[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1247835-en-US":3},{"detail":4,"match":239,"insight":240,"providers":241,"providerLink":26,"trailer":26},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":26,"revenue":8,"runtime":8,"similar":33,"tagline":40,"homepage":40,"overview":40,"softcore":6,"popularity":230,"vote_count":8,"poster_path":26,"release_date":231,"vote_average":8,"backdrop_path":26,"origin_country":232,"original_title":7,"watch\u002Fproviders":234,"spoken_languages":236,"original_language":88,"production_companies":237,"production_countries":238,"belongs_to_collection":26},1247835,false,"MÜ : Architectures protéiformes",0,[10],{"id":11,"name":12},16,"Animation","Released",{"results":15},[],{"cast":17,"crew":18},[],[19,27],{"id":20,"job":21,"name":22,"adult":6,"gender":8,"credit_id":23,"department":24,"popularity":25,"profile_path":26,"original_name":22,"known_for_department":24},4548536,"Director","José Man Lius","65d53be7b04605017b083324","Directing",0.25,null,{"id":28,"job":29,"name":30,"adult":6,"gender":8,"credit_id":31,"department":32,"popularity":25,"profile_path":26,"original_name":30,"known_for_department":32},4548537,"Sound Designer","Gauthier Keyaerts","65d53c0c25cd8501867dbf65","Sound",{"page":34,"results":35,"total_pages":228,"total_results":229},1,[36,46,54,64,72,82,89,101,111,121,131,140,148,156,171,180,188,199,207,216],{"id":37,"adult":6,"title":38,"video":39,"overview":40,"softcore":6,"genre_ids":41,"popularity":42,"vote_count":8,"poster_path":43,"release_date":44,"vote_average":8,"backdrop_path":26,"original_title":38,"original_language":45},1407404,"Smoke",true,"",[11],0.4459,"\u002F5wHnZQhwI5QXGsI9B2MuIGRCfkM.jpg","2021-07-06","en",{"id":47,"adult":6,"title":48,"video":39,"overview":40,"softcore":6,"genre_ids":49,"popularity":50,"vote_count":8,"poster_path":51,"release_date":52,"vote_average":8,"backdrop_path":26,"original_title":48,"original_language":53},1407698,"Experimental Clicks",[11],0.4385,"\u002FnpInwzzZYK92icTmSKNX9CONtgG.jpg","2021-08-14","ru",{"id":55,"adult":6,"title":56,"video":6,"overview":57,"softcore":6,"genre_ids":58,"popularity":60,"vote_count":8,"poster_path":61,"release_date":62,"vote_average":8,"backdrop_path":26,"original_title":56,"original_language":63},1211170,"eksp111000anim111111.mp4","A short experimental film that thematizes dreams and nightmares in a surrealistic way. The basis of the movie is found in the poetry created by the two directors, so the film partly seems like stringed lyrical motifs, open to arbitrary interpretation, giving the impression of poetic images arranged in sequences. Combined techniques were used, so in addition to recording with a camera, pixilation, object animation, collage and liquid animation are featured.",[59,11],27,0.4826,"\u002FgTzY7IJJyBEtZTsfxsaRapYTqpl.jpg","2023-01-01","hr",{"id":65,"adult":6,"title":66,"video":6,"overview":67,"softcore":6,"genre_ids":68,"popularity":69,"vote_count":8,"poster_path":70,"release_date":71,"vote_average":8,"backdrop_path":26,"original_title":66,"original_language":45},455183,"Kitsch in Synch","The animation, music, and optical printing of Kitsch in Synch was produced by Beckett and the students in two classes he was teaching at CalArts. Although a group project, it is clear that Beckett was the director. The playful, catchy soundtrack is used to create a cycle of building tension and release. The brightly colored shapes create approximate symmetrical formations and become more densely layered, with glimpses of iconographic objects and even live footage near the end. Preserved by the Academy Film Archive, in partnership with the iotaCenter, in 2007.",[11],0.7237,"\u002FxtJEqvajspa6KSnYkjWUcYttzes.jpg","1975-01-01",{"id":73,"adult":6,"title":74,"video":6,"overview":75,"softcore":6,"genre_ids":76,"popularity":77,"vote_count":8,"poster_path":78,"release_date":79,"vote_average":8,"backdrop_path":26,"original_title":80,"original_language":81},631607,"Metamorphoses I","For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).",[11],1.2849,"\u002FvxSfWv9ztwXIgWNEMgfF0fWaorR.jpg","1978-11-02","Metamorphosen I","xx",{"id":83,"adult":6,"title":84,"video":6,"overview":40,"softcore":6,"genre_ids":85,"popularity":86,"vote_count":8,"poster_path":26,"release_date":87,"vote_average":8,"backdrop_path":26,"original_title":84,"original_language":88},1590324,"L'Ondomane",[11],0.9938,"1963-08-16","fr",{"id":90,"adult":6,"title":91,"video":6,"overview":92,"softcore":6,"genre_ids":93,"popularity":94,"vote_count":95,"poster_path":96,"release_date":97,"vote_average":98,"backdrop_path":26,"original_title":99,"original_language":100},263616,"Study