[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1116036-en-US":3},{"detail":4,"match":273,"insight":274,"providers":275,"providerLink":25,"trailer":25},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":25,"revenue":8,"runtime":49,"similar":50,"tagline":79,"homepage":79,"overview":247,"softcore":6,"popularity":248,"vote_count":8,"poster_path":249,"release_date":250,"vote_average":8,"backdrop_path":25,"origin_country":251,"original_title":253,"watch\u002Fproviders":254,"spoken_languages":256,"original_language":203,"production_companies":260,"production_countries":267,"belongs_to_collection":25},1116036,false,"And yet they were there",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19,26,35,40,44],{"id":20,"job":21,"name":22,"adult":6,"gender":8,"credit_id":23,"department":24,"popularity":8,"profile_path":25,"original_name":22,"known_for_department":24},4021369,"Cinematography","Caroline Perret","6441f7ad651fcf05069c4de5","Crew",null,{"id":27,"job":28,"name":29,"adult":6,"gender":30,"credit_id":31,"department":32,"popularity":33,"profile_path":34,"original_name":29,"known_for_department":32},1459422,"Director","Carolina Astudillo Muñoz",1,"6441f727d35dea0505faab1d","Directing",0.0168,"\u002Fhhecrqq5qDcmPI7sYNfzD6m7yuv.jpg",{"id":36,"job":28,"name":37,"adult":6,"gender":8,"credit_id":38,"department":32,"popularity":39,"profile_path":25,"original_name":37,"known_for_department":32},4021364,"José Nicolás","6441f766fcec2e04e9d93a42",0.0143,{"id":41,"job":28,"name":42,"adult":6,"gender":8,"credit_id":43,"department":32,"popularity":39,"profile_path":25,"original_name":42,"known_for_department":32},4021366,"Lucien Petitjean","6441f77bb3f6f502fc9db25d",{"id":45,"job":28,"name":46,"adult":6,"gender":8,"credit_id":47,"department":32,"popularity":48,"profile_path":25,"original_name":46,"known_for_department":32},4021368,"Marta Álvarez","6441f793fcec2e02fcd945c7",0.0071,30,{"page":30,"results":51,"total_pages":245,"total_results":246},[52,63,72,83,96,105,113,122,130,140,149,161,170,180,191,204,211,218,228,236],{"id":53,"adult":6,"title":54,"video":6,"overview":55,"softcore":6,"genre_ids":56,"popularity":57,"vote_count":58,"poster_path":59,"release_date":60,"vote_average":61,"backdrop_path":25,"original_title":54,"original_language":62},474464,"The Judge","A verité legal drama about Judge Kholoud Al-Faqih, the first woman appointed to a Shari'a court in the Middle East, whose career provides rare insights into both Islamic law and gendered justice.",[11],0.3192,9,"\u002FbRTFXm1B63wxPKdW7iaiCGtsD1B.jpg","2017-09-10",6.1,"en",{"id":64,"adult":6,"title":65,"video":6,"overview":66,"softcore":6,"genre_ids":67,"popularity":68,"vote_count":30,"poster_path":69,"release_date":70,"vote_average":71,"backdrop_path":25,"original_title":65,"original_language":62},804216,"$avvy","$avy investigates the historical, cultural, and societal norms around women and money.",[11],0.7856,"\u002FyZ6zhtSdXR0Kfc1xaBrlmPeHpd9.jpg","2021-04-01",8,{"id":73,"adult":6,"title":74,"video":6,"overview":75,"softcore":6,"genre_ids":76,"popularity":78,"vote_count":30,"poster_path":25,"release_date":79,"vote_average":80,"backdrop_path":25,"original_title":81,"original_language":82},1363274,"In These Pages","This short documentary sifts through the pages of a woman's diary who has recently begun to write her memoir. As she looks back at her life and some of her memories, the film explores the ordinary act of writing and the value and meaning it may hold in mundane everyday life.",[11,77],10751,0.3007,"",10,"Inn Pannon