[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1083277-en-US":3},{"detail":4,"match":369,"insight":370,"providers":371,"providerLink":51,"trailer":51},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":132,"revenue":8,"runtime":133,"similar":134,"tagline":340,"homepage":341,"overview":342,"softcore":6,"popularity":343,"vote_count":22,"poster_path":344,"release_date":345,"vote_average":48,"backdrop_path":346,"origin_country":347,"original_title":7,"watch\u002Fproviders":350,"spoken_languages":352,"original_language":147,"production_companies":356,"production_countries":364,"belongs_to_collection":51},1083277,false,"Jean-Marie Tjibaou ou le rêve d'indépendance",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":92},[18,28,36,44,52,59,66,73,80,86],{"id":19,"name":20,"adult":6,"order":8,"gender":21,"cast_id":22,"character":23,"credit_id":24,"popularity":25,"profile_path":26,"original_name":20,"known_for_department":27},3870842,"Jean-Marie Tjibaou",2,1,"Self (archive footage)","63e0e5bbe55937009fff2b82",0.1351,"\u002FiNAfJSLsvcPVFNgUJmt6DwZUZ7k.jpg","Acting",{"id":29,"name":30,"adult":6,"order":22,"gender":21,"cast_id":31,"character":32,"credit_id":33,"popularity":34,"profile_path":35,"original_name":30,"known_for_department":27},4395159,"Bernard Langlois",8,"Narrator","67094ab86adf662021304932",0.1454,"\u002Fjkv6mcphMVtpJylv58VIyLa5LNT.jpg",{"id":37,"name":38,"adult":6,"order":21,"gender":21,"cast_id":39,"character":40,"credit_id":41,"popularity":42,"profile_path":43,"original_name":38,"known_for_department":27},2023955,"Bernard Pons",9,"Self","67094d8bd357a2103996e759",0.5664,"\u002Fo67cCPUMFDp8mijY8oNEIagNYBN.jpg",{"id":45,"name":46,"adult":6,"order":47,"gender":8,"cast_id":48,"character":40,"credit_id":49,"popularity":50,"profile_path":51,"original_name":46,"known_for_department":27},4994235,"Edgard Pisani",3,10,"67094daad357a2103996e77b",0.0682,null,{"id":53,"name":54,"adult":6,"order":55,"gender":8,"cast_id":56,"character":40,"credit_id":57,"popularity":58,"profile_path":51,"original_name":54,"known_for_department":27},4994236,"Philippe Legorgus",4,11,"67094db6d357a2103996e78c",0.1356,{"id":60,"name":61,"adult":6,"order":62,"gender":8,"cast_id":63,"character":40,"credit_id":64,"popularity":65,"profile_path":51,"original_name":61,"known_for_department":27},4994237,"Paul Neaoutyne",5,12,"67094dc4265a5f8bc570cf63",0.0723,{"id":67,"name":68,"adult":6,"order":69,"gender":8,"cast_id":70,"character":40,"credit_id":71,"popularity":72,"profile_path":51,"original_name":68,"known_for_department":27},4994238,"Adèle Joredie",6,13,"67094dd3ee9614858724e9cc",0.0716,{"id":74,"name":75,"adult":6,"order":76,"gender":8,"cast_id":77,"character":40,"credit_id":78,"popularity":79,"profile_path":51,"original_name":75,"known_for_department":27},4994241,"Jacques Lafleur",7,14,"67094df48d487f654128a3ce",0.0657,{"id":81,"name":82,"adult":6,"order":31,"gender":8,"cast_id":83,"character":40,"credit_id":84,"popularity":85,"profile_path":51,"original_name":82,"known_for_department":27},2676051,"Jean-Pierre Aïfa",15,"67094e00265a5f8bc570cf8b",0.3689,{"id":87,"name":88,"adult":6,"order":39,"gender":8,"cast_id":89,"character":40,"credit_id":90,"popularity":91,"profile_path":51,"original_name":88,"known_for_department":27},4994242,"Marie-Claude Tjibaou",16,"67094e0cee9614858724e9e8",0.0591,[93,102,109,116,122,128],{"id":94,"job":95,"name":96,"adult":6,"gender":21,"credit_id":97,"department":98,"popularity":99,"profile_path":100,"original_name":101,"known_for_department":98},3336756,"Director","Medhi Lallaoui","63e0e5cd23d2780081ccb52f","Directing",0.2525,"\u002FvTjJnGJ0hYDLrX18J8OTHusxEjd.jpg","Mehdi Lallaoui",{"id":103,"job":104,"name":105,"adult":6,"gender":8,"credit_id":106,"department":107,"popularity":108,"profile_path":51,"original_name":105,"known_for_department":107},3908285,"Director