[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1080695-en-US":3},{"detail":4,"match":278,"insight":279,"providers":280,"providerLink":7,"trailer":7},{"adult":5,"backdrop_path":6,"belongs_to_collection":7,"budget":8,"genres":9,"homepage":13,"id":14,"imdb_id":7,"origin_country":15,"original_language":17,"original_title":18,"overview":19,"popularity":20,"poster_path":21,"production_companies":22,"production_countries":27,"release_date":30,"revenue":8,"runtime":31,"softcore":5,"spoken_languages":32,"status":36,"tagline":37,"title":38,"video":5,"vote_average":39,"vote_count":40,"credits":41,"similar":60,"watch\u002Fproviders":274,"videos":276},false,"\u002FkZTeDUMfHpeaaXRLxiwggeaJ6os.jpg",null,0,[10],{"id":11,"name":12},99,"Documentary","https:\u002F\u002Fwww.cinematheque-bretagne.bzh\u002Fbase-documentaire-fort-du-conquet-destruction-des-archives-vautier-426-19270-0-298.html",1080695,[16],"FR","fr","Fort Du Conquet Destruction Des Archives Vautier","Resistance fighter under the occupation, committed to the FLN during the Algerian war, member of the Medvedkine group after May 1968 and defender of Breton autonomy, René Vautier was a committed filmmaker, author of an anti-colonialist work in which he denounces the repression, torture and racism. In 1983, René Vautier discovered, by the light of a flashlight, his films cut up and scattered at Fort du Conquet. Police also came to check the damage.",0.5462,"\u002FzTqsFcul69vzcyGEcAmszrJmcIK.jpg",[23],{"id":24,"logo_path":25,"name":26,"origin_country":16},161249,"\u002F11E2GqLEZTo9y7GLgjROZ1134vV.png","René Vautier",[28],{"iso_3166_1":16,"name":29},"France","1983-01-01",8,[33],{"english_name":34,"iso_639_1":17,"name":35},"French","Français","Released","","Fort Du Conquet Destruction of the Vautier Archives",10,1,{"cast":42,"crew":52},[43],{"adult":5,"gender":44,"id":45,"known_for_department":46,"name":26,"original_name":26,"popularity":47,"profile_path":48,"cast_id":49,"character":50,"credit_id":51,"order":8},2,231413,"Directing",0.7895,"\u002FaN9ghcXiG4z0OtF8QKfbLzPwd3v.jpg",3,"Self","65c84119b6cff10185a65e9e",[53,57],{"adult":5,"gender":44,"id":45,"known_for_department":46,"name":26,"original_name":26,"popularity":47,"profile_path":48,"credit_id":54,"department":55,"job":56},"65c8411198f1f10183d8433f","Writing","Writer",{"adult":5,"gender":44,"id":45,"known_for_department":46,"name":26,"original_name":26,"popularity":47,"profile_path":48,"credit_id":58,"department":46,"job":59},"63d82fcc3dc31300af22a990","Director",{"page":40,"results":61,"total_pages":272,"total_results":273},[62,71,81,91,104,115,127,135,146,155,166,177,185,197,208,219,228,238,249,261],{"adult":5,"backdrop_path":63,"genre_ids":64,"id":65,"title":66,"original_language":17,"original_title":66,"overview":67,"popularity":68,"poster_path":69,"release_date":70,"softcore":5,"video":5,"vote_average":39,"vote_count":40},"\u002F95lKeZh78HZipyEmb6Y3wZpMqjy.jpg",[11],1598091,"Écoutez May Picqueray","\"Well, I believe in anarchy! And I believe it will come true one day.\" That's what \"May the Rebel,\" a union activist, anti-militarist, and anarchist, always ready to denounce oppression and defend victims, affirms at 85. Born in Brittany, she earned her living at age 10 delivering butter. In Paris, at 20, she became involved with the Anarchist Union. Sébastien Faure became her mentor. She used a grenade to trigger the Sacco-Vanzetti affair. A union delegate in Moscow in 1922, she sang \"Hymn to Anarchy\" before Trotsky. Children during the Spanish Civil War, Jews during the Second World War, conscientious objectors alongside Louis Lecoin during the Algerian War, and later, through her newspaper Le Réfractaire, the Larzac, Plogoff, and Creys-Malville protests—all these were battlegrounds for May Picqueray. To the very end, she remained true to her commitment to defending peace and individual