[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1080757-en-US":3},{"detail":4,"match":255,"insight":256,"providers":257,"providerLink":67,"trailer":67},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":36,"revenue":8,"runtime":37,"similar":38,"tagline":98,"homepage":98,"overview":98,"softcore":6,"popularity":239,"vote_count":8,"poster_path":240,"release_date":241,"vote_average":242,"backdrop_path":67,"origin_country":243,"original_title":7,"watch\u002Fproviders":245,"spoken_languages":247,"original_language":60,"production_companies":248,"production_countries":252,"belongs_to_collection":67},1080757,false,"Solitud de Cristo",1,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19,29,32],{"id":20,"job":21,"name":22,"adult":6,"gender":23,"credit_id":24,"department":25,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":28},3263168,"Producer","Nahuel Hernández",2,"63d85c8a22df2e00843b5fd0","Production",0.0143,"\u002FnTpIA83VDpdOZrsFOKdhm7ZPGc1.jpg","Directing",{"id":20,"job":30,"name":22,"adult":6,"gender":23,"credit_id":31,"department":28,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":28},"Director","63d85c4812b10e007b780f05",{"id":20,"job":33,"name":22,"adult":6,"gender":23,"credit_id":34,"department":35,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":28},"Editor","63d85c7522df2e00df3e6676","Editing","tt26492302",0,{"page":8,"results":39,"total_pages":237,"total_results":238},[40,51,61,70,77,84,95,108,117,127,135,145,154,165,174,185,191,201,213,226],{"id":41,"adult":6,"title":42,"video":6,"overview":43,"softcore":6,"genre_ids":44,"popularity":45,"vote_count":37,"poster_path":46,"release_date":47,"vote_average":37,"backdrop_path":48,"original_title":49,"original_language":50},469623,"The Horse Walker","The film tells a story of Kosynka, a pregnant mare, and her owner, a battered old man. Kosynka leads the “horse walker,” designed to train young horse to walk steadily and at a pace. Set to a soundtrack of Bach and Russian folk music, this film is another example of a parable-like narrative, which became more popular in Soviet documentary in the early 1970s.",[11],0.1782,"\u002FnuAavQwnTWFLgzNFeq5IV4V4kln.jpg","1969-01-01","\u002FsMfyNNt2T6q6VfeJUmdFJv7TJOU.jpg","Шаговик","ru",{"id":52,"adult":6,"title":53,"video":6,"overview":54,"softcore":6,"genre_ids":55,"popularity":56,"vote_count":37,"poster_path":57,"release_date":58,"vote_average":37,"backdrop_path":59,"original_title":53,"original_language":60},1021426,"Tribu","Ruben and Gio have been recently adopted by Evelyn and Memo. The four of them try to create a home where the past, the bad and good stories, and the dreams in common for the future blend all together.",[11],0.4097,"\u002Fns0vQUiEdKMhyUUmhrsCF05nNEy.jpg","2022-09-01","\u002FcSOffujQ2hHQuW9ClXXhUlqEAbf.jpg","es",{"id":62,"adult":6,"title":63,"video":6,"overview":64,"softcore":6,"genre_ids":65,"popularity":66,"vote_count":37,"poster_path":67,"release_date":68,"vote_average":37,"backdrop_path":67,"original_title":63,"original_language":69},1203596,"Freitag, der 13.","24 hours at the Berlin traffic accident standby service. The frequency of accidents on the streets of the capital of the German Democratic Republic (GDR) becomes apparent, including inappropriate and increased speed, pedestrian errors, failure to give way and driving under the influence of alcohol. Major Busse, the head of the Berlin Traffic Accident Investigation Unit, raises the question of whether the GDR has developed its own kind of driving. The camera provides interesting insights into the carelessness and