[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1249791-en-US":3},{"detail":4,"match":292,"insight":293,"providers":294,"providerLink":7,"trailer":7},{"adult":5,"backdrop_path":6,"belongs_to_collection":7,"budget":8,"genres":9,"homepage":13,"id":14,"imdb_id":15,"origin_country":16,"original_language":18,"original_title":19,"overview":20,"popularity":21,"poster_path":22,"production_companies":23,"production_countries":24,"release_date":27,"revenue":8,"runtime":28,"softcore":5,"spoken_languages":29,"status":33,"tagline":34,"title":35,"video":5,"vote_average":36,"vote_count":37,"credits":38,"similar":90,"watch\u002Fproviders":288,"videos":290},false,"\u002F3gBWxT8uPQrv5udfCREzAxN3R6P.jpg",null,0,[10],{"id":11,"name":12},99,"Documentary","https:\u002F\u002Fwww.cinecorto.co\u002Fmontagne-egaree\u002F",1249791,"tt31465746",[17],"FR","fr","Montagne Égarée","On November 1, 1954, the National Liberation Front of Algeria announced the war for the country's independence. France, colonizer since 1830, hastened to reinforce its military contingent in the four corners of the country and to prevent the advance of the rebels. A little Chaoui, born in a mountainous region of the country, sees his placid childhood collapse in the middle of a crossfire that he does not understand. The story, inspired by real testimonies, is constructed with images from the archives of the French army. From this apparently dissociated dialogue between image and word arises a sensitive homage to the memory that rests in the archives and to the ignored voice of its protagonists.",1.548,"\u002FyVVsQMBmvh24WQLbGwcPbFsll0S.jpg",[],[25],{"iso_3166_1":17,"name":26},"France","2020-01-01",12,[30],{"english_name":31,"iso_639_1":18,"name":32},"French","Français","Released","","Lost Mountain",10,1,{"cast":39,"crew":55},[40,48],{"adult":5,"gender":8,"id":41,"known_for_department":42,"name":43,"original_name":43,"popularity":44,"profile_path":7,"cast_id":45,"character":46,"credit_id":47,"order":8},4555671,"Acting","Anna Dodier",0.4983,4,"Voice","65da80e362f33501494c151c",{"adult":5,"gender":8,"id":49,"known_for_department":50,"name":51,"original_name":51,"popularity":52,"profile_path":7,"cast_id":53,"character":46,"credit_id":54,"order":37},4498587,"Directing","Frédéric Blasco",0.3783,5,"65da81131750510187f8a5fc",[56,62,66,70,74,80,85],{"adult":5,"gender":37,"id":57,"known_for_department":50,"name":58,"original_name":58,"popularity":59,"profile_path":7,"credit_id":60,"department":50,"job":61},3440408,"María Alejandra Zúñiga Delgado",0.3666,"65da760f62f335017c4c322d","Director",{"adult":5,"gender":37,"id":57,"known_for_department":50,"name":58,"original_name":58,"popularity":59,"profile_path":7,"credit_id":63,"department":64,"job":65},"65da7a16cabfe40186d032fe","Editing","Editor",{"adult":5,"gender":37,"id":57,"known_for_department":50,"name":58,"original_name":58,"popularity":59,"profile_path":7,"credit_id":67,"department":68,"job":69},"65da76301750510163f88c3b","Writing","Writer",{"adult":5,"gender":37,"id":57,"known_for_department":50,"name":58,"original_name":58,"popularity":59,"profile_path":7,"credit_id":71,"department":72,"job":73},"65da850362f335017c4c4671","Sound","Sound Editor",{"adult":5,"gender":8,"id":75,"known_for_department":72,"name":76,"original_name":76,"popularity":77,"profile_path":7,"credit_id":78,"department":72,"job":79},4555674,"Markunda Aurès",0.3277,"65da81369f1be7018568d06c","Music",{"adult":5,"gender":8,"id":81,"known_for_department":72,"name":82,"original_name":82,"popularity":83,"profile_path":7,"credit_id":84,"department":72,"job":79},4555679,"Juan Jose Delgado",0.3267,"65da816da24c5001860f5dda",{"adult":5,"gender":8,"id":86,"known_for_department":72,"name":87,"original_name":87,"popularity":88,"profile_path":7,"credit_id":89,"department":72,"job":73},4555726,"Fanny