[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1083200-en-US":3},{"detail":4,"match":266,"insight":267,"providers":268,"providerLink":50,"trailer":50},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":37,"revenue":8,"runtime":8,"similar":38,"tagline":157,"homepage":157,"overview":157,"softcore":6,"popularity":236,"vote_count":22,"poster_path":237,"release_date":238,"vote_average":106,"backdrop_path":50,"origin_country":239,"original_title":7,"watch\u002Fproviders":241,"spoken_languages":256,"original_language":52,"production_companies":257,"production_countries":263,"belongs_to_collection":50},1083200,false,"Die weiße Gefahr",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":28},[18],{"id":19,"name":20,"adult":6,"order":8,"gender":21,"cast_id":22,"character":23,"credit_id":24,"popularity":25,"profile_path":26,"original_name":20,"known_for_department":27},1501425,"Frantz Fanon",2,1,"Self (Archive footage)","63e0834c8741c400c7f2dcab",0.6624,"\u002FsfbjgyLuYzr4Ae65eG94XxkqXMs.jpg","Acting",[29],{"id":30,"job":31,"name":32,"adult":6,"gender":21,"credit_id":33,"department":34,"popularity":35,"profile_path":36,"original_name":32,"known_for_department":27},1434588,"Director","Ralph Giordano","63e08363cd20460081e29d29","Directing",0.6656,"\u002FaEVkD2ok82LmKti1ZLaVFXYHdK3.jpg","tt4277022",{"page":22,"results":39,"total_pages":234,"total_results":235},[40,53,65,76,88,98,109,119,128,135,146,154,163,174,183,193,201,209,218,225],{"id":41,"adult":6,"title":42,"video":6,"overview":43,"softcore":6,"genre_ids":44,"popularity":45,"vote_count":46,"poster_path":47,"release_date":48,"vote_average":49,"backdrop_path":50,"original_title":51,"original_language":52},469124,"Circumcision","Rites and operation of the circumcision of thirty Songhai children on the Niger. Material of this film has been used to make \"Les Fils de l'Eau\".",[11],0.7369,3,"\u002FAh1BzbLDy8tFDrPAK7NORyfTAcW.jpg","1949-01-01",4.75,null,"La circoncision","fr",{"id":54,"adult":6,"title":55,"video":6,"overview":56,"softcore":6,"genre_ids":57,"popularity":58,"vote_count":59,"poster_path":60,"release_date":61,"vote_average":62,"backdrop_path":63,"original_title":55,"original_language":64},467100,"Namibia: The Spirit of Wilderness","With more than 300 days a year, the sun dominates this country so much that it’s even shining from their flag.  It’s a barren land, sometimes it’s like it’s from another planet but still familiar. It is land of contrasts and colours with wide landscapes and fascinating deserts. Influenced by various cultures during colonization and now reborn from the shadows of Apartheid in 1990, Namibia gives a beautiful collage of culture, language, art, music and food.  Everyone who loves an adventure should travel to Namibia, the precious corner of our world full of incredible natural wonders. The experience of endless landscapes and an unparalleled blaze of colour make Namibia unforgettable.  NAMIBIA – THE SPIRIT OF WILDERNESS invites you on a trip whose fascination will never let you go: From the Namib Desert over the breath-taking Fish River Canyon to the spectacular Etosha National Park where you will see wild elephants, antelopes, giraffes, zebras and lions.",[11],0.6574,4,"\u002F9uASpQ8utspzOXeZAVYkKYJiuPl.jpg","2016-12-19",6.8,"\u002FMY1D3Ofg4nSj3dAAYUBVTwg7dv.jpg","en",{"id":66,"adult":6,"title":67,"video":6,"overview":68,"softcore":6,"genre_ids":69,"popularity":70,"vote_count":71,"poster_path":72,"release_date":73,"vote_average":74,"backdrop_path":75,"original_title":67,"original_language":64},1228100,"Silverback","Feature-length documentary following award-winning wildlife cameraman Vianet Djenguet as he documents a gruelling but vital mission to ‘habituate’ a notoriously protective 450lb silverback, in a last-ditch effort to save the critically endangered eastern lowland gorillas from