[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1226582-en-US":3},{"detail":4,"match":246,"insight":247,"providers":248,"providerLink":27,"trailer":27},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":27,"revenue":8,"runtime":23,"similar":40,"tagline":105,"homepage":105,"overview":229,"softcore":6,"popularity":230,"vote_count":8,"poster_path":27,"release_date":231,"vote_average":8,"backdrop_path":27,"origin_country":232,"original_title":7,"watch\u002Fproviders":234,"spoken_languages":236,"original_language":55,"production_companies":239,"production_countries":243,"belongs_to_collection":27},1226582,false,"Dark Blue Sky",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19,28,32,36],{"id":20,"job":21,"name":22,"adult":6,"gender":23,"credit_id":24,"department":25,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},2178865,"Director","Cristobal Martinez",2,"65977348d7a70a12ff69ad5e","Directing",0.25,null,{"id":20,"job":29,"name":22,"adult":6,"gender":23,"credit_id":30,"department":31,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},"Producer","65977377ef9d726a1f12b82d","Production",{"id":20,"job":33,"name":22,"adult":6,"gender":23,"credit_id":34,"department":35,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},"Writer","659773abfad8e91722c2af3c","Writing",{"id":20,"job":37,"name":22,"adult":6,"gender":23,"credit_id":38,"department":39,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},"Editor","659773e4ea37e007534cd9f1","Editing",{"page":41,"results":42,"total_pages":227,"total_results":228},1,[43,56,67,77,86,94,102,112,119,127,137,146,154,162,172,182,190,200,210,218],{"id":44,"adult":6,"title":45,"video":6,"overview":46,"softcore":6,"genre_ids":47,"popularity":52,"vote_count":8,"poster_path":53,"release_date":54,"vote_average":8,"backdrop_path":27,"original_title":45,"original_language":55},644758,"FUCK TV","After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.",[48,49,50,11,51],10402,10752,14,36,1.3089,"\u002FjYt6l9hGmZlAWFYoeC9GT5JdWmU.jpg","2019-08-09","en",{"id":57,"adult":6,"title":58,"video":6,"overview":59,"softcore":6,"genre_ids":60,"popularity":62,"vote_count":41,"poster_path":63,"release_date":64,"vote_average":65,"backdrop_path":66,"original_title":58,"original_language":55},825215,"Super Vario Birds","Bits and blocks are the home of the Super Vario Birds who are dancing to the 8bit symphony of Ludwig van Beethoven.",[11,61],16,0.4418,"\u002FqoUyHfqP85bxIqOUd7ZOrYE77KF.jpg","2019-08-27",10,"\u002FsXZyOSczqN46t7Dn5Q5tg1vUWVm.jpg",{"id":68,"adult":6,"title":69,"video":6,"overview":70,"softcore":6,"genre_ids":71,"popularity":72,"vote_count":41,"poster_path":73,"release_date":74,"vote_average":65,"backdrop_path":75,"original_title":69,"original_language":76},825219,"Super Sauber","A dream where obsession for German as a second language mixes up with an obsession for neatness and cleanliness as a distinctive feature of the national culture in question seen from the perspective of a foreigner. The dream is not a nightmare only because the set it is dreamt into is the seashore of the mare nostrum, where the dreaming subject is perfectly at home. A homeland which she, in turn, in her more secret thus naïf dreams would dream of being cleaner and tidier as in the reality, especially in front of such beauty of nature. 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The film shifts from heavy turbulence to suspended repetition—not as a path to completion, but as a study of the loop itself. Featuring a layered soundscape, the work asks the viewer to stare into the rotation until the noise becomes a mantra.",[11,51],0.5357,"\u002F9oYNYqUoSFRqc1o2AWaNLJOM6kp.jpg","2025-12-13",{"id":95,"adult":6,"title":96,"video":6,"overview":97,"softcore":6,"genre_ids":98,"popularity":99,"vote_count":8,"poster_path":100,"release_date":101,"vote_average":8,"backdrop_path":27,"original_title":96,"original_language":55},451649,"Untitled #29.95","Originally produced anonymously and distributed by RTMark, Untitled #29.95 tells the story of the commercial art establishment's attempt to turn video art into a precious commodified object through the release of limited editions during the nineties.",[11],0.5127,"\u002FtHSdJEklTN3LksMRRn2UNEYdPEf.jpg","1999-01-01",{"id":103,"adult":6,"title":104,"video":6,"overview":105,"softcore":6,"genre_ids":106,"popularity":107,"vote_count":8,"poster_path":108,"release_date":109,"vote_average":8,"backdrop_path":110,"original_title":104,"original_language":111},646658,"El siglo de las luces","",[11],1.1675,"\u002FqUFJr9ZfplLGNxbaSIJIPyhqlQ6.jpg","2017-12-01","\u002FxfE9GQFKx7STyeUGuUWK25fs3a.jpg","es",{"id":113,"adult":6,"title":114,"video":6,"overview":115,"softcore":6,"genre_ids":116,"popularity":117,"vote_count":8,"poster_path":118,"release_date":105,"vote_average":8,"backdrop_path":27,"original_title":114,"original_language":55},1241956,"It