Wojkiewicz",0.3243,"65da84f9e9c0dc0130c0f427",{"page":37,"results":91,"total_pages":286,"total_results":287},[92,99,107,116,125,136,146,155,166,175,185,196,205,214,224,233,246,255,265,275],{"adult":5,"backdrop_path":7,"genre_ids":93,"id":94,"title":95,"original_language":96,"original_title":95,"overview":34,"popularity":97,"poster_path":7,"release_date":98,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1607461,"A proposito dell'Angola","it",0.7812,"1973-04-01",{"adult":5,"backdrop_path":100,"genre_ids":101,"id":102,"title":103,"original_language":18,"original_title":103,"overview":34,"popularity":104,"poster_path":105,"release_date":106,"softcore":5,"video":5,"vote_average":36,"vote_count":37},"\u002FsHKMQ9ryKfBeAUqFE0gypj23JP6.jpg",[11],1606473,"Les Maisons De La Mer",0.7873,"\u002FrTC6XF5xricM6qMmw2qlj2FArTd.jpg","2017-11-01",{"adult":5,"backdrop_path":108,"genre_ids":109,"id":110,"title":111,"original_language":18,"original_title":111,"overview":112,"popularity":113,"poster_path":114,"release_date":115,"softcore":5,"video":5,"vote_average":36,"vote_count":37},"\u002FrYDDAcN1S2n9TBzUhgGozRKEeKV.jpg",[28,11],1606186,"Tissalatine - Le Rappel Du Hoggar","In the heart of the Hoggar Mountains, Algerian and French climbers meet on the legendary walls of the central Sahara. More than just an ascent, Tissalatine tells the story of an encounter with oneself, with the land, and with history. The film also retraces Thomas Dulac's return, ten years later, to a site he helped to open up. Driven by the profound voice of singer Djam and the vision of director Hamza Mendil, Tissalatine unveils a living, vibrant Sahara, far removed from clichés, in a sweeping epic of adventure, brotherhood, and spiritual elevation.",1.1266,"\u002Fp4g2II5sE5bPud3fKtPBfLWHRdF.jpg","2025-12-20",{"adult":5,"backdrop_path":117,"genre_ids":118,"id":119,"title":120,"original_language":18,"original_title":120,"overview":121,"popularity":122,"poster_path":123,"release_date":124,"softcore":5,"video":5,"vote_average":36,"vote_count":37},"\u002FhqqmZdCE590l0VZznPpNDAbEDZe.jpg",[11],1021584,"Twïza, L'Aventure Algérienne","In Tamazight culture, \"Twïza\" symbolizes a gathering for sharing and mutual support. This is precisely what Thibault Dion's film explores – January 2019 – as five French climbers land at Constantine airport. While they initially thought they would simply be opening climbing routes in eastern Algeria, this group of climbers from Grenoble discovers much more. Their initial apprehension about exploring this isolated region, coupled with the warm welcome, good humor, and rich culture, transforms their journey into an unexpected human adventure. Fabulous landscapes, thrilling experiences, unforgettable moments, smiles – beyond borders, in the land of friendship and hospitality... Algeria.",0.5378,"\u002FAk6ExFAiYAghf5EsGZGrZLqjnUu.jpg","2019-06-21",{"adult":5,"backdrop_path":126,"genre_ids":127,"id":129,"title":130,"original_language":18,"original_title":131,"overview":132,"popularity":133,"poster_path":134,"release_date":135,"softcore":5,"video":5,"vote_average":36,"vote_count":37},"\u002F5jDgsDQxye1l04Y7cuhH8yUc1az.jpg",[11,128],36,1209496,"Algeria 1954, The Revolt Of A Colonized","Algérie 1954, La Révolte D'un Colonisé","This film presents the point of view of an Arab from Algeria who rebels against colonization. He analyzes the process of awareness, the transition to revolt, to armed insurrection. Algeria and the settlers are seen through this lens and not the way a Frenchman saw the country. He gives voice to the Arabs at a time when this word was not heard: sometimes it was not even produced, at least publicly. The testimonies are based on real propositions, most of them were made to the author during his stay in Algeria from 1948 to 1956, then in 1958 and 1959. The comments are borrowed from the texts of Arab theorists of the revolution Algerian. This film thus completely evacuates the point of view of those who are not insurgents; he does not give the opinion of the colonists. It is the direct expression of what was the revolt of a colonized person: it thus constitutes the very type of the historical