[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1238955-en-US":3},{"detail":4,"match":252,"insight":253,"providers":254,"providerLink":32,"trailer":32},{"id":5,"adult":6,"title":7,"video":8,"budget":9,"genres":10,"status":17,"videos":18,"credits":20,"imdb_id":32,"revenue":9,"runtime":33,"similar":34,"tagline":233,"homepage":233,"overview":234,"softcore":6,"popularity":235,"vote_count":9,"poster_path":236,"release_date":237,"vote_average":45,"backdrop_path":32,"origin_country":238,"original_title":7,"watch\u002Fproviders":240,"spoken_languages":242,"original_language":60,"production_companies":245,"production_countries":249,"belongs_to_collection":32},1238955,false,"How To Strip For Your Man by GiO",true,0,[11,14],{"id":12,"name":13},99,"Documentary",{"id":15,"name":16},14,"Fantasy","Released",{"results":19},[],{"cast":21,"crew":31},[22],{"id":23,"name":24,"adult":6,"order":9,"gender":25,"cast_id":25,"character":26,"credit_id":27,"popularity":28,"profile_path":29,"original_name":24,"known_for_department":30},2230614,"Lisa Suarez",1,"GiO","65bafb77d7cd0601485290bf",0.0908,"\u002FqcK3VAHSIppllDTLm4xiz1y9T5P.jpg","Acting",[],null,29,{"page":25,"results":35,"total_pages":231,"total_results":232},[36,48,61,69,78,89,102,111,120,129,137,148,159,168,175,183,192,203,212,222],{"id":37,"adult":6,"title":38,"video":6,"overview":39,"softcore":6,"genre_ids":40,"popularity":41,"vote_count":42,"poster_path":43,"release_date":44,"vote_average":45,"backdrop_path":46,"original_title":38,"original_language":47},263108,"Los posibles","Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. 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Its nature and the relationships it establishes in society are based more on the imposition and use of force than on building consensus, dialogue, and respect for diversity. In that sense, power is a behavior that seeks dominance through force and man as a gender, becomes an instrument of violence that is exercised against the weakest. Extinguishing the socially constructed violence means eliminating the current power and its historical sustenance, questioning the source of origin, religion, ideology, the system and its values. 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Using archival footage of West African dance, expert opinion from dancing and gender studies professors, and the active participation of partygoers in a dance experiment, Watkins will paint the picture of the defiance, autonomy, and ancestral veneration intrinsic to these traditional movement styles.",[12],0.1795,"2025-08-22",{"id":176,"adult":6,"title":177,"video":6,"overview":178,"softcore":6,"genre_ids":179,"popularity":180,"vote_count":9,"poster_path":181,"release_date":182,"vote_average":9,"backdrop_path":32,"original_title":177,"original_language":60},264165,"A Chair Fit for an Angel","For two hundred years, the Shakers have been America's most successful utopian society. While seeking harmony, order and perfection in every aspect of their lives, they built minimalistic furniture and buildings that influenced modern design. The Shakers wrote songs of exquisite beauty and danced to the point of ecstasy during their religious meetings. 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We meet a certain Patrick Edlinger, Patrick Bérhault, but also Jean-Marc Troussier, Jacques Perrier, Stéphane Troussier, Hugues Jaillet, Gilbert Thomann, Odette Schoënleb, Bernard Gorgeon, Christian Guyomar. Thanks to the program Les Carnets de l'aventure, then broadcast on Antenne 2, and its producer Pierre-François Degeorges, this film was made. 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