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Medahi","65e3b6151ad93b016305df65",0.0979,"tt31540090",125,{"page":25,"results":172,"total_pages":381,"total_results":382},[173,185,194,201,213,224,234,246,254,264,272,283,294,305,315,324,336,349,359,369],{"id":174,"adult":6,"title":175,"video":6,"overview":176,"softcore":6,"genre_ids":177,"popularity":178,"vote_count":25,"poster_path":179,"release_date":180,"vote_average":181,"backdrop_path":182,"original_title":183,"original_language":184},274965,"Wind from the South","Néfissa, a student in Algiers, returns to her village in the south in the summer. Her father wants her to marry the mayor but she wants to continue her studies. Confronting her father and the opinion of the villagers who do not understand her, she decides to flee to Algiers. The shepherd Rabah discovering her wounded and lost in the mountains, has her treated by her mother. In contact with Nefissa, Rabat becomes aware of his exploited condition and discovers the possibilities offered to him by the cooperatives of the agrarian revolution. The two young people will go through the decisive stage together which will allow them to escape obscurantism and exploitation. Based on the novel \"Le vent du sud\" by Abdelhamid Benahouga",[11],3.8958,"\u002FcTU9MKcpDnfFaGX9CXPzLBjC7PI.jpg","1975-01-02",10,"\u002FqShnGUAqunaNMrQQG8m9vlhULVU.jpg","Le Vent du Sud","ar",{"id":186,"adult":6,"title":187,"video":6,"overview":188,"softcore":6,"genre_ids":189,"popularity":190,"vote_count":25,"poster_path":191,"release_date":192,"vote_average":181,"backdrop_path":95,"original_title":187,"original_language":193},1187985,"Ikach","Ikach, is a farce in two acts in popular Arabic, written by André Sarrouy and adapted and directed by himself. A critique of marriage in colonial Algeria at a time when women were little taken into account. Cunning of women and stupidity of husbands, on an original soundtrack composed by Mohamed Iguerbouchène.",[14],1.0918,"\u002F5PsJJtPm02s4Qx4gW4KfVXDwyL0.jpg","1937-01-01","fr",{"id":195,"adult":6,"title":196,"video":6,"overview":51,"softcore":6,"genre_ids":197,"popularity":198,"vote_count":25,"poster_path":199,"release_date":200,"vote_average":181,"backdrop_path":95,"original_title":196,"original_language":193},1187989,"Kaddour à Paris",[11],0.8561,"\u002F2yQh7G7mHC7uHLAUrVcbhmVYldm.jpg","1938-01-01",{"id":202,"adult":6,"title":203,"video":6,"overview":204,"softcore":6,"genre_ids":205,"popularity":208,"vote_count":24,"poster_path":209,"release_date":210,"vote_average":211,"backdrop_path":212,"original_title":203,"original_language":184},274155,"Noua","In Algeria in 1954, in a village in the Aurès region, poverty reigns over peasants enslaved by colonial administrators and Algerian landowners. Noua, in love with the son of a peasant dispossessed of his land, must be sold to a wealthy landowner.",[11,206,207],36,10752,0.6035,"\u002FicvsBh5XmO3uvfYAZkwfV3uPEJ2.jpg","1972-01-02",8.5,"\u002Fd95KMAxEtLTnKr54GT285aXZY5P.jpg",{"id":214,"adult":6,"title":215,"video":6,"overview":216,"softcore":6,"genre_ids":217,"popularity":218,"vote_count":24,"poster_path":219,"release_date":220,"vote_average":221,"backdrop_path":222,"original_title":215,"original_language":223},633297,"A Son of the Sahara","As a boy, Raoul is reared by an Arab tribe in Algerian Sahara. Years later, as a refined Europeanized gentleman, he falls in love with Barbara, an officer's daughter, who rejects him when she discovers his background. Affecting a raid, he captures her and then secretly buys her at a slave auction. When she is rescued by French troops, however, his ancestry is established and they find happiness together.",[41,11],0.4994,"\u002Fye85ySy7r1UhjpiAhJRBJVr396e.jpg","1924-04-13",7.5,"\u002FtkCqS2vjnUZzXEUBeiLpled0PgK.jpg","en",{"id":225,"adult":6,"title":226,"video":6,"overview":227,"softcore":6,"genre_ids":228,"popularity":229,"vote_count":76,"poster_path":230,"release_date":231,"vote_average":232,"backdrop_path":95,"original_title":233,"original_language":193},273437,"Tale