liberties.",0.8798,"\u002FeWEQrLoY6cyUpkv6qxL4VLZ1Od.jpg","1984-01-01",{"adult":5,"backdrop_path":72,"genre_ids":73,"id":74,"title":75,"original_language":17,"original_title":76,"overview":77,"popularity":78,"poster_path":79,"release_date":80,"softcore":5,"video":5,"vote_average":39,"vote_count":40},"\u002FyqY3EcDebZUrtgbvhehaeatRUdW.jpg",[11],1597647,"Jean-Jacques de Félice, The Passion For Justice","Jean-Jacques de Félice, La Passion De La Justice","From the rights of minors before the juvenile court, young offenders from the neighborhoods of eastern Paris, or children of Algerian origin from the shantytowns of Nanterre, to the defense of colonized Kanaks and Polynesians; from the fight for conscientious objector status to the denunciation of torture and the death penalty, lawyer Jean-Jacques de Félice has been involved in every struggle. His pacifism knows no bounds: with organizations like Cimade, LDH, and the Louis-Lecoin Committee, he assists draft dodgers in numerous countries. These include Portuguese conscientious objectors refusing to fight in the wars in Angola and Mozambique, American deserters opposed to the Vietnam War, and Israeli objectors refusing to serve in the Occupied Territories. It is no surprise that, as early as 1971, he was one of the very first lawyers representing the farmers of the Larzac plateau.",1.5125,"\u002F1fbsqR5tqnd77JWbOtrciJQB28o.jpg","2018-10-27",{"adult":5,"backdrop_path":82,"genre_ids":83,"id":85,"title":86,"original_language":17,"original_title":86,"overview":87,"popularity":88,"poster_path":89,"release_date":90,"softcore":5,"video":5,"vote_average":39,"vote_count":40},"\u002Fu99vQyIe5zYV2esFauFEbzuTN8A.jpg",[11,84],36,827535,"Les Mains Libres","In 1964, Algeria, just two years after the end of the war of independence, found itself catapulted into new contradictions, a still rural territory which responded to the modernity brought by the revolution. Filmed during the winter of 1964-1965 by the young director Ennio Lorenzini, it is the first international Algerian production which paints a rare portrait in color of a multifaceted nation, far from the simplistic vision created by the press and the French army. Produced by Casbah Film, Les Mains Libres (initially titled Tronc De Figuier) bears witness to the stigmata of colonization and the future of free Algeria throughout the Algerian territory and reveals the richness of its landscapes and the diversity of its traditions . The documentary, using the aesthetics of militant cinema of the time, is made up of four scenes: Sea and Desert, The Struggle, The Earth, Freedom.",1.0035,"\u002Fcmz5Sv63zAJDtIUizhlZ8HWTCk1.jpg","1965-08-14",{"adult":5,"backdrop_path":92,"genre_ids":93,"id":95,"title":96,"original_language":17,"original_title":97,"overview":98,"popularity":99,"poster_path":100,"release_date":101,"softcore":5,"video":5,"vote_average":102,"vote_count":103},"\u002FrS4si2yd3olgcOPFhDSdZLYRMEJ.jpg",[94,11],18,273852,"The Zerda or the Songs of Forgetting","La Zerda ou les chants de l'oubli","“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.",0.8566,"\u002FqSganVOBZRTxBMylm4ahR1JxVhW.jpg","1983-02-27",8.1,5,{"adult":5,"backdrop_path":105,"genre_ids":106,"id":107,"title":108,"original_language":109,"original_title":110,"overview":111,"popularity":112,"poster_path":113,"release_date":114,"softcore":5,"video":5,"vote_average":39,"vote_count":40},"\u002FtcUdvCChXJApLTcc7sgEyFCYt7M.jpg",[11],644369,"How Much I Love You","ar","Combien Je Vous Aime","Beginning with a promotional reel encouraging farming investments in Algeria and ending with the secret 1950s nuclear tests that France conducted using Algerian prisoners, How Much I Love You appropriates archival footage produced by the French colonial powers in Algeria. Meddour’s approach is disarmingly simple and yet awe-inspiring—his caustic undoing of colonial discourse is underscored by a liberating release of