of Photography","Martine Caillard","63e0e5df373ac216c35190cb","Camera",0.098,{"id":110,"job":111,"name":112,"adult":6,"gender":8,"credit_id":113,"department":114,"popularity":115,"profile_path":51,"original_name":112,"known_for_department":114},3908287,"Editor","Corinne Godeau","63e0e5e9373ac216e622724c","Editing",0.1025,{"id":117,"job":118,"name":119,"adult":6,"gender":8,"credit_id":120,"department":118,"popularity":121,"profile_path":51,"original_name":119,"known_for_department":118},3908288,"Sound","Brigitte Whaap","63e0e5f423d278009d0c021f",0.065,{"id":123,"job":124,"name":125,"adult":6,"gender":21,"credit_id":126,"department":118,"popularity":127,"profile_path":51,"original_name":125,"known_for_department":27},2023966,"Music","Serge Kochyne","63e0e6019974ee0b8538cdb2",0.2326,{"id":94,"job":129,"name":96,"adult":6,"gender":21,"credit_id":130,"department":131,"popularity":99,"profile_path":100,"original_name":101,"known_for_department":98},"Writer","6706a0dcdc54f29d0eab7d28","Writing","tt33793397",58,{"page":22,"results":135,"total_pages":338,"total_results":339},[136,148,159,170,179,189,200,210,221,231,240,250,258,267,276,285,296,308,317,327],{"id":137,"adult":6,"title":138,"video":6,"overview":139,"softcore":6,"genre_ids":140,"popularity":142,"vote_count":21,"poster_path":143,"release_date":144,"vote_average":31,"backdrop_path":145,"original_title":146,"original_language":147},1435447,"Two Lives for Algeria and All the Wretched of the Earth","In 1994, at over seventy years old, Gilberte and William Sportisse, threatened by the FIS, arrived from Algeria. Of Jewish faith, he of Arabic mother tongue, they formed a fighting couple, started for the independence of Algeria, always with an unshakeable faith in humanity. They enjoy recounting the participation of Algerian Jews in the Second World War and the struggle for Algerian independence. They provide us with previously unpublished information on the public and clandestine struggles of the Algerian Communist Party before and after independence, and on the repression of activists who, like William and Gilberte Sportisse, were tortured and imprisoned after Colonel Boumédiène came to power. The film is an ode to understanding between people of different origins or cultures and a tribute to a couple whose youthful character and enthusiasm still astonish.",[11,141],36,0.4984,"\u002FqYVRUcdzDtT79PWZ8q8VaIEEwEg.jpg","2025-01-15","\u002Fn6brcXo6n6ORZoi4YMkboxLoyCU.jpg","Deux Vies Pour l'Algérie Et Tous Les Damnés De La Terre","fr",{"id":149,"adult":6,"title":150,"video":6,"overview":151,"softcore":6,"genre_ids":152,"popularity":153,"vote_count":47,"poster_path":154,"release_date":155,"vote_average":156,"backdrop_path":157,"original_title":158,"original_language":147},1047728,"Money, Freedom, a Story of CFA Franc","The former French colonies in Central and West Africa have been independent since 1960, but most of these countries still use the currency of the former oppressor: the CFA franc. It was linked to the French franc when it was introduced, so the national bank in Paris controlled monetary policy. Now the currency has a fixed exchange rate with the euro. The link with the European currency strongly influences the monetary policy of CFA countries. And that means the value of the CFA franc is defined by political decisions taken elsewhere, rather than by the domestic economy.",[11,141],0.3823,"\u002FcJxRdFsUrswlirp7wtVPPRbGwTf.jpg","2022-11-09",6.7,"\u002FbF1fzoLCgDCu43QtqSJRhLM1UoX.jpg","Une histoire du franc CFA",{"id":160,"adult":6,"title":161,"video":6,"overview":162,"softcore":6,"genre_ids":163,"popularity":165,"vote_count":22,"poster_path":166,"release_date":167,"vote_average":48,"backdrop_path":168,"original_title":169,"original_language":147},1627083,"October 