[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1076793-en-US":3},{"detail":4,"match":264,"insight":265,"providers":266,"providerLink":39,"trailer":39},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":16,"videos":17,"credits":19,"imdb_id":48,"revenue":8,"runtime":49,"similar":50,"tagline":66,"homepage":243,"overview":244,"softcore":6,"popularity":245,"vote_count":8,"poster_path":246,"release_date":247,"vote_average":8,"backdrop_path":248,"origin_country":249,"original_title":7,"watch\u002Fproviders":251,"spoken_languages":253,"original_language":79,"production_companies":256,"production_countries":261,"belongs_to_collection":39},1076793,false,"Reginald D. Hunter's Songs of the Border",0,[10,13],{"id":11,"name":12},99,"Documentary",{"id":14,"name":15},10402,"Music","Released",{"results":18},[],{"cast":20,"crew":31},[21],{"id":22,"name":23,"adult":6,"order":8,"gender":24,"cast_id":25,"character":26,"credit_id":27,"popularity":28,"profile_path":29,"original_name":23,"known_for_department":30},215104,"Reginald D. Hunter",2,1,"Self - Presenter","63cb3250ea3949008128de28",0.1388,"\u002FjwgG5luriwplSTdcmVSCajxAon7.jpg","Acting",[32,40,44],{"id":33,"job":34,"name":35,"adult":6,"gender":8,"credit_id":36,"department":37,"popularity":38,"profile_path":39,"original_name":35,"known_for_department":37},1006860,"Director","Benjamin Whalley","64f15ca1dbbb4200fed628a6","Directing",0.2367,null,{"id":33,"job":41,"name":35,"adult":6,"gender":8,"credit_id":42,"department":43,"popularity":38,"profile_path":39,"original_name":35,"known_for_department":37},"Producer","64f15cad77d23b00ec047f09","Production",{"id":33,"job":45,"name":35,"adult":6,"gender":8,"credit_id":46,"department":47,"popularity":38,"profile_path":39,"original_name":35,"known_for_department":37},"Director of Communications","63cb32af6d97e600b74ced25","Crew","tt8829824",104,{"page":25,"results":51,"total_pages":241,"total_results":242},[52,63,71,80,90,100,109,119,130,141,152,161,170,178,189,198,206,215,224,233],{"id":53,"adult":6,"title":54,"video":6,"overview":55,"softcore":6,"genre_ids":56,"popularity":57,"vote_count":8,"poster_path":58,"release_date":59,"vote_average":8,"backdrop_path":60,"original_title":61,"original_language":62},1185440,"Sometime, Somewhere","Sometime, Somewhere sheds light on the challenges faced by Latino communities in Charlottesville, Virginia against the backdrop of immigration driven by factors like climate change, poverty, and drug-related violence.",[11],0.6458,"\u002FqQixkuOLM1JfbsbiIWdGIouIN4i.jpg","2024-08-08","\u002FvLaTwI6RdcL7TL6Rq4v7sMQix3s.jpg","Algún día, en algún lugar","es",{"id":64,"adult":6,"title":65,"video":6,"overview":66,"softcore":6,"genre_ids":67,"popularity":68,"vote_count":8,"poster_path":69,"release_date":70,"vote_average":8,"backdrop_path":39,"original_title":65,"original_language":62},1390872,"Hora Por Año","",[11],0.2084,"\u002Fl8M7Q3SrToGLfJ62OooCIxsRKlD.jpg","2024-11-21",{"id":72,"adult":6,"title":73,"video":6,"overview":74,"softcore":6,"genre_ids":75,"popularity":76,"vote_count":8,"poster_path":77,"release_date":78,"vote_average":8,"backdrop_path":39,"original_title":73,"original_language":79},440321,"Through the Repellent Fence: A Land Art Film","The film follows Postcommodity, an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martinez and Kade L. Twist, who put land art in a tribal context. The group bring together a community to construct the Repellent Fence, a two-mile long ephemeral monument “stitching” together the US and Mexico.",[11],0.1432,"\u002FfcAD9kqxcOiX7wzW1nvQJVXA2Dk.jpg","2017-02-19","en",{"id":81,"adult":6,"title":82,"video":6,"overview":83,"softcore":6,"genre_ids":84,"popularity":86,"vote_count":24,"poster_path":87,"release_date":88,"vote_average":24,"backdrop_path":89,"original_title":82,"original_language":79},1220413,"Selena ¡Vive!","Tribute to Selena Quintinilla-Perez, featuring musical performances and archive footage.",[85,14,11],10770,0.4651,"\u002Fpa6u3I8UtdwSe7XgGMXGea1p8lX.jpg","2005-04-07","\u002Fc05wNIudgqRdbyxhhks61QH0CAE.jpg",{"id":91,"adult":6,"title":92,"video":6,"overview":93,"softcore":6,"genre_ids":94,"popularity":95,"vote_count":96,"poster_path":97,"release_date":98,"vote_average":99,"backdrop_path":39,"original_title":92,"original_language":79},55204,"Which Way Home","Follows unaccompanied child migrants, on their journey through Mexico, as they try to reach the United States.",[11],0.8241,24,"\u002F3V6f3vwAkWPMs0wuj7nuhKL1XPT.jpg","2009-01-31",7.9,{"id":101,"adult":6,"title":102,"video":6,"overview":103,"softcore":6,"genre_ids":104,"popularity":106,"vote_count":8,"poster_path":39,"release_date":107,"vote_average":8,"backdrop_path":39,"original_title":102,"original_language":108},1425292,"Rafi - O Documentário","Follows a week in the life of New York-based Brazilian stand-up comedian Rafi Bastos, as he gets from a gig to another, showcases the American comedy scene and prepares his first special in Chicago.",[11,105],35,0.4546,"2025-01-28","pt",{"id":110,"adult":6,"title":111,"video":6,"overview":112,"softcore":6,"genre_ids":113,"popularity":114,"vote_count":25,"poster_path":115,"release_date":116,"vote_average":25,"backdrop_path":117,"original_title":118,"original_language":79},494792,"The Iron Triangle: Willets Point and the Remaking of New York","Targeted for several failed redevelopment plans dating back to the days of Robert Moses, Willets Point, a gritty area in New York City known as the “Iron Triangle,” is the home of hundreds of immigrant-run, auto repair shops that thrive despite a lack of municipal infrastructure support.  During the last year of the Bloomberg Administration, NYC’s government advanced plans for a “dynamic” high-end entertainment district that would completely wipe out this historic industrial core. The year is 2013, and the workers of Willets Point are racing against the clock to forestall their impending eviction.  Their story launches an investigation into New York City’s history as the front line of deindustrialization, urban renewal, and gentrification.",[11],0.2398,"\u002FfVa0dVOxmxu470N7AjJ3OYY6kfM.jpg","2017-11-11","\u002FudwH7IUkqr4D2jJfyISaVkyDgdI.jpg","The Iron Triangle",{"id":120,"adult":6,"title":121,"video":6,"overview":122,"softcore":6,"genre_ids":123,"popularity":125,"vote_count":25,"poster_path":126,"release_date":127,"vote_average":128,"backdrop_path":129,"original_title":121,"original_language":79},1235491,"Phantoms of the Sierra Madre","A Danish writer travels to Mexico with the purpose of locating a mysterious Apache tribe that fervently seeks to remain in obscurity.",[11,124],36,0.3714,"\u002Fz7ShmGWA6YNE0UfOYfNePaQyuwp.jpg","2024-03-25",8,"\u002Fd2ATWCrXF72z5is1EfecKCB7oEp.jpg",{"id":131,"adult":6,"title":132,"video":6,"overview":133,"softcore":6,"genre_ids":134,"popularity":135,"vote_count":136,"poster_path":137,"release_date":138,"vote_average":139,"backdrop_path":140,"original_title":132,"original_language":79},1601000,"Critical Incident: Death at the Border","Revisits the 2010 death of Anastasio Hernández-Rojas, an undocumented Mexican immigrant who died while in custody at the border. When eye-witness video emerges, it sparks a far-reaching investigation from a border checkpoint to Washington D.C. CRITICAL INCIDENT chronicles journalists’, lawyers’, and family members’ efforts to explore the Border Patrol’s involvement in the incident, ultimately pointing to cover-ups, and uncovering the existence of a little-known unit inside the agency that had been involved in other border related