document.",0.7938,"\u002FefoQlCXQpq0uc2y3fJP0G61R0YK.jpg","1974-01-01",{"adult":5,"backdrop_path":137,"genre_ids":138,"id":139,"title":140,"original_language":18,"original_title":141,"overview":142,"popularity":143,"poster_path":144,"release_date":145,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002F6JB8ELhrc95a6PRnrCSeAQ2q29D.jpg",[11],822831,"Zahra's Tongue","La Langue de Zahra","The Kabyle people define themselves first and foremost through the spoken word. Every gesture, every moment of their daily lives can give rise to a language of verse, metaphors, and proverbs. After all, isn't it said that in the mountain foothills they call home, verbal dueling was a common pastime? It is a reality difficult to visualize when one looks at the immigrant society where these men and women—often illiterate—are relegated solely to the roles of manual laborers and housewives; one can hardly imagine the eloquent orators they become when they return to their native tongue.",0.6943,"\u002FmtBg805q0O9lJNF30teVKtpgPNn.jpg","2011-04-26",{"adult":5,"backdrop_path":7,"genre_ids":147,"id":148,"title":149,"original_language":150,"original_title":149,"overview":151,"popularity":152,"poster_path":153,"release_date":154,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],453531,"Vote off","en","Fayçal Hammoum recounts the 2014 presidential election through non-voting inhabitants of Algiers who, like him, are in their thirties. Be it Bilel, a grocer by default exposed to his customers’ political babbling, or the more politically-charged comments of Younes, a militant FM radio journalist opposed to President Bouteflika’s fourth term, the variety of conversational scenes in no way changes the determination not to vote for an old man who has been invisible for almost two years. The rappers Omar and Brahim are as bereft of hope and voter’s cards as the Tellek webradio DJ, since “the match is fixed”. Moving away from his focus on this subject to film their daily life, the filmmaker draws the portrait of a generation who, as Bilal says with poignant simplicity, “just wants to live",0.8915,"\u002Fm2DoXNoLdFCsBEroKjllPyhd5fM.jpg","2017-03-24",{"adult":5,"backdrop_path":156,"genre_ids":157,"id":159,"title":160,"original_language":18,"original_title":161,"overview":162,"popularity":163,"poster_path":164,"release_date":165,"softcore":5,"video":5,"vote_average":36,"vote_count":37},"\u002F1Wr2yB2cikAmMAvO7qlQCMTXdhJ.jpg",[11,158],10402,1033814,"The Desert Rocker","La Rockeuse du Désert","The Desert Rocker is an intimate, witty and profound portrait of the extraordinary Hasna El Becharia, a pioneer Gnawa artist.  The first musician to break through the social barrier of this culture, she empowers and inspires women of all ages by reclaiming a musical tradition reserved for men for centuries . A singularly talented artist, she leads women to redefine their roles and challenge cultural norms , one musical performance at a time.",0.6915,"\u002FxNT9JYbXghZ9jwawohXSnhLljkH.jpg","2022-11-13",{"adult":5,"backdrop_path":7,"genre_ids":167,"id":168,"title":169,"original_language":150,"original_title":169,"overview":170,"popularity":171,"poster_path":172,"release_date":173,"softcore":5,"video":5,"vote_average":174,"vote_count":37},[11],1221502,"AÏT ATTA: Nomads of the High Atlas","The Aït Atta tribe of the High Atlas mountain range in Morocco preserves their ancestral right of access to the agdal, a communal land management system that dates back hundreds of years. The film follows Ben Youssef family’s arduous transhumance journey from the desert-like landscape of Nkob to the green pastures of Agdal Igourdane, throughout uneven terrain of steep climbs and descents of these High Atlas mountains. They migrate each summer with their 800 goats, donkeys, mules, camels and dogs, as they embark on this formidable journey on