[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1251068-en-US":3},{"detail":4,"match":286,"insight":287,"providers":288,"providerLink":7,"trailer":289},{"adult":5,"backdrop_path":6,"belongs_to_collection":7,"budget":8,"genres":9,"homepage":13,"id":14,"imdb_id":15,"origin_country":16,"original_language":18,"original_title":19,"overview":20,"popularity":21,"poster_path":22,"production_companies":23,"production_countries":28,"release_date":31,"revenue":8,"runtime":32,"softcore":5,"spoken_languages":33,"status":41,"tagline":42,"title":19,"video":5,"vote_average":43,"vote_count":44,"credits":45,"similar":67,"watch\u002Fproviders":273,"videos":275},false,"\u002FjWmwFYFfr0l3EGQfE6xX1pzusvw.jpg",null,0,[10],{"id":11,"name":12},99,"Documentary","https:\u002F\u002Fmissiakhem.net\u002F",1251068,"tt31498637",[17],"DZ","ar","M'hamed Issiakhem","M'hamed Issiakhem (Kabyle: Mḥemmed Isyaxem; Arabic: محمد إسياخم)—born on June 17, 1928, in Taboudoucht (Aghribs), then part of the Tizi Ouzou Department in Algeria, and who died on December 1, 1985, in Algiers—was an Algerian painter and a leading figure of modern painting in Algeria. In 1943, he handled a grenade stolen from a US military camp, and it exploded; two of his sisters and a nephew were killed. Hospitalized for two years, he underwent the amputation of his left arm. From 1947 to 1951, he studied in Algiers, first at the Société des Beaux-Arts and later at the École des Beaux-Arts. \"A country without artists is a dead country... I hope we are alive...\" These words were spoken in a film by Fawzi Sahraoui—produced by the RTA in 1985 and shot just months before the painter M'hamed Issiakhem passed away. It is a fascinating docudrama in which Issiakhem opens up with subtlety, passion, and generosity.",0.6056,"\u002F3XsaDi88ae0p2X3cFIXKcXFSThv.jpg",[24],{"id":25,"logo_path":26,"name":27,"origin_country":17},161896,"\u002FrY5w8KTUVgNSjnInyHwYh9JlPLb.png","Radiodiffusion Télévision Algérienne (RTA)",[29],{"iso_3166_1":17,"name":30},"Algeria","1985-12-01",43,[34,37],{"english_name":35,"iso_639_1":18,"name":36},"Arabic","العربية",{"english_name":38,"iso_639_1":39,"name":40},"French","fr","Français","Released","",10,1,{"cast":46,"crew":55},[47],{"adult":5,"gender":48,"id":49,"known_for_department":50,"name":19,"original_name":19,"popularity":51,"profile_path":52,"cast_id":48,"character":53,"credit_id":54,"order":8},2,4561131,"Art",0.264,"\u002F8FQZAhyHUXDfwDXO1vKijRO3cVq.jpg","Self","65de084a7776f0016310c6ac",[56,63],{"adult":5,"gender":8,"id":57,"known_for_department":58,"name":59,"original_name":59,"popularity":60,"profile_path":7,"credit_id":61,"department":58,"job":62},4561127,"Directing","Fawzi Sahraoui",0.2768,"65de07b62ac499017dcba9d7","Director",{"adult":5,"gender":8,"id":57,"known_for_department":58,"name":59,"original_name":59,"popularity":60,"profile_path":7,"credit_id":64,"department":65,"job":66},"65de10c3719aeb017be83224","Writing","Writer",{"page":44,"results":68,"total_pages":271,"total_results":272},[69,81,91,101,113,121,134,145,154,163,172,181,188,198,209,220,230,241,249,260],{"adult":5,"backdrop_path":70,"genre_ids":71,"id":73,"title":74,"original_language":75,"original_title":74,"overview":76,"popularity":77,"poster_path":78,"release_date":79,"softcore":5,"video":5,"vote_average":80,"vote_count":48},"\u002FfMTZ9X2jiUrTRjkA8RCKQYRtZUy.jpg",[11,72],18,1023797,"Flora","es","A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.",0.6778,"\u002FkNqhwu34lckqfD299paxAxy6jxd.jpg","2022-10-22",6,{"adult":5,"backdrop_path":7,"genre_ids":82,"id":85,"title":86,"original_language":39,"original_title":86,"overview":42,"popularity":87,"poster_path":88,"release_date":89,"softcore":5,"video":5,"vote_average":90,"vote_count":44},[83,84,11],10752,36,825877,"L'Histoire