aggressiveness of road users, which can lead to serious injuries and deaths",[11],0.1679,null,"1989-01-06","de",{"id":71,"adult":6,"title":72,"video":6,"overview":73,"softcore":6,"genre_ids":74,"popularity":75,"vote_count":37,"poster_path":67,"release_date":76,"vote_average":37,"backdrop_path":67,"original_title":72,"original_language":69},1203553,"Der Muskelmann Wilhelm Emter aus Lörrach","Wilhelm Emter demonstrates individual muscles and muscle groups of the shoulder region, chest region, torso and abdominal region and the arm in practice on his extremely trained body.",[11],0.1772,"1936-01-01",{"id":78,"adult":6,"title":79,"video":6,"overview":80,"softcore":6,"genre_ids":81,"popularity":82,"vote_count":37,"poster_path":67,"release_date":83,"vote_average":37,"backdrop_path":67,"original_title":79,"original_language":69},1203967,"Reservisten","A report on the work of a reservist collective from a factory of the Guben chemical fiber combine.",[11],0.1795,"1967-01-01",{"id":85,"adult":6,"title":86,"video":6,"overview":87,"softcore":6,"genre_ids":88,"popularity":89,"vote_count":90,"poster_path":91,"release_date":92,"vote_average":93,"backdrop_path":67,"original_title":86,"original_language":94},291017,"Fin de concession","Pierre Carles questions the privatization of the leading French televisions channel : is it not scandalous that the TFI-Bouygues concession has been automatically renewed since 1987 ? Taking up the anti-television fight he initiated with \"Pas vu Pas pris\", his first film, he confronts the people responsible for the news who have always avoided tackling this taboo subject. But the investigation does not go as planned : the old dinosaurs and young guardians now how to handle this media critic. To find his \"fighting spirit\" again, Carles calls to arms his friends and changes methods : Henceforth, no more concessions !",[11],0.2212,6,"\u002FfKr1q6N1tDnDRtvOcNdXD32UAEC.jpg","2010-10-27",6.8,"fr",{"id":96,"adult":6,"title":97,"video":6,"overview":98,"softcore":6,"genre_ids":99,"popularity":101,"vote_count":102,"poster_path":103,"release_date":104,"vote_average":105,"backdrop_path":106,"original_title":97,"original_language":107},1021289,"O Zé Analfabeto e o Trânsito","",[100,11],35,0.22,3,"\u002F5bmxcrY9irVW5bdvrpse0NwkcGv.jpg","1952-01-02",6.333,"\u002FbqP2SzWaunwcIXSEUl3dBPPZPQ8.jpg","pt",{"id":109,"adult":6,"title":110,"video":6,"overview":111,"softcore":6,"genre_ids":112,"popularity":113,"vote_count":37,"poster_path":114,"release_date":115,"vote_average":37,"backdrop_path":67,"original_title":116,"original_language":50},469605,"Your Very Personal Poetry","This poetic core in youngsters is also touched in Stanukina's less known Your very personal poetry (Свои, совсем особые стихи, 1982), a wonderful film about a poetry class. It is here that one recalls Kogan's admiration of Lyalya's emotional documentary skills. And it is here that one recalls Kosakovsky's depiction of Lyalya as a person of extraordinarily prosperous feelings, sensitive and energetic, childish and female, shrill and quiet. The young poets are marvellously sneaky, respectfully adoring and creatively playing with - maybe even deconstructing - \"Aleksandr Sergeevich\", Mr. Pushkin, Russia's exclusive trade mark of high culture and literature.",[11],0.133,"\u002Fcd4j0wZjlf1DMvBSXXD3NKRkmcM.jpg","1982-01-01","Свои совсем особые стихи",{"id":118,"adult":6,"title":119,"video":120,"overview":121,"softcore":6,"genre_ids":122,"popularity":123,"vote_count":8,"poster_path":124,"release_date":98,"vote_average":125,"backdrop_path":67,"original_title":119,"original_language":126},471521,"Pale