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Arsalan, an actor now in Frankfurt after time in a refugee camp, and Nastya, journalist and producer who stayed in Kyiv, reflect on the divergent paths their lives have taken due to the war. Through their conversations and therapy sessions, the film explores themes of displacement, identity, and the emotional impact of war on youth.",[11,40,41],18,10752,0.2328,"\u002FcPdzM2tvNlBeg9fZnC8ErTJNwkY.jpg","2025-11-11","\u002Ff1NQs26goRiyxczRV3dtshbKFyp.jpg","uk",{"id":48,"adult":6,"title":49,"video":6,"overview":50,"softcore":6,"genre_ids":51,"popularity":52,"vote_count":8,"poster_path":24,"release_date":53,"vote_average":8,"backdrop_path":24,"original_title":54,"original_language":55},1191210,"CERN, or The Factory for the Absolute","Human action is often influenced by the desire for knowledge. This desire is in itself a positive impulse and could be said to be the basis of all progress. 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Is there any reason not to? We've got so much at our disposal, so, why don't you? Won't you tell me? Won't you please tell me? To have you down is simply unacceptable. Just look at this; or this; at all these hallmarks to guide you and convey to you the prime ways to feel lovely. Just follow them and you'll be set. So, I ask you again... 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The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric \"identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. 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