,"Haida Carver","On Canada's Pacific coast this film finds a young Haida artist, Robert Davidson, shaping miniature totems from argillite, a jet-like stone. The film follows the artist to the island where he finds the stone, and then shows how he carves it in the manner of his grandfather, who taught him the craft.",[11],0.1881,"\u002Fk3gXjtys7aiZjFQbRdfSdAIZT1p.jpg","\u002Fg1s3aa71uqq5D5RrmuKAfN1W8TC.jpg",{"id":137,"adult":6,"title":138,"video":6,"overview":139,"softcore":6,"genre_ids":140,"popularity":141,"vote_count":142,"poster_path":143,"release_date":144,"vote_average":145,"backdrop_path":146,"original_title":138,"original_language":127},619650,"There's Something in the Water","Elliot Page brings attention to the injustices and injuries caused by environmental racism in his home province, in this urgent documentary on Indigenous and African Nova Scotian women fighting to protect their communities, their land, and their futures.",[11],0.7707,13,"\u002Fzv9S5kuL49PY7Rm4vjLdJggc2kE.jpg","2019-09-06",7.308,"\u002FaMum9qpzZJpa04L9weoeKmdFUEL.jpg",{"id":148,"adult":6,"title":149,"video":6,"overview":150,"softcore":6,"genre_ids":151,"popularity":152,"vote_count":8,"poster_path":153,"release_date":144,"vote_average":8,"backdrop_path":154,"original_title":149,"original_language":127},619676,"Now Is the Time","When internationally renowned Haida carver Robert Davidson was only 22 years old, he carved the first new totem pole on British Columbia’s Haida Gwaii in almost a century. On the 50th anniversary of the pole’s raising, Haida filmmaker Christopher Auchter steps easily through history to revisit that day in August 1969, when the entire village of Old Massett gathered to celebrate the event that would signal the rebirth of the Haida spirit.",[11],0.1478,"\u002F483GyGz9gU8pLLZEUhkkyUtLpmW.jpg","\u002F5GBIJTOjPN1p0TZZLBdY16zNwni.jpg",{"id":156,"adult":6,"title":157,"video":6,"overview":158,"softcore":6,"genre_ids":159,"popularity":160,"vote_count":21,"poster_path":161,"release_date":162,"vote_average":163,"backdrop_path":164,"original_title":157,"original_language":127},619637,"Jordan River Anderson, The Messenger","The story of a young boy forced to spend all five years of his short life in hospital while the federal and provincial governments argued over which was responsible for his care, as well as the long struggle of Indigenous activists to force the Canadian government to enforce “Jordan’s Principle” — the promise that no First Nations children would experience inequitable access to government-funded services again.",[11],0.3466,"\u002Fpcmn4tAe0vU1HQk6mRbR2tZEgDu.jpg","2019-09-10",8,"\u002F6UslH6Wkd5iAChv2P4yG7CaUXki.jpg",{"id":166,"adult":6,"title":167,"video":6,"overview":168,"softcore":6,"genre_ids":169,"popularity":170,"vote_count":171,"poster_path":172,"release_date":173,"vote_average":174,"backdrop_path":175,"original_title":167,"original_language":127},92,"Megacities","Megacities is a documentary about the slums of five different metropolitan cities.",[11],0.5682,20,"\u002Fae07s21huRU0HGq7LIbP59KNuE1.jpg","1998-08-12",6.625,"\u002FvRbAJcCT5VzVR1LuTWEbJF1tnG1.jpg",{"id":177,"adult":6,"title":178,"video":6,"overview":179,"softcore":6,"genre_ids":180,"popularity":181,"vote_count":31,"poster_path":182,"release_date":183,"vote_average":163,"backdrop_path":26,"original_title":178,"original_language":127},800507,"Haida Gwaii: Restoring the Balance","The conflict over forestry operations on Lyell Island in 1985 was a major milestone in the history of the re-emergence of the Haida Nation. It was a turning point for the Haida and management of their natural resources.",[11],0.1437,"\u002FvvBWKLyusMm5ZUiQ3PD0G7EBFQp.jpg","2015-10-01",{"id":185,"adult":6,"title":186,"video":6,"overview":187,"softcore":6,"genre_ids":188,"popularity":189,"vote_count":8,"poster_path":190,"release_date":191,"vote_average":8,"backdrop_path":26,"original_title":186,"original_language":127},440321,"Through the Repellent Fence: A Land Art Film","The film follows Postcommodity, an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martinez and Kade L. Twist, who put land art in a tribal context. The group bring together a community to construct the Repellent Fence, a two-mile long ephemeral monument “stitching” together the US and Mexico.",[11],0.1394,"\u002FfcAD9kqxcOiX7wzW1nvQJVXA2Dk.jpg","2017-02-19",{"id":193,"adult":6,"title":194,"video":6,"overview":195,"softcore":6,"genre_ids":196,"popularity":197,"vote_count":31,"poster_path":26,"release_date":195,"vote_average":163,"backdrop_path":26,"original_title":194,"original_language":198},1360533,"Ameríndia - Memória, Remorso e Compromisso no V Centenário","",[11],0.2189,"pt",{"id":200,"adult":6,"title":201,"video":6,"overview":202,"softcore":6,"genre_ids":203,"popularity":204,"vote_count":8,"poster_path":26,"release_date":205,"vote_average":8,"backdrop_path":26,"original_title":201,"original_language":127},260974,"Atlas","The concept of machine-made knit was known as early as the 1850s, but it was only during the 1920s that the quality of the material had improved. When the plant known as \"Atlas\" was introduced in 1931, the shop windows drew a lot of attention, and Aho &amp; Soldan was ordered to make a promotional film. In this well-paced film, we see the jersey production step by step.",[11],0.2505,"1931-12-31",{"id":207,"adult":6,"title":208,"video":6,"overview":209,"softcore":6,"genre_ids":210,"popularity":211,"vote_count":8,"poster_path":212,"release_date":213,"vote_average":8,"backdrop_path":26,"original_title":208,"original_language":127},1009301,"Colebrook: A Place of Healing & Learning","Colebrook Blackwood Reconciliation Park is where the Colebrook Training Home once stood. It is now a permanent memorial for the Aboriginal children of the “Stolen Generation” and their families.",[11],0.1456,"\u002FgUBWC6xpVrJWHUK6hwXO7pKaZOr.jpg","2022-05-13",{"id":215,"adult":6,"title":216,"video":6,"overview":217,"softcore":6,"genre_ids":218,"popularity":220,"vote_count":31,"poster_path":26,"release_date":221,"vote_average":222,"backdrop_path":26,"original_title":216,"original_language":127},1206749,"Stolen Spirits of Haida Gwaii","Filmmaker Kevin McMahon accompanies the Haida delegation on a repatriation trip to Chicago in 2003. His film reveals the whole repatriation process through the stories and experiences of the people who participated, both Museum staff and the Haida people.",[11,219],10770,0.1212,"2004-07-09",7,{"id":224,"adult":6,"title":225,"video":6,"overview":226,"softcore":6,"genre_ids":227,"popularity":228,"vote_count":8,"poster_path":229,"release_date":230,"vote_average":8,"backdrop_path":231,"original_title":225,"original_language":127},1207323,"Reconstruction of Hill Street Birmingham","An engineering feat: Second city civil engineers complete a new bridge to carry traffic over New Street's tangled railway intersections.",[11],0.1634,"\u002FweOZM4yqpwpon2BAKIrjnG991bB.jpg","1949-02-01","\u002FfHd8exieshx9fS78oDjVEf5QKBz.jpg",{"id":233,"adult":6,"title":234,"video":6,"overview":235,"softcore":6,"genre_ids":236,"popularity":237,"vote_count":31,"poster_path":238,"release_date":239,"vote_average":163,"backdrop_path":26,"original_title":234,"original_language":127},298300,"These Are My People...","This documentary short is the first film made by an all-Aboriginal film crew, training under the NFB's Challenge for Change Program. It was shot at Akwesasne (St. Regis Reserve). Two spokesmen explain historical and other aspects of Longhouse religion, culture, and government and reflect on the impact of the white man's arrival on the Indian way of life.",[11],0.133,"\u002Fxx3Yvqc2YuHn3xC4KpOExS9vFDg.jpg","1969-10-20",{"id":241,"adult":6,"title":242,"video":6,"overview":195,"softcore":6,"genre_ids":243,"popularity":244,"vote_count":31,"poster_path":245,"release_date":246,"vote_average":32,"backdrop_path":247,"original_title":242,"original_language":198},1002427,"Documentário Brasil Tupinambá",[11],0.1271,"\u002F21N8dnDEKvi09MpVwb5eOc8QJ9Z.jpg","2021-08-09","\u002F6LL3eLPBHisBZacObnFclPgYGaL.jpg",{"id":249,"adult":6,"title":250,"video":6,"overview":251,"softcore":6,"genre_ids":252,"popularity":253,"vote_count":8,"poster_path":26,"release_date":254,"vote_average":8,"backdrop_path":26,"original_title":250,"original_language":127},1002322,"Potlatch...a strict law bids us dance","Presents the history of the conflict between the Canadian government and the Kwakiutl Indians of the Northwest Pacific over the ritual of the Potlatch. Archival