Was A Beautiful Day","A group of hometown friends come together after the loss of a loved one.",[11,51],0.7828,"\u002FdfFoVppJlu1ZVNSiy7LdDHzjmsv.jpg",{"id":120,"adult":6,"title":121,"video":6,"overview":122,"softcore":6,"genre_ids":123,"popularity":124,"vote_count":8,"poster_path":125,"release_date":126,"vote_average":8,"backdrop_path":27,"original_title":121,"original_language":55},1436284,"Everything is Everything","On the occasion of the Taipei Biennale, Me, my friends and my gallerist went to Taipei city, then found mere materials in daily use which is you can easily find in most of asian city. We were collecting the moment of improvised \"performance\" with those objects to activate possibility of how we could see things differently. Originally made in 2006 for the installation version. And in 2007 I edited it into single channel.",[11],0.4118,"\u002F4daHIfte1MbHoigwc7lHpASArhK.jpg","2007-01-01",{"id":128,"adult":6,"title":129,"video":6,"overview":130,"softcore":6,"genre_ids":131,"popularity":132,"vote_count":41,"poster_path":133,"release_date":134,"vote_average":65,"backdrop_path":135,"original_title":129,"original_language":136},848684,"Frammenti di una Festa Furiosa","Furio’s Furious Fragments & Friends - Furio Jesi (1941 Turin -1980 Genoa), enfant prodige moving between a plethora of disciplines – egyptology, history of religions, German philology, literary criticism - passed away prematurely, not without leaving bright fragments which throw light on mechanisms beneath many socio-cultural practices, for instance regarding cultural belonging, the functions of myth in modern society. He saw kind of “mythological machines” at work underneath our cultural production of meanings, historically determined, departing from a void, something that is still in culture but as residue, a missing link to an alleged authentic experience nowadays compromised up to the point to became just rhetoric, a byword, which is in no way neutral, but a tool, a macchina, for maintaining the status quo and serving the power apparatus. As in the case of holidays, celebrations and festivals.",[61,11],0.5016,"\u002F91GA4RzhOOjODSmpx7vv4gBKUwn.jpg","2021-02-08","\u002FbRB63YkmkydyGFeeB4LJsX5yt7Z.jpg","it",{"id":138,"adult":6,"title":139,"video":6,"overview":140,"softcore":6,"genre_ids":141,"popularity":142,"vote_count":8,"poster_path":143,"release_date":144,"vote_average":8,"backdrop_path":145,"original_title":139,"original_language":55},651330,"Kill Your TV: Jim Moir’s Weird World of Video Art","Jim Moir (aka Vic Reeves) explores Video Art, revealing how different generations ‘hacked’ the tools of television to pioneer new ways of creating art that can be beautiful, bewildering and wildly experimental.",[11],1.1082,"\u002Fv0rca7GMZnorrFolEGmZbtF1pR8.jpg","2019-11-24","\u002FYGJqS9ML1S7MGcG0G7DFJcPaQj.jpg",{"id":147,"adult":6,"title":148,"video":6,"overview":105,"softcore":6,"genre_ids":149,"popularity":151,"vote_count":8,"poster_path":152,"release_date":105,"vote_average":8,"backdrop_path":153,"original_title":148,"original_language":111},1433840,"A lo Mejor Algún Día",[11,150],18,0.5827,"\u002FsIHBCEey7DhHZCHfn2IpHtlFViU.jpg","\u002F8Xch9lItLlEpriTtRjGslV5igJQ.jpg",{"id":155,"adult":6,"title":156,"video":6,"overview":157,"softcore":6,"genre_ids":158,"popularity":159,"vote_count":41,"poster_path":160,"release_date":161,"vote_average":65,"backdrop_path":27,"original_title":156,"original_language":55},650147,"Wintopia","IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard worker and often far from home, visiting festivals around the world. In 2013, he died after a short illness. His daughter Mira was left behind with a whole lot of questions, and a box full of videotapes that Wintonick shot for his Utopia project. She resolved to investigate what sort of film he envisaged, and to complete it for him.",[11],1.0215,"\u002FzmQA1WCUVjvNQ2NEbGq1XTIfstp.jpg","2019-11-23",{"id":163,"adult":6,"title":164,"video":6,"overview":165,"softcore":6,"genre_ids":166,"popularity":167,"vote_count":8,"poster_path":168,"release_date":169,"vote_average":8,"backdrop_path":170,"original_title":164,"original_language":171},650262,"Viva video, video viva","Today, analogue video is attractive primarily thanks to the distinctive aesthetic quality of its pixelated image and raster errors. But for Czech artists who first explored the possibilities offered by video art in the late 1980s, this medium represented a path towards freedom. Through a portrait of her grandfather Radek Pilař, one of the pioneers of Czech video art, the director explores her own legacy of imperative creative fascination. Her film’s main story, i.e., the process of reconstructing the 1989 exhibition