of an Encounter","Two deaf and dumb children. She is the daughter of an American Oil engineer. He is the son of an Algerian farmer. They meet and manage to communicate, transcending all the cultural barriers that separate them.",[11],1.1246,"\u002FiBz7m8hJo8zjPRJzeBFVImkIPam.jpg","1985-01-02",6.333,"Histoire d'une Rencontre",{"id":235,"adult":6,"title":236,"video":6,"overview":237,"softcore":6,"genre_ids":238,"popularity":240,"vote_count":66,"poster_path":241,"release_date":242,"vote_average":243,"backdrop_path":244,"original_title":245,"original_language":193},273852,"The Zerda or the Songs of Forgetting","“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.",[11,239],99,0.3663,"\u002FqSganVOBZRTxBMylm4ahR1JxVhW.jpg","1983-02-27",8.1,"\u002FrS4si2yd3olgcOPFhDSdZLYRMEJ.jpg","La Zerda ou les chants de l'oubli",{"id":247,"adult":6,"title":248,"video":6,"overview":249,"softcore":6,"genre_ids":250,"popularity":251,"vote_count":25,"poster_path":252,"release_date":253,"vote_average":181,"backdrop_path":95,"original_title":248,"original_language":184},1201191,"Mimezrane","A legend that begins with the magic words: \"Once upon a time.\" Once upon a time, there was a little girl nicknamed Mimezrane for her beauty and especially for her beautiful braids. She was beautiful but had strangely sad eyes. She was orphaned at a very young age. Her boyfriend and confidant was Hennouche, a mischievous little boy with big black eyes. They lived together a carefree childhood. Time passed. They grew up. Hennouche became a goat herder with a melodious voice; Mimezrane, for her part, became a washerwoman and, on occasion, a water carrier. Both accepted their fate without ever complaining. Yet, even in her poverty, Mimezrane was the most beautiful of all.",[11],0.6629,"\u002FdfNk3mn1KS3UJF0mUE0FCRLEfZ5.jpg","2008-01-01",{"id":255,"adult":6,"title":256,"video":6,"overview":257,"softcore":6,"genre_ids":258,"popularity":260,"vote_count":25,"poster_path":261,"release_date":262,"vote_average":181,"backdrop_path":263,"original_title":256,"original_language":193},644099,"L'Obstacle","Algerian youth of the 1960s, straddling traditional South Mediterranean and Western culture and the desire for emancipation of younger generations to find true love.",[14,259],10749,1.7003,"\u002Fd3F4XjIMzLBkK5ZhYBqMRj6Tg6w.jpg","1965-01-01","\u002Fjab0epiHvQDUKTxMf0s7a0NgDlU.jpg",{"id":265,"adult":6,"title":266,"video":6,"overview":267,"softcore":6,"genre_ids":268,"popularity":269,"vote_count":8,"poster_path":270,"release_date":271,"vote_average":8,"backdrop_path":95,"original_title":266,"original_language":223},643835,"Nejma","Directed by Kamal Dehane",[11],1.1813,"\u002FAkpCstfa5iS8rH6kC38KRwIZsee.jpg","1984-01-01",{"id":273,"adult":6,"title":274,"video":6,"overview":275,"softcore":6,"genre_ids":276,"popularity":278,"vote_count":58,"poster_path":279,"release_date":280,"vote_average":92,"backdrop_path":281,"original_title":282,"original_language":193},283362,"The Outlaws","In prison in colonial Algeria, shortly after the end of the Second World War, three indigenous cellmates make out. Once free, they attack the authority represented by the triad of the boss, the gendarme and the administrator. “Living the colonial condition,” confided Tewfik Farès, “is something! It’s not sociologically or historically speaking. It’s life. And I think that’s all there in it. [...] For a hundred and thirty years, we wait. We hold back. We push back. We hope. At the same time, on different occasions, there are skirmishes, unrest.",[11,277],37,0.4572,"\u002FbG6rzJSsK4mNnz4hBr85QWpKDk.jpg","1969-01-01","\u002FqquykzwkEnLKyjlfFGp81otgZN5.jpg","Les