secrète de la Résistance",0.7539,"\u002F2XyIEfNj43NsJwvG6T6Qi4cgecY.jpg","2021-05-04",8,{"adult":5,"backdrop_path":92,"genre_ids":93,"id":94,"title":95,"original_language":96,"original_title":95,"overview":97,"popularity":98,"poster_path":99,"release_date":100,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002F4tiNGkHK0GJ3UXePCnv8CLQwRYO.jpg",[11],639013,"The Unanswered Ives - Wunderkind. Wall-Street-Gigant. Klangpionier","de","The Unanswered Ives is the first film about Charles Ives (1874-1954), an American modernist composer, one of the first American composers of international renown. The 60-minute documentary sheds light on Ives' life and work in all its facets and inconsistencies. American singer and composer Frank Zappa included Charles Ives in a list of influences that he presented in the liner notes of his debut album Freak Out! (1966). Ives continues to influence contemporary composers, arrangers and musicians. Planet Arts Records released Mists: Charles Ives for Jazz Orchestra. Ives befriended and encouraged a young Elliott Carter. In addition, Phil Lesh, bassist of the Grateful Dead, has described Ives as one of his two musical heroes.",0.839,"\u002Fn3cBzAcmJRWH30hkWOq18Kv5RrX.jpg","2019-09-22",{"adult":5,"backdrop_path":102,"genre_ids":103,"id":105,"title":106,"original_language":39,"original_title":107,"overview":108,"popularity":109,"poster_path":110,"release_date":111,"softcore":5,"video":5,"vote_average":112,"vote_count":48},"\u002FagNWXvCnXxJIcS1c9f0BZlDUzUs.jpg",[11,104],10770,1212784,"1983, The Marchers for Equality","1983, Les marcheurs de l'égalité","In the 1980s, young people of North African descent born in France and a priest from the Lyon suburbs organized the \"March of the Beurs.\" Launched on October 15, 1983, by seventeen people from the La Cayolle neighborhood in Marseille following a racist crime, the march concluded two months later—on December 3—on the streets of Paris, with 100,000 participants. This movement demanded equal rights. Was their cry heard?",1.0328,"\u002Fg8tEM6yVDxmyQEYitTz1ryE5Uey.jpg","2023-12-03",9.5,{"adult":5,"backdrop_path":7,"genre_ids":114,"id":115,"title":116,"original_language":39,"original_title":116,"overview":117,"popularity":118,"poster_path":119,"release_date":120,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11,72],1219280,"Sun Set Rise","Filmmaker Julia interviews people who photograph sunsets. During filming, a man demands that she deletes the pictures of him. When she refuses, an argument ensues.",0.56,"\u002FhbNoARnxSOlkmnMn1U6eZVuNUei.jpg","2024-01-20",{"adult":5,"backdrop_path":122,"genre_ids":123,"id":127,"title":128,"original_language":96,"original_title":129,"overview":130,"popularity":131,"poster_path":132,"release_date":133,"softcore":5,"video":5,"vote_average":43,"vote_count":44},"\u002FzzJOigfCAh8SOfrjwUTTb1adZYa.jpg",[11,124,125,126],35,10751,10749,1215570,"Fox & Penguin","Fuchs & Pinguin","How do German couples communicate in private? What are they arguing about? Is the way to a man’s heart really through his stomach? This docu-fictional hybrid production discusses such questions with the help of authentic interview snippets that were edited under the staged plot. We get an insight into the life of an animal couple, who experience typical everyday situations on behalf of us humans. At first, our fox is emotionally