No. 8","An experimental short from Oskar Fischinger",[11],0.8385,4,"\u002FvcXprtJ4y1EIyGvYP8LuJMy1qcB.jpg","1931-09-01",7.2,"Studie Nr. 8","de",{"id":102,"adult":6,"title":103,"video":6,"overview":104,"softcore":6,"genre_ids":105,"popularity":106,"vote_count":8,"poster_path":107,"release_date":108,"vote_average":8,"backdrop_path":26,"original_title":109,"original_language":110},1223220,"Aesop Takes a Walk","Experimental animation film, with a visual focus on geometrical shapes and straight lines",[11],0.8108,"\u002FdYIhYffqFuDBszhcfwzJNDzGe84.jpg","1967-01-01","Plimbarea lui Esop","ro",{"id":112,"adult":6,"title":113,"video":6,"overview":114,"softcore":6,"genre_ids":115,"popularity":117,"vote_count":8,"poster_path":118,"release_date":119,"vote_average":8,"backdrop_path":120,"original_title":113,"original_language":45},1605562,"8 fps","Pictures taken between France and Mexico running at 8 frames per second.",[116,11],99,1.7175,"\u002F9WFt9IHn8KuFbd5ZlbTjQTvSYSJ.jpg","2025-12-28","\u002FieSmhemROFPtmXkxQgiJtS3VQpu.jpg",{"id":122,"adult":6,"title":123,"video":6,"overview":124,"softcore":6,"genre_ids":125,"popularity":126,"vote_count":8,"poster_path":127,"release_date":128,"vote_average":8,"backdrop_path":26,"original_title":129,"original_language":130},1409019,"Pandemic in Times of Love","A 16mm archive from 1964 intervened as an emotional diary during the first three months of the COVID-19 pandemic is the basis of this film, reinterpreted in the montage of the sound design, in which the images are reinterpreted, emphasizing the soundscape of the protests from 2020 to 2023 in the streets of Cajamarca, Cusco and Lima, three regions of Peru, questioning the constant political and social crisis.",[116,11],0.4325,"\u002FghdxrzYo5SWCT1Xf2ZFy7iZlcQz.jpg","2023-06-07","Pandemia en Tiempos de Amor","es",{"id":132,"adult":6,"title":133,"video":39,"overview":134,"softcore":6,"genre_ids":135,"popularity":136,"vote_count":8,"poster_path":137,"release_date":138,"vote_average":8,"backdrop_path":139,"original_title":133,"original_language":45},1590131,"The Experience of a Rat","This ultra-short, experimental video art piece serves as a stark apparatus for decoding the aggressive rhythm and discontinuous production of contemporary life. The work is built upon a Stop Motion loop composed of just 12 frames, using this brief, intense format as an installation of shock that conveys the systemic pressure of a speed-obsessed society.  The central figure, the rat, is placed to represent the archetypal subject of the urban underclass—the individual whose labor is rendered invisible and who is constantly forced into a struggle for survival. What we observe is not an advancement, but a fruitless scurry trapped in a vicious cycle. As the image repeats, it whispers that what we perceive as progress is, in fact, nothing more than an exhausting, self-referential recurrent routine. Rhythm\u002F12 Frames compels the viewer to question both their own limits of perception and the grim reality of existence reduced to a survival mechanism within the system",[11],0.6,"\u002F9baUhwpw4RfIOCJuAp0g7WAP9yt.jpg","2025-11-12","\u002F2i6taeRoEqw4CS4qwUO0cTeI3VP.jpg",{"id":141,"adult":6,"title":142,"video":6,"overview":143,"softcore":6,"genre_ids":144,"popularity":145,"vote_count":8,"poster_path":146,"release_date":147,"vote_average":8,"backdrop_path":26,"original_title":142,"original_language":45},631312,"ACT III","Abstract video art set to the music of Philip Glass.",[11],1.1814,"\u002FlwN3o35WL0Aq6O9RjQIWEm1sM65.jpg","1983-06-20",{"id":149,"adult":6,"title":150,"video":6,"overview":151,"softcore":6,"genre_ids":152,"popularity":153,"vote_count":8,"poster_path":154,"release_date":155,"vote_average":8,"backdrop_path":26,"original_title":150,"original_language":45},631315,"Voyage","An NTSC space opera.",[11],0.8158,"\u002F63ERmbz0q3yMYmJTLJjXKnOO4c5.jpg","1981-01-12",{"id":157,"adult":6,"title":158,"video":6,"overview":159,"softcore":6,"genre_ids":160,"popularity":163,"vote_count":164,"poster_path":165,"release_date":166,"vote_average":167,"backdrop_path":168,"original_title":169,"original_language":170},9323,"Ghost in the Shell","In the year 2029, the barriers of our world have been broken down by the net and by cybernetics, but this brings new vulnerability to humans in the form of brain-hacking. When a highly-wanted hacker known as 'The Puppetmaster' begins involving them in politics, Section 9, a group