[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-110957-en-US":3},{"detail":4,"match":438,"insight":439,"providers":440,"providerLink":410,"trailer":35},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":154,"revenue":8,"runtime":155,"similar":156,"tagline":23,"homepage":367,"overview":368,"softcore":6,"popularity":369,"vote_count":359,"poster_path":370,"release_date":371,"vote_average":372,"backdrop_path":373,"origin_country":374,"original_title":376,"watch\u002Fproviders":377,"spoken_languages":426,"original_language":181,"production_companies":430,"production_countries":435,"belongs_to_collection":35},110957,false,"Leader-Sheep",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":84},[18,28,36,42,49,56,63,70,77],{"id":19,"name":20,"adult":6,"order":8,"gender":21,"cast_id":22,"character":23,"credit_id":24,"popularity":25,"profile_path":26,"original_name":20,"known_for_department":27},1141516,"José Bové",2,1007,"","580fb8e8c3a3687ac400d3e8",0.5314,"\u002F48Ko6hdGRk0ykd65VDLFXvUkrOI.jpg","Acting",{"id":29,"name":30,"adult":6,"order":31,"gender":8,"cast_id":32,"character":23,"credit_id":33,"popularity":34,"profile_path":35,"original_name":30,"known_for_department":27},1699729,"Léon Maille",1,1002,"580fb8789251416c7d00d3c9",0.2203,null,{"id":37,"name":38,"adult":6,"order":21,"gender":8,"cast_id":39,"character":23,"credit_id":40,"popularity":41,"profile_path":35,"original_name":38,"known_for_department":27},1699730,"Pierre Burguière",1003,"580fb892925141662300dd8b",0.1872,{"id":43,"name":44,"adult":6,"order":45,"gender":8,"cast_id":46,"character":23,"credit_id":47,"popularity":48,"profile_path":35,"original_name":44,"known_for_department":27},1699731,"Christiane Burguière",3,1004,"580fb8ad9251416b7700df38",0.2788,{"id":50,"name":51,"adult":6,"order":52,"gender":8,"cast_id":53,"character":23,"credit_id":54,"popularity":55,"profile_path":35,"original_name":51,"known_for_department":27},1699732,"Marizette Tarlier",4,1005,"580fb8c1925141662300dd9a",0.1225,{"id":57,"name":58,"adult":6,"order":59,"gender":8,"cast_id":60,"character":23,"credit_id":61,"popularity":62,"profile_path":35,"original_name":58,"known_for_department":27},1699734,"Michel Courtin",5,1006,"580fb8da9251416a4400da4f",0.0996,{"id":64,"name":65,"adult":6,"order":66,"gender":8,"cast_id":67,"character":23,"credit_id":68,"popularity":69,"profile_path":35,"original_name":65,"known_for_department":27},1699735,"Christian Roqueirol",6,1008,"580fb8fdc3a3687ac400d3ee",0.2668,{"id":71,"name":72,"adult":6,"order":73,"gender":8,"cast_id":74,"character":23,"credit_id":75,"popularity":76,"profile_path":35,"original_name":72,"known_for_department":27},1699736,"Pierre Bonnefous",7,1009,"580fb90cc3a3687ac400d3f5",0.1251,{"id":78,"name":79,"adult":6,"order":80,"gender":8,"cast_id":81,"character":23,"credit_id":82,"popularity":83,"profile_path":35,"original_name":79,"known_for_department":27},1699737,"Michèle Vincent",8,1010,"580fb91e9251416b7700df5a",0.1821,[85,92,99,107,114,122,128,134,139,145,150],{"id":86,"job":87,"name":88,"adult":6,"gender":8,"credit_id":89,"department":90,"popularity":91,"profile_path":35,"original_name":88,"known_for_department":90},1050917,"Director","Christian Rouaud","52fe4aebc3a36847f81e895d","Directing",0.2215,{"id":93,"job":94,"name":95,"adult":6,"gender":21,"credit_id":96,"department":97,"popularity":98,"profile_path":35,"original_name":95,"known_for_department":97},1408831,"Sound Mixer","Jean-Pierre Laforce","60f18aa474507d002fbf6531","Sound",0.3885,{"id":100,"job":101,"name":102,"adult":6,"gender":21,"credit_id":103,"department":104,"popularity":105,"profile_path":106,"original_name":102,"known_for_department":104},20432,"Executive Producer","Denis