[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1223789-en-US":3},{"detail":4,"match":224,"insight":225,"providers":226,"providerLink":6,"trailer":6},{"adult":5,"backdrop_path":6,"belongs_to_collection":6,"budget":7,"genres":8,"homepage":12,"id":13,"imdb_id":6,"origin_country":14,"original_language":16,"original_title":17,"overview":18,"popularity":19,"poster_path":20,"production_companies":21,"production_countries":22,"release_date":25,"revenue":7,"runtime":26,"softcore":5,"spoken_languages":27,"status":28,"tagline":12,"title":29,"video":5,"vote_average":7,"vote_count":7,"credits":30,"similar":40,"watch\u002Fproviders":220,"videos":222},false,null,0,[9],{"id":10,"name":11},16,"Animation","",1223789,[15],"FR","fr","Plasformes","\"Plasforms\" is above all a visual composition, the relevance of the camera's absence, continuing in its time the plastic tradition of seeing. It is the exposure of the digital medium itself, a choreography of ghost images mechanically imitating the artificiality of a process.",0.9654,"\u002F82LMHnHLkJ0MJKJIU6GGzBesmGj.jpg",[],[23],{"iso_3166_1":15,"name":24},"France","2023-11-03",5,[],"Released","Plasforms",{"cast":31,"crew":32},[],[33],{"adult":5,"gender":7,"id":34,"known_for_department":35,"name":36,"original_name":36,"popularity":37,"profile_path":6,"credit_id":38,"department":35,"job":39},4453075,"Directing","Valentin Sismann",0.4513,"658e336e64f71623493f63d4","Director",{"page":41,"results":42,"total_pages":218,"total_results":219},1,[43,52,64,73,83,91,97,103,111,119,128,137,146,155,163,176,184,192,200,212],{"adult":5,"backdrop_path":6,"genre_ids":44,"id":45,"title":46,"original_language":47,"original_title":46,"overview":48,"popularity":49,"poster_path":50,"release_date":51,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1229308,"Optimizer Customizer","en","A feminine machine, stuffed with modern nano-technology and useless operations is depicted in this mixed-media 2D animation short, highlighting the consequences of consumerism and the downfall of civilized society. The machine reminiscent of a two-dimensional video game, leads to a destructive chain reaction after a strange malfunction, with people turning into clones and robots.",0.4824,"\u002FnQgsNSHfYNA5PquDHXPRZvjtvyn.jpg","2002-01-01",{"adult":5,"backdrop_path":53,"genre_ids":54,"id":56,"title":57,"original_language":58,"original_title":57,"overview":59,"popularity":60,"poster_path":61,"release_date":62,"softcore":5,"video":5,"vote_average":63,"vote_count":41},"\u002FbRB63YkmkydyGFeeB4LJsX5yt7Z.jpg",[10,55],99,848684,"Frammenti di una Festa Furiosa","it","Furio’s Furious Fragments & Friends - Furio Jesi (1941 Turin -1980 Genoa), enfant prodige moving between a plethora of disciplines – egyptology, history of religions, German philology, literary criticism - passed away prematurely, not without leaving bright fragments which throw light on mechanisms beneath many socio-cultural practices, for instance regarding cultural belonging, the functions of myth in modern society. He saw kind of “mythological machines” at work underneath our cultural production of meanings, historically determined, departing from a void, something that is still in culture but as residue, a missing link to an alleged authentic experience nowadays compromised up to the point to became just rhetoric, a byword, which is in no way neutral, but a tool, a macchina, for maintaining the status quo and serving the power apparatus. As in the case of holidays, celebrations and festivals.",0.5102,"\u002F91GA4RzhOOjODSmpx7vv4gBKUwn.jpg","2021-02-08",10,{"adult":5,"backdrop_path":6,"genre_ids":65,"id":67,"title":68,"original_language":47,"original_title":68,"overview":69,"popularity":70,"poster_path":71,"release_date":72,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10,66],27,1238689,"Ego In","Video art body horror short film.",1.1114,"\u002F636ectyUvF8vQV91oGJeO2KpWgS.jpg","1988-01-01",{"adult":5,"backdrop_path":6,"genre_ids":74,"id":76,"title":77,"original_language":47,"original_title":77,"overview":78,"popularity":79,"poster_path":80,"release_date":81,"softcore":5,"video":5,"vote_average":82,"vote_count":41},[10,75],10402,483268,"9\u002F11 Simulation in Roblox Environment","CGI collage short film originally premiered as part of the 'Extinction Renaissance' exhibition at the Loyal Gallery in