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By compositing TV and reducing it to a kind of tic-ridden babble, they force television to not make sense. While this disruption is playful, it also reveals an overall 'essence' of mass culture that would not be apprehended otherwise. Videos such as Stuffing, Ashley, and Lightfoot Fever upset the hypnotic spectacle of TV viewing, revealing how advertising creates anxiety, how culture constructs \"nature\" and how conventional morality is dictated through seemingly neutral images. By forcing television to convulse like a raving lunatic, we might finally hear what it is actually saying.",[11],0.1095,5,"\u002FdEWmcTZPGjUPSvN8voK6gxYUVKV.jpg","1996-01-01",4.4,"\u002FckJEMNQz4Y34ERtmzH8to1Fgds5.jpg","en",{"id":45,"adult":6,"title":46,"video":6,"overview":47,"softcore":6,"genre_ids":48,"popularity":50,"vote_count":51,"poster_path":52,"release_date":53,"vote_average":54,"backdrop_path":27,"original_title":46,"original_language":43},255643,"Negativland: No Other Possibility","In an effort to cure her smoking habit a middle-aged woman discovers that she can communicate with her long lost son while watching a Halloween safety program on TV. After suffering a nervous breakdown, her husband, a used car salesman, is revitalized when he travels back in time to drive the first car he ever sold. Seventeen years later a powerful canned food manufacturer crashes the same car into a toaster truck while endorsing a brand of yams on live TV. At the funeral his clergyman experiences a crisis of faith when he and a lifelike Mexican continue their search for a married couple who have befriended an insect who enjoys drinking lime soda. 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He says: “my son, by now, you have seen a spring, a summer, an autumn and a winter. From this point on, everything is simply a repetition except kindness.”",[49,11],0.1159,"\u002FaRSmCgpvgVcfJyzX9D5iPpUc9JT.jpg","2024-09-18","\u002FeZ8cshi7hN6yFxJNlLCfhzy2bRo.jpg","این است زندگی","fa",{"id":78,"adult":6,"title":79,"video":6,"overview":80,"softcore":6,"genre_ids":81,"popularity":82,"vote_count":51,"poster_path":83,"release_date":84,"vote_average":85,"backdrop_path":27,"original_title":79,"original_language":43},255854,"King of the Jews","King of the Jews is a film about anti-Semitism and transcendence. Utilizing Hollywood movies, 1950's educational films, personal home movies and religious films, the filmmaker depicts his childhood fear of Jesus Christ. 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It's like a punch in the stomach.",[11],0.1311,"1991-03-23",{"id":94,"adult":6,"title":95,"video":6,"overview":96,"softcore":6,"genre_ids":97,"popularity":98,"vote_count":8,"poster_path":99,"release_date":100,"vote_average":8,"backdrop_path":101,"original_title":102,"original_language":43},1530065,"Golden Chains","A new exploration of familiar places located in the region of Rhône and Isère throught an reinvention of digital nuances, a study of perceptions and fluidity around the nature of motion in landscapes and human interactions.",[11],0.1662,"\u002FxXguVKlbTZgDzglrlA6KrMn0iqg.jpg","2025-08-25","\u002F6G45TLQ3W1IRSwRHmD5qzBZaP7S.jpg","Chaînes Dorées",{"id":104,"adult":6,"title":105,"video":6,"overview":106,"softcore":6,"genre_ids":107,"popularity":108,"vote_count":30,"poster_path":109,"release_date":110,"vote_average":111,"backdrop_path":112,"original_title":105,"original_language":113},810466,"Grid","A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).",[11],0.3583,"\u002Fpnty2w8uVVDF6jN0nW5uQimwibh.jpg","2021-10-22",6,"\u002FjJwtyOXbeUvrSkMRtta1FtxVnd4.jpg","pt",{"id":115,"adult":6,"title":116,"video":6,"overview":117,"softcore":6,"genre_ids":118,"popularity":121,"vote_count":122,"poster_path":123,"release_date":124,"vote_average":125,"backdrop_path":126,"original_title":116,"original_language":43},19459,"Tribulation 99: Alien Anomalies Under America","Baldwin’s “pseudo-pseudo-documentary” presents a factual chronicle of US intervention in Latin America in the form of the ultimate conspiracy theory, combining covert action, environmental catastrophe, space aliens, cattle mutilations, killer bees, religious prophecy, doomsday diatribes, and just about every other crackpot theory broadcast through the dentures of the modern paranoiac.",[119,11,120],35,878,0.2679,14,"\u002F7aP35sdBMPDxPk2BqgNHKacG429.jpg","1991-12-07",5.214,"\u002Fe7XOjSdHJuuG2CxffmrgnrWxaCE.jpg",{"id":128,"adult":6,"title":129,"video":6,"overview":130,"softcore":6,"genre_ids":131,"popularity":132,"vote_count":8,"poster_path":133,"release_date":134,"vote_average":8,"backdrop_path":27,"original_title":129,"original_language":43},1023195,"Reflecting Thought: Stan Brakhage","Stan Brakhage is a film maker whose work is shown mainly at film festivals. 