[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1209496-en-US":3},{"detail":4,"match":318,"insight":319,"providers":320,"providerLink":38,"trailer":38},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":16,"videos":17,"credits":19,"imdb_id":85,"revenue":8,"runtime":86,"similar":87,"tagline":118,"homepage":293,"overview":294,"softcore":6,"popularity":295,"vote_count":34,"poster_path":296,"release_date":297,"vote_average":111,"backdrop_path":298,"origin_country":299,"original_title":301,"watch\u002Fproviders":302,"spoken_languages":304,"original_language":102,"production_companies":308,"production_countries":315,"belongs_to_collection":38},1209496,false,"Algeria 1954, The Revolt Of A Colonized",0,[10,13],{"id":11,"name":12},99,"Documentary",{"id":14,"name":15},36,"History","Released",{"results":18},[],{"cast":20,"crew":40},[21,31],{"id":22,"name":23,"adult":6,"order":8,"gender":24,"cast_id":25,"character":26,"credit_id":27,"popularity":28,"profile_path":29,"original_name":23,"known_for_department":30},4395159,"Bernard Langlois",2,4,"Narrator","656124b42b113d00ada38cd4",0.1255,"\u002Fjkv6mcphMVtpJylv58VIyLa5LNT.jpg","Acting",{"id":32,"name":33,"adult":6,"order":34,"gender":24,"cast_id":35,"character":26,"credit_id":36,"popularity":37,"profile_path":38,"original_name":39,"known_for_department":30},4395157,"Mohamed Rekaya",1,3,"656124a72b113d010cc1040d",0.0981,null,"Mohammed Rekaya",[41,49,54,61,68,74,80],{"id":42,"job":43,"name":44,"adult":6,"gender":24,"credit_id":45,"department":46,"popularity":47,"profile_path":48,"original_name":44,"known_for_department":46},1668093,"Director","Marc Ferro","656124402b113d00ca506751","Directing",0.366,"\u002FkrxIgL4aSCuZl4Ww2TelPWjM7NF.jpg",{"id":50,"job":43,"name":51,"adult":6,"gender":8,"credit_id":52,"department":46,"popularity":53,"profile_path":38,"original_name":51,"known_for_department":46},2414454,"Marie-Louise Derrien","6561245149756000c62f261e",0.323,{"id":55,"job":56,"name":57,"adult":6,"gender":8,"credit_id":58,"department":59,"popularity":60,"profile_path":38,"original_name":57,"known_for_department":59},4994637,"Writer","Mohamed Benahmed","67098731b0c4f7a5361a332a","Writing",0.0996,{"id":62,"job":56,"name":63,"adult":6,"gender":24,"credit_id":64,"department":59,"popularity":65,"profile_path":66,"original_name":67,"known_for_department":59},73653,"Mohammed Dib","6709873f84af55cc1eafa273",0.1628,"\u002FxRUIxLyftqiA4v5GME2bsahAS6X.jpg","Mohamed Dib",{"id":69,"job":56,"name":70,"adult":6,"gender":24,"credit_id":71,"department":59,"popularity":72,"profile_path":73,"original_name":70,"known_for_department":30},1501425,"Frantz Fanon","670987505416802281a5da76",0.5316,"\u002FsfbjgyLuYzr4Ae65eG94XxkqXMs.jpg",{"id":75,"job":56,"name":76,"adult":6,"gender":24,"credit_id":77,"department":59,"popularity":78,"profile_path":79,"original_name":76,"known_for_department":30},4359913,"Mouloud Feraoun","67098759b68d4f70e0ab4603",0.1531,"\u002Fo7OBujpsnlCW2oEi7Gi000cFJ1g.jpg",{"id":81,"job":56,"name":82,"adult":6,"gender":8,"credit_id":83,"department":59,"popularity":84,"profile_path":38,"original_name":82,"known_for_department":30},4995130,"Ahmed Taleb Ibrahimi","670aa4ccb15d97b1a93c192f",0.0848,"tt33865189",13,{"page":34,"results":88,"total_pages":291,"total_results":292},[89,103,115,124,136,144,157,168,179,189,196,205,214,226,236,245,255,264,269,281],{"id":90,"adult":6,"title":91,"video":6,"overview":92,"softcore":6,"genre_ids":93,"popularity":95,"vote_count":96,"poster_path":97,"release_date":98,"vote_average":99,"backdrop_path":100,"original_title":101,"original_language":102},283013,"Dawn of