extinction.",[11],1.0687,5,"\u002FdXhpyIe2skD9IIeZgkNqVq5cU5b.jpg","2024-01-07",8.6,"\u002FtgxiM18AtkX0pb0n17fIHw4lofT.jpg",{"id":77,"adult":6,"title":78,"video":79,"overview":80,"softcore":6,"genre_ids":81,"popularity":84,"vote_count":8,"poster_path":85,"release_date":86,"vote_average":8,"backdrop_path":87,"original_title":78,"original_language":64},1404073,"The Sahel Cuisine: Fura Da Nono",true,"A documentary film about the art and process of making Fura Da Nono - a type of food that is originated from West Africa's Sahel region, one of the many unique traditions of the Fulani people which has been preserved for centuries.",[11,82,83],36,12,1.2882,"\u002FA3WyhPxpsW4Ckg0A10slAAf1eH6.jpg","2024-12-11","\u002Ft9CAAFC6ZPkkxdNiFTNDFIEORnG.jpg",{"id":89,"adult":6,"title":90,"video":6,"overview":91,"softcore":6,"genre_ids":92,"popularity":93,"vote_count":21,"poster_path":94,"release_date":95,"vote_average":96,"backdrop_path":50,"original_title":90,"original_language":97},6502,"Der lange Weg ans Licht","Edeltraut Hertel - a midwife caught between two worlds. She has been working as a midwife in a small village near Chemnitz for almost 20 years, supporting expectant mothers before, during and after the birth of their offspring. However, working as a midwife brings with it social problems such as a decline in birth rates and migration from the provinces. Competition for babies between birthing centers has become fierce, particularly in financial terms. Obstetrics in Tanzania, Africa, Edeltraud's second place of work, is completely different. Here, the midwife not only delivers babies, she also trains successors, carries out educational and development work and struggles with the country's cultural and social problems.",[11],0.8078,"\u002FmK3tGzmdOk5Z63PCo6Aukz4YA4D.jpg","2008-02-28",3.5,"de",{"id":99,"adult":6,"title":100,"video":6,"overview":101,"softcore":6,"genre_ids":102,"popularity":103,"vote_count":22,"poster_path":104,"release_date":105,"vote_average":106,"backdrop_path":107,"original_title":108,"original_language":52},1209496,"Algeria 1954, The Revolt Of A Colonized","This film presents the point of view of an Arab from Algeria who rebels against colonization. He analyzes the process of awareness, the transition to revolt, to armed insurrection. Algeria and the settlers are seen through this lens and not the way a Frenchman saw the country. He gives voice to the Arabs at a time when this word was not heard: sometimes it was not even produced, at least publicly. The testimonies are based on real propositions, most of them were made to the author during his stay in Algeria from 1948 to 1956, then in 1958 and 1959. The comments are borrowed from the texts of Arab theorists of the revolution Algerian. This film thus completely evacuates the point of view of those who are not insurgents; he does not give the opinion of the colonists. It is the direct expression of what was the revolt of a colonized person: it thus constitutes the very type of the historical document.",[11,82],0.671,"\u002FefoQlCXQpq0uc2y3fJP0G61R0YK.jpg","1974-01-01",10,"\u002F5jDgsDQxye1l04Y7cuhH8yUc1az.jpg","Algérie 1954, La Révolte D'un Colonisé",{"id":110,"adult":6,"title":111,"video":6,"overview":112,"softcore":6,"genre_ids":113,"popularity":114,"vote_count":22,"poster_path":115,"release_date":116,"vote_average":106,"backdrop_path":117,"original_title":118,"original_language":52},1597647,"Jean-Jacques de Félice, The Passion For Justice","From the rights of minors before the juvenile court, young offenders from the neighborhoods of eastern Paris, or children of Algerian origin from the shantytowns of Nanterre, to the defense of colonized Kanaks and Polynesians; from the fight for conscientious objector status to the denunciation of torture and the death penalty, lawyer Jean-Jacques de Félice has been involved in every struggle. His pacifism knows no bounds: with organizations like Cimade, LDH, and the Louis-Lecoin Committee, he assists draft dodgers in numerous countries. These include Portuguese conscientious objectors refusing to fight in