of cybernetically enhanced cops, are called in to investigate and stop the Puppetmaster.",[161,11,162],28,878,18.9599,4084,"\u002F9gC88zYUBARRSThcG93MvW14sqx.jpg","1995-11-18",7.9,"\u002FjIpagj2Dud9g3ZVJFvaWikEWsYz.jpg","GHOST IN THE SHELL \u002F 攻殻機動隊","ja",{"id":172,"adult":6,"title":173,"video":6,"overview":174,"softcore":6,"genre_ids":175,"popularity":176,"vote_count":8,"poster_path":177,"release_date":178,"vote_average":8,"backdrop_path":179,"original_title":173,"original_language":45},1027121,"Revelation To The Disembodied","Fragments of a collective post-human dream construct a world that straddles hyper-technological, ecological, and mythological dimensions.",[11,162],0.708,"\u002FeK4sUIrPVn4MTBz6Rm3EXDouDlx.jpg","2022-11-19","\u002F78NwnTZqP5NOM6AVuDJdtcjiXsp.jpg",{"id":181,"adult":6,"title":182,"video":6,"overview":183,"softcore":6,"genre_ids":184,"popularity":185,"vote_count":8,"poster_path":186,"release_date":187,"vote_average":8,"backdrop_path":26,"original_title":182,"original_language":45},1221883,"NLOOPS","Video art by Vibeke Sorensen made at Calarts in 1989",[11],0.8174,"\u002FtHqWSU0EQsktFRK3Pu53C1GF3lU.jpg","1989-01-01",{"id":189,"adult":6,"title":190,"video":6,"overview":191,"softcore":6,"genre_ids":192,"popularity":195,"vote_count":8,"poster_path":196,"release_date":40,"vote_average":8,"backdrop_path":197,"original_title":198,"original_language":170},641613,"I Fall in Love With You Through a Robot","Set in the year 2060, it follows a love story as Tokyo's third Olympics draws near. Takeru Oosawa, who works for the AI Robot Technology Research Lab, is chosen as a member of the national secret project using humanoid robots. With the help of childhood friend and co-worker Youichirou Amano and his sister Saki, Takeru tries his best to reach his objectives. However, the situation changes when Saki's office receives a warning note for terrorism.",[11,193,194,162],18,10749,1.1807,"\u002F7RIhHPTzNIVW32aPzf9UuAoqDl3.jpg","\u002FjaP0ytCcpaUnTffiB9bMPLEoF98.jpg","僕はロボットごしの君に恋をする",{"id":200,"adult":6,"title":201,"video":6,"overview":202,"softcore":6,"genre_ids":203,"popularity":204,"vote_count":8,"poster_path":205,"release_date":206,"vote_average":8,"backdrop_path":26,"original_title":201,"original_language":45},642052,"On the Road to Kandahar","One of Rimmer's early 2000s video works which he made by hand-painting 35mm film, running it on a flatbed viewer, and shooting it off the screen with a video camera to then subject it to further manipulation.",[11],0.6137,"\u002FqsCrJD18xtck1xRdSsxhJNVSa9K.jpg","2003-06-01",{"id":208,"adult":6,"title":209,"video":6,"overview":210,"softcore":6,"genre_ids":211,"popularity":212,"vote_count":8,"poster_path":213,"release_date":214,"vote_average":8,"backdrop_path":26,"original_title":215,"original_language":63},834367,"Events Meant to Be Forgotten","Filmed on 16mm film, this visual expression is rooted in its archival materials and backed up by the poem by Hans Magnus Enzensberger. It speaks of the forgotten people, their lives and their deeds. These two Archives have been found on the flea market in Zagreb. One is of a famous architect and the other one is of a famous composer. This film ponders on this occurrence, on the vanishing of and forgetfulness of humans.",[11],0.822,"\u002FAtDU4MBLItljFPMxTNq57A8HOJJ.jpg","2020-06-10","Događaji za zaboraviti",{"id":217,"adult":6,"title":218,"video":6,"overview":219,"softcore":6,"genre_ids":220,"popularity":221,"vote_count":222,"poster_path":223,"release_date":224,"vote_average":225,"backdrop_path":226,"original_title":227,"original_language":170},13391,"Vexille","2067: Isolation:  Japan seals herself off from the eyes of the world in the face of unilateral international policy setting strict limits on the use of robotic technology. The island nation exists only behind a veil of seclusion. No soul shall enter. No soul shall leave.  2077: Revelation:  The veil is breached. Japan is infiltrated by agents of the organization S.W.O.R.D., a fighting force operating outside of the protection of the United States and her allies. Their mission: Determine if the Japanese are developing banned robotic bio-technology, forbidden due to its threat to humankind. In the battle between machine and man, humanity stands to suffer most.",[11,162],3.2662,184,"\u002FxF5je4N99eoh94Zahus2Nhm45Yl.jpg","2007-08-18",6.693,"\u002Fi7oKytMBPC0uJwPFDpfr3DsDxkL.jpg","ベクシル 2077日本鎖国",1001,20001,0.4634,"2024-03-14",[233],"FR",{"results":235},{},[],[],[],45,"A animation story that tends to land well.",[]]