humor.",0.7531,"\u002FhVS69fnRMUrcp0Zrr1rsP16bvxc.jpg","1985-05-05",{"adult":5,"backdrop_path":116,"genre_ids":117,"id":118,"title":119,"original_language":120,"original_title":119,"overview":121,"popularity":122,"poster_path":123,"release_date":124,"softcore":5,"video":5,"vote_average":125,"vote_count":126},"\u002FsN8K7JQZkcz7Kq4Mp20Vy4mb8q9.jpg",[11],16070,"This Film Is Not Yet Rated","en","Kirby Dick's provocative documentary investigates the secretive and inconsistent process by which the Motion Picture Association of America (MPAA) rates films, revealing the organization's underhanded efforts to control culture. Dick questions whether certain studios get preferential treatment and exposes the discrepancies in how the MPAA views sex and violence.",2.1521,"\u002FnXo26FkBBdiEaEDzOPkrSFZC7zO.jpg","2006-09-01",7.1,392,{"adult":5,"backdrop_path":7,"genre_ids":128,"id":129,"title":130,"original_language":131,"original_title":132,"overview":133,"popularity":134,"poster_path":7,"release_date":37,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],842438,"Sankofa","pt","Sankofa - Não é errado voltar para o que se esqueceu","A short documentary that emerge at the center of round table debate, participating in it there's three students from the Superior School of Arts and Design, Caldas da Rainha - Portugal. This conversation go along with a video essay about Afrofuturism and Pop Culture. Also, during the debate, an interview with another student gives some real example of how afrofuturism can be applied when it comes to in taking control of the colonial narratives into a black person perspective.",0.5475,{"adult":5,"backdrop_path":136,"genre_ids":137,"id":138,"title":139,"original_language":17,"original_title":139,"overview":140,"popularity":141,"poster_path":142,"release_date":143,"softcore":5,"video":5,"vote_average":144,"vote_count":145},"\u002FuFCdmlybdxWEN2O9nAf5JRZUbqe.jpg",[11],31291,"Afrique 50","The first French anti-colonialist film, derived from an assignment in which the director was to document educational activities by the French League of Schooling in West Africa. Vautier later filmed what he actually saw: “a lack of teachers and doctors, the crimes committed by the French Army in the name of France, the instrumentalization of the colonized peoples.” For his role in the film, Vautier was imprisoned for several months. The film was banned from public screening for more than 40 years.",1.3884,"\u002FbHV4HeZHmIoxNE0AQX7CNubHSAC.jpg","1950-12-31",6.8,29,{"adult":5,"backdrop_path":7,"genre_ids":147,"id":149,"title":150,"original_language":109,"original_title":150,"overview":151,"popularity":152,"poster_path":153,"release_date":154,"softcore":5,"video":5,"vote_average":39,"vote_count":40},[148,11],10752,478076,"Sawt Echaâb","“La Voix du Peuple,” composed of archival photographs by René Vauthier and others, exposes the root causes of the armed conflict of the Algerian resistance. Participating in a war of real images against French colonial propaganda, these images aimed to show the images that the occupier had censored or distorted, by showing the extortions of the French occupation army: torture, arrests and arbitrary executions, napalm bombings, roundabout fires, erasing entire villages from the map, etc. This is what the French media described as a “pacification campaign”.",0.5461,"\u002FtciK1fCuXBCqIAXDgOM1GkXYEcB.jpg","1961-01-01",{"adult":5,"backdrop_path":156,"genre_ids":157,"id":158,"title":159,"original_language":109,"original_title":160,"overview":161,"popularity":162,"poster_path":163,"release_date":164,"softcore":5,"video":5,"vote_average":165,"vote_count":44},"\u002FwNl3mPa5aTBEvxQYxWUDWdbGGci.jpg",[11,148],273112,"Algeria in Flames","Algérie en flammes","These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.",0.9821,"\u002Fvo4od9ntoAQMbpdunrXoSojYbsJ.jpg","1958-01-02",8.5,{"adult":5,"backdrop_path":167,"genre_ids":168,"id":169,"title":170,"original_language":17,"original_title":171,"overview":172,"popularity":173,"poster_path":174,"release_date":175,"softcore":5,"video":5,"vote_average":144,"vote_count":176},"\u002FzaMncrBrFhZuEsMVHYMk6JakXTA.jpg",[11],467742,"CHoosing