the Damned","This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.",[11,14,94],18,1.0825,7,"\u002FlofBqYj9p4eefPAQlzrQ5d9SgHk.jpg","1965-07-05",7.429,"\u002FuXPBBQlKDXVx8apISYh9KdrTEoa.jpg","L'Aube des Damnés","fr",{"id":104,"adult":6,"title":105,"video":6,"overview":106,"softcore":6,"genre_ids":107,"popularity":108,"vote_count":34,"poster_path":109,"release_date":110,"vote_average":111,"backdrop_path":112,"original_title":113,"original_language":114},644369,"How Much I Love You","Beginning with a promotional reel encouraging farming investments in Algeria and ending with the secret 1950s nuclear tests that France conducted using Algerian prisoners, How Much I Love You appropriates archival footage produced by the French colonial powers in Algeria. Meddour’s approach is disarmingly simple and yet awe-inspiring—his caustic undoing of colonial discourse is underscored by a liberating release of humor.",[11],0.6726,"\u002FhVS69fnRMUrcp0Zrr1rsP16bvxc.jpg","1985-05-05",10,"\u002FtcUdvCChXJApLTcc7sgEyFCYt7M.jpg","Combien Je Vous Aime","ar",{"id":116,"adult":6,"title":117,"video":6,"overview":118,"softcore":6,"genre_ids":119,"popularity":120,"vote_count":34,"poster_path":121,"release_date":122,"vote_average":111,"backdrop_path":123,"original_title":117,"original_language":102},285832,"Algérie 1988-2000 : Autopsie d'une tragédie","",[11],2.1483,"\u002Fd6oYOMNpdJoNoLwyu7Hc0EY0MZY.jpg","2005-09-26","\u002FbAyMSyE9vDcPfzppVufB7h5fXxE.jpg",{"id":125,"adult":6,"title":126,"video":6,"overview":127,"softcore":6,"genre_ids":128,"popularity":130,"vote_count":24,"poster_path":131,"release_date":132,"vote_average":133,"backdrop_path":134,"original_title":135,"original_language":102},1212784,"1983, The Marchers for Equality","In the 1980s, young people of North African descent born in France and a priest from the Lyon suburbs organized the \"March of the Beurs.\" Launched on October 15, 1983, by seventeen people from the La Cayolle neighborhood in Marseille following a racist crime, the march concluded two months later—on December 3—on the streets of Paris, with 100,000 participants. This movement demanded equal rights. Was their cry heard?",[11,129],10770,1.3836,"\u002Fg8tEM6yVDxmyQEYitTz1ryE5Uey.jpg","2023-12-03",9.5,"\u002FagNWXvCnXxJIcS1c9f0BZlDUzUs.jpg","1983, Les marcheurs de l'égalité",{"id":137,"adult":6,"title":138,"video":6,"overview":139,"softcore":6,"genre_ids":140,"popularity":141,"vote_count":8,"poster_path":142,"release_date":118,"vote_average":8,"backdrop_path":143,"original_title":138,"original_language":102},1580276,"DOUBOUT OUBIEN MÔ","Since August 2024, in Martinique, a popular protest movement against the high cost of living has been reemerging under the leadership of the RPPRAC (Rassemblement Pour La Protection Des Peuples Et Des Ressources Afro-Caribéens – Gathering for the Protection of Afro-Caribbean Peoples and Resources). On the island, food prices are on average 54% higher than in mainland France.*  Through various cultural figures, the people of Martinique are expressing their anger and seeking concrete solutions.  *Source: Kiprix, Price comparison between supermarkets in the French overseas territories and mainland France.",[11],0.6257,"\u002F10dlt6YCRu2DFh9rO70FHUeX5fM.jpg","\u002F4NpFhkTVGK7PJ3H316Go7JWlft5.jpg",{"id":145,"adult":6,"title":146,"video":6,"overview":147,"softcore":6,"genre_ids":148,"popularity":150,"vote_count":151,"poster_path":152,"release_date":153,"vote_average":154,"backdrop_path":155,"original_title":156,"original_language":114},284542,"Jamila, the Algerian","Djamila, a young Algerian woman living with her brother Hadi and her uncle Mustafa in the Casbah district of Algiers under the French occupation of Algeria, sees the full extent of injustice, tyranny and cruelty on his compatriots by French soldiers. Jamila's nationalist spirit will be strengthened when French forces invade her university to arrest her classmate Amina who commits suicide by ingesting poison. Shortly after the prominent Algerian guerrilla leader Youssef takes refuge with her, she realizes that her uncle Mustafa is part of this network of anti-colonial rebel fighters. Her uncle linked her to the National Liberation Front (FLN). A series of events illustrate Jamila's participation in resistance operations against the occupier before she was finally captured and tortured. Finally, despite the efforts of her French lawyer, Jamila is sentenced to death...",[94,14,149],10752,1.5902,9,"\u002FoRVkcRhyPzYvcdAZVOb1zgyLEDU.jpg","1958-12-09",7.2,"\u002FbwvfwGc1TqEt1jKK5Y4cVWf3Zpy.jpg","جميلة (Djamilah)",{"id":158,"adult":6,"title":159,"video":6,"overview":160,"softcore":6,"genre_ids":161,"popularity":162,"vote_count":163,"poster_path":164,"release_date":165,"vote_average":166,"backdrop_path":167,"original_title":159,"original_language":102},4274,"Fort Saganne","In 1911, a willful and determined man from peasant stock named Charles Saganne enlists in the military and is assigned to the Sahara Desert under the aristocratic Colonel Dubreuilh.",[149,94,14],1.86,68,"\u002F8srIfF14GCPwaLUrOtVT4Y6tMcw.jpg","1984-05-11",6.022,"\u002FtrU1I9Jn88uCZVIHTRVgF5wJ7uX.jpg",{"id":169,"adult":6,"title":170,"video":6,"overview":171,"softcore":6,"genre_ids":172,"popularity":174,"vote_count":34,"poster_path":175,"release_date":176,"vote_average":111,"backdrop_path":177,"original_title":178,"original_language":114},1202590,"Raï Story: From Cheikha Rimitti to Cheba Djenet","Raï Story is a musical journey in search of the Raï legend, Cheikha Remitti, in Oran, Algeria, where the Raï musical tradition began. In 1923, the first Raï singers performed behind screens during ceremonies to protect their identity. It was only when the music of singer Cheikha Remitti began to gain popularity among the general public that Raï music was made public, in the 1940s. Cheikha Remitti, who lives between Paris and Oran, is nowhere to be found, the filmmakers then decide to meet producers, musicians, singers like Cheba Dalila or Cheba Djenet, for whom Remitti created a wake. The opportunity, through these unique stories, illustrated with archive images, to retrace the important place of women in this musical tradition and the transformation of Raï music from the 1960s to 2000.",[11,173],10402,1.3037,"\u002FsWSv1ecyg6snUFuWwwU8Ud5oMK1.jpg","2004-12-01","\u002Fh6Krt4jssgzwcZGobCDNRfkaoMF.jpg","حكايات الراي",{"id":180,"adult":6,"title":181,"video":6,"overview":182,"softcore":6,"genre_ids":183,"popularity":184,"vote_count":8,"poster_path":185,"release_date":186,"vote_average":8,"backdrop_path":187,"original_title":188,"original_language":102},1019629,"Dreams have no titles","Part of Zineb Sedira's art installation for the French Pavilion at the 59th Venice Biennale. A piece where Sedira explores her passion for the militant cinema of the 60s and 70s.",[11],0.8531,"\u002FgSqi3Epez0FaBMt8kytMr25Yf4m.jpg","2022-04-23","\u002FtU21UThAZCFm8JSFw4Crurr9vNH.jpg","Les rêves n'ont pas de titre",{"id":190,"adult":6,"title":191,"video":6,"overview":192,"softcore":6,"genre_ids":193,"popularity":194,"vote_count":8,"poster_path":38,"release_date":195,"vote_average":8,"backdrop_path":38,"original_title":191,"original_language":102},1396592,"Un