photographs and films, wax roll sound recordings, police reports, the original potlatch files, and correspondence of agents form the basis of the reconstruction of period events, while the film centres on a Potlatch given today by the Cranmer family of Alert Bay.",[11],0.1807,"1975-01-01",{"id":256,"adult":6,"title":257,"video":6,"overview":258,"softcore":6,"genre_ids":259,"popularity":260,"vote_count":8,"poster_path":26,"release_date":261,"vote_average":8,"backdrop_path":26,"original_title":257,"original_language":127},443326,"Hollywood's Greatest Trick","The video is accompanied by a richly detailed article that adds more depth to the documentary. If there’s any question about why Hollywood is dead set against the unionization of vfx artists, the following graphic from the article will answer the question: vfx artists comprise the biggest portion of the crew on most Hollywood blockbusters.",[11],0.1281,"2017-02-22",{"id":263,"adult":6,"title":264,"video":6,"overview":265,"softcore":6,"genre_ids":266,"popularity":160,"vote_count":31,"poster_path":26,"release_date":267,"vote_average":31,"backdrop_path":26,"original_title":264,"original_language":127},277239,"LaDonna Harris: Indian 101","A documentary film about Comanche activist LaDonna Harris, who led an extensive life of Native political and social activism, and is now passing on her traditional cultural and leadership values to a new generation of emerging Indigenous leaders.",[11],"2014-03-29",{"id":269,"adult":6,"title":270,"video":6,"overview":271,"softcore":6,"genre_ids":272,"popularity":273,"vote_count":21,"poster_path":274,"release_date":275,"vote_average":276,"backdrop_path":277,"original_title":270,"original_language":127},1541955,"The Good Canadian","The world knows the image of the good Canadian. But what if there was a dark secret behind a national identity? THE GOOD CANADIAN exposes the truth behind the idea of a True North strong and free. In this unflinching and eye-opening documentary, directors Leena Minifie and David Paperny move us through the corridors of systemic inequity, from the Indian Act to residential schools, to modern-day family separation. Fusing shocking footage with detailed interviews with experts, advocates, whistleblowers and politicians, THE GOOD CANADIAN challenges national myth-making, while offering Canadians the chance to forge a new identity from the truth.",[11],0.2881,"\u002FaOPgvBFPR9n5ZgKomKKHzsMUM0j.jpg","2025-09-30",5.5,"\u002F8K8bJQAuOu3W6UYPpZHgNGQE0Js.jpg",{"id":279,"adult":6,"title":280,"video":6,"overview":281,"softcore":6,"genre_ids":282,"popularity":283,"vote_count":284,"poster_path":285,"release_date":286,"vote_average":287,"backdrop_path":288,"original_title":280,"original_language":127},452564,"Cree Hunters of Mistassini","An NFB crew filmed a group of three families, Cree hunters from Mistassini. Since times predating agriculture, this First Nations people have gone to the bush of the James Bay and Ungava Bay area to hunt. We see the building of the winter camp, the hunting and the rhythms of Cree family life.",[11],0.1386,3,"\u002Fs2RnlXfazXY1ydMk8WB1aInZQuv.jpg","1974-01-01",7.667,"\u002FvXc8oElGSzWLw4IAU8qQoc9doLE.jpg",11467,229335,"On the Kainai (Blood) First Nations Reserve, near Cardston, Alberta, a hopeful new development in Indigenous enterprise. Once rulers of the western plains, the Bloods live on a 1 300-square-kilometer reserve. Many have lacked gainful employment and now pin their hopes on a pre-fab factory they have built. Will the production line and work and wages fit into their cultural pattern of life? The film shows how it is working and what the owners themselves say about their venture.",0.5347,"\u002FeGkFpsCiixtPhvYrnRD7voaupL7.jpg","1973-01-01",[296],"US",{"results":298},{"CA":299},{"free":300,"link":306},[301],{"logo_path":302,"provider_id":303,"provider_name":304,"display_priority":305},"\u002FzwTo48JWc9FNCgJ1ADPAfkhYUuA.jpg",441,"NFB",48,"https:\u002F\u002Fwww.themoviedb.org\u002Fmovie\u002F1074520-kainai\u002Fwatch?locale=CA",[],[309],{"id":310,"name":311,"logo_path":312,"origin_country":313},10473,"ONF | NFB","\u002FlMUDQZVtg8On4PAW5XFQPaQy6UK.png","CA",[315],{"name":316,"iso_3166_1":313},"Canada",45,"A documentary story that tends to land well.",[]]