the wars in Angola and Mozambique, American deserters opposed to the Vietnam War, and Israeli objectors refusing to serve in the Occupied Territories. It is no surprise that, as early as 1971, he was one of the very first lawyers representing the farmers of the Larzac plateau.",[11],1.4628,"\u002F1fbsqR5tqnd77JWbOtrciJQB28o.jpg","2018-10-27","\u002FyqY3EcDebZUrtgbvhehaeatRUdW.jpg","Jean-Jacques de Félice, La Passion De La Justice",{"id":120,"adult":6,"title":121,"video":6,"overview":122,"softcore":6,"genre_ids":123,"popularity":124,"vote_count":22,"poster_path":125,"release_date":126,"vote_average":106,"backdrop_path":127,"original_title":121,"original_language":52},1598091,"Écoutez May Picqueray","\"Well, I believe in anarchy! And I believe it will come true one day.\" That's what \"May the Rebel,\" a union activist, anti-militarist, and anarchist, always ready to denounce oppression and defend victims, affirms at 85. Born in Brittany, she earned her living at age 10 delivering butter. In Paris, at 20, she became involved with the Anarchist Union. Sébastien Faure became her mentor. She used a grenade to trigger the Sacco-Vanzetti affair. A union delegate in Moscow in 1922, she sang \"Hymn to Anarchy\" before Trotsky. Children during the Spanish Civil War, Jews during the Second World War, conscientious objectors alongside Louis Lecoin during the Algerian War, and later, through her newspaper Le Réfractaire, the Larzac, Plogoff, and Creys-Malville protests—all these were battlegrounds for May Picqueray. To the very end, she remained true to her commitment to defending peace and individual liberties.",[11],0.9011,"\u002FeWEQrLoY6cyUpkv6qxL4VLZ1Od.jpg","1984-01-01","\u002F95lKeZh78HZipyEmb6Y3wZpMqjy.jpg",{"id":129,"adult":6,"title":130,"video":6,"overview":131,"softcore":6,"genre_ids":132,"popularity":133,"vote_count":8,"poster_path":50,"release_date":134,"vote_average":8,"backdrop_path":50,"original_title":130,"original_language":64},279030,"The Exchange: Six Faces of the Gambia","On a journey to West Africa, award-winning documentarian Mathew Welsh fashions portraits of six 'middle class' Gambians - taking us beyond stereotypes about Africa - and teaching us that we in the Developed World have a lot to learn from West Africa about how we give, how we live. These are six personalities that will resonate with a Western audience.",[11],0.4923,"2009-09-01",{"id":136,"adult":6,"title":137,"video":6,"overview":138,"softcore":6,"genre_ids":139,"popularity":140,"vote_count":22,"poster_path":141,"release_date":142,"vote_average":106,"backdrop_path":143,"original_title":144,"original_language":145},644369,"How Much I Love You","Beginning with a promotional reel encouraging farming investments in Algeria and ending with the secret 1950s nuclear tests that France conducted using Algerian prisoners, How Much I Love You appropriates archival footage produced by the French colonial powers in Algeria. Meddour’s approach is disarmingly simple and yet awe-inspiring—his caustic undoing of colonial discourse is underscored by a liberating release of humor.",[11],0.893,"\u002FhVS69fnRMUrcp0Zrr1rsP16bvxc.jpg","1985-05-05","\u002FtcUdvCChXJApLTcc7sgEyFCYt7M.jpg","Combien Je Vous Aime","ar",{"id":147,"adult":6,"title":148,"video":6,"overview":149,"softcore":6,"genre_ids":150,"popularity":151,"vote_count":8,"poster_path":152,"release_date":153,"vote_average":8,"backdrop_path":50,"original_title":148,"original_language":64},447214,"The Struggle Continues","A Luta Continua explains the military struggle of the Liberation Front of Mozambique (FRELIMO) against the Portuguese. Produced and narrated by American activists Robert Van Lierop, it details the relationship of the liberation to the wider regional and continental demands for self-determination against minority rule. It notes the complicit roles of foreign governments and companies in supporting Portugal against the African nationalists. Footage from the front lines