bain en hiver","“Our memories are marked by smells. Bound together by their olfactory sensitivity, a daughter leads her father to question his family heritage: together they go through their double mourning, that of a grandmother and a childhood in Algeria. How do you face up to the fear of vanishing ghosts?”",[11],0.5266,"2024-06-05",{"id":197,"adult":6,"title":198,"video":6,"overview":199,"softcore":6,"genre_ids":200,"popularity":201,"vote_count":34,"poster_path":202,"release_date":203,"vote_average":111,"backdrop_path":204,"original_title":198,"original_language":102},1203696,"L'Algérie de Gustave Guillaumet (1840-1887)","Born on March 25, 1840, Gustave Guillaumet discovered Algeria by chance when he was about to embark for Italy. Over the course of his ten or eleven trips and extended stays, he established a familiarity with this space. Traveling through the different regions from north to south, he never ceases to note the differences. He is also the first artist, apart from Delacroix's Women of Algiers, to penetrate into female interiors and reveal the reality, far removed from the harem fantasies that reigned in his time. Fascinated by the country, its deserts and its inhabitants , going so far as to live like the Algerians, Gustave Guillaumet devoted his life and his painting to this country, breaking with the colorful and exotic representations of the time. The painting The Famine in Algeria, restored thanks to exceptional fundraising, was dictated by the events of the years 1865-1868, and well illustrates his knowledge of the country, in a manner that is at once demanding, sensitive and serious.",[11],0.8296,"\u002Fe7tTC97VWXUFNw4E8hMZeIEEiqW.jpg","2018-10-17","\u002F1w9pkOvkuxi9Idspym3vrhI4HRd.jpg",{"id":206,"adult":6,"title":207,"video":6,"overview":208,"softcore":6,"genre_ids":209,"popularity":210,"vote_count":34,"poster_path":211,"release_date":212,"vote_average":111,"backdrop_path":213,"original_title":207,"original_language":102},1203614,"L'Orientalisme","Orientalism is a literary and artistic movement born in Western Europe in the 18th century. Through its scale and popularity, throughout the 19th century, it marked the interest and curiosity of artists and writers for the countries of the West (the Maghreb) or the Levant (the Middle East). Orientalism was born from the fascination of the Ottoman Empire and followed its slow disintegration and the progression of European colonizations. This exotic trend is associated with all the artistic movements of the 19th century, academic, romantic, realistic or even impressionist. It is present in architecture, music, painting, literature, poetry... Picturesque aesthetics, confusing styles, civilizations and eras, orientalism has created numerous clichés and clichés that we still find today in literature or cinema.",[11],1.1443,"\u002Fp2tjlERPCwo3d9ry5lTM6iKypPE.jpg","2019-08-27","\u002FeG3zbmRv2AE23LO84ueTkdw1TR8.jpg",{"id":215,"adult":6,"title":216,"video":6,"overview":217,"softcore":6,"genre_ids":218,"popularity":219,"vote_count":220,"poster_path":221,"release_date":222,"vote_average":223,"backdrop_path":224,"original_title":225,"original_language":102},638224,"The Tank and the Olive Tree, Another History of Palestine","The Tank and The Olive Tree recalls a certain number of forgotten fundamentals and sheds new light on the history of Palestine. By combining geopolitical analysis, interviews with international personalities who are experts on the subject and testimonies from Palestinian and French citizens, this documentary offers the keys to understanding what the