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Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.",[11],0.7455,142,"\u002FmqTFhLpdyMNLBvmN5KFhCOFWWIp.jpg","2008-12-17",7.676,"\u002Fz9S7Z0NDbXcqhDCoPMv6ixeXZ6V.jpg","Les Plages d'Agnès","fr",{"id":149,"adult":6,"title":150,"video":151,"overview":152,"softcore":6,"genre_ids":153,"popularity":154,"vote_count":30,"poster_path":155,"release_date":156,"vote_average":157,"backdrop_path":158,"original_title":150,"original_language":43},1575457,"The Hypergaussian Wars",true,"The Hypergaussian Wars is an AI-generated feature-length audiovisual work exploring algorithmic warfare, obsolete media and the transformation of images through repetition, saturation and collapse. Built from thousands of generated images, synthetic landscapes and references to 14th–16th century painting, the film stages a continuous conflict between historical visual culture and contemporary computational systems.  Fragments of obsolete video games, ruined architectures, military simulations and post-human figures circulate through increasingly unstable environments. Rather than telling a linear story, the film operates as an image system in which visual excess progressively erodes meaning. 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At first, our fox is emotionally contained, while the penguin lady may get wild as hell. With a wink, the filmmakers hold up a mirror to the audience in the cinema.",[11,119,164,165],10751,10749,1.0681,"\u002F3VmjuE11tCah3rUomHuGHORLDaB.jpg","2021-07-17","\u002FzzJOigfCAh8SOfrjwUTTb1adZYa.jpg","Fuchs & Pinguin","de",{"id":173,"adult":6,"title":174,"video":6,"overview":175,"softcore":6,"genre_ids":176,"popularity":177,"vote_count":8,"poster_path":178,"release_date":179,"vote_average":8,"backdrop_path":27,"original_title":174,"original_language":43},1394611,"Running Fields III","Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion",[11],0.2889,"\u002FfBZPvK6GcZwMfT87WPy69TDeV2Y.jpg","2024-11-29",{"id":181,"adult":6,"title":182,"video":6,"overview":183,"softcore":6,"genre_ids":184,"popularity":187,"vote_count":8,"poster_path":188,"release_date":189,"vote_average":8,"backdrop_path":27,"original_title":182,"original_language":43},644758,"FUCK TV","After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.",[49,185,122,11,186],10752,36,1.322,"\u002FjYt6l9hGmZlAWFYoeC9GT5JdWmU.jpg","2019-08-09",{"id":191,"adult":6,"title":192,"video":6,"overview":193,"softcore":6,"genre_ids":194,"popularity":195,"vote_count":30,"poster_path":196,"release_date":197,"vote_average":157,"backdrop_path":27,"original_title":192,"original_language":147},825754,"Collage","Considerations on collage as a cognitive act in artists’ cinema. A pedagogical film adrift: 35mm photographs and other materials collected over the last fifteen years by artist Stefano Miraglia meet a text written by Baptiste Jopeck and the voice of Margaux Guillemard.",[11],0.3059,"\u002F3ZV71YQGCJb67eJwSuIA7oOslzY.jpg","2021-05-05",{"id":199,"adult":6,"title":200,"video":6,"overview":201,"softcore":6,"genre_ids":202,"popularity":203,"vote_count":8,"poster_path":204,"release_date":205,"vote_average":8,"backdrop_path":206,"original_title":200,"original_language":113},1189245,"Cartas de Arapuca","",[11],0.1379,"\u002F7nQK3X2biT7ZGG6WR0AkTz2L6r8.jpg","2023-07-12","\u002FgkiHXnAlscfSVki6bR751sFwMtt.jpg",{"id":208,"adult":6,"title":209,"video":6,"overview":210,"softcore":6,"genre_ids":211,"popularity":212,"vote_count":8,"poster_path":213,"release_date":214,"vote_average":8,"backdrop_path":215,"original_title":209,"original_language":43},1387525,"Running Fields II","Fifteen images of a camera running in a park and in obscurity searching the space of light through distorsion and the sensory of rapid motion.",[11],0.266,"\u002Fn5fM6em0y5iTs4461F1dw6aRfBo.jpg","2024-11-15","\u002FxuuN3h0ojTGUMdlDOYRa7RcjPZX.jpg",{"id":217,"adult":6,"title":218,"video":6,"overview":219,"softcore":6,"genre_ids":220,"popularity":221,"vote_count":8,"poster_path":222,"release_date":223,"vote_average":8,"backdrop_path":224,"original_title":218,"original_language":43},1227840,"Afloat","'Afloat' is an experimental film that paints a portrait of Japanese performance artist: Ayumi Lanoire.  The film opens as a telephone call between Ayumi and Person X, which meanders the audience through the various layers that make up her personas leading one to wonder whether she is in fact a myth or reality.",[11,122],0.1113,"\u002Fxbh6EpduwD1lS20gBCdZmMNh5qh.jpg","2017-11-16","\u002F63w4BjevXRXlq1QHOqdAxsLS1Jw.jpg",{"id":226,"adult":6,"title":227,"video":6,"overview":228,"softcore":6,"genre_ids":229,"popularity":230,"vote_count":231,"poster_path":232,"release_date":233,"vote_average":234,"backdrop_path":235,"original_title":227,"original_language":43},1584125,"Breakdown: 1975","In 1975, as America faced social and political upheaval, filmmakers turned chaos into art.",[11],1.6422,27,"\u002F6LirpQnBmBpAOa5Me1lBCBBy90e.jpg","2025-12-18",6.796,"\u002FlHSLTzz1rW3XcfJYTyCSdaPmosr.jpg",11449,228962,"The author's erotic imagination is mixed between desire and magazine clippings, and the trade of collage becomes a ship that travels from outer space to the city itself.",0.24,"\u002FiH3HTm81NjQPj2ftOiaHTcwssbx.jpg","2023-12-07",[243],"CL",{"results":245},{},[],[],[],45,"A documentary story that tends to land well.",[]]