17, 1961: A day that went missing","This documentary bears witness to the events that took place more than thirty years before the filming of this movie, on October 17, 1961, in Paris, during the Algerian War. It is a work not only about historical truth but also about memory. Constructed primarily from interviews conducted with those involved in the events, along with archival footage, photographs, and radio broadcasts from the time, our investigation proves that nearly 200 Algerians were killed (drowned, tortured) that night and in the days that followed by the French police. \"A Missing Day\" seeks to ask two key questions: how could such events have unfolded in the capital of a Western democracy barely thirty years ago? And why have they been silenced ever since?",[11,141,164],18,0.8178,"\u002Fqwlaiwt3b8HWD0cij8IlipfCtD6.jpg","1992-01-01","\u002FaALJemVlriG8mm9pe1T2Jdg0H5t.jpg","17 octobre 1961 : Une journée portée disparue",{"id":171,"adult":6,"title":172,"video":6,"overview":173,"softcore":6,"genre_ids":174,"popularity":175,"vote_count":22,"poster_path":176,"release_date":177,"vote_average":48,"backdrop_path":168,"original_title":178,"original_language":147},1627210,"October 17, 1961, Cover-up Of a Massacre","On October 17 and 18, 1961, during a non-violent demonstration against the imposed curfew, dozens of Algerians were murdered in Paris by police officers acting on orders from their superiors. For forty years, this crime has been concealed; yet these events, the deadliest on French soil since the Second World War, resemble, in some respects, the darkest hours of the collaboration. Why has this history been hidden? Under what conditions, and in the name of what reasons, did officials of a democratic state conceal the scale and gravity of such events?",[11],0.7782,"\u002Fmu5T8cA0bKTW74MnJBamNJAcaJW.jpg","2001-01-01","17 octobre 1961, dissimulation d’un massacre",{"id":180,"adult":6,"title":181,"video":6,"overview":182,"softcore":6,"genre_ids":183,"popularity":184,"vote_count":22,"poster_path":185,"release_date":186,"vote_average":48,"backdrop_path":187,"original_title":188,"original_language":147},1627296,"The Forgotten Night - October 17, 1961","On October 17, 1961, in response to the curfew imposed on Muslim Algerians by Paris police prefect Maurice Papon, the FLN Federation of France organized a peaceful demonstration in the streets of the capital. The demonstration turned into a bloody crackdown: unprecedented violence, thousands of arrests, hundreds missing, and dozens dead. Today, much is known about the violence of that night: at least 200 Algerians were killed, beheaded, beaten, or thrown into the Seine; 11,500 others were arrested and often tortured. Hundreds were deported back to Algeria. Long silenced, the repression has been acknowledged thanks to the work of remembrance and eyewitness accounts.",[11],0.7241,"\u002FpyTJfx0PnSIp8VJZ48BTBi6uUbw.jpg","2011-01-01","\u002FonF50zo96fKlrDCMJnkoLb7Jnm5.jpg","La Nuit Oubliée - 17 Octobre 1961",{"id":190,"adult":6,"title":191,"video":6,"overview":192,"softcore":6,"genre_ids":193,"popularity":194,"vote_count":62,"poster_path":195,"release_date":196,"vote_average":197,"backdrop_path":198,"original_title":199,"original_language":147},273852,"The Zerda or the Songs of Forgetting","“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.",[164,11],0.3706,"\u002FqSganVOBZRTxBMylm4ahR1JxVhW.jpg","1983-02-27",8.1,"\u002FrS4si2yd3olgcOPFhDSdZLYRMEJ.jpg","La Zerda ou les chants de l'oubli",{"id":201,"adult":6,"title":202,"video":6,"overview":203,"softcore":6,"genre_ids":204,"popularity":205,"vote_count":47,"poster_path":206,"release_date":207,"vote_average":39,"backdrop_path":208,"original_title":209,"original_language":147},1241414,"The Words Women Spoke One Day","1962, at