media call the Israeli-Palestinian conflict. Enough to rid people's minds of clichés and prejudices! If The Chariot and the Olivier is intended to be educational, it speaks above all of a magnificent territory, and of a people who constantly affirm that “to live is already to resist”...",[11,149],0.3819,6,"\u002F8CYZPxWKTJ5pTyRJP9j4UiFJgyG.jpg","2019-11-06",7.9,"\u002FbixTLl1E4M46CxdE6iYq58bseIL.jpg","Le Char et l'olivier, une autre histoire de la Palestine",{"id":227,"adult":6,"title":228,"video":6,"overview":229,"softcore":6,"genre_ids":230,"popularity":231,"vote_count":14,"poster_path":232,"release_date":233,"vote_average":234,"backdrop_path":235,"original_title":228,"original_language":102},1000432,"Fanon","Frantz Fanon, a French psychiatrist from Martinique, has just been appointed head of department at the psychiatric hospital in Blida, Algeria. His methods contrast with those of the other doctors in a context of colonization. A biopic in the heart of the Algerian war where a fight is waged in the name of Humanity.",[14,94],1.0725,"\u002FeseIExk6NMLs3IRE86JZNayRKsS.jpg","2025-04-02",6.569,"\u002F1tiJGrwi70SklEnJKQnfwTwvf8t.jpg",{"id":237,"adult":6,"title":238,"video":6,"overview":239,"softcore":6,"genre_ids":240,"popularity":241,"vote_count":8,"poster_path":242,"release_date":243,"vote_average":8,"backdrop_path":244,"original_title":238,"original_language":102},1380521,"One, Two, Three – Viva l’Algérie !","“One, Two, Three, Viva l’Algérie!” is the main theme of our film. But it is first a slogan, a link that acts in space and time: a few words scanded, inseparable from the history of Algerian football and therefore the relationship between France and Algeria. These encouragements born with the FLN team during the Revolutionary War and later repeated in the Algerian epic at the 2010 World Cup were taken out of the stadiums in 2019 to call for change.",[11,14],0.7857,"\u002F9Eq8d2Nzk9arqi4n0DeRdcE2bZa.jpg","2022-10-25","\u002F8t3OkI5aqqpqXfT67KKrtiCrzmb.jpg",{"id":246,"adult":6,"title":247,"video":6,"overview":248,"softcore":6,"genre_ids":249,"popularity":250,"vote_count":34,"poster_path":251,"release_date":252,"vote_average":111,"backdrop_path":253,"original_title":254,"original_language":102},1220211,"Zinet, Algiers, Happiness","Who remembers Mohamed Zinet? In the eyes of French spectators who reserve his face and his frail silhouette, he is simply the “Arab actor” of French films of the 1970s, from Yves Boisset to Claude Lelouch. In Algeria, he's a completely different character... A child of the Casbah, he is the brilliant author of a film shot in the streets of Algiers in 1970, Tahya Ya Didou. Through this unique work, Zinet invents a new cinema, tells another story, shows the Algerians like never before. In the footsteps of his elder, in the alleys of the Casbah or on the port of Algiers, Mohammed Latrèche will retrace the story of Tahya Ya Didou and its director.",[11],0.8903,"\u002FfbXpJslcaldUuyXa0NDlhSZzoN7.jpg","2023-12-15","\u002FuVuQf1UA9IengxLyOYavR4qnAlK.jpg","زينات، الجزائر، السعادة",{"id":256,"adult":6,"title":257,"video":6,"overview":258,"softcore":6,"genre_ids":259,"popularity":260,"vote_count":34,"poster_path":261,"release_date":262,"vote_average":111,"backdrop_path":263,"original_title":257,"original_language":102},1187775,"Alger Et Ses Environs","The film, shot in 1938, is part of a series entitled “The true face of Algeria”. The film highlights the proximity of Algiers to Paris and promotes air travel. The commentary supporting the images highlights the urban dynamism (“Every day, a new skyscraper replaces