incident.",[11],1.1505,7,"\u002FgThb7GuqTZ19EHgcvX3GSDdNBqJ.jpg","2025-12-29",5.7,"\u002Ft2p67zRXn00bUrw94HReWdTp7Q0.jpg",{"id":142,"adult":6,"title":143,"video":144,"overview":66,"softcore":6,"genre_ids":145,"popularity":146,"vote_count":147,"poster_path":148,"release_date":149,"vote_average":150,"backdrop_path":151,"original_title":143,"original_language":62},1049063,"Selena: Greatest Hits",true,[14],0.3831,4,"\u002FoP01xIaxElfnn9Uf81QjLxRN5H2.jpg","2003-08-05",9,"\u002Fy8pCIuGdCpBfpDAvSGMpqCNjysW.jpg",{"id":153,"adult":6,"title":154,"video":6,"overview":155,"softcore":6,"genre_ids":156,"popularity":157,"vote_count":8,"poster_path":158,"release_date":159,"vote_average":8,"backdrop_path":39,"original_title":160,"original_language":62},1410228,"Carmela and the Walkers","Carmela lives with her husband and eight children near the Ecuadorian-Colombian border. This 56-year-old Afro-Ecuadorian woman opened her home to provide free and temporary shelter for thousands who leave Venezuela on foot, hoping to find better days in other South American countries.",[11],0.4479,"\u002F5f8No1MeZMGKKUnU0weLDLVT9Kf.jpg","2025-06-21","Carmela y los Caminantes",{"id":162,"adult":6,"title":163,"video":6,"overview":164,"softcore":6,"genre_ids":165,"popularity":166,"vote_count":8,"poster_path":167,"release_date":168,"vote_average":8,"backdrop_path":169,"original_title":163,"original_language":79},893775,"Border Nation","Ofelia Rivas (Tohono O’odham) was born and raised just north of the US-Mexico border, the traditional territory of the Tohono O’odham. Today, tribal members live on both sides. From threats of new border infrastructure to stricter entry laws, can Ofelia and her people’s traditional way of life survive?",[11],0.1777,"\u002Fyb31diso2GrcINlxAUSB6IDlLa1.jpg","2020-01-01","\u002FrEkDSDu8qQXFxIlsX4MpNEWPS4y.jpg",{"id":171,"adult":6,"title":172,"video":6,"overview":173,"softcore":6,"genre_ids":174,"popularity":175,"vote_count":8,"poster_path":176,"release_date":177,"vote_average":8,"backdrop_path":39,"original_title":172,"original_language":79},1622493,"The Hour of Liberation Is Near","An experimental documentary shot in San Diego on occupied Kumeyaay territory",[11],0.1615,"\u002F1kBRxjGZsg0oZyOJ3lEAILdX5xC.jpg","2026-01-09",{"id":179,"adult":6,"title":180,"video":6,"overview":181,"softcore":6,"genre_ids":182,"popularity":183,"vote_count":147,"poster_path":184,"release_date":185,"vote_average":186,"backdrop_path":187,"original_title":188,"original_language":62},644980,"Mr. Trump, Pardon the Interruption","An analysis of the impact on the United States Latino community of immigration policies promoted by President Donald Trump.",[11,85],0.5642,"\u002FvxPWLacexyzOQTsTQfY13FfnHLi.jpg","2019-09-29",3.5,"\u002FxKCNRfvemJGhz1iZ2kAzmVE9qYh.jpg","Mr. Trump, disculpe las molestias",{"id":190,"adult":6,"title":191,"video":6,"overview":192,"softcore":6,"genre_ids":193,"popularity":194,"vote_count":8,"poster_path":195,"release_date":196,"vote_average":8,"backdrop_path":197,"original_title":191,"original_language":79},1094587,"Salidas y Entradas | Exits and Entrances","For the three-channel video Salidas y Entradas Exits and Entrances, artists Jessica Hankey and Erin Johnson worked with applied theatre facilitator Gina Sandi Diaz to offer performance workshops at public daytime senior centers managed by the city of El Paso’s Parks and Recreation Department. With the senior center as a stage, the elders who participated in the workshops enacted social, political and geographical imaginaries for the camera. Through improvisation and performance exercises drawn from the work of Viola Spolin and Augusto Boal, themes emerge: the dynamics of the U.S.