Carot","60f18a29d37197002d2124b6","Production",0.3757,"\u002F2QLBDzVGylhuGnOvVkOJvj1XGTT.jpg",{"id":108,"job":109,"name":110,"adult":6,"gender":21,"credit_id":111,"department":112,"popularity":113,"profile_path":35,"original_name":110,"known_for_department":112},1086751,"Editor","Fabrice Rouaud","60f18a8d89d97f005d75fee9","Editing",0.3297,{"id":115,"job":116,"name":117,"adult":6,"gender":21,"credit_id":118,"department":119,"popularity":120,"profile_path":121,"original_name":117,"known_for_department":119},466065,"Director of Photography","Alexis Kavyrchine","60f18a6c74507d002fbf6491","Camera",0.3084,"\u002F5S8MGKnW5ECuNWHaPnWPwjScSR1.jpg",{"id":123,"job":124,"name":125,"adult":6,"gender":21,"credit_id":126,"department":97,"popularity":127,"profile_path":35,"original_name":125,"known_for_department":97},1944842,"Sound Recordist","Martin Sadoux","60f18a77f0647c005f71c1ee",0.3896,{"id":129,"job":130,"name":131,"adult":6,"gender":21,"credit_id":132,"department":97,"popularity":133,"profile_path":35,"original_name":131,"known_for_department":97},1331837,"Sound Editor","Jean Mallet","60f18a9ad37197004551ad78",0.2562,{"id":135,"job":101,"name":136,"adult":6,"gender":31,"credit_id":137,"department":104,"popularity":138,"profile_path":35,"original_name":136,"known_for_department":104},20433,"Marie Masmonteil","60f18a3bd37197002d2124d0",0.3778,{"id":140,"job":141,"name":142,"adult":6,"gender":8,"credit_id":143,"department":90,"popularity":144,"profile_path":35,"original_name":142,"known_for_department":90},3160136,"Assistant Director","Florent Verdet","60f18a58a9b9a4005d39018a",0.1157,{"id":146,"job":101,"name":147,"adult":6,"gender":8,"credit_id":148,"department":104,"popularity":149,"profile_path":35,"original_name":147,"known_for_department":104},1439475,"Sandrine Brauer","60f18a47a9b9a4005d39015c",0.1811,{"id":86,"job":151,"name":88,"adult":6,"gender":8,"credit_id":152,"department":153,"popularity":91,"profile_path":35,"original_name":88,"known_for_department":90},"Writer","580fb94d9251416c7d00d405","Writing","tt1922767",120,{"page":31,"results":157,"total_pages":365,"total_results":366},[158,170,182,193,198,208,220,233,245,257,268,278,286,296,306,316,326,335,343,353],{"id":159,"adult":6,"title":160,"video":6,"overview":161,"softcore":6,"genre_ids":162,"popularity":164,"vote_count":21,"poster_path":165,"release_date":166,"vote_average":66,"backdrop_path":167,"original_title":168,"original_language":169},261007,"The Pan-african Festival in Algiers","Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.",[11,163],10402,0.6801,"\u002F7XEfX46KiuqTbdlYcdxBWuUo8oC.jpg","1969-01-01","\u002FlTtfjmpEnHYqAphGeYfGDd4NNgb.jpg","Festival Panafricain d'Alger","ar",{"id":171,"adult":6,"title":172,"video":6,"overview":173,"softcore":6,"genre_ids":174,"popularity":175,"vote_count":31,"poster_path":176,"release_date":177,"vote_average":178,"backdrop_path":179,"original_title":180,"original_language":181},620972,"Algeria, Year Zero","Documentary on the beginnings of Algerian independence filmed during the summer of 1962 in Algiers. The film was banned in France and Algeria but won the Grand Prize at the Leipzig International Film Festival in 1965. Out of friendship, the production company Images de France sent an operator, Bruno Muel, who later declared: \"For those who were called to Algeria (for me, 1956-58), participating in a film on independence was a victory over horror, lies and absurdity. It was also the beginning of my commitment to the cinema.