Mein","bn",{"id":84,"adult":6,"title":85,"video":6,"overview":86,"softcore":6,"genre_ids":87,"popularity":90,"vote_count":91,"poster_path":92,"release_date":93,"vote_average":94,"backdrop_path":95,"original_title":85,"original_language":62},817127,"Brainwashed: Sex-Camera-Power","Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse\u002Fassault and employment discrimination against women, with over 80 movie clips from 1896 - 2020.",[11,88,89],18,80,0.564,32,"\u002FzqklSVRTxlC92VnhXyCPCVEnAzH.jpg","2022-10-21",6.063,"\u002F1lYzSHOvk8ZgxEj8fjOHZ3Pajb.jpg",{"id":97,"adult":6,"title":98,"video":6,"overview":99,"softcore":6,"genre_ids":100,"popularity":101,"vote_count":8,"poster_path":102,"release_date":103,"vote_average":8,"backdrop_path":104,"original_title":98,"original_language":62},461456,"A Film for Discussion","A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous community screenings, active debate was encouraged as part of the viewing experience.",[11,88],0.1743,"\u002FcjqCdt9aj9JwKmdShc3v4DMgs0m.jpg","1973-01-06","\u002FpgF1y4NjEh0Yo7aNS3G2gTTMiS9.jpg",{"id":106,"adult":6,"title":107,"video":6,"overview":108,"softcore":6,"genre_ids":109,"popularity":110,"vote_count":8,"poster_path":111,"release_date":112,"vote_average":8,"backdrop_path":25,"original_title":107,"original_language":62},1211751,"Women in Industry","The Ministry of Labour exhorts women to return to industry – the post-war production drive depends on them.",[11],0.1568,"\u002Fd9s4tXe3hxIYJMMzcsWk0JIUgjj.jpg","1948-03-08",{"id":114,"adult":6,"title":115,"video":6,"overview":116,"softcore":6,"genre_ids":117,"popularity":118,"vote_count":8,"poster_path":119,"release_date":120,"vote_average":8,"backdrop_path":121,"original_title":115,"original_language":62},1577494,"The cats, the sea, and everything in between.","In 2022, when the economic crisis in her native country was at its peak, she decided to visit her family there. She turned her short trip into a collage-like diary in which she reflects on her relationship with her homeland, which is in a state of protracted decay. The film is composed of spontaneous snapshots capturing the author's stay, interspersed with inserted captions serving as personal, often poetically formulated comments and observations. As a result, the film does not hide its strongly subjective perspective, but at the same time builds on it to make an important statement that shows the transformation of Lebanese society in everyday details such as the appearance of the city itself or in the intimate sphere of the author's family life.",[11],0.6189,"\u002F4T73Me7MWyGvd7GnDaCvKebX8ft.jpg","2025-10-26","\u002FbLY0wBdAmhUIqj1HVm1RjOLapcC.jpg",{"id":123,"adult":6,"title":124,"video":6,"overview":125,"softcore":6,"genre_ids":126,"popularity":127,"vote_count":8,"poster_path":128,"release_date":129,"vote_average":8,"backdrop_path":25,"original_title":124,"original_language":62},1050380,"How to Be a Candid Woman","To produce speech, a set of mechanisms must be brought together. What is the normal articulation for speech? How to produce the sounds that make it up in the correct way? A physiological analysis of the aspects of speech shows us how: the jaw must move in a certain way; the air must be expelled from the lungs in another. Based on the concepts stated in the film \"Normal Speech Articulation\" (1965), produced by the University of Iowa (USA), we intend to reflect on the way women have been represented, and consequently educated, over the years, both in film and in the media. Largely composed of archival footage, this film intends to make evident, through a montage inspired by Structuralist