the end of the Algerian War, Algerian independence activists are released from Rennes prison. For one night, filmmaker Yann Le Masson films them. They tell him their vision for the future of Algeria and the place women must occupy in the new society to be built. Fifty years later, with the soundtrack missing, Raphaël Pillosio sets out to find these women. Two deaf people set about lip-reading the women filmed by Yann Le Masson, revealing snatches of sentences, words cut short by the camera's shifts. An investigative film in which the few activists still alive discover their old testimonies and tell us their silent story. The reconstruction of the lost soundtrack will remain in suspense; no happy ending will come to absorb the absence, to cancel the ferocious operation of time. An essay film about cinema that depicts their disappearance, and forever keeps them alive.",[11,141],0.3366,"\u002Fzr6oQmDNEgLr2iJddkqiNaRpnyH.jpg","2024-03-24","\u002FrD6X9fKpw8akMIZMULCAHZQdtmr.jpg","Les Mots qu'elles eurent un jour",{"id":211,"adult":6,"title":212,"video":6,"overview":213,"softcore":6,"genre_ids":214,"popularity":215,"vote_count":22,"poster_path":216,"release_date":217,"vote_average":48,"backdrop_path":218,"original_title":219,"original_language":220},866326,"Manca Moro","Born to an Algerian father and a Sicilian mother in Tunisia, I have always been wealthy of three cultures. This motherland is where were born my Algerian ancestors when it was called Ifriqya but also my Sicilian grand-parents whose parents were part of the important migration flux of the beginning of the last century. A reservoir of workforce by the thousands reached the shores of this \"promised land\". A hundred years later, I embark on a quest to rediscover my Sicilian family, exiled for the past sixty years, scattered between Italy and France.",[11],0.5698,"\u002FlnyMzxY7KjbZDsfceGUnwXkbtCw.jpg","2021-06-03","\u002Fb80b60IxIphdeupAewYT46yfQbh.jpg","Manca Moro  مقرونة عربي","ar",{"id":222,"adult":6,"title":223,"video":6,"overview":224,"softcore":6,"genre_ids":225,"popularity":226,"vote_count":22,"poster_path":227,"release_date":228,"vote_average":48,"backdrop_path":229,"original_title":230,"original_language":147},1449482,"Brothers in Arms","From 1954 to 1962, during the Algerian War, French citizens provided concrete assistance to the FLN in France: sheltering refugees, forging documents, facilitating border crossings, and transporting funds. Whether committed to the ideals of the Republic or driven by Third Worldist revolutionaries, they sought to build a bridge of friendship between nations. They paid for their commitment with imprisonment and exile. Four veterans of the Jeanson network recall this period. Today, they are no longer seen as traitors or heroes, but as witnesses recounting \"their\" war... Silent for 30 years, the \"Jeanson network\" now bears witness to this history.",[11,141],1.894,"\u002F2U3CMOvDXUbzpojbW6l7qnc58pT.jpg","1992-03-14","\u002FiSMJsRg5e8nh8Zg4SvIfpuTy2Iy.jpg","Les frères des Frères",{"id":232,"adult":6,"title":233,"video":6,"overview":234,"softcore":6,"genre_ids":235,"popularity":237,"vote_count":22,"poster_path":238,"release_date":239,"vote_average":48,"backdrop_path":51,"original_title":233,"original_language":220},478076,"Sawt Echaâb","“La Voix du Peuple,” composed of archival photographs by René Vauthier and others, exposes the root causes of the armed conflict of the Algerian resistance. Participating in a war of real images against French colonial propaganda, these images aimed to show the images that the occupier had censored or distorted, by showing the extortions of the French occupation army: torture, arrests and arbitrary executions, napalm bombings, roundabout fires, erasing entire villages from the map, etc. This is what the