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The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? 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Inspired by the discussion of the classic text by Mariza Peirano. 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A dama do lotação (1978) continues to be one of the highest-grossing films in Brazilian cinema. In fragments, Sonia Braga tells what it was like to play the lady.",0.5418,"\u002F8qisi6eREaA9pZCwNhaBq4ixCil.jpg","2022-12-22",[227],"BR",{"results":229},{},[],[],[],45,"A documentary story that tends to land well.",[]]