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Among them the filmmakers find two citizens, both immigrants, who take us on their personal journey through history.",[11],0.1429,"\u002F37rIE0pP8QWK6S1cIMNdWiGmRK0.jpg","2014-07-01","\u002Fi1HtvSar1fe1s6wBVqzZ2TxdiEy.jpg",{"id":129,"adult":6,"title":130,"video":6,"overview":131,"softcore":6,"genre_ids":132,"popularity":133,"vote_count":21,"poster_path":134,"release_date":135,"vote_average":21,"backdrop_path":35,"original_title":130,"original_language":77},261614,"John Ford & Monument Valley","John Wayne, Henry Fonda and James Stewart discuss working with John Ford",[11],0.2484,"\u002FaNljkM3sw1Bb66bx6C5S0eIkyql.jpg","2013-03-05",{"id":137,"adult":6,"title":138,"video":6,"overview":139,"softcore":6,"genre_ids":140,"popularity":142,"vote_count":143,"poster_path":144,"release_date":145,"vote_average":146,"backdrop_path":35,"original_title":138,"original_language":77},261855,"1971","Forty years before WikiLeaks and the NSA scandal, there was Media, Pennsylvania. In 1971, eight activists plotted an intricate break-in to the local FBI offices to leak stolen documents and expose the illegal surveillance of ordinary Americans in an era of anti-war activism. In this riveting heist story, the perpetrators reveal themselves for the first time, reflecting on their actions and raising broader questions surrounding security leaks in activism today.",[11,141],36,0.4355,14,"\u002F6RWzv3F3YUNS4lPlZEPm2BAN2re.jpg","2014-04-18",6.7,{"id":148,"adult":6,"title":149,"video":6,"overview":150,"softcore":6,"genre_ids":151,"popularity":152,"vote_count":8,"poster_path":35,"release_date":153,"vote_average":8,"backdrop_path":35,"original_title":149,"original_language":77},436572,"Habibi","Filmed in New York in the summer of 2006: a march across the Brooklyn Bridge in support of the Palestinian and Lebanese populations. 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Crimes of Honour documents the terrible reality of femicide – the belief that a girl’s body is the property of the family, and any suggestion of sexual impropriety must be cleansed with her blood.  We meet women in hiding from their families, a brother who describes his reasons for killing the sister he loved, and a handful of women who have committed themselves to the protection of young women in danger of losing their lives.",[11],0.2474,3,"1999-12-31",6.833,{"id":223,"adult":6,"title":224,"video":6,"overview":225,"softcore":6,"genre_ids":226,"popularity":227,"vote_count":219,"poster_path":228,"release_date":229,"vote_average":230,"backdrop_path":231,"original_title":224,"original_language":77},437735,"Ottoman Empire: The War Machine","This History Channel documentary traces the Ottoman Empire from its beginnings in the 14th century to its incarnation as one of the largest empires in history, spanning three continents.",[11],0.1744,"\u002FyMVGP1a7H6T6fyU261NV5PZ9wr2.jpg","2006-08-26",8,"\u002FaoArpZYTofMOWgePWkiV6x5wotz.jpg",{"id":233,"adult":6,"title":234,"video":6,"overview":235,"softcore":6,"genre_ids":236,"popularity":237,"vote_count":8,"poster_path":238,"release_date":239,"vote_average":8,"backdrop_path":240,"original_title":234,"original_language":77},1527958,"Light Upon Light: A Documentary On Hijab","Light Upon Light: A Documentary on Hijab is an intimate and deeply personal exploration of the diverse, raw, and untold stories of hijabi women. Through open and vulnerable conversations with 7 women, the film dismantles stereotypes, highlights the challenges imposed by society, and celebrates the profound beauty of the hijab beyond a mere clothing choice. It captures the individuality of each woman’s story—how they came to wear the hijab, the struggles they’ve faced, and the strength they’ve found in it. More than just fabric, the hijab is a journey, often misunderstood, and influenced by the way the world perceives it. By amplifying voices that are often unheard, the documentary creates a space for empathy, challenges misconceptions, and invites a deeper understanding of what it truly means to wear the hijab; inspiring everyone to see hijab in a new light.",[11],0.1867,"\u002F4Ykxp4nSsWMEwrQRE3cE14FrrEO.jpg","2025-03-02","\u002FupEvEPrAIX0Xyp6tUnGfRg6u4Ho.jpg",{"id":242,"adult":6,"title":243,"video":6,"overview":244,"softcore":6,"genre_ids":245,"popularity":246,"vote_count":8,"poster_path":35,"release_date":247,"vote_average":8,"backdrop_path":35,"original_title":243,"original_language":77},1356491,"Apache","Short about the daily life of the Apaches, including their ceremonies.",[11],0.1326,"1953-01-01",{"id":249,"adult":6,"title":250,"video":6,"overview":251,"softcore":6,"genre_ids":252,"popularity":253,"vote_count":254,"poster_path":255,"release_date":256,"vote_average":92,"backdrop_path":35,"original_title":250,"original_language":77},263113,"10 + 4 (Dah be alaveh chahar)","After casting painter and video artist Mania Akbari as the central figure of his groundbreaking Ten (2002), and then witnessing her outstanding debut as a feature film director in 20 Fingers (2004), Abbas Kiarostami urged her to direct a sequel to the film. In Dah be alaveh Chahar (10 + 4), though, circumstances are different: Mania is fighting cancer. She has undergone surgery; she has lost her hair following chemotherapy and no longer wears the compulsory headscarf; and sometimes she is too weak to drive. So the camera follows her to record conversations with friends and family in different spaces, from the gondola she had famously used in her first feature to a hospital bed.",[11],0.1342,2,"\u002FfzVLa6pA6V8vlCJWArgupfVL1Ms.jpg","2007-07-08",11978,239548,"https:\u002F\u002Fcineclub.sahiavintage.ro\u002Ffilm\u002Ffemeile-zilelor-noastre\u002F","Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.",0.203,"\u002Fm9G7lWOfiqQM5LRH2XlaCvtrho5.jpg","1958-01-01",[265],"RO","Femeile zilelor noastre",{"results":268},{},[270],{"name":271,"iso_639_1":272,"english_name":273},"Română","ro","Romanian",[275],{"id":276,"name":277,"logo_path":35,"origin_country":99},155806,"Studioul \"Alexandru Sahia\"",[279],{"name":280,"iso_3166_1":265},"Romania",45,"A documentary story that tends to land well.",[]]