Blue Dot",true,"This excerpt from A Pale Blue Dot was inspired by an image taken, at Carl Sagan's suggestion, by Voyager 1 on February 14, 1990.",[11],0.2633,"\u002FkQ14f0g5GwigZd1XiXRHJtAU4f5.jpg",9,"en",{"id":128,"adult":6,"title":129,"video":6,"overview":130,"softcore":6,"genre_ids":131,"popularity":132,"vote_count":37,"poster_path":133,"release_date":134,"vote_average":37,"backdrop_path":67,"original_title":129,"original_language":126},1394611,"Running Fields III","Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion",[11],0.1736,"\u002FfBZPvK6GcZwMfT87WPy69TDeV2Y.jpg","2024-11-29",{"id":136,"adult":6,"title":137,"video":6,"overview":138,"softcore":6,"genre_ids":139,"popularity":141,"vote_count":23,"poster_path":142,"release_date":143,"vote_average":90,"backdrop_path":144,"original_title":137,"original_language":60},1023797,"Flora","A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.",[11,140],18,0.2658,"\u002FkNqhwu34lckqfD299paxAxy6jxd.jpg","2022-10-22","\u002FfMTZ9X2jiUrTRjkA8RCKQYRtZUy.jpg",{"id":146,"adult":6,"title":147,"video":6,"overview":148,"softcore":6,"genre_ids":149,"popularity":150,"vote_count":8,"poster_path":151,"release_date":152,"vote_average":90,"backdrop_path":153,"original_title":147,"original_language":126},1023808,"Lesser Choices","The bleached palette and home-movie aesthetics of Super 8 footage provide the image track for this testimonial about an illegal abortion in Mexico City in the 1960s, delivered in voiceover by the filmmaker’s mother. In its account of this intimate and disorienting memory, Lesser Choices summons a time of profound uncertainty—a moment from an era without rights—and offers a warning to the present.",[11],0.1659,"\u002FsJJEpn8CyFvWYbM3QYXXCtA6W6S.jpg","2022-09-30","\u002F4NHTOrJKWji1r30M62fQ2FsLxLz.jpg",{"id":155,"adult":6,"title":156,"video":6,"overview":157,"softcore":6,"genre_ids":158,"popularity":159,"vote_count":160,"poster_path":161,"release_date":162,"vote_average":163,"backdrop_path":164,"original_title":156,"original_language":126},42805,"Wild Australia: The Edge","From beautiful but dangerous waterfalls to canyons and underground rivers carved into stone millions of years ago, Wild Australia is a stunning look at our fragile world and how it relates to Earth of ninety million years ago",[11],0.3424,4,"\u002FbUMrciUneD4PbYcfk48VxC2VoOP.jpg","1996-01-26",5.375,"\u002FhMdIvXLbcj7ZuzIWt8mOpuABK3g.jpg",{"id":166,"adult":6,"title":167,"video":6,"overview":168,"softcore":6,"genre_ids":169,"popularity":170,"vote_count":160,"poster_path":171,"release_date":172,"vote_average":173,"backdrop_path":67,"original_title":167,"original_language":126},470005,"Le Temps de cerveau disponible","Cruelty, psychological and sexual violence, humiliations: reality television seems to have gone mad. His debut in the early 2000s inaugurated a new era in the history of the audio-visual. Fifty years of archives trace the evolution of entertainment: how the staging of intimacy during the 80s opened new territories, how the privatization of the biggest channels has changed the relationship with the spectator. With the contribution of specialists, including philosopher Bernard Stiegler, this documentary demonstrates how emotion has made way for the exacerbation of the most destructive impulses.",[11],0.2882,"\u002Fychr84ZQ5wdDv2amxxTCyRBFuRy.jpg","2010-03-17",6.9,{"id":175,"adult":6,"title":176,"video":6,"overview":177,"softcore":6,"genre_ids":178,"popularity":179,"vote_count":180,"poster_path":181,"release_date":182,"vote_average":183,"backdrop_path":184,"original_title":176,"original_language":126},470043,"I