\"",[11],0.8186,"\u002FcFUGQ2pG8yWwhp0B8AD2eWC3mjg.jpg","1965-10-01",10,"\u002Fy98zc24lFqPjWhzxcqOvJQHZirw.jpg","Algérie, année zéro","fr",{"id":183,"adult":6,"title":184,"video":6,"overview":185,"softcore":6,"genre_ids":186,"popularity":187,"vote_count":188,"poster_path":189,"release_date":190,"vote_average":191,"backdrop_path":35,"original_title":184,"original_language":192},1442,"Full Metal Village","The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.",[11],1.0012,25,"\u002FkA5JsZkYnVJYzPIVuBbisYmvp4Z.jpg","2007-04-19",6.8,"de",{"id":194,"adult":6,"title":195,"video":6,"overview":23,"softcore":6,"genre_ids":196,"popularity":197,"vote_count":8,"poster_path":35,"release_date":23,"vote_average":8,"backdrop_path":35,"original_title":195,"original_language":181},1565688,"Mémoires du 8 mai 1945",[11],0.297,{"id":199,"adult":6,"title":200,"video":6,"overview":201,"softcore":6,"genre_ids":202,"popularity":204,"vote_count":31,"poster_path":205,"release_date":206,"vote_average":178,"backdrop_path":207,"original_title":200,"original_language":181},827535,"Les Mains Libres","In 1964, Algeria, just two years after the end of the war of independence, found itself catapulted into new contradictions, a still rural territory which responded to the modernity brought by the revolution. Filmed during the winter of 1964-1965 by the young director Ennio Lorenzini, it is the first international Algerian production which paints a rare portrait in color of a multifaceted nation, far from the simplistic vision created by the press and the French army. Produced by Casbah Film, Les Mains Libres (initially titled Tronc De Figuier) bears witness to the stigmata of colonization and the future of free Algeria throughout the Algerian territory and reveals the richness of its landscapes and the diversity of its traditions . The documentary, using the aesthetics of militant cinema of the time, is made up of four scenes: Sea and Desert, The Struggle, The Earth, Freedom.",[11,203],36,0.6314,"\u002Fcmz5Sv63zAJDtIUizhlZ8HWTCk1.jpg","1965-08-14","\u002Fu99vQyIe5zYV2esFauFEbzuTN8A.jpg",{"id":209,"adult":6,"title":210,"video":6,"overview":211,"softcore":6,"genre_ids":212,"popularity":213,"vote_count":214,"poster_path":215,"release_date":216,"vote_average":217,"backdrop_path":218,"original_title":219,"original_language":181},26298,"Here and Elsewhere","Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.",[11],1.3018,30,"\u002FyxdBS1jF7HF1GryHwCZSvLPukpL.jpg","1976-09-15",6.65,"\u002FysDodI3uMTo8K1ghlUU3kNFHkMr.jpg","Ici et Ailleurs",{"id":221,"adult":6,"title":222,"video":6,"overview":223,"softcore":6,"genre_ids":224,"popularity":225,"vote_count":226,"poster_path":227,"release_date":228,"vote_average":229,"backdrop_path":230,"original_title":231,"original_language":232},15272,"Up the Yangtze","At the edge of the Yangtze River, not far from the Three Gorges Dam, young men and women take up employment on a cruise ship, where they confront rising waters and a radically changing China.",[11],0.7712,26,"\u002FgbadDBuNO9uf0N8vnhGtfG0ZD2a.jpg","2007-09-30",7.3,"\u002F8P7PLj7JA2MMPZJ71ZFnUJE7px1.jpg","沿江而上","zh",{"id":234,"adult":6,"title":235,"video":6,"overview":236,"softcore":6,"genre_ids":237,"popularity":239,"vote_count":21,"poster_path":240,"release_date":241,"vote_average":242,"backdrop_path":243,"original_title":244,"original_language":169},273112,"Algeria in Flames","These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.",[11,238],10752,0.4429,"\u002Fvo4od9ntoAQMbpdunrXoSojYbsJ.jpg","1958-01-02",8.5,"\u002FwNl3mPa5aTBEvxQYxWUDWdbGGci.jpg","Algérie en flammes",{"id":246,"adult":6,"title":247,"video":6,"overview":248,"softcore":6,"genre_ids":249,"popularity":251,"vote_count":59,"poster_path":252,"release_date":253,"vote_average":254,"backdrop_path":255,"original_title":256,"original_language":181},273852,"The Zerda or the Songs of Forgetting","“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.",[250,11],18,0.3663,"\u002FqSganVOBZRTxBMylm4ahR1JxVhW.jpg","1983-02-27",8.1,"\u002FrS4si2yd3olgcOPFhDSdZLYRMEJ.jpg","La