foot.",0.6391,"\u002FrxfyX7PSJXKVzEVNX5ZImekwcMC.jpg","2020-09-24",8,{"adult":5,"backdrop_path":176,"genre_ids":177,"id":179,"title":180,"original_language":18,"original_title":180,"overview":34,"popularity":181,"poster_path":182,"release_date":183,"softcore":5,"video":5,"vote_average":174,"vote_count":184},"\u002FeSaqjdhdOkgVzUvgfkkkRRVN9wL.jpg",[11,128,178],18,1221793,"Congo-Océan, un chemin de fer et de sang",0.8086,"\u002FetLkSubGR3FYRZ5QxLfyScOwA1V.jpg","2024-01-26",3,{"adult":5,"backdrop_path":186,"genre_ids":187,"id":188,"title":189,"original_language":150,"original_title":189,"overview":190,"popularity":191,"poster_path":192,"release_date":193,"softcore":5,"video":5,"vote_average":194,"vote_count":195},"\u002FfFgMO4cd0fGAjJvOIm2AyVJ7Iu8.jpg",[11],15004,"His Name Was Jason: 30 Years of Friday the 13th","A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.",2.7386,"\u002F1YyPmtz41mXO0A2ztsn3Ibe6ssF.jpg","2010-04-20",6.7,89,{"adult":5,"backdrop_path":197,"genre_ids":198,"id":199,"title":200,"original_language":150,"original_title":200,"overview":201,"popularity":202,"poster_path":203,"release_date":204,"softcore":5,"video":5,"vote_average":174,"vote_count":37},"\u002FspgoV39umQQSfjU7Tf6kj2pTD0q.jpg",[11],277624,"Algeria: Drink, Smoke and Love","Agnieszka Lukasiak travels to Algeria to capture it's conflict on camera. When she arrives, she's immediately sidetracked by romance with her host, Habib. She turns the camera on herself as she falls in love with him. the atmosphere quickly diminishes when Habib's family steps in and kicks her out. Not to be deterred, on her second visite to Algeria to seek Habib's love, she begins her real journey to expose the underside of the country.",0.4822,"\u002FgOmoapouHa3uMtEIfjBzq46sEd1.jpg","2002-01-01",{"adult":5,"backdrop_path":7,"genre_ids":206,"id":208,"title":209,"original_language":18,"original_title":209,"overview":210,"popularity":211,"poster_path":212,"release_date":213,"softcore":5,"video":5,"vote_average":36,"vote_count":37},[11,128,207],10752,1608733,"Remembering History","Made just three years after the end of the French-Algerian War (1954-1962), Gillo Pontecorvo's The Battle Of Algiers instantly ignited discussions of this complex historical period. Using the film as a point of reference, this 2004 documentary attempts to reconstruct the Algerian experience of the battle for independence.",2.0061,"\u002F3WNsZj0cqbTecJYtRcgg0TdxcjO.jpg","2004-10-12",{"adult":5,"backdrop_path":215,"genre_ids":216,"id":217,"title":218,"original_language":18,"original_title":219,"overview":220,"popularity":221,"poster_path":222,"release_date":223,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002FAaU2TSjOA66oLFepI4l6d2bwHQK.jpg",[11],1214512,"A French Youth","Une jeunesse française","In the heart of the Camargue region, in the south of France, Jawad and Belka find freedom in their love of Camargue races. For these young Maghrebi men, the event is more than a simple tradition. Facing off with a bull is an opportunity to establish their place in the arena—and in French society. But at what cost?",1.1092,"\u002FzY9oYjcoumIHvffKylEjPtr5eKT.jpg","2024-11-15",{"adult":5,"backdrop_path":225,"genre_ids":226,"id":227,"title":228,"original_language":18,"original_title":228,"overview":229,"popularity":230,"poster_path":231,"release_date":232,"softcore":5,"video":5,"vote_average":36,"vote_count":37},"\u002Fl5Wh1a41n4ftztyfdosJRqL3Qqi.jpg",[11,28],1415248,"Sahara Vertical","Following in the footsteps of Frison Roche, 7 climbers explore the main Hoggar massifs in Algeria. Their main objective is the ascent of the Garet El Djenoun summit via the north ridge, a long climb symbolic of a certain difficulty and a significant commitment, due to its location in the desert. They also attempt the Diedre Agresti, a daring route from the 70s, opened in around ten days on artificial, and unequipped; it is a path that has never been repeated; the objective is to do it free and almost only on wedges, with difficulties up to 7b\u002Fc in a sometimes very delicate rock... Excerpts from the film shot in 1970 by Henri Agresti on this same