French media described as a “pacification campaign”.",[236,11],10752,0.1433,"\u002FtciK1fCuXBCqIAXDgOM1GkXYEcB.jpg","1961-01-01",{"id":241,"adult":6,"title":242,"video":6,"overview":243,"softcore":6,"genre_ids":244,"popularity":245,"vote_count":22,"poster_path":246,"release_date":247,"vote_average":48,"backdrop_path":248,"original_title":249,"original_language":147},1249791,"Lost Mountain","On November 1, 1954, the National Liberation Front of Algeria announced the war for the country's independence. France, colonizer since 1830, hastened to reinforce its military contingent in the four corners of the country and to prevent the advance of the rebels. A little Chaoui, born in a mountainous region of the country, sees his placid childhood collapse in the middle of a crossfire that he does not understand. The story, inspired by real testimonies, is constructed with images from the archives of the French army. From this apparently dissociated dialogue between image and word arises a sensitive homage to the memory that rests in the archives and to the ignored voice of its protagonists.",[11],0.545,"\u002FyVVsQMBmvh24WQLbGwcPbFsll0S.jpg","2020-01-01","\u002F3gBWxT8uPQrv5udfCREzAxN3R6P.jpg","Montagne Égarée",{"id":251,"adult":6,"title":252,"video":6,"overview":253,"softcore":6,"genre_ids":254,"popularity":255,"vote_count":22,"poster_path":256,"release_date":257,"vote_average":48,"backdrop_path":51,"original_title":252,"original_language":147},1246854,"Paroles d'un Prisonnier Français de l'ALN","The image of French prisoners was very often evoked in Algerian cinema and literature, but until today, no Algerian or even European report or documentary had given voice to one of these French prisoners of the war of Algeria. In the interest of truth and writing history, we set out in search of one of these French witnesses. This witness is René Rouby, prisoner of Amirouche's group for more than 114 days in 1958 in the Akfadou region in Kabylia. This is the first testimony from a French prisoner of the ALN (the National Liberation Army).",[11,236],0.2477,"\u002F61ln7AzEA9PcDpPd9wDVEGwyxfT.jpg","2010-11-13",{"id":259,"adult":6,"title":260,"video":6,"overview":261,"softcore":6,"genre_ids":262,"popularity":263,"vote_count":22,"poster_path":264,"release_date":186,"vote_average":48,"backdrop_path":265,"original_title":266,"original_language":147},1458155,"Rosans, Bitter Honey","In 1963, Rosans, a village in the Hautes-Alpes region depopulated by the rural exodus, welcomed Harkis (military soldiers) forced to leave Algeria for supporting France during the Algerian War. Around thirty families settled in a camp below Rosans. Nearly half a century after their arrival, first- and second-generation Harkis and native Rosanais recount their experiences of this culture clash, often painful, sometimes happy. Language barriers, religious differences, living in barracks for 14 years, and unemployment were all obstacles to overcome in order to be accepted and then achieve mutual enrichment. Enriched with archive footage to explain the historical context of the time, the film seeks above all to express feelings and unspoken words.",[11,141],0.2245,"\u002FdaiDnSXxzWclIcPtNYtXWNJESWG.jpg","\u002FyH0FiHIxorG8BC2R0eb1U5IpSHT.jpg","Rosans, Miel Amer",{"id":268,"adult":6,"title":269,"video":6,"overview":270,"softcore":6,"genre_ids":271,"popularity":272,"vote_count":22,"poster_path":273,"release_date":274,"vote_average":48,"backdrop_path":275,"original_title":269,"original_language":220},1239721,"Pierre Clément, Cinéma et Révolution","Pierre Clément, student and photographer of René Vauthier, first accompanied him to Tunisia to make a film on the country's independence in 1957. Destiny led him to Algeria and his presence in February 1958 at the Tunisian-Algerian border changed