of the struggle helps contextualize FRELIMO's African socialist ideology, specifically the role of the military in building the new nation, a commitment to education, demands for sexual equality, the introduction of medical aid into the countryside, and the role of culture in creating a single national identity.",[11],0.8124,"\u002Fa10kzZHujI1qUnUvOxs6q2b2fDs.jpg","1971-10-31",{"id":155,"adult":6,"title":156,"video":6,"overview":157,"softcore":6,"genre_ids":158,"popularity":159,"vote_count":8,"poster_path":160,"release_date":161,"vote_average":8,"backdrop_path":50,"original_title":156,"original_language":162},1589963,"Ecos do Teatro Experimental do Negro","",[11],1.7029,"\u002FhiwsPNMWg8JYTFE79eMHgu8JeQg.jpg","2026-07-23","pt",{"id":164,"adult":6,"title":165,"video":6,"overview":166,"softcore":6,"genre_ids":167,"popularity":169,"vote_count":22,"poster_path":170,"release_date":171,"vote_average":172,"backdrop_path":173,"original_title":165,"original_language":64},452852,"Mining for God","America has long been called a Christian nation.  In fact, over 70% of adults in America identify themselves as Christian. Yet when filmmaker Brandon McGuire heads to the streets to ask a few clarifying questions about how Christianity is defined within our culture, he is shocked by the answers he finds.  This provocative documentary takes us deep within the American mind and brings to the surface the big ideas that have influenced the way we think about ourselves and about God.",[168,11],10751,0.8768,"\u002F76p0Wy8sjw9kYs0U7nCkN8Qqq34.jpg","2015-08-10",9,"\u002FbTRlKjW0wEccg3HZvnQAIwykYz0.jpg",{"id":175,"adult":6,"title":176,"video":6,"overview":177,"softcore":6,"genre_ids":178,"popularity":179,"vote_count":22,"poster_path":180,"release_date":181,"vote_average":106,"backdrop_path":182,"original_title":176,"original_language":52},827535,"Les Mains Libres","In 1964, Algeria, just two years after the end of the war of independence, found itself catapulted into new contradictions, a still rural territory which responded to the modernity brought by the revolution. Filmed during the winter of 1964-1965 by the young director Ennio Lorenzini, it is the first international Algerian production which paints a rare portrait in color of a multifaceted nation, far from the simplistic vision created by the press and the French army. Produced by Casbah Film, Les Mains Libres (initially titled Tronc De Figuier) bears witness to the stigmata of colonization and the future of free Algeria throughout the Algerian territory and reveals the richness of its landscapes and the diversity of its traditions . The documentary, using the aesthetics of militant cinema of the time, is made up of four scenes: Sea and Desert, The Struggle, The Earth, Freedom.",[11,82],0.9738,"\u002Fcmz5Sv63zAJDtIUizhlZ8HWTCk1.jpg","1965-08-14","\u002Fu99vQyIe5zYV2esFauFEbzuTN8A.jpg",{"id":184,"adult":6,"title":185,"video":6,"overview":186,"softcore":6,"genre_ids":187,"popularity":189,"vote_count":8,"poster_path":190,"release_date":191,"vote_average":8,"backdrop_path":50,"original_title":192,"original_language":52},827539,"Surgeon during the Algerian War","Has everything really been said about the Algerian war? Although the archives are opening up, almost fifty years after the signing of the Evian Agreements (March 18, 1962), direct witnesses are beginning to disappear. They are, however, unique bearers of history, often the only ones able to illustrate the harsh reality of a long-hidden period. Gérard Zwang, surgeon of the contingent between May 1956 and June 1958, is one of these essential witnesses who help us discover an original history of the Algerian War. During his service, in charge of treating the most atrocious wounds of his fellow soldiers, he sees the war from the side of its victims. He did not fight with a machine pistol in his hand, but behind the closed doors of an operating room where life gives way to death in a matter of