- Mexico border, the desire to be seen, the role of musical storytelling as a soundtrack to daily life, power dynamics, and gender as performance. As the boundaries between rehearsal, improvisation, and performance blur, the ways in which individual lives and sociopolitical realities merge together are foregrounded.",[11],0.5838,"\u002Fs97q1kItWPE3UD6K5mPGLUL7A6U.jpg","2018-05-31","\u002FrnYBycVK2NHxYVvycz5xvlhVg6A.jpg",{"id":199,"adult":6,"title":200,"video":6,"overview":201,"softcore":6,"genre_ids":202,"popularity":203,"vote_count":8,"poster_path":204,"release_date":205,"vote_average":8,"backdrop_path":39,"original_title":200,"original_language":79},1284745,"Borderlands","With shared economic, environmental, and humanitarian concerns, communities of local planners, designers, and citizens work toward cross-border collaboration. Ronald Rael, an architecture professor, takes an opportunity to use art to prove the uselessness of building borders.",[11],0.7877,"\u002FbVkMZZ8cQxYP32K6wolnr77LEJl.jpg","2019-11-12",{"id":207,"adult":6,"title":208,"video":6,"overview":209,"softcore":6,"genre_ids":210,"popularity":211,"vote_count":8,"poster_path":212,"release_date":213,"vote_average":8,"backdrop_path":214,"original_title":208,"original_language":79},1284990,"Refuge(e)","Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.",[11],1.5102,"\u002FvMEgGgmNDO0ffjnQjkmK17hi8Er.jpg","2019-03-14","\u002FzpLE5Nc15mWU0cfXeKOHi8aJH3k.jpg",{"id":216,"adult":6,"title":217,"video":6,"overview":218,"softcore":6,"genre_ids":219,"popularity":220,"vote_count":8,"poster_path":221,"release_date":222,"vote_average":8,"backdrop_path":223,"original_title":217,"original_language":79},1286621,"Dual Citizens","Three Nicaraguan-American artists from the Washington D.C. Metro area discuss growing up in two cultures and how it influences their art.",[11],1.5212,"\u002FzC9qm8ssCIgGhq82mShQGDv2QM2.jpg","2024-05-07","\u002Fwx4oEQGQ8dx3biGwY4HqTS9dO33.jpg",{"id":225,"adult":6,"title":226,"video":6,"overview":227,"softcore":6,"genre_ids":228,"popularity":229,"vote_count":24,"poster_path":230,"release_date":231,"vote_average":24,"backdrop_path":232,"original_title":226,"original_language":79},1481169,"Take It Away","The rise of Latin music is explored through the lens of the groundbreaking Johnny Canales Show, a pioneering television program that showcased the genre and became a microcosm of the Latino experience in America.",[11,14],0.4031,"\u002Fm8AbTPfUYA6qV7WUKk1ICYgUguc.jpg","2025-05-14","\u002F5NqSsc1HiSPjBZlUPIQYLrjBtVC.jpg",{"id":234,"adult":6,"title":235,"video":6,"overview":236,"softcore":6,"genre_ids":237,"popularity":238,"vote_count":147,"poster_path":39,"release_date":239,"vote_average":240,"backdrop_path":39,"original_title":235,"original_language":79},132812,"Cowboy del Amor","Documentary about Ivan Thompson, self-proclaimed \"Cowboy Cupid\" who matches up immigrant Mexican women with available American men.",[11],0.1719,"2005-03-12",7.75,14238,284741,"https:\u002F\u002Fwww.bbc.co.uk\u002Fprogrammes\u002Fp06bjc1v","Against the backdrop of President Trump's much-trumpeted wall, Reginald D. Hunter takes a 2,000-mile road trip along the US-Mexico border to explore how romance and reality play out musically where third-world Mexico meets first-world USA on this broken road to the American dream. Classic American pop and country portray Mexico as a land of escape and romance, but also of danger; Hunter explores the border music as it is today, much of it created by musicians drawn from the 36 million Mexican-Americans who are US citizens.",0.344,"\u002FemahZTgynpvUDoHMaqf56uoKqje.jpg","2018-07-28","\u002F5MEV9JS6BCaVJBaxkyyi61TMp0X.jpg",[250],"GB",{"results":252},{},[254],{"name":255,"iso_639_1":79,"english_name":255},"English",[257],{"id":258,"name":259,"logo_path":260,"origin_country":250},80893,"BBC Studios","\u002FenAjeGPTtVw8pt7HSzZYBXPfbOY.png",[262],{"name":263,"iso_3166_1":250},"United Kingdom",45,"A documentary story that tends to land well.",[]]