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The subject was Women’s Liberation, an issue on which Mailer seemed like the devil’s own advocate.",[11],0.4424,13,"\u002F1iZWzL8D1nQc7jThYxkdQ2gKYC9.jpg","1979-04-03",5.846,"\u002FhSHw4aeEqnFjSfGBzTcTDfbEwft.jpg",{"id":228,"adult":6,"title":229,"video":6,"overview":230,"softcore":6,"genre_ids":231,"popularity":232,"vote_count":32,"poster_path":233,"release_date":234,"vote_average":235,"backdrop_path":236,"original_title":237,"original_language":238},1013702,"Bronx, New York, November 2019","",[11],0.1683,"\u002FIIL837p6v9pCU095qHv6tuyksm.jpg","2021-10-21",5,"\u002FrByEUywzDDmUWjBfvkXOzkbLU4b.jpg","Bronx, New York, Novembre 2019","xx",{"id":240,"adult":6,"title":241,"video":6,"overview":242,"softcore":6,"genre_ids":243,"popularity":244,"vote_count":8,"poster_path":245,"release_date":246,"vote_average":8,"backdrop_path":26,"original_title":241,"original_language":73},453188,"I'm Not Racist... Am I?","What if this next generation could transcend racism? 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Margaret Walker’s poem For My People is performed alongside scenes of daily Black life in New York City — children playing, families on stoops, open fire hydrants, and the realities of poverty in 1970s neighborhoods. James Baldwin appears in interview footage, while signs for his play The Amen Corner and stage excerpts from Lorraine Hansberry’s A Raisin in the Sun underscore the powerful presence of Black voices in American theater. 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