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Describing the affinity he developed for work operating at the intersection of film materiality and personal language, Dorsky explains how he developed his philosophy of the “devotional film” and the “microcosmic viewer.”  Dorsky likens his practice to Buddhist sculpture, referring to himself as a “Japanese poet continuing aspects of the ethos of the Marxist revolution.” In the interview, the artist describes his use of the screen as an “altarpiece for the image” and emphasizes his use of editing to create works which “harmoniously coalesce.”  Interview conducted by Jeffrey Skoller in May 2000, edited in 2014.",[11],0.6782,"\u002FpVZjFfzxxdSrpo5RogF5chri9pP.jpg","2014-01-01",{"id":75,"adult":6,"title":76,"video":6,"overview":77,"softcore":6,"genre_ids":78,"popularity":79,"vote_count":8,"poster_path":80,"release_date":81,"vote_average":8,"backdrop_path":26,"original_title":76,"original_language":57},1023195,"Reflecting Thought: Stan Brakhage","Stan Brakhage is a film maker whose work is shown mainly at film festivals. 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Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.",[87,88,89,11,90],10402,10752,14,36,1.5247,"\u002FjYt6l9hGmZlAWFYoeC9GT5JdWmU.jpg","2019-08-09",{"id":95,"adult":6,"title":96,"video":6,"overview":97,"softcore":6,"genre_ids":98,"popularity":99,"vote_count":8,"poster_path":100,"release_date":101,"vote_average":8,"backdrop_path":26,"original_title":96,"original_language":57},1597430,"108 spin","A kinetic prayer and structuralist intervention. 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Like a distillate of a “best-of” road movie, Billy Roisz and Dieter Kovačič condense cinema to pure trip – moving past colorful image surfaces that fluctuate between abstraction and depiction.",[11],1.051,"2017-01-29","de",{"id":132,"adult":6,"title":133,"video":6,"overview":134,"softcore":6,"genre_ids":135,"popularity":136,"vote_count":8,"poster_path":26,"release_date":137,"vote_average":8,"backdrop_path":26,"original_title":133,"original_language":138},1638960,"oberflach.avi","When Billy Roisz’s images and dieb13’s sound (remix: gnu) are brought together in this way, oberflach.avi becomes a unique experience.",[11],1.1155,"1999-01-01","xx",{"id":140,"adult":6,"title":141,"video":6,"overview":142,"softcore":6,"genre_ids":143,"popularity":144,"vote_count":8,"poster_path":145,"release_date":146,"vote_average":8,"backdrop_path":26,"original_title":141,"original_language":57},1626580,"shadow pups 1 & 2","In the middle of the night, a sleepless subject rediscovers the ability to use their hands to produce and play with shadows on the ceiling.",[11],0.9767,"\u002FrqGluOePMWoXKddsDJELBb5ahzT.jpg","2026-01-30",{"id":148,"adult":6,"title":149,"video":6,"overview":150,"softcore":6,"genre_ids":151,"popularity":153,"vote_count":8,"poster_path":154,"release_date":155,"vote_average":8,"backdrop_path":156,"original_title":149,"original_language":57},1625936,"The Fly of Theseus","If the fly eats the flower, does the fly become the flower?",[11,152],27,1.3282,"\u002F7hJ2Ziknn7oTyRPhA23UylGiDeM.jpg","2026-01-24","\u002FFaR580iYAJBitTiep9snIY3ThO.jpg",{"id":158,"adult":6,"title":159,"video":6,"overview":160,"softcore":6,"genre_ids":161,"popularity":162,"vote_count":8,"poster_path":163,"release_date":164,"vote_average":8,"backdrop_path":26,"original_title":159,"original_language":165},1446468,"Deshilando Luz","A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? 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Compiled entirely from questions posed by journalists at U.S. State Department press briefings between October 3, 2023, and the end of the Biden administration, the work removes the officials’ answers, leaving only the unresolved demands for clarity and accountability.",[11],0.5759,"\u002F2N5DFKd1vm2bWjlfcEuzDDv4GTI.jpg","2025-04-04","\u002FxaTzLZUdKGkD8b0f3qriJoYjcUA.jpg",{"id":184,"adult":6,"title":185,"video":6,"overview":186,"softcore":6,"genre_ids":187,"popularity":188,"vote_count":8,"poster_path":189,"release_date":190,"vote_average":8,"backdrop_path":191,"original_title":185,"original_language":57},1227840,"Afloat","'Afloat' is an experimental film that paints a portrait of Japanese performance artist: Ayumi Lanoire.  The film opens as a telephone call between Ayumi and Person X, which meanders the audience through the various layers that make up her personas leading one to wonder whether she is in fact a myth or reality.",[11,89],0.9311,"\u002Fxbh6EpduwD1lS20gBCdZmMNh5qh.jpg","2017-11-16","\u002F63w4BjevXRXlq1QHOqdAxsLS1Jw.jpg",{"id":193,"adult":6,"title":194,"video":6,"overview":195,"softcore":6,"genre_ids":196,"popularity":197,"vote_count":8,"poster_path":26,"release_date":198,"vote_average":8,"backdrop_path":26,"original_title":194,"original_language":57},1046662,"Consequences of Man","Human hands can be both destructive and healing, Jeffrie Po suggests in his experimental film with spiritual outreach. He portrays a human being as a faun who roams the jungle dauntlessly, yet is destructive. 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Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.",[11],3.8054,147,"\u002FmqTFhLpdyMNLBvmN5KFhCOFWWIp.jpg","2008-12-17",7.7,"\u002Fz9S7Z0NDbXcqhDCoPMv6ixeXZ6V.jpg","Les Plages d'Agnès","fr",{"id":223,"adult":6,"title":224,"video":6,"overview":225,"softcore":6,"genre_ids":226,"popularity":227,"vote_count":8,"poster_path":228,"release_date":229,"vote_average":8,"backdrop_path":26,"original_title":224,"original_language":57},1432970,"Outtakes from Jo","Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.",[11],0.4753,"\u002F6pFT7qg9RUYAdgphRbmIEk78wZn.jpg","2025-02-11",1001,20001,"A camera rotates around the same four towers. Seasons, weather conditions and the positions of the camera change over the course of the film. 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