Hors-La-Loi",{"id":284,"adult":6,"title":285,"video":6,"overview":286,"softcore":6,"genre_ids":287,"popularity":288,"vote_count":24,"poster_path":289,"release_date":290,"vote_average":291,"backdrop_path":292,"original_title":293,"original_language":184},282199,"The Charcoal Maker","Film describes the miserable existence of a charcoal-burner who is barely able to feed his family. His search for work in town ends in failure and he is forced to return to his village.",[11],0.8247,"\u002F3JriUfUHerIyC1rXL2koRZWZBEf.jpg","1973-01-02",9.5,"\u002FsVWXMcxxne70ihndJUi0MKWUX4a.jpg","Ah Faham - الفحام",{"id":295,"adult":6,"title":296,"video":6,"overview":297,"softcore":6,"genre_ids":298,"popularity":299,"vote_count":83,"poster_path":300,"release_date":301,"vote_average":302,"backdrop_path":303,"original_title":304,"original_language":193},283013,"Dawn of the Damned","This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.",[239,206,11],0.8474,"\u002FlofBqYj9p4eefPAQlzrQ5d9SgHk.jpg","1965-07-05",7.429,"\u002FuXPBBQlKDXVx8apISYh9KdrTEoa.jpg","L'Aube des Damnés",{"id":306,"adult":6,"title":307,"video":6,"overview":308,"softcore":6,"genre_ids":309,"popularity":310,"vote_count":24,"poster_path":311,"release_date":312,"vote_average":211,"backdrop_path":313,"original_title":314,"original_language":193},291459,"The Law of My Country","Algeria. Benjamin, Kateb and Antoine are three teenagers from three religious backgrounds who never should have met. But they share the same passion for football and the same disregard for the disapproving looks which their unusual friendship draws.",[11],0.5654,"\u002Fq95gkERxlYRYtTJcXwZLzhciOqH.jpg","2012-07-03","\u002FwsIi7JHV9at0pUh57Lxhd81BJQm.jpg","La loi de mon pays",{"id":316,"adult":6,"title":317,"video":6,"overview":318,"softcore":6,"genre_ids":319,"popularity":70,"vote_count":24,"poster_path":320,"release_date":321,"vote_average":76,"backdrop_path":322,"original_title":323,"original_language":184},1217365,"True Chronicles of the Blida Joinville Psychiatric Hospital in the Last Century, when Dr Frantz Fanon Was Head of the Fifth Ward between 1953 and 1956","1953, colonized Algeria.  Fanon, a young black psychiatrist is appointed head doctor at the Blida-Joinville Hospital. He was putting his theories of ‘Institutional Psychotherapy’ into practice in opposition to the racist theories of the Algies School of Psychiatry, while a war broke out in his own wards.",[206,11,239],"\u002F6Kp1WdRURYKWwDNxUkX1BA3GH1Y.jpg","2025-07-23","\u002FengsqGg1S7YFSXnIAl4j0sdzeQJ.jpg","Chroniques fidèles survenues au siècle dernier à l’hôpital psychiatrique Blida-Joinville, au temps où le Docteur Frantz Fanon était chef de la cinquième division entre 1953 et 1956",{"id":325,"adult":6,"title":326,"video":6,"overview":327,"softcore":6,"genre_ids":328,"popularity":330,"vote_count":331,"poster_path":332,"release_date":333,"vote_average":221,"backdrop_path":334,"original_title":335,"original_language":193},31327,"Dark Night, October 17, 1961","Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.",[329,11,206],10770,1.351,11,"\u002FdqnJEjIi0xxIqNLgc5jsMkxu5zY.jpg","2005-06-07","\u002F3dg7YOt1OB0wwEfRBeIPvexe07w.jpg","Nuit Noire, 17 Octobre 1961",{"id":337,"adult":6,"title":338,"video":6,"overview":339,"softcore":6,"genre_ids":340,"popularity":341,"vote_count":342,"poster_path":343,"release_date":344,"vote_average":345,"backdrop_path":346,"original_title":347,"original_language":348},31332,"The Stranger","Meursault is a man who feels utterly isolated from everyone and everything around him. This alienation results in sudden, inexplicable bursts of violence, culminating in murder.",[11],1.4439,95,"\u002Fq4SP2AyOyMAdWZhgWvDLZ9MY680.jpg","1967-10-14",6.8,"\u002F5ekGWawVJRnVzVsOqQMF9UpkZGP.jpg","Lo straniero","it",{"id":350,"adult":6,"title":351,"video":6,"overview":352,"softcore":6,"genre_ids":353,"popularity":354,"vote_count":25,"poster_path":355,"release_date":356,"vote_average":181,"backdrop_path":357,"original_title":358,"original_language":184},285189,"The