contained, while the penguin lady may get wild as hell. With a wink, the filmmakers hold up a mirror to the audience in the cinema.",1.9144,"\u002F3VmjuE11tCah3rUomHuGHORLDaB.jpg","2021-07-17",{"adult":5,"backdrop_path":135,"genre_ids":136,"id":138,"title":139,"original_language":39,"original_title":140,"overview":141,"popularity":142,"poster_path":143,"release_date":144,"softcore":5,"video":5,"vote_average":43,"vote_count":44},"\u002FfmIxSL9AJLedeuPc3y2DkgIn2YE.jpg",[11,137],12,1414080,"Salt and Rock","Le Sel Et La Roche","After reading the book \"Guide to Hoggar Climbing,\" guide Pierre Agresti and his wife Isabelle Agresti set off into the Hoggar massif in the Algerian Sahara and tackled the west face of Garet El Djenoun. After a first attempt in 1967, they successfully reached the summit in 1970 and, with an old camera, made a film that remained unused for 25 years. In 1996, they decided to bring the past back to life through the ascent and encounters with the Tuaregs in the rock salt mines of Amadror. The film was shown in competition at the Trento Film Festival in 1997.",0.8565,"\u002FgL2Ytnp1IpkjicI6FcXiNVXyWbh.jpg","1996-01-01",{"adult":5,"backdrop_path":7,"genre_ids":146,"id":147,"title":148,"original_language":96,"original_title":149,"overview":150,"popularity":151,"poster_path":152,"release_date":153,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11,72],1216592,"Operation Silence – The Flükiger Affaire","Operation Silence – Die Affäre Flükiger","Autumn 1977: the Bernese officer trainee Flükiger is found dead. Who is to blame for his death? The RAF or the Béliers, was it an accident or intentional? The director goes in search of clues and tries to shed light on the mysterious events surrounding the vote to form the Canton Jura.",0.6961,"\u002Fb8gCFZCRLm8mSZBMxrLJIqWVi99.jpg","2024-01-18",{"adult":5,"backdrop_path":7,"genre_ids":155,"id":156,"title":157,"original_language":158,"original_title":157,"overview":159,"popularity":160,"poster_path":161,"release_date":162,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],453531,"Vote off","en","Fayçal Hammoum recounts the 2014 presidential election through non-voting inhabitants of Algiers who, like him, are in their thirties. Be it Bilel, a grocer by default exposed to his customers’ political babbling, or the more politically-charged comments of Younes, a militant FM radio journalist opposed to President Bouteflika’s fourth term, the variety of conversational scenes in no way changes the determination not to vote for an old man who has been invisible for almost two years. The rappers Omar and Brahim are as bereft of hope and voter’s cards as the Tellek webradio DJ, since “the match is fixed”. Moving away from his focus on this subject to film their daily life, the filmmaker draws the portrait of a generation who, as Bilal says with poignant simplicity, “just wants to live",1.0133,"\u002Fm2DoXNoLdFCsBEroKjllPyhd5fM.jpg","2017-03-24",{"adult":5,"backdrop_path":164,"genre_ids":165,"id":166,"title":167,"original_language":39,"original_title":167,"overview":42,"popularity":168,"poster_path":169,"release_date":170,"softcore":5,"video":171,"vote_average":90,"vote_count":48},"\u002FkhMiMb2wP6J466ZZKh1Flm420BT.jpg",[11],640658,"La vie au temps de Cro-Magnon",0.6379,"\u002FhpIFwbkAJ8pARXxsGDw3pbDz9WH.jpg","2019-10-19",true,{"adult":5,"backdrop_path":173,"genre_ids":174,"id":175,"title":176,"original_language":39,"original_title":176,"overview":177,"popularity":178,"poster_path":179,"release_date":180,"softcore":5,"video":5,"vote_average":90,"vote_count":44},"\u002F4au68xwYNUpo0uKUmRH9JFJsfiL.jpg",[11],272378,"Le