seconds.",[11,82,188],10752,1.3662,"\u002F2HduU6vh8jgL379uFUgw0yzLvcq.jpg","2012-01-09","Chirurgien dans la guerre d'Algérie",{"id":194,"adult":6,"title":195,"video":6,"overview":196,"softcore":6,"genre_ids":197,"popularity":198,"vote_count":8,"poster_path":199,"release_date":200,"vote_average":8,"backdrop_path":50,"original_title":195,"original_language":97},1215395,"Zum Schneegipfel Afrikas","Silent adventure film",[83,11],0.9164,"\u002FlOAA0qJG3cqXbOGtS1NA2zU2lEw.jpg","1925-01-01",{"id":202,"adult":6,"title":203,"video":6,"overview":204,"softcore":6,"genre_ids":205,"popularity":206,"vote_count":8,"poster_path":207,"release_date":208,"vote_average":8,"backdrop_path":50,"original_title":203,"original_language":97},1215397,"Gefährliche Jagd","A humorous documentary about a historic hunt in 1929 through the African savannah and Indian jungle with lots of animal footage.",[11],1.6237,"\u002F26j5tCFUsh8CBwWsedgBRcmrbHn.jpg","1950-02-14",{"id":210,"adult":6,"title":211,"video":6,"overview":212,"softcore":6,"genre_ids":213,"popularity":214,"vote_count":22,"poster_path":215,"release_date":216,"vote_average":217,"backdrop_path":50,"original_title":211,"original_language":97},1215403,"Safari","Between 1933 and 1935, the painter Wilhelm Eggert and his wife Dora Kuster traveled the African continent. Their expedition took them from Mediterranean Algiers through the Sahara and parts of the African west coast to the Congo and Kenya. Not only did the couple explore vast stretches of land that were almost completely unknown, at least to private travelers at the time, they also captured this journey on film. A screenable documentary film was compiled from the original 12,000m of film material. In cinemas and film clubs, European audiences were presented with a film that was evidently able to satisfy an interest in foreign, 'wild' cultures and exotic landscapes, albeit one that was always Eurocentric. The spectacular shots of African lifestyles and nature, which in many respects were new to European viewers who were almost completely unfamiliar with Africa, were praised and appreciated precisely because of their supposed authenticity.",[11],1.1872,"\u002FmiVqjDIuNqYegZHXnjdR2LupNCD.jpg","1939-04-24",8,{"id":219,"adult":6,"title":220,"video":6,"overview":221,"softcore":6,"genre_ids":222,"popularity":223,"vote_count":8,"poster_path":50,"release_date":224,"vote_average":8,"backdrop_path":50,"original_title":220,"original_language":52},1028833,"Sols volcaniques du parc national Albert","Short Belgian documentary on volcanos in the former Belgian Congo",[11],0.7095,"1951-01-01",{"id":226,"adult":6,"title":227,"video":6,"overview":228,"softcore":6,"genre_ids":229,"popularity":114,"vote_count":230,"poster_path":231,"release_date":232,"vote_average":233,"backdrop_path":50,"original_title":227,"original_language":64},275331,"The Hunters","An ethnographic documentary following four Ju\u002F’hoansi (!Kung) men during a multi-day giraffe hunt in the Kalahari Desert, filmed during the Smithsonian–Harvard Peabody expedition of 1952–53.",[11],7,"\u002Fp7GnfRZq8oUYM6a8xVxZEf33hPA.jpg","1957-03-21",6.5,1001,20001,0.9396,"\u002F32PsHTNPj2FlmLrH8vCTbuzKT2y.jpg","1971-01-18",[240],"FR",{"results":242},{"AT":243,"DE":251},{"link":244,"flatrate":245},"https:\u002F\u002Fwww.themoviedb.org\u002Fmovie\u002F1083200-die-weisse-gefahr\u002Fwatch?locale=AT",[246],{"logo_path":247,"provider_id":248,"provider_name":249,"display_priority":250},"\u002FlD5GM2RVquDG85ybCswioL1MXHU.png",603,"CuriosityStream Amazon Channel",154,{"link":252,"flatrate":253},"https:\u002F\u002Fwww.themoviedb.org\u002Fmovie\u002F1083200-die-weisse-gefahr\u002Fwatch?locale=DE",[254],{"logo_path":247,"provider_id":248,"provider_name":249,"display_priority":255},220,[],[258],{"id":259,"name":260,"logo_path":261,"origin_country":262},46,"WDR","\u002F3xFdKHLXPGHEbrAkmsepGE8974Y.png","DE",[264],{"name":265,"iso_3166_1":262},"Germany",48,"A documentary story that tends to land well.",[]]