route, allow us to compare the technical and material means of the time to those of today. They also discover the beauty of the Algerian desert, its silence, its rock paintings, the customs of the Tuaregs, etc... a fascinating journey.",1.7971,"\u002Fp85H6IDldPOLzgJT0x7hEN1dr5w.jpg","2006-01-01",{"adult":5,"backdrop_path":234,"genre_ids":235,"id":236,"title":237,"original_language":238,"original_title":239,"overview":240,"popularity":241,"poster_path":242,"release_date":243,"softcore":5,"video":5,"vote_average":244,"vote_count":245},"\u002FwNl3mPa5aTBEvxQYxWUDWdbGGci.jpg",[11,207],273112,"Algeria in Flames","ar","Algérie en flammes","These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.",0.8091,"\u002Fvo4od9ntoAQMbpdunrXoSojYbsJ.jpg","1958-01-02",8.5,2,{"adult":5,"backdrop_path":247,"genre_ids":248,"id":249,"title":250,"original_language":96,"original_title":250,"overview":251,"popularity":252,"poster_path":253,"release_date":254,"softcore":5,"video":5,"vote_average":36,"vote_count":37},"\u002FwR6h5fXOKXs1NsAB4foqr9VN17Q.jpg",[11,28],1415644,"Hoggar '64","Filmed chronicle by mountain filmmaker Mario Fantin, of the 1964-1965 expedition of the Italian mountaineer Guido Monzino to the summits of Hoggar in the Algerian Sahara with the ascents of Garet el Djenoun, Tizouyag Nord, Saouinan and Iharen. The mountain ranges of the Hoggar desert turn out to be more complex and interesting than most mountaineers suspected at the time.",1.6597,"\u002Fsn1pAXxWz05yCHQ8OYIKkqiDL5G.jpg","1965-01-01",{"adult":5,"backdrop_path":256,"genre_ids":257,"id":258,"title":259,"original_language":18,"original_title":260,"overview":261,"popularity":262,"poster_path":263,"release_date":264,"softcore":5,"video":5,"vote_average":36,"vote_count":37},"\u002FuVuQf1UA9IengxLyOYavR4qnAlK.jpg",[11],1220211,"Zinet, Algiers, Happiness","زينات، الجزائر، السعادة","Who remembers Mohamed Zinet? In the eyes of French spectators who reserve his face and his frail silhouette, he is simply the “Arab actor” of French films of the 1970s, from Yves Boisset to Claude Lelouch. In Algeria, he's a completely different character... A child of the Casbah, he is the brilliant author of a film shot in the streets of Algiers in 1970, Tahya Ya Didou. Through this unique work, Zinet invents a new cinema, tells another story, shows the Algerians like never before. In the footsteps of his elder, in the alleys of the Casbah or on the port of Algiers, Mohammed Latrèche will retrace the story of Tahya Ya Didou and its director.",0.8199,"\u002FfbXpJslcaldUuyXa0NDlhSZzoN7.jpg","2023-12-15",{"adult":5,"backdrop_path":266,"genre_ids":267,"id":268,"title":269,"original_language":238,"original_title":270,"overview":271,"popularity":272,"poster_path":273,"release_date":274,"softcore":5,"video":5,"vote_average":36,"vote_count":37},"\u002FtcUdvCChXJApLTcc7sgEyFCYt7M.jpg",[11],644369,"How Much I Love You","Combien Je Vous Aime","Beginning with a promotional reel encouraging farming investments in Algeria and ending with the secret 1950s nuclear tests that France conducted using Algerian prisoners, How Much I Love You appropriates archival footage produced by the French colonial powers in Algeria. Meddour’s approach is disarmingly simple and yet awe-inspiring—his caustic undoing of colonial discourse is underscored by a liberating release of humor.",0.7249,"\u002FhVS69fnRMUrcp0Zrr1rsP16bvxc.jpg","1985-05-05",{"adult":5,"backdrop_path":276,"genre_ids":277,"id":278,"title":279,"original_language":18,"original_title":280,"overview":281,"popularity":282,"poster_path":283,"release_date":284,"softcore":5,"video":5,"vote_average":285,"vote_count":53},"\u002FrS4si2yd3olgcOPFhDSdZLYRMEJ.jpg",[178,11],273852,"The Zerda or the Songs of Forgetting","La Zerda ou les chants de l'oubli","“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.",0.6616,"\u002FqSganVOBZRTxBMylm4ahR1JxVhW.jpg","1983-02-27",8.1,1001,20001,{"results":289},{},{"results":291},[],52,"A documentary story that tends to land well.",[]]