Jardin des Corps","Once upon a time there was a morning, noon, evening and night when the inseparable shadows of man told us about memory... Interview with Ousmane Sow, life sculptor, for the first part of a series entitled Black Memory.",1.047,"\u002F1ukSsqvkhZEkEcJ6aKmRRawYCmy.jpg","1994-01-02",{"adult":5,"backdrop_path":7,"genre_ids":182,"id":183,"title":184,"original_language":158,"original_title":184,"overview":185,"popularity":186,"poster_path":187,"release_date":42,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1603559,"Chihuly at Bellagio: Fiori di Como","The man who made glassblowing an American art form meets the challenge of a lifetime with Stephen Wynn's 1998 commission of the world's largest glass sculpture. Watch as Chihuly creates, for the lobby of the luxurious Bellagio Resort, Fiori di Como, an explosion of color and light featuring over 2,000 \"flowers\" hand-blown from molten glass.",0.982,"\u002FlXgznM0qizo9RcYZJAUnDUbhbFR.jpg",{"adult":5,"backdrop_path":189,"genre_ids":190,"id":191,"title":192,"original_language":39,"original_title":193,"overview":194,"popularity":195,"poster_path":196,"release_date":197,"softcore":5,"video":5,"vote_average":43,"vote_count":44},"\u002FuVuQf1UA9IengxLyOYavR4qnAlK.jpg",[11],1220211,"Zinet, Algiers, Happiness","زينات، الجزائر، السعادة","Who remembers Mohamed Zinet? In the eyes of French spectators who reserve his face and his frail silhouette, he is simply the “Arab actor” of French films of the 1970s, from Yves Boisset to Claude Lelouch. In Algeria, he's a completely different character... A child of the Casbah, he is the brilliant author of a film shot in the streets of Algiers in 1970, Tahya Ya Didou. Through this unique work, Zinet invents a new cinema, tells another story, shows the Algerians like never before. In the footsteps of his elder, in the alleys of the Casbah or on the port of Algiers, Mohammed Latrèche will retrace the story of Tahya Ya Didou and its director.",0.772,"\u002FfbXpJslcaldUuyXa0NDlhSZzoN7.jpg","2023-12-15",{"adult":5,"backdrop_path":199,"genre_ids":200,"id":202,"title":203,"original_language":39,"original_title":204,"overview":205,"popularity":206,"poster_path":207,"release_date":208,"softcore":5,"video":5,"vote_average":43,"vote_count":44},"\u002F1Wr2yB2cikAmMAvO7qlQCMTXdhJ.jpg",[11,201],10402,1033814,"The Desert Rocker","La Rockeuse du Désert","The Desert Rocker is an intimate, witty and profound portrait of the extraordinary Hasna El Becharia, a pioneer Gnawa artist.  The first musician to break through the social barrier of this culture, she empowers and inspires women of all ages by reclaiming a musical tradition reserved for men for centuries . A singularly talented artist, she leads women to redefine their roles and challenge cultural norms , one musical performance at a time.",0.53,"\u002FxNT9JYbXghZ9jwawohXSnhLljkH.jpg","2022-11-13",{"adult":5,"backdrop_path":210,"genre_ids":211,"id":212,"title":213,"original_language":18,"original_title":214,"overview":215,"popularity":216,"poster_path":217,"release_date":218,"softcore":5,"video":5,"vote_average":219,"vote_count":48},"\u002FwNl3mPa5aTBEvxQYxWUDWdbGGci.jpg",[11,83],273112,"Algeria in Flames","Algérie en flammes","These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.",0.8477,"\u002Fvo4od9ntoAQMbpdunrXoSojYbsJ.jpg","1958-01-02",8.5,{"adult":5,"backdrop_path":221,"genre_ids":222,"id":223,"title":224,"original_language":18,"original_title":225,"overview":226,"popularity":227,"poster_path":228,"release_date":229,"softcore":5,"video":5,"vote_average":43,"vote_count":44},"\u002FtcUdvCChXJApLTcc7sgEyFCYt7M.jpg",[11],644369,"How