Mill of M. Fabre","The story of the post-independence nationalization of the mill of Monsieur Fabre, an old man attached to the land of Algeria where he was born. In this small town in eastern Algeria, there was nothing else to nationalize and they were actively preparing for the arrival of high dignitaries who would elevate the mill to the rank of an industrial flour mill even though it was threatened with ruin. The comedy gets worse when the football player from the local team withdraws for love, the officials' visit is canceled and Mr. Fabre returns.",[11,14],0.4012,"\u002F8tmrhzYHIFsZFWrW21YC4H8SYF0.jpg","1983-01-19","\u002FYwsN3Vpqxrr02BeJWAdFGX7eWN.jpg","Le Moulin de Monsieur Fabre",{"id":360,"adult":6,"title":361,"video":6,"overview":362,"softcore":6,"genre_ids":363,"popularity":364,"vote_count":25,"poster_path":365,"release_date":366,"vote_average":181,"backdrop_path":367,"original_title":368,"original_language":193},286129,"The Refusal","In 1971, the Algerian government nationalized hydrocarbons. The consequences of this decision on the community of Algerians in France are numerous. The Galti family is prey to these economic problems. The father, Khaled, former member of the F.L.N. in France, does not escape the sentence. Sharazade, his wife and comrade in combat, finds herself torn between her role as wife, mother and nostalgia for a country and a bygone past. As for his son Karim, a victim of socio-cultural division, all he has left is refusal.",[11],0.5153,"\u002FaJBsjR9FfUgdLadpOCyNYd9cJnM.jpg","1982-01-02","\u002FtsgvUDE0MXyeHKpFVPZONq5OWsV.jpg","الرفض (Al-Raft)",{"id":370,"adult":6,"title":371,"video":6,"overview":372,"softcore":6,"genre_ids":373,"popularity":374,"vote_count":375,"poster_path":376,"release_date":377,"vote_average":378,"backdrop_path":379,"original_title":380,"original_language":184},284542,"Jamila, the Algerian","Djamila, a young Algerian woman living with her brother Hadi and her uncle Mustafa in the Casbah district of Algiers under the French occupation of Algeria, sees the full extent of injustice, tyranny and cruelty on his compatriots by French soldiers. Jamila's nationalist spirit will be strengthened when French forces invade her university to arrest her classmate Amina who commits suicide by ingesting poison. Shortly after the prominent Algerian guerrilla leader Youssef takes refuge with her, she realizes that her uncle Mustafa is part of this network of anti-colonial rebel fighters. Her uncle linked her to the National Liberation Front (FLN). A series of events illustrate Jamila's participation in resistance operations against the occupier before she was finally captured and tortured. Finally, despite the efforts of her French lawyer, Jamila is sentenced to death...",[11,206,207],1.4382,9,"\u002FoRVkcRhyPzYvcdAZVOb1zgyLEDU.jpg","1958-12-09",7.2,"\u002FbwvfwGc1TqEt1jKK5Y4cVWf3Zpy.jpg","جميلة (Djamilah)",22044,440862,"https:\u002F\u002Fwww.jeanpierrelledo.com\u002Fjplvimeo\u002Flempire-des-reves\u002F","A stubborn director who wants to rediscover the Algiers of his childhood comes up against the “Hollywood” fantasies of his characters, non-professionals all hoping to be able to become “someone else”, at least for the duration of a film… Mise en abyme for a journey into megalomania…",0.4444,"\u002Fs06FnzFHIcdavnYuOnGSe48BGF0.jpg","1982-06-05","\u002Fz8le4hgUQAmgGwFbNLuzl5sfQdf.jpg",[390],"DZ","أحلام (Ahlam)",{"results":393},{},[395,398],{"name":396,"iso_639_1":184,"english_name":397},"العربية","Arabic",{"name":399,"iso_639_1":193,"english_name":400},"Français","French",[402],{"id":403,"name":404,"logo_path":405,"origin_country":390},139395,"Office National pour le Commerce et l'Industrie Cinématographique (ONCIC)","\u002F4NXn9zAMa8SH9zZnYPmt6okp6VM.png",[407],{"name":408,"iso_3166_1":390},"Algeria",50,"A drama story that tends to land well.",[]]