Needed Color","Jim Carrey exhibits his talent as a painter and reflects on the value and power of art.",[11],0.2092,30,"\u002FsqwLWKFUITwN19TxjFU4yZp4P2w.jpg","2017-07-25",7.7,"\u002Fmlynu0QZpIYjkiUth5CDV9etUBL.jpg",{"id":186,"adult":6,"title":187,"video":6,"overview":98,"softcore":6,"genre_ids":188,"popularity":189,"vote_count":37,"poster_path":67,"release_date":190,"vote_average":37,"backdrop_path":67,"original_title":187,"original_language":107},291458,"Que Esse Grito Não Seja em Vão!",[11],0.5055,"2012-09-29",{"id":192,"adult":6,"title":193,"video":6,"overview":194,"softcore":6,"genre_ids":195,"popularity":196,"vote_count":23,"poster_path":197,"release_date":198,"vote_average":8,"backdrop_path":199,"original_title":200,"original_language":107},470079,"Vanilla","Look around. Everything you see and touch can taste like vanilla.",[11],0.3058,"\u002FqDGoES5uVyL4YSdZN1zyNSbaBsw.jpg","2017-04-08","\u002FdIanX4r6cOmZPOu7cF36XaOjuSc.jpg","Baunilha",{"id":202,"adult":6,"title":203,"video":6,"overview":204,"softcore":6,"genre_ids":205,"popularity":206,"vote_count":207,"poster_path":208,"release_date":209,"vote_average":210,"backdrop_path":211,"original_title":212,"original_language":94},1204067,"At Averroes & Rosa Parks","Averroès and Rosa Parks: two units of the Esquirol Hospital, which - like the Adamant - are part of the Paris Central Psychiatric Group. From individual interviews to «carer-patient» meetings, the filmmaker focuses on showing a form of psychiatry that continually strives to make room for and rehabilitate the patients’ words. Little by little, each one eases open the door to their world. Within an increasingly worn-out health system, how can the forsaken be given a place among others.",[11],0.2168,5,"\u002F8TY2O8oLlYRW9icKeEzXyiSCSAH.jpg","2024-03-20",7.2,"\u002F1XV5WQoJFYJIq1AsJ8mAz9GRkFh.jpg","Averroès & Rosa Parks",{"id":214,"adult":6,"title":215,"video":6,"overview":216,"softcore":6,"genre_ids":217,"popularity":218,"vote_count":219,"poster_path":220,"release_date":221,"vote_average":222,"backdrop_path":223,"original_title":224,"original_language":225},1393151,"Mr. Nobody Against Putin","As Russia launches its full-scale invasion of Ukraine, primary schools across Russia’s hinterlands are transformed into recruitment stages for the war. Facing the ethical dilemma of working in a system defined by propaganda and violence, a brave teacher goes undercover to film what’s really happening in his own school.",[11],1.5532,114,"\u002FaXCEnrqecvPXohuptN0JRgIvkDj.jpg","2025-06-06",7.417,"\u002F3A0dDfZq5WxdDGt8qzmhFXqVZxJ.jpg","Mr. Nobody mod Putin","da",{"id":227,"adult":6,"title":228,"video":6,"overview":229,"softcore":6,"genre_ids":230,"popularity":231,"vote_count":232,"poster_path":233,"release_date":234,"vote_average":235,"backdrop_path":236,"original_title":228,"original_language":126},41212,"Titicut Follies","A stark and graphic portrayal of the conditions that existed at the State Prison for the Criminally Insane at Bridgewater, Massachusetts, and documents the various ways the inmates are treated by the guards, social workers, and psychiatrists.",[11,140],1.0863,145,"\u002FhAJOSqWB4FeVV7yi0fRSYFoCwvM.jpg","1967-10-03",7.241,"\u002F9Y5hD8cPFBHRvFbvRFYFXQKUn4X.jpg",13071,261407,0.1572,"\u002FmzYRvyBAtf2XLOFPoQaDcVky8vK.jpg","2020-06-09",10,[244],"UY",{"results":246},{},[],[249],{"id":250,"name":251,"logo_path":67,"origin_country":98},192296,"UdelaR",[253],{"name":254,"iso_3166_1":244},"Uruguay",49,"A documentary story that tends to land well.",[]]