at Twenty","Choisir à vingt ans","Between 1954-1962, one hundred to three hundred young French people refused to participate in the Algerian war. These rebels, soldiers or conscripts were non-violent or anti-colonialists. Some took refuge in Switzerland where Swiss citizens came to their aid, while in France they were condemned as traitors to the country. In 1962, a few months after Independence, Villi Hermann went to a region devastated by war near the Algerian-Moroccan border, to help rebuild a school. In 2016 he returned to Algeria and reunited with his former students. He also met French refractories, now living in France or Switzerland.",0.9339,"\u002FoG9JP76zG7QWEY2OaV8Kgj5WtZx.jpg","2017-08-24",4,{"adult":5,"backdrop_path":7,"genre_ids":178,"id":179,"title":180,"original_language":17,"original_title":180,"overview":181,"popularity":182,"poster_path":183,"release_date":184,"softcore":5,"video":5,"vote_average":39,"vote_count":40},[11,84,148],1608733,"Remembering History","Made just three years after the end of the French-Algerian War (1954-1962), Gillo Pontecorvo's The Battle Of Algiers instantly ignited discussions of this complex historical period. Using the film as a point of reference, this 2004 documentary attempts to reconstruct the Algerian experience of the battle for independence.",1.8195,"\u002F3WNsZj0cqbTecJYtRcgg0TdxcjO.jpg","2004-10-12",{"adult":5,"backdrop_path":186,"genre_ids":187,"id":188,"title":189,"original_language":190,"original_title":191,"overview":192,"popularity":193,"poster_path":194,"release_date":195,"softcore":5,"video":5,"vote_average":196,"vote_count":176},"\u002F96QJBpmfg1gZhTqL5J64XJz8Ldz.jpg",[11,84],481620,"Cinecittà Babilonia: Sex, Drugs and Black Shirts","it","Cinecittà Babilonia: sesso, droga e camicie nere","The story of Italian cinema under Fascism, a sophisticated film industry built around the founding of the Cinecittà studios and the successful birth of a domestic star system, populated by very peculiar artists among whom stood out several beautiful, magnetic, special actresses; a dark story of war, drugs, sex, censorship and tragedy.",1.6246,"\u002FegtRqGK1ftDOr1lmCbsKQYVy8pc.jpg","2017-06-14",6.5,{"adult":5,"backdrop_path":198,"genre_ids":199,"id":201,"title":202,"original_language":203,"original_title":202,"overview":204,"popularity":205,"poster_path":206,"release_date":207,"softcore":5,"video":5,"vote_average":176,"vote_count":44},"\u002F3zcgJwPrQlRhjb2iIzPQamNFMc4.jpg",[11,200],10770,659238,"Todos los nombres de Sara","es","Born in Campo de Criptana, a small village in the Spanish region of La Mancha, Sara Montiel (1928-2013) conquered Mexico, Hollywood, and the hearts of people. The recognition of an unparalleled professional career, an intimate dialogue with a tireless worker who took the stage at the age of twelve and never got off. A movie star who seduced millions of viewers around the world, a singer who reinvented a musical genre, a woman who broke the mold…",1.4835,"\u002Fql9QsDedvlkT6HBinxlTVESP80X.jpg","2019-12-15",{"adult":5,"backdrop_path":209,"genre_ids":210,"id":211,"title":212,"original_language":120,"original_title":212,"overview":213,"popularity":214,"poster_path":215,"release_date":216,"softcore":5,"video":5,"vote_average":217,"vote_count":218},"\u002Ft5dzF5wHcra6cBsqMC8n5KeR25R.jpg",[11,148],42449,"Hearts and Minds","Many times during his presidency, Lyndon B. Johnson said that ultimate victory in the Vietnam War depended upon the U.S. military winning the \"hearts and minds\" of the Vietnamese people. Filmmaker Peter Davis uses Johnson's phrase in an ironic context in this anti-war documentary, filmed and released while the Vietnam War was still under way, juxtaposing