his life. . Forever. He took his camera and photographed the attacks on Sakia Sidi Youssef before committing himself body and soul to the Algerian cause. Shortly after, he directed the film “Algerian Refugees” before being arrested, tortured and imprisoned, while his third film, “The National Liberation Army in Almaki”, was not finished. Abdel Nour Zahzah, a director who commemorates Pierre Clément, the director who risked his life, the brother of the Algerian resistance, who disappeared in 2007.",[11],0.241,"\u002F7uE3NU6X8hzGxGnstqOK7DkbNVh.jpg","2023-10-14","\u002FrKT0XX5nvXnE0cnggkUT40aThq3.jpg",{"id":277,"adult":6,"title":278,"video":6,"overview":279,"softcore":6,"genre_ids":280,"popularity":281,"vote_count":22,"poster_path":282,"release_date":239,"vote_average":48,"backdrop_path":283,"original_title":284,"original_language":220},1239768,"Guns of Freedom","This docu-fiction recounts the difficulties overcome by an ALN ​​detachment whose perilous mission is to transport weapons and ammunition from Tunisia across the Algerian Sahara during the Algerian liberation war (1954-1962) against the French army of occupation.",[11,236],0.2093,"\u002FJpfVmJmywqCSM6tMYxxrB2Ko26.jpg","\u002Fn6AeCDzfT0DXHVWTxBk89xY6ble.jpg","بناديق الحورية (Banâdiq El-Houria )",{"id":286,"adult":6,"title":287,"video":6,"overview":288,"softcore":6,"genre_ids":289,"popularity":290,"vote_count":55,"poster_path":291,"release_date":292,"vote_average":293,"backdrop_path":294,"original_title":295,"original_language":147},467742,"CHoosing at Twenty","Between 1954-1962, one hundred to three hundred young French people refused to participate in the Algerian war. These rebels, soldiers or conscripts were non-violent or anti-colonialists. Some took refuge in Switzerland where Swiss citizens came to their aid, while in France they were condemned as traitors to the country. In 1962, a few months after Independence, Villi Hermann went to a region devastated by war near the Algerian-Moroccan border, to help rebuild a school. In 2016 he returned to Algeria and reunited with his former students. He also met French refractories, now living in France or Switzerland.",[11],0.5795,"\u002FoG9JP76zG7QWEY2OaV8Kgj5WtZx.jpg","2017-08-24",6.8,"\u002FzaMncrBrFhZuEsMVHYMk6JakXTA.jpg","Choisir à vingt ans",{"id":297,"adult":6,"title":298,"video":6,"overview":299,"softcore":6,"genre_ids":300,"popularity":302,"vote_count":303,"poster_path":304,"release_date":305,"vote_average":306,"backdrop_path":307,"original_title":298,"original_language":147},15466,"Atlantis","Atlantis is filmmaker Luc Besson's celebration of the beauty and wonder of the world beneath the sea, expanding upon themes touched on in his film The Big Blue. Combining stunning underwater cinematography and a hypnotic score by Eric Serra, Besson's singular vision defies dialogue or narrative structure to explore ocean life as you've never seen it before.  Following the colossal success of The Big Blue, Luc Besson crisscrossed the world's seas and oceans to film the beauty and diversity of marine life: from the giant octopuses of Vancouver to the manta rays of the Pacific (New Caledonia), and the grey sharks of Tahiti. A film with no actors or sets other than the underwater world. A breathtaking view of marine species: sharks, dolphins, manatees, octopuses. An exploration of the seabed in the Bahamas, the Galapagos, Vancouver, and Tahiti.",[301,11],10402,2.0971,52,"\u002FY9GVuu0tVPUWvcFufTkBLg2840.jpg","1991-08-21",6.3,"\u002Fh31eRhdKxq7KqgfMU6vikBU7JAm.jpg",{"id":309,"adult":6,"title":310,"video":6,"overview":311,"softcore":6,"genre_ids":312,"popularity":313,"vote_count":22,"poster_path":314,"release_date":315,"vote_average":48,"backdrop_path":316,"original_title":310,"original_language":147},1244597,"La Bataille