a wasteland”) and the comparison with Paris (“Algiers is often nicknamed the Paris of North Africa because of its elegance become proverbial). Contemporary architectural achievements are described as the sign of “grandiose modernism”: “we love the new, the bold”. But the point does not forget the buildings illustrating “the Moorish, classic and attractive style”. The description of the Casbah also attempts to understand the architectural organization but also the diversity and even the atmosphere.",[11],0.7507,"\u002FhDJzfnwlRQxqI3nU94zmOu3mvk5.jpg","1945-01-01","\u002Fm8MkqnULBeyuZo2F18KRe1YSKG8.jpg",{"id":265,"adult":6,"title":266,"video":6,"overview":118,"softcore":6,"genre_ids":267,"popularity":268,"vote_count":8,"poster_path":38,"release_date":118,"vote_average":8,"backdrop_path":38,"original_title":266,"original_language":102},1565688,"Mémoires du 8 mai 1945",[11],0.3072,{"id":270,"adult":6,"title":271,"video":6,"overview":272,"softcore":6,"genre_ids":273,"popularity":274,"vote_count":275,"poster_path":276,"release_date":277,"vote_average":278,"backdrop_path":279,"original_title":280,"original_language":102},2391,"A Captain's Honor","During a televised debate on the Algerian war in the early 1980s, Professor Paulet denounced the methods of Captain Caron, killed in action in 1957. The widow of the captain, Patricia, decided to file a defamation suit.",[94,14,149],0.6536,12,"\u002FvC8Jbphkzph5cRcjMbgJAfpm11k.jpg","1982-12-29",6.1,"\u002FrKRUaqinsn3tTJfriEeSz3gEril.jpg","L'Honneur d'un capitaine",{"id":282,"adult":6,"title":283,"video":6,"overview":284,"softcore":6,"genre_ids":285,"popularity":286,"vote_count":8,"poster_path":287,"release_date":288,"vote_average":8,"backdrop_path":289,"original_title":283,"original_language":290},638717,"Bastion Point: Day 507","Merata Mita, Leon Narbey and Gerd Pohlmann’s powerful documentary Bastion Point: Day 507 depicts the eviction of protestors from Bastion Point during the struggle for Māori land rights.",[11],0.4304,"\u002Fv177mIdxfeQfirUGXpWe1dIgL1Y.jpg","1980-01-01","\u002FmwYtHxNFVhzO44C2BFPeEDPrbNP.jpg","en",12404,248076,"https:\u002F\u002Fwww.bd-cine.com\u002Ffiche.php?id=15126","This film presents the point of view of an Arab from Algeria who rebels against colonization. He analyzes the process of awareness, the transition to revolt, to armed insurrection. Algeria and the settlers are seen through this lens and not the way a Frenchman saw the country. He gives voice to the Arabs at a time when this word was not heard: sometimes it was not even produced, at least publicly. The testimonies are based on real propositions, most of them were made to the author during his stay in Algeria from 1948 to 1956, then in 1958 and 1959. The comments are borrowed from the texts of Arab theorists of the revolution Algerian. This film thus completely evacuates the point of view of those who are not insurgents; he does not give the opinion of the colonists. It is the direct expression of what was the revolt of a colonized person: it thus constitutes the very type of the historical document.",0.372,"\u002FefoQlCXQpq0uc2y3fJP0G61R0YK.jpg","1974-01-01","\u002F5jDgsDQxye1l04Y7cuhH8yUc1az.jpg",[300],"FR","Algérie 1954, La Révolte D'un Colonisé",{"results":303},{},[305],{"name":306,"iso_639_1":102,"english_name":307},"Français","French",[309,312],{"id":310,"name":311,"logo_path":38,"origin_country":118},138403,"Pathé Cinema",{"id":313,"name":314,"logo_path":38,"origin_country":118},214322,"La Librairie Hachette",[316],{"name":317,"iso_3166_1":300},"France",54,"A documentary story that tends to land well.",[]]