Stockholm.",0.7008,"\u002FzpVBm2cDy5ORordm6sTzeQa5RGM.jpg","2017-07-20",7,{"adult":5,"backdrop_path":6,"genre_ids":84,"id":85,"title":86,"original_language":47,"original_title":86,"overview":87,"popularity":88,"poster_path":89,"release_date":90,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1030104,"Nix","American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.",1.876,"\u002FzPRMSWYxV3pz2ZEiMYv6eBOalNz.jpg","2013-02-26",{"adult":5,"backdrop_path":6,"genre_ids":92,"id":93,"title":94,"original_language":47,"original_title":94,"overview":87,"popularity":95,"poster_path":96,"release_date":90,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1030105,"Hydra",1.448,"\u002FdL8Wn2ux4NmQkZFxD4iRhsvEYP1.jpg",{"adult":5,"backdrop_path":6,"genre_ids":98,"id":99,"title":100,"original_language":47,"original_title":100,"overview":87,"popularity":101,"poster_path":102,"release_date":90,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1030108,"Charon",1.8824,"\u002FkJ1R80Tgegd27alQ2RIbQ4JzXiz.jpg",{"adult":5,"backdrop_path":6,"genre_ids":104,"id":105,"title":106,"original_language":47,"original_title":106,"overview":107,"popularity":108,"poster_path":109,"release_date":110,"softcore":5,"video":5,"vote_average":82,"vote_count":41},[10],638984,"Luminare","Abstract video art by John Sanborn and Dean Winkler. Dedicated to Ed Emshwiller.",1.5655,"\u002FcGSlzAUtqE2RAOlEqCVmFM1jlBa.jpg","1986-05-02",{"adult":5,"backdrop_path":6,"genre_ids":112,"id":113,"title":114,"original_language":47,"original_title":114,"overview":115,"popularity":116,"poster_path":117,"release_date":118,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1221883,"NLOOPS","Video art by Vibeke Sorensen made at Calarts in 1989",0.6793,"\u002FtHqWSU0EQsktFRK3Pu53C1GF3lU.jpg","1989-01-01",{"adult":5,"backdrop_path":120,"genre_ids":121,"id":122,"title":123,"original_language":47,"original_title":123,"overview":124,"popularity":125,"poster_path":126,"release_date":127,"softcore":5,"video":5,"vote_average":63,"vote_count":41},"\u002F4FXYRL7lfwLz9tmaZJQOBhZdXkR.jpg",[10],466807,"Rectangle & Rectangles","This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.",0.4861,"\u002FwUcyK8b8n2MjfRFHj3L8lz6gPD.jpg","1984-01-01",{"adult":5,"backdrop_path":6,"genre_ids":129,"id":130,"title":131,"original_language":132,"original_title":131,"overview":133,"popularity":134,"poster_path":135,"release_date":136,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10,75],1210819,"REYNIVELLIR","es","Reynivellir is a representation of the transit that is generated when approaching the art work, described with visual games that can well be evoked by the same brain when witnessing the impossible figures of Jose María Yturralde. Reynivellir is also a beach in a country that is a musical sonnet, and this is so because the mental image does not always connect the articulated parts of a sensation, it is systematic, but aleatory, and it is from these notions of the field of observation, that it approaches and moves away from understanding, linking and unlinking forms, movements, sounds, sensations and knowledge.",0.4422,"\u002FcG32d0kV66zO2Ao1y0oUlwndd00.jpg","2023-11-20",{"adult":5,"backdrop_path":138,"genre_ids":139,"id":140,"title":141,"original_language":47,"original_title":141,"overview":142,"popularity":143,"poster_path":144,"release_date":145,"softcore":5,"video":5,"vote_average":63,"vote_count":41},"\u002Fjr2nMX8YGXCUJ6RHBCp4pUw4tKU.jpg",[10],825211,"Speed","SPEED is the result of an artificial intelligence transforming bin footage into something beautiful in order to free the planet from pixel pollution.  By video recycling trash shots into video art using the latest algorithm technology, visual art may help to understand our limited resources on earth and how to use them in a respectful manner. Every day we produce millions of clips sharing them on social media without even noticing anymore how much pixel garbage we create. At the same time, we produce every day millions of tons of plastic waste, polluting our environment without even noticing it anymore. SPEED wants to be a symbol of change as we are running out of time.",0.4646,"\u002F62KblL5WZGm9JLiae9TXT1iyd96.jpg","2020-08-28",{"adult":5,"backdrop_path":147,"genre_ids":148,"id":149,"title":150,"original_language":47,"original_title":150,"overview":151,"popularity":152,"poster_path":153,"release_date":154,"softcore":5,"video":5,"vote_average":63,"vote_count":41},"\u002FsXZyOSczqN46t7Dn5Q5tg1vUWVm.jpg",[55,10],825215,"Super Vario Birds","Bits and blocks are the home of the Super Vario Birds who are dancing to the 8bit symphony of Ludwig van Beethoven.",0.4606,"\u002FqoUyHfqP85bxIqOUd7ZOrYE77KF.jpg","2019-08-27",{"adult":5,"backdrop_path":6,"genre_ids":156,"id":157,"title":158,"original_language":47,"original_title":158,"overview":159,"popularity":160,"poster_path":161,"release_date":162,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1222010,"Chirp-1 Quantel","Abstract video art created in 1979. Video and audio by Dean Winkler, Glenn Van Alstyne, Tom Lucke, Elaine Lewis, and Brian Aitchison.  