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By searching trough 80,000 archival documents at the national Archives, they managed to bring light on one of the biggest logistical and political challenges that were faced by organizers during the \"Révolution Tranquille\" in the Québec sixties. 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Many are refused refugee status and are not allowed to study or work normally. Years go by, children are born and Canada becomes home. Then comes 911. Deportations begin.",[11],0.5552,"\u002F4EMpW0azoF1dbMUkYtFP7cbQspL.jpg","2006-11-11","Bledi, mon pays est ici",{"id":120,"adult":6,"title":121,"video":6,"overview":122,"softcore":6,"genre_ids":123,"popularity":124,"vote_count":8,"poster_path":125,"release_date":126,"vote_average":8,"backdrop_path":40,"original_title":121,"original_language":59},1102304,"My Name Is Susan Yee","Young Chinese-Canadian Susan Yee gives a tour of Montreal.",[11],1.1063,"\u002F6wIf1pU3baKL9GiMyvx38GFQXwd.jpg","1975-01-01",{"id":128,"adult":6,"title":129,"video":6,"overview":130,"softcore":6,"genre_ids":131,"popularity":132,"vote_count":30,"poster_path":133,"release_date":134,"vote_average":88,"backdrop_path":40,"original_title":135,"original_language":41},290554,"September Five at Saint-Henri","This short film is a series of vignettes of life in Saint-Henri, a Montreal working-class district, on the first day of school. From dawn to midnight, we take in the neighbourhood’s pulse: a mother fussing over children, a father's enforced idleness, teenage boys clowning, young lovers dallying - the unposed quality of daily life.",[11],0.8633,"\u002Ftwn6aJWl7RO2d3kEd5rgz8E2aAC.jpg","1962-09-05","À Saint-Henri le cinq septembre",{"id":137,"adult":6,"title":138,"video":6,"overview":139,"softcore":6,"genre_ids":140,"popularity":141,"vote_count":30,"poster_path":40,"release_date":142,"vote_average":143,"backdrop_path":40,"original_title":138,"original_language":59},1061654,"The 80 Goes to Sparta","This feature documentary studies the different faces of Montreal’s Greek community in 1969. 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With her restrained approach, the filmmaker hints little by little at a seemingly inevitable transformation, while the relentless onset of gentrification threatens the social fabric of a neighbourhood. 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Continuation of the work released in 2003.",[11,74],1.0976,"\u002FpbbWrSpzull3qz7Lz1JUv7oB0tc.jpg","2024-05-03","\u002F7ny7HES6nEArSxhdrx3zR7g6jRx.jpg","Nos Amours - la saga des Expos de Montréal",{"id":198,"adult":6,"title":199,"video":6,"overview":105,"softcore":6,"genre_ids":200,"popularity":201,"vote_count":30,"poster_path":202,"release_date":203,"vote_average":50,"backdrop_path":40,"original_title":199,"original_language":41},654456,"La langue est donc une histoire d'amour",[11],1.0001,"\u002F7eCxXcVrVsFTSTnccMoelpvQiQV.jpg","2019-10-11",{"id":205,"adult":6,"title":206,"video":6,"overview":207,"softcore":6,"genre_ids":208,"popularity":209,"vote_count":8,"poster_path":210,"release_date":211,"vote_average":8,"backdrop_path":40,"original_title":206,"original_language":41},663264,"Les héritiers","Gilles Groulx's first film shot in 1955 with a camera borrowed from his brother and edited during his spare time when he worked as an editor at the Radio-Canada news service a few years before he joined the NFB. Silent film, presented as its author left it, where the soil and the dialectic of Groulx's work are already there: documentary realism, the social space to be explored, daily life, the relationship between individual and society, social disparities, the consumer society, seduction and happiness.",[11],1.4753,"\u002FAc51dPvaOy9QORGcsX4V9EAAvJr.jpg","1955-01-01",1001,20001,0.8635,[216],"CA",{"results":218},{},[220],{"name":221,"iso_639_1":41,"english_name":222},"Français","French",[224,228],{"id":225,"name":226,"logo_path":227,"origin_country":216},17704,"Peripheria Productions","\u002Fwf9blZfYeKwIWs9Im4V9lfgjLNb.png",{"id":229,"name":230,"logo_path":231,"origin_country":216},10473,"ONF | NFB","\u002FlMUDQZVtg8On4PAW5XFQPaQy6UK.png",[233],{"name":234,"iso_3166_1":216},"Canada",45,"A documentary story that tends to land well.",[]]