movements, the violence of this education.",[11],0.1991,"\u002FsOu4uMUNg4WJWHXNg7gxSGiTr7.jpg","2022-11-16",{"id":131,"adult":6,"title":132,"video":6,"overview":133,"softcore":6,"genre_ids":134,"popularity":135,"vote_count":30,"poster_path":136,"release_date":137,"vote_average":71,"backdrop_path":138,"original_title":132,"original_language":139},1461865,"Prüdes Hollywood - Laster, Lust und Leidenschaft im Film","In recent years, Hollywood productions have turned away from sensuality. Is the sex scene on the verge of extinction or reinvention? Alongside film professionals and researchers, this documentary deciphers a trend that speaks volumes about the evolution of the industry and our societies.",[11],0.4166,"\u002FzlGenSXq6fDOMX9LP1WNow3snnf.jpg","2025-04-08","\u002FgOrvCdAjyrmtOIkutNuQJ3IfjpR.jpg","de",{"id":141,"adult":6,"title":142,"video":6,"overview":143,"softcore":6,"genre_ids":144,"popularity":146,"vote_count":8,"poster_path":147,"release_date":148,"vote_average":8,"backdrop_path":25,"original_title":142,"original_language":62},1443582,"Welcome to my Darkside: Women in Horror","The horror film genre’s most iconic Scream Queens are featured in this documentary about women’s roles and triumphs, both on-camera and off.",[11,145],27,0.1839,"\u002FmyowHZMnTewK6Vrk1S03alxjdod.jpg","2010-09-25",{"id":150,"adult":6,"title":151,"video":6,"overview":152,"softcore":6,"genre_ids":153,"popularity":154,"vote_count":155,"poster_path":156,"release_date":157,"vote_average":158,"backdrop_path":25,"original_title":159,"original_language":160},348188,"Let It Be (1970-1974)","Chapter 15 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life in Mexico from 1970 to 1974. During the presidential term of Luis Echeverria Alvarez fantasies of prosperous and modern country it dissolves; Mexico live in political crisis. It is a time of omnipotence, barbarism, and violence intervention: the world seeks new ways. In Mexico, it held the World Cup, unionism is strengthened and inflation responds to the continuing economic imbalances.",[11],0.2622,2,"\u002FkWITlGFUDRcm0ZX8O5ow4JIGA34.jpg","1993-07-09",7.5,"Déjalo ser (1970-1974)","es",{"id":162,"adult":6,"title":163,"video":6,"overview":164,"softcore":6,"genre_ids":165,"popularity":166,"vote_count":8,"poster_path":167,"release_date":168,"vote_average":8,"backdrop_path":25,"original_title":163,"original_language":169},1253093,"Exergo","Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.",[11,88],0.2381,"\u002F9kPbuK3NomLS4daVwqzhR7oJBrh.jpg","2024-05-04","eu",{"id":171,"adult":6,"title":172,"video":6,"overview":173,"softcore":6,"genre_ids":174,"popularity":175,"vote_count":176,"poster_path":177,"release_date":178,"vote_average":179,"backdrop_path":25,"original_title":172,"original_language":62},312421,"I Am an Ox, I Am a Horse, I Am a Man, I Am a Woman","This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.",[11],0.5251,4,"\u002FqdUZN5B3pQ0v9xwbaASMMhIboHt.jpg","1988-04-01",6,{"id":181,"adult":6,"title":182,"video":6,"overview":183,"softcore":6,"genre_ids":184,"popularity":187,"vote_count":188,"poster_path":189,"release_date":190,"vote_average":80,"backdrop_path":25,"original_title":182,"original_language":62},551448,"The Good, The Bad, and the Beautiful","A documentary reflecting on women in film and the entertainment industry through the ages led and hosted by some of its most beloved female icons.",[11,185,186],36,10770,0.5891,3,"\u002Fnl5PGgetUTdADk1gO12BPXb7wtB.jpg","1996-03-17",{"id":192,"adult":6,"title":193,"video":6,"overview":194,"softcore":6,"genre_ids":195,"popularity":196,"vote_count":197,"poster_path":198,"release_date":199,"vote_average":200,"backdrop_path":201,"original_title":202,"original_language":203},554967,"Varda