Much I Love You","Combien Je Vous Aime","Beginning with a promotional reel encouraging farming investments in Algeria and ending with the secret 1950s nuclear tests that France conducted using Algerian prisoners, How Much I Love You appropriates archival footage produced by the French colonial powers in Algeria. Meddour’s approach is disarmingly simple and yet awe-inspiring—his caustic undoing of colonial discourse is underscored by a liberating release of humor.",0.6729,"\u002FhVS69fnRMUrcp0Zrr1rsP16bvxc.jpg","1985-05-05",{"adult":5,"backdrop_path":231,"genre_ids":232,"id":233,"title":234,"original_language":235,"original_title":236,"overview":237,"popularity":238,"poster_path":239,"release_date":240,"softcore":5,"video":5,"vote_average":43,"vote_count":44},"\u002Ff4BDphn5NvTBhVrn0Vrvcaphyze.jpg",[11,137],1422054,"Sahara - From Void To Rock","eu","Sahara - Hutsetik Haitzera","Sahara - Hutsetik Haitzera is a mountain documentary about the climbing of Tizouyag Nord in the Hoggar Desert in Algeria by the Spanish Basque team composed of Alberto Iñurrategi, Jon Lazkano, Juanjo San Sebastián, Jon Beloki and Asier Aranguren. Made by climber Alberto Iñurrategi in 2002 and produced by Iñurrategi Anaiak, it is part of the Oinak Izarretan series.",0.7998,"\u002FxswG2UiW4izCGJ3G5c3uNBTiCMh.jpg","2002-01-01",{"adult":5,"backdrop_path":7,"genre_ids":242,"id":243,"title":244,"original_language":158,"original_title":244,"overview":245,"popularity":246,"poster_path":247,"release_date":248,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[72,11],1223877,"The Ongoing Conversation","An Editor recounts the diaries of a failed film production as they attempt to construct a new narrative from the remaining footage.",0.8511,"\u002F58LtNfiVDFGkm8HHDD1jkthnMMp.jpg","2023-10-25",{"adult":5,"backdrop_path":250,"genre_ids":251,"id":252,"title":253,"original_language":39,"original_title":253,"overview":254,"popularity":255,"poster_path":256,"release_date":257,"softcore":5,"video":5,"vote_average":258,"vote_count":259},"\u002FcIYGn9URiutNSboStJ081PGFWhW.jpg",[72,11],838723,"Aya","Aya grows up with her mother on the island of Lahou. Joyful and carefree, she likes to pick coconuts and sleep on the sand. However, her paradise is doomed to disappear under the waters. As the waves threaten her house, Aya makes a choice: the sea can rise, but she will not leave her island.",1.792,"\u002FAeZ39HcsGWdBCTZBqfl0qDLXcpd.jpg","2022-10-12",4.4,9,{"adult":5,"backdrop_path":261,"genre_ids":262,"id":263,"title":264,"original_language":158,"original_title":264,"overview":265,"popularity":266,"poster_path":267,"release_date":268,"softcore":5,"video":5,"vote_average":269,"vote_count":270},"\u002Fvb4lRWUV0ZdFN1MyNqGGMNgE0xB.jpg",[124,72,201,11],14336,"ABBA: The Movie","A radio DJ in pursuit of an exclusive interview follows ABBA during their mega-successful tour of Australia.",2.4821,"\u002Fb6ELAAxwFiyiy8RreGQRDcleOkk.jpg","1977-12-15",6.7,94,1001,20001,{"results":274},{},{"results":276},[277],{"iso_639_1":158,"iso_3166_1":278,"name":279,"key":280,"site":281,"size":282,"type":283,"official":5,"id":284,"published_at":285},"US","M'hamed Issiakhem (1985) de Fawzi Sahraoui","fVmVdHy3UBo","YouTube",480,"Trailer","65de159c3ff2df01870ba28d","2022-12-28T03:58:39.000Z",51,"A documentary story that tends to land well.",[],{"iso_639_1":158,"iso_3166_1":278,"name":279,"key":280,"site":281,"size":282,"type":283,"official":5,"id":284,"published_at":285}]