Zerda ou les chants de l'oubli",{"id":258,"adult":6,"title":259,"video":6,"overview":260,"softcore":6,"genre_ids":261,"popularity":262,"vote_count":73,"poster_path":263,"release_date":264,"vote_average":265,"backdrop_path":266,"original_title":267,"original_language":181},283013,"Dawn of the Damned","This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.",[11,203,250],0.8474,"\u002FlofBqYj9p4eefPAQlzrQ5d9SgHk.jpg","1965-07-05",7.429,"\u002FuXPBBQlKDXVx8apISYh9KdrTEoa.jpg","L'Aube des Damnés",{"id":269,"adult":6,"title":270,"video":6,"overview":271,"softcore":6,"genre_ids":272,"popularity":273,"vote_count":52,"poster_path":274,"release_date":275,"vote_average":191,"backdrop_path":276,"original_title":277,"original_language":181},467742,"CHoosing at Twenty","Between 1954-1962, one hundred to three hundred young French people refused to participate in the Algerian war. These rebels, soldiers or conscripts were non-violent or anti-colonialists. Some took refuge in Switzerland where Swiss citizens came to their aid, while in France they were condemned as traitors to the country. In 1962, a few months after Independence, Villi Hermann went to a region devastated by war near the Algerian-Moroccan border, to help rebuild a school. In 2016 he returned to Algeria and reunited with his former students. He also met French refractories, now living in France or Switzerland.",[11],0.5016,"\u002FoG9JP76zG7QWEY2OaV8Kgj5WtZx.jpg","2017-08-24","\u002FzaMncrBrFhZuEsMVHYMk6JakXTA.jpg","CHoisir à vingt ans",{"id":279,"adult":6,"title":280,"video":6,"overview":281,"softcore":6,"genre_ids":282,"popularity":283,"vote_count":31,"poster_path":284,"release_date":285,"vote_average":178,"backdrop_path":35,"original_title":280,"original_language":169},478076,"Sawt Echaâb","“La Voix du Peuple,” composed of archival photographs by René Vauthier and others, exposes the root causes of the armed conflict of the Algerian resistance. Participating in a war of real images against French colonial propaganda, these images aimed to show the images that the occupier had censored or distorted, by showing the extortions of the French occupation army: torture, arrests and arbitrary executions, napalm bombings, roundabout fires, erasing entire villages from the map, etc. This is what the French media described as a “pacification campaign”.",[238,11],0.3366,"\u002FtciK1fCuXBCqIAXDgOM1GkXYEcB.jpg","1961-01-01",{"id":287,"adult":6,"title":288,"video":6,"overview":289,"softcore":6,"genre_ids":290,"popularity":291,"vote_count":21,"poster_path":292,"release_date":293,"vote_average":66,"backdrop_path":294,"original_title":295,"original_language":169},1217365,"True Chronicles of the Blida Joinville Psychiatric Hospital in the Last Century, when Dr Frantz Fanon Was Head of the Fifth Ward between 1953 and 1956","1953, colonized Algeria.  Fanon, a young black psychiatrist is appointed head doctor at the Blida-Joinville Hospital. He was putting his theories of ‘Institutional Psychotherapy’ into practice in opposition to the racist theories of the Algies School of Psychiatry, while a war broke out in his own wards.",[203,250,11],0.4338,"\u002F6Kp1WdRURYKWwDNxUkX1BA3GH1Y.jpg","2025-07-23","\u002FengsqGg1S7YFSXnIAl4j0sdzeQJ.jpg","Chroniques fidèles survenues au siècle dernier à l’hôpital psychiatrique Blida-Joinville, au temps où le Docteur Frantz Fanon était chef de la cinquième division entre 1953 et 1956",{"id":297,"adult":6,"title":298,"video":6,"overview":299,"softcore":6,"genre_ids":300,"popularity":301,"vote_count":31,"poster_path":302,"release_date":303,"vote_average":178,"backdrop_path":304,"original_title":305,"original_language":181},853964,"Fedayin, the fight of Georges Abdallah","A