d'Alger, l'empreinte","Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1965). Through archive images, extracts from the film and interviews with personalities, the filmmaker retraces the journey of a major work - from the events of the Algiers Casbah (1956-1957) to the presentation of the Lion of 'Or causing the anger of the French delegation in Venice - which left its mark as much in the history of cinema as in that of Algeria.",[11],0.5707,"\u002Fj9bWdGrKJIFgBEMZFKHoARH5rua.jpg","2018-01-01","\u002FrwBWhNv2pRay8lv41KDd8ao04Qm.jpg",{"id":318,"adult":6,"title":319,"video":6,"overview":320,"softcore":6,"genre_ids":321,"popularity":322,"vote_count":22,"poster_path":323,"release_date":324,"vote_average":48,"backdrop_path":325,"original_title":326,"original_language":147},853964,"Fedayin, the fight of Georges Abdallah","A leading figure in the Palestinian cause and the fight against imperialism, the Lebanese communist activist Georges Ibrahim Abdallah had been languishing in French prisons for thirty-eight years—a unique case in France. Arrested in Lyon in 1984 with false papers, he was sentenced two years later to four years in prison for possession of weapons and explosives, then in 1987 received a life sentence for complicity in the assassinations in Paris five years earlier of an Israeli Mossad agent and an American military attaché—charges he has always denied. Although he has been eligible for release since 1999, French political authorities, under pressure from the United States and Israel, opposed his release. Interventions by Palestinian figures, his relatives, his lawyer and ex-prisoners from the extreme left, retrace the journey of the village schoolteacher who became an anti-colonial activist.",[11],0.4066,"\u002F1GK8yyj7Xd8oiQhazBwDFv1Rjq7.jpg","2020-04-15","\u002FloaTN1GdU9mAFEhZTmf20eJpNmf.jpg","Fedayin, le combat de Georges Abdallah",{"id":328,"adult":6,"title":329,"video":6,"overview":330,"softcore":6,"genre_ids":331,"popularity":332,"vote_count":39,"poster_path":333,"release_date":334,"vote_average":197,"backdrop_path":335,"original_title":336,"original_language":337},482890,"Beak & Brain - Genius Birds from Down Under","Whoever came up with the term 'bird brain' never met these feathered thinkers, who use their claws and beaks to solve puzzles, make tools and more.",[11],0.8362,"\u002F6vDmylzl94AQuBaIBDzKye7yAsp.jpg","2013-10-03","\u002Fa8Svvdg36y9F6V1GTceu0GtkLqm.jpg","Superhirn im Federkleid - Kluge Vögel im Duell","de",1001,20001,"","https:\u002F\u002Fwww.autourdu1ermai.fr\u002Fbdf_fiche-film-6690.html","Through the commitment of Jean-Marie Tjibaou, this documentary traces the history of the march of the Kanak people in search of their independence. Between the raising of the Kanak flag in December 1984 and the funeral procession of the independence leader assassinated by one of his own on the island of Ouvéa in May 1989, there were years of struggles, dramas, palaver, hopes, of which Jean-Marie Tjibaou was one of the main actors. Will France be able to win the bet of a smooth decolonization of one of the last confetti of its empire? The authors meet the main protagonists of the \"Tjibaou years\", which were those of the Kanak people's dream of independence.",0.4451,"\u002FaAPdKMJXsvCNmwDT6GrqMKJfUr6.jpg","2000-01-01","\u002Fic1v9hmZluaqR8zyNOT0XoVK8yN.jpg",[348,349],"FR","NC",{"results":351},{},[353],{"name":354,"iso_639_1":147,"english_name":355},"Français","French",[357,360],{"id":358,"name":359,"logo_path":51,"origin_country":348},192717,"Mémoires Vives productions",{"id":361,"name":362,"logo_path":363,"origin_country":348},11332,"La Sept-Arte","\u002FjL4OTBHDF4M6ZoG5ab4MPaXn3EW.png",[365,367],{"name":366,"iso_3166_1":348},"France",{"name":368,"iso_3166_1":349},"New Caledonia",48,"A documentary story that tends to land well.",[]]