by Agnès","An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on her experience as a director, bringing a personal insight to what she calls \"cine-writing,\" traveling from Rue Daguerre in Paris to Los Angeles and Beijing.",[11],0.3508,76,"\u002F99xU63PePSbtffV5CUqPQYu84XY.jpg","2019-04-05",7.9,"\u002FvNYnOjQJykFModnm0e7jpnVTryG.jpg","Varda par Agnès","fr",{"id":205,"adult":6,"title":206,"video":6,"overview":207,"softcore":6,"genre_ids":208,"popularity":209,"vote_count":8,"poster_path":25,"release_date":210,"vote_average":8,"backdrop_path":25,"original_title":206,"original_language":62},1485142,"Jodie Promo","a chronological coming attractions overview of Jodie Foster’s career",[11],0.1841,"1995-01-01",{"id":212,"adult":6,"title":213,"video":6,"overview":214,"softcore":6,"genre_ids":215,"popularity":216,"vote_count":30,"poster_path":25,"release_date":217,"vote_average":80,"backdrop_path":25,"original_title":213,"original_language":62},959928,"Battle Front in Britain","From growing potatoes in Green Park, London, to transforming rabbit crates into seed boxes – just a couple of the many ingenious ways of supporting the war effort which are covered in this film from the Ministry of Information.",[11],0.1382,"1918-06-01",{"id":219,"adult":6,"title":220,"video":6,"overview":221,"softcore":6,"genre_ids":222,"popularity":223,"vote_count":30,"poster_path":224,"release_date":225,"vote_average":226,"backdrop_path":227,"original_title":220,"original_language":62},984099,"Island Home Country","A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.",[11,185],0.1233,"\u002F6HKfTJw0AecNUFIOS5F97FtauK5.jpg","2008-08-02",5,"\u002Fo58jALpIQssPvCuasfmP7DmhKgH.jpg",{"id":229,"adult":6,"title":230,"video":6,"overview":79,"softcore":6,"genre_ids":231,"popularity":232,"vote_count":155,"poster_path":233,"release_date":234,"vote_average":58,"backdrop_path":235,"original_title":230,"original_language":203},1059321,"Un homme de Parole",[11],0.1226,"\u002FxGfRDHynySc7O8vA4FmoG9d2bx.jpg","1991-01-01","\u002FfS6A35MxdceH9vlWtWEWULtNyTH.jpg",{"id":237,"adult":6,"title":238,"video":6,"overview":239,"softcore":6,"genre_ids":240,"popularity":241,"vote_count":8,"poster_path":242,"release_date":243,"vote_average":8,"backdrop_path":244,"original_title":238,"original_language":62},1306232,"SPEAKABLE","Two girls in their early 20s explore topics of femininity, girlhood, and normalized violence perpetrated on women.",[11],0.1189,"\u002FtVwJcH4d7iAVND59uYjHXOFAlhQ.jpg","2024-07-12","\u002FyqN5LKm5wcrpwiOEoVcgqy5AIrf.jpg",11460,229181,"Dominique, Suzanne, and Annette: three women who participated in the adventure of the Medvedkine groups (Besançon, Sochaux, 1967-1974). In those same years, the lives of our grandmothers and mothers experienced decisive changes: they worked outside the home and revolutionized customs. A group of Besançon students are investigating those events and questioning their own family memory.",0.1169,"\u002FodrvxN1Las3ASxkwzSHKlhlRod5.jpg","2021-12-31",[252],"ES","Et pourtant elles étaient là",{"results":255},{},[257],{"name":258,"iso_639_1":203,"english_name":259},"Français","French",[261,264],{"id":262,"name":263,"logo_path":25,"origin_country":79},198315,"Arakun Productions",{"id":265,"name":266,"logo_path":25,"origin_country":79},198316,"Mujeres Y Cine",[268,271],{"name":269,"iso_3166_1":270},"France","FR",{"name":272,"iso_3166_1":252},"Spain",45,"A documentary story that tends to land well.",[]]