interviews with military figures like U.S. Army Chief of Staff William C. Westmoreland with shocking scenes of violence and brutality.",2.2157,"\u002FyXnpP2RAZbG3DQufUGcOM5hU4cF.jpg","1974-12-20",7.6,96,{"adult":5,"backdrop_path":220,"genre_ids":221,"id":222,"title":223,"original_language":120,"original_title":223,"overview":224,"popularity":225,"poster_path":226,"release_date":227,"softcore":5,"video":5,"vote_average":31,"vote_count":40},"\u002FGLEW6kfwNvJyKLjPcD9IftZ7jA.jpg",[11,84],649905,"The Forbidden Reel","According to the official history of Afghanistan, ruthless destruction has always prevailed over art and creation; but there is another tale to be told, the forgotten account of a diverse and progressive country, seen through the lens of innovative filmmakers, a story that survives thanks to a few brave Afghans, a small but very passionate group that secretly fought to save a huge film archive that was constantly menaced by war and religious fanaticism.",0.9942,"\u002FnMshtG0NHhYc0wvELgE7XFnCLCS.jpg","2020-03-03",{"adult":5,"backdrop_path":229,"genre_ids":230,"id":231,"title":232,"original_language":203,"original_title":232,"overview":233,"popularity":234,"poster_path":235,"release_date":236,"softcore":5,"video":5,"vote_average":237,"vote_count":49},"\u002F1uNH5xt8i1rh3glvmhbQm1MSgtz.jpg",[11,84],1032707,"La Antorcha de los Éxitos: Cifesa (1932-1961)","The amazing story of Cifesa, a mythical film production company founded in Valencia by the Casanova family that managed to dominate the box office during the turbulent times of the Second Spanish Republic, the carnage of the Civil War and the hardships of the long post-war period and Franco's dictatorship — and survive until the sixties, when Spain was timidly beginning to change.",1.1316,"\u002FhLJik6zra7jRdi1odo7FbzgRFr.jpg","2022-10-05",4.3,{"adult":5,"backdrop_path":239,"genre_ids":240,"id":241,"title":242,"original_language":203,"original_title":243,"overview":244,"popularity":245,"poster_path":246,"release_date":247,"softcore":5,"video":5,"vote_average":248,"vote_count":176},"\u002FvZxcF3NUMNWbYAFt0ltRFZdKqkX.jpg",[11],647197,"Zombies in the Sugar Cane Field: The Documentary","Zombies en el cañaveral: el documental","Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.",1.3357,"\u002F1NvpmzjHrLrzCzLWjxOKPVeBXg5.jpg","2019-11-08",7.8,{"adult":5,"backdrop_path":250,"genre_ids":251,"id":252,"title":253,"original_language":17,"original_title":254,"overview":255,"popularity":256,"poster_path":257,"release_date":258,"softcore":5,"video":5,"vote_average":259,"vote_count":260},"\u002FuXPBBQlKDXVx8apISYh9KdrTEoa.jpg",[11,84,94],283013,"Dawn of the Damned","L'Aube des Damnés","This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.",1.4586,"\u002FlofBqYj9p4eefPAQlzrQ5d9SgHk.jpg","1965-07-05",7.4,7,{"adult":5,"backdrop_path":262,"genre_ids":263,"id":264,"title":265,"original_language":109,"original_title":266,"overview":267,"popularity":268,"poster_path":269,"release_date":270,"softcore":5,"video":5,"vote_average":271,"vote_count":44},"\u002FengsqGg1S7YFSXnIAl4j0sdzeQJ.jpg",[84,94,11],1217365,"True Chronicles of the Blida Joinville Psychiatric Hospital in the Last Century, when Dr Frantz Fanon Was Head of the Fifth Ward between 1953 and 1956","Chroniques fidèles survenues au siècle dernier à l’hôpital psychiatrique Blida-Joinville, au temps où le Docteur Frantz Fanon était chef de la cinquième division entre 1953 et 1956","1953, colonized Algeria.  Fanon, a young black psychiatrist is appointed head doctor at the Blida-Joinville Hospital. He was putting his theories of ‘Institutional Psychotherapy’ into practice in opposition to the racist theories of the Algies School of Psychiatry, while a war broke out in his own wards.",1.13,"\u002F6Kp1WdRURYKWwDNxUkX1BA3GH1Y.jpg","2025-07-23",6,1001,20001,{"results":275},{},{"results":277},[],45,"A documentary story that tends to land well.",[]]