Video Day, contrasts this enchantment with life in the final days of the totalitarian regime, which different sharply with the adventures of those who decided to emigrate – whom the filmmaker also visits in order to discover forgotten works, get to know their creators, and re-establish broken ties.",[11],1.1397,"\u002FvjYrQd5yOxyzykvmAVfq1Xz9zYq.jpg","2020-02-13","\u002F6yh5qxZuquoI2gtAseEuDBDuARM.jpg","cs",{"id":173,"adult":6,"title":174,"video":175,"overview":105,"softcore":6,"genre_ids":176,"popularity":178,"vote_count":8,"poster_path":179,"release_date":180,"vote_average":8,"backdrop_path":181,"original_title":174,"original_language":111},650275,"Cóndor",true,[11,177,51,48],10749,1.3426,"\u002FgaQcOdIgfDVV3ogh9ct8ML6cfW6.jpg","2016-11-03","\u002FvQG2k45i3OfyIdijqXE0XXY3FCL.jpg",{"id":183,"adult":6,"title":184,"video":6,"overview":185,"softcore":6,"genre_ids":186,"popularity":187,"vote_count":8,"poster_path":188,"release_date":189,"vote_average":8,"backdrop_path":27,"original_title":184,"original_language":55},674352,"No Ordinary Protest","Ted Hughes's 1993 novel The Iron Woman is the springboard for this multi-media project by Mikhail Karikis. The video section of the installation features seven-year-olds from Mayflower Primary School in East London discussing the novel's environmental themes.",[11],0.7671,"\u002FmXQ54yHLBQCyMXjR1DKL71iWQ4E.jpg","2019-10-25",{"id":191,"adult":6,"title":192,"video":6,"overview":193,"softcore":6,"genre_ids":194,"popularity":195,"vote_count":8,"poster_path":196,"release_date":197,"vote_average":8,"backdrop_path":27,"original_title":198,"original_language":199},313649,"Personal Cuts","Video by Croatian artist Sanja Iveković, a performative stripping of personal identity by the interpolation of excerpts from public service TV shows.",[11],0.425,"\u002FsmueM3xEECofxyC6B3XcktiVN4G.jpg","1982-01-01","Osobni rezovi","sh",{"id":201,"adult":6,"title":202,"video":6,"overview":203,"softcore":6,"genre_ids":204,"popularity":205,"vote_count":206,"poster_path":207,"release_date":208,"vote_average":209,"backdrop_path":27,"original_title":202,"original_language":55},325017,"Measures of Distance","In this video, the artist tries to overcome the effects of distance, and reflects on geography represented in exile due to war, and on the psychological distance represented in each one’s approach to her womanhood. The video beautifully weaves personal images and audio recordings of a very intimate nature, binding the personal with the political.  Reading aloud from letters sent by her mother in Beirut, Hatoum creates a visual montage reflecting her feelings of separation and isolation from her Palestinian family. The personal and political are inextricably bound in a narrative that explores personal and family identity against a backdrop of traumatic social rupture, exile and displacement.",[11],0.6894,6,"\u002Freow44y0aSbQrl8A2kDo6SBNI8q.jpg","1988-01-01",6.7,{"id":211,"adult":6,"title":212,"video":6,"overview":213,"softcore":6,"genre_ids":214,"popularity":215,"vote_count":8,"poster_path":216,"release_date":217,"vote_average":8,"backdrop_path":27,"original_title":212,"original_language":55},332137,"Palisades in Palisades","For this video, Palisades in Palisades, 2014, Rose wanted to expand both her conceptual concerns and her cinematographic repertoire. “I was learning how to make a shot in relation to the content,” she explains, “and how the shots were metaphors for pure sensual material.” The artist accomplished this by using a remote-control camera that could zoom from 200 feet away all the way up to the pores in an individual’s skin. She chose to shoot in New Jersey’s Palisades Interstate Park, a onetime Revolutionary War battleground turned landscaped circuit park that sits atop an ancient cliff.",[51,11],0.4784,"\u002FzX0h1FRF6iNP19Zrr0iU19mtTJD.jpg","2014-03-13",{"id":219,"adult":6,"title":220,"video":6,"overview":221,"softcore":6,"genre_ids":222,"popularity":223,"vote_count":8,"poster_path":27,"release_date":224,"vote_average":8,"backdrop_path":27,"original_title":225,"original_language":226},313901,"Seven Seals","Produced at International Video Colony Ohrid, Macedonia 1989. Screened in retrospective at Alternative Film\u002FVideo Belgrade Festival 2014.",[11],0.4317,"1989-01-01","Седум печати","mk",1001,20001,"A short film that only uses photos and intertitles, this visual scenario depicts the sky as the sun sets. Picture yourself as the sunset leads into night.",0.4396,"2021-06-18",[233],"US",{"results":235},{},[237],{"name":238,"iso_639_1":55,"english_name":238},"English",[240],{"id":241,"name":242,"logo_path":27,"origin_country":105},111527,"Cristobal Martinez Productions",[244],{"name":245,"iso_3166_1":233},"United States of America",45,"A documentary story that tends to land well.",[]]