leading figure in the Palestinian cause and the fight against imperialism, the Lebanese communist activist Georges Ibrahim Abdallah had been languishing in French prisons for thirty-eight years—a unique case in France. Arrested in Lyon in 1984 with false papers, he was sentenced two years later to four years in prison for possession of weapons and explosives, then in 1987 received a life sentence for complicity in the assassinations in Paris five years earlier of an Israeli Mossad agent and an American military attaché—charges he has always denied. Although he has been eligible for release since 1999, French political authorities, under pressure from the United States and Israel, opposed his release. Interventions by Palestinian figures, his relatives, his lawyer and ex-prisoners from the extreme left, retrace the journey of the village schoolteacher who became an anti-colonial activist.",[11],0.6204,"\u002F1GK8yyj7Xd8oiQhazBwDFv1Rjq7.jpg","2020-04-15","\u002FloaTN1GdU9mAFEhZTmf20eJpNmf.jpg","Fedayin, le combat de Georges Abdallah",{"id":307,"adult":6,"title":308,"video":6,"overview":309,"softcore":6,"genre_ids":310,"popularity":311,"vote_count":8,"poster_path":312,"release_date":313,"vote_average":8,"backdrop_path":35,"original_title":314,"original_language":315},853886,"Colonial Times","Three centuries of Venezuela's history as a Spanish colony are considered from economic, political and social standpoints; evocations of the past are compared to the present.  Based on the ideas and research of Federico Brito Figueroa, Alfredo A. Alfonso, Miguel A. Saignes, Josefina Jordan, and Thaelman Urgelles among others.",[11],1.5705,"\u002FqAGW41yurF0lIaqPXbl9oScm2yK.jpg","1976-01-01","Tiempo Colonial","es",{"id":317,"adult":6,"title":318,"video":6,"overview":319,"softcore":6,"genre_ids":320,"popularity":321,"vote_count":31,"poster_path":322,"release_date":323,"vote_average":178,"backdrop_path":324,"original_title":325,"original_language":181},1597647,"Jean-Jacques de Félice, The Passion For Justice","From the rights of minors before the juvenile court, young offenders from the neighborhoods of eastern Paris, or children of Algerian origin from the shantytowns of Nanterre, to the defense of colonized Kanaks and Polynesians; from the fight for conscientious objector status to the denunciation of torture and the death penalty, lawyer Jean-Jacques de Félice has been involved in every struggle. His pacifism knows no bounds: with organizations like Cimade, LDH, and the Louis-Lecoin Committee, he assists draft dodgers in numerous countries. These include Portuguese conscientious objectors refusing to fight in the wars in Angola and Mozambique, American deserters opposed to the Vietnam War, and Israeli objectors refusing to serve in the Occupied Territories. It is no surprise that, as early as 1971, he was one of the very first lawyers representing the farmers of the Larzac plateau.",[11],1.1411,"\u002F1fbsqR5tqnd77JWbOtrciJQB28o.jpg","2018-10-27","\u002FyqY3EcDebZUrtgbvhehaeatRUdW.jpg","Jean-Jacques de Félice, La Passion De La Justice",{"id":327,"adult":6,"title":328,"video":6,"overview":329,"softcore":6,"genre_ids":330,"popularity":331,"vote_count":31,"poster_path":332,"release_date":333,"vote_average":178,"backdrop_path":334,"original_title":328,"original_language":181},1598091,"Écoutez May Picqueray","\"Well, I believe in anarchy! And I believe it will come true one day.