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With a spotlight on the 7 years during which his life changed, using extracts of Keaton’s films as magnifying mirrors, the documentary recounts the dramatic life of this creative genius and the Hollywood studios.",[11],1.1943,14,"\u002FypigsVrQMLdcLBoinjjtNYZfXb4.jpg","2016-02-07",7.75,"\u002Fr67F7SUMIMWTUfXQA3MtzekMG1v.jpg","Buster Keaton, un génie brisé par Hollywood","fr",{"id":140,"adult":6,"title":141,"video":6,"overview":142,"softcore":6,"genre_ids":143,"popularity":144,"vote_count":145,"poster_path":146,"release_date":147,"vote_average":148,"backdrop_path":149,"original_title":141,"original_language":55},3147,"The 'Frankenstein' Files: How Hollywood Made a Monster","The history of Frankenstein's journey from novel to stage to screen to icon.",[11],1.8973,11,"\u002FbHt8qrf8rHh6NY27l0qqFGg134y.jpg","1999-01-01",7.7,"\u002FqwhGTT2VH7ep35sorSBJvWwl5Rx.jpg",{"id":151,"adult":6,"title":152,"video":6,"overview":153,"softcore":6,"genre_ids":154,"popularity":155,"vote_count":21,"poster_path":156,"release_date":157,"vote_average":158,"backdrop_path":159,"original_title":152,"original_language":160},1022678,"Casablanca revisitada","A lyrical and nostalgic analysis of how Casablanca, the mythical film directed by Michael Curtiz in 1942, has influenced both film history and pop culture.",[11,61],0.9937,"\u002Fh6rZu8eGBD7B2xzebgiNaZ9UQSN.jpg","1992-01-01",9,"\u002FeBexFNPpbKQV8cKti4TGBO9PaDT.jpg","es",{"id":162,"adult":6,"title":163,"video":6,"overview":164,"softcore":6,"genre_ids":165,"popularity":166,"vote_count":30,"poster_path":167,"release_date":168,"vote_average":169,"backdrop_path":25,"original_title":170,"original_language":138},631155,"Daughter of the Crater","A woman with a deep love of the land, Yolande Simard Perrault sees her life as having been shaped by a planetary upheaval in Charlevoix, Quebec, millions of years ago. 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Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. 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