Chirp-1 \u002F Quantel was created in two separate effects passes: At the RPI Video Synthesizer Lab an old porno tape (on stock that was donated to us) was processed using an analog Serge modular music synthesizer to sequence the sounds and control the colorization of an analog Hern video synthesizer. The sounds are also inserted into the video, which are the stripes you see, changing with frequency. The tape from the first pass was taken to EUE Video and used to seed an analog feedback loop around a Quantel 5000 digital effects device.",0.4433,"\u002Ff7Q6GbHYw60ytAqpmqbVr4PNXTl.jpg","1979-05-06",{"adult":5,"backdrop_path":164,"genre_ids":165,"id":166,"title":167,"original_language":168,"original_title":169,"overview":170,"popularity":171,"poster_path":172,"release_date":173,"softcore":5,"video":5,"vote_average":174,"vote_count":175},"\u002F1ffcLZHZZEwXecPvq4F9UgZtzj3.jpg",[10],277305,"Enigma: Nazo","ja","Enigma (謎)","Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.",1.139,"\u002FpdSiALlK5HL6AVseKUxGJrZ4tm7.jpg","1978-07-12",6.5,4,{"adult":5,"backdrop_path":6,"genre_ids":177,"id":178,"title":179,"original_language":47,"original_title":179,"overview":180,"popularity":181,"poster_path":182,"release_date":183,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[55,75,10],1237006,"The Statue of Giordano Bruno","This film was made out of the capture of a live animation performance presented in Rome in January 2005 by Pierre Hébert and the musician Bob Ostertag. It is based on live action shooting done that same afternoon on the Campo dei Fiori where the philosopher Giordano Bruno was burned by the Inquisition in 1600. A commemorative statue was erected in the 19th century, that somberly dominate the market held everyday on the piazza. The film is about the resurgence of the past in this place where normal daily activities go on imperturbably. The capture of the performance was reworked, shortened and complemented with more studio performances.",0.8455,"\u002Fc9wd6H6tedXIbttQJ8G6Ayp1zvh.jpg","2005-01-01",{"adult":5,"backdrop_path":6,"genre_ids":185,"id":186,"title":187,"original_language":47,"original_title":187,"overview":188,"popularity":189,"poster_path":190,"release_date":191,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],865210,"Expansion","Experimental animation by Nicholas Nedelkopoulos",0.5258,"\u002FnfvigklpDh7yo3upCCNEunSA5q1.jpg","2018-05-12",{"adult":5,"backdrop_path":6,"genre_ids":193,"id":194,"title":195,"original_language":47,"original_title":195,"overview":196,"popularity":197,"poster_path":198,"release_date":199,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],674340,"Arbitrary Logic","Arbitrary Logic, an interactive audio-visual synthesiser was first presented under the working title Osnabruk at the Osnabruk festival of 1987 and later as part of an improvised and computer music performance with Keith Rowe at the London Filmmakers Cooperative, December 1989.",1.0255,"\u002FocB17tDYX9mL6MlzqmiEGM26wQZ.jpg","1987-01-01",{"adult":5,"backdrop_path":201,"genre_ids":202,"id":205,"title":206,"original_language":47,"original_title":206,"overview":207,"popularity":208,"poster_path":209,"release_date":210,"softcore":5,"video":211,"vote_average":7,"vote_count":7},"\u002Fe49Yp0IlQ8nl3E4z14Rmc5DXGAc.jpg",[203,10,204],53,9648,1255216,"FOREIGN AFFAIRS","Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the metropolis. Audibly and visually, the viewer is put in a flicker between serenity and intensity; harrowing ambience cut with sharp beeps, vulnerable steps mashed in high velocity.",0.6185,"\u002Fs9YUS3WotF20cyKukBSF8w5KsfB.jpg","2024-03-05",true,{"adult":5,"backdrop_path":6,"genre_ids":213,"id":214,"title":215,"original_language":47,"original_title":215,"overview":216,"popularity":217,"poster_path":6,"release_date":118,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1076811,"Continuum: 1. Initiation","Part one of the two part abstract video art-piece, with music composed by Philip Glass and performed by the Kronos String Quartet.",0.7419,1001,20001,{"results":221},{},{"results":223},[],45,"A animation story that tends to land well.",[]]