\" That's what \"May the Rebel,\" a union activist, anti-militarist, and anarchist, always ready to denounce oppression and defend victims, affirms at 85. Born in Brittany, she earned her living at age 10 delivering butter. In Paris, at 20, she became involved with the Anarchist Union. Sébastien Faure became her mentor. She used a grenade to trigger the Sacco-Vanzetti affair. A union delegate in Moscow in 1922, she sang \"Hymn to Anarchy\" before Trotsky. Children during the Spanish Civil War, Jews during the Second World War, conscientious objectors alongside Louis Lecoin during the Algerian War, and later, through her newspaper Le Réfractaire, the Larzac, Plogoff, and Creys-Malville protests—all these were battlegrounds for May Picqueray. To the very end, she remained true to her commitment to defending peace and individual liberties.",[11],1.5549,"\u002FeWEQrLoY6cyUpkv6qxL4VLZ1Od.jpg","1984-01-01","\u002F95lKeZh78HZipyEmb6Y3wZpMqjy.jpg",{"id":336,"adult":6,"title":337,"video":6,"overview":338,"softcore":6,"genre_ids":339,"popularity":340,"vote_count":8,"poster_path":35,"release_date":23,"vote_average":8,"backdrop_path":35,"original_title":341,"original_language":342},842438,"Sankofa","A short documentary that emerge at the center of round table debate, participating in it there's three students from the Superior School of Arts and Design, Caldas da Rainha - Portugal. This conversation go along with a video essay about Afrofuturism and Pop Culture. Also, during the debate, an interview with another student gives some real example of how afrofuturism can be applied when it comes to in taking control of the colonial narratives into a black person perspective.",[11],0.3371,"Sankofa - Não é errado voltar para o que se esqueceu","pt",{"id":344,"adult":6,"title":345,"video":6,"overview":346,"softcore":6,"genre_ids":347,"popularity":348,"vote_count":31,"poster_path":349,"release_date":350,"vote_average":178,"backdrop_path":351,"original_title":352,"original_language":169},644369,"How Much I Love You","Beginning with a promotional reel encouraging farming investments in Algeria and ending with the secret 1950s nuclear tests that France conducted using Algerian prisoners, How Much I Love You appropriates archival footage produced by the French colonial powers in Algeria. Meddour’s approach is disarmingly simple and yet awe-inspiring—his caustic undoing of colonial discourse is underscored by a liberating release of humor.",[11],0.723,"\u002FhVS69fnRMUrcp0Zrr1rsP16bvxc.jpg","1985-05-05","\u002FtcUdvCChXJApLTcc7sgEyFCYt7M.jpg","Combien Je Vous Aime",{"id":354,"adult":6,"title":355,"video":6,"overview":356,"softcore":6,"genre_ids":357,"popularity":358,"vote_count":359,"poster_path":360,"release_date":361,"vote_average":362,"backdrop_path":363,"original_title":364,"original_language":181},37418,"Sociology Is a Martial Art","\"I often say sociology is a martial art, a means of self-defence. Basically, you use it to defend yourself, without having the right to use it for unfair attacks.\" (Pierre Bourdieu) The world has witnesses who speak out loud what others keep to themselves. They are neither gurus, nor masters, but those who consider that the city and the world can be thought out. The sociologist, Pierre Bourdieu is one such witness.\" Over a three- year period, Pierre Carles' camera followed him through different situations: a short conversation with Günter Grass, a lively conference with the inhabitants of a working-class suburb, his relations with his students and colleagues and his plea that sociology be part of the life of the city. His thinking has a sort of familiarity, which means it is always within our reach. It is the thinking of a French intellectual who has chosen to think his times.",[11],0.4718,19,"\u002Fpvi2TSmbf6ZmVFEkhMR4uw7eSuP.jpg","2001-05-02",6.763,"\u002FufP9pQxF0mJOlO9mu48Y5ap1PtB.jpg","La Sociologie Est Un Sport De Combat",11669,233377,"https:\u002F\u002Fwww.advitamdistribution.com\u002Ffilms\u002Ftous-au-larzac\u002F","Marizette, Christiane, Pierre, Léon, José... are some of the actors, funny and moving, of an incredible struggle, that of the peasants of Larzac against the State, confrontation of the weak against the strong, which united them in a merciless fight to save their lands. A determined and joyful fight, but sometimes also trying and perilous. It all began in 1971, when the government, through its Defense Minister Michel Debré, declared that the Larzac military camp must expand. Radical, the anger spreads like wildfire, the peasants mobilize and sign an oath: they will never give up their land. In the daily face to face with the army and the police, they will deploy treasures of imagination to make their voices heard. Soon hundreds of Larzac committees will be born throughout France... Ten years of resistance, collective intelligence and solidarity, which will carry them to victory.",1.0036,"\u002FxGg1qRJIGQmuUB13h0QsY6c0vKL.jpg","2011-11-23",7.079,"\u002Fe7DjYJ4cEWpOslqvHUvLbO8FLod.jpg",[375],"FR","Tous au Larzac",{"results":378},{"FR":379,"NZ":418},{"buy":380,"link":410,"rent":411},[381,385,390,395,400,405],{"logo_path":382,"provider_id":383,"provider_name":384,"display_priority":178},"\u002FcAUTwxqoI7zc9XtYr1SMtWZEsXg.jpg",58,"Canal VOD",{"logo_path":386,"provider_id":387,"provider_name":388,"display_priority":389},"\u002F9Fyo6njYvroAIxAzTBbLgnjgYga.jpg",61,"Orange VOD",12,{"logo_path":391,"provider_id":392,"provider_name":393,"display_priority":394},"\u002Fbrt7T1qjJhyKaazaHP2N9r31TRS.jpg",389,"Sooner",22,{"logo_path":396,"provider_id":397,"provider_name":398,"display_priority":399},"\u002FPAaj5bekwbeeoRC1evWg4KJW8p.jpg",2286,"VIVA by videofutur",79,{"logo_path":401,"provider_id":402,"provider_name":403,"display_priority":404},"\u002FrdMFjYYE0uZ55rBdlX149gRF1XQ.jpg",2307,"Premiere Max",81,{"logo_path":406,"provider_id":407,"provider_name":408,"display_priority":409},"\u002F1gtidYfh89iLkGcbhPtr1lvx47W.jpg",2671,"ARTE Boutique",102,"https:\u002F\u002Fwww.themoviedb.org\u002Fmovie\u002F110957-tous-au-larzac\u002Fwatch?locale=FR",[412,413,414,415,416,417],{"logo_path":382,"provider_id":383,"provider_name":384,"display_priority":178},{"logo_path":386,"provider_id":387,"provider_name":388,"display_priority":389},{"logo_path":391,"provider_id":392,"provider_name":393,"display_priority":394},{"logo_path":396,"provider_id":397,"provider_name":398,"display_priority":399},{"logo_path":401,"provider_id":402,"provider_name":403,"display_priority":404},{"logo_path":406,"provider_id":407,"provider_name":408,"display_priority":409},{"link":419,"flatrate":420},"https:\u002F\u002Fwww.themoviedb.org\u002Fmovie\u002F110957-tous-au-larzac\u002Fwatch?locale=NZ",[421],{"logo_path":422,"provider_id":423,"provider_name":424,"display_priority":425},"\u002FcgdnToW3i10CWEoSoQC6Zq9mO9H.jpg",2170,"Rialto Amazon Channel",56,[427],{"name":428,"iso_639_1":181,"english_name":429},"Français","French",[431],{"id":432,"name":433,"logo_path":434,"origin_country":375},836,"Elzévir Films","\u002F93zzVd8ijSExx6DhVI4Xqj8WmOJ.png",[436],{"name":437,"iso_3166_1":375},"France",45,"A documentary story that tends to land well.",[441,444,445,446,447,448],{"logo_path":382,"provider_id":383,"provider_name":384,"display_priority":178,"status":442,"label":443},"paid","Buy",{"logo_path":386,"provider_id":387,"provider_name":388,"display_priority":389,"status":442,"label":443},{"logo_path":391,"provider_id":392,"provider_name":393,"display_priority":394,"status":442,"label":443},{"logo_path":396,"provider_id":397,"provider_name":398,"display_priority":399,"status":442,"label":443},{"logo_path":401,"provider_id":402,"provider_name":403,"display_priority":404,"status":442,"label":443},{"logo_path":406,"provider_id":407,"provider_name":408,"display_priority":409,"status":442,"label":443}]