[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1255201-en-US":3},{"detail":4,"match":265,"insight":266,"providers":267,"providerLink":38,"trailer":38},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":38,"revenue":35,"runtime":39,"similar":40,"tagline":155,"homepage":243,"overview":244,"softcore":6,"popularity":245,"vote_count":35,"poster_path":246,"release_date":247,"vote_average":35,"backdrop_path":38,"origin_country":248,"original_title":250,"watch\u002Fproviders":251,"spoken_languages":253,"original_language":74,"production_companies":257,"production_countries":261,"belongs_to_collection":38},1255201,false,"This Is Not Fairuz",500,[10],{"id":11,"name":12},99,"Documentary","Released",{"id":5,"results":15},[],{"cast":17,"crew":18},[],[19,28,32],{"id":20,"job":21,"name":22,"adult":6,"gender":23,"credit_id":24,"department":25,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},2569369,"Director","Jean-Claude Boulos",2,"65e88b93344a8e014a3e240e","Directing",0.5686,"\u002FhKdRrcVd4TjTnpqNniiRrzlpUuX.jpg",{"id":20,"job":29,"name":22,"adult":6,"gender":23,"credit_id":30,"department":31,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},"Editor","65e88ba2eb093201641bc277","Editing",{"id":33,"job":21,"name":34,"adult":6,"gender":35,"credit_id":36,"department":25,"popularity":37,"profile_path":38,"original_name":34,"known_for_department":25},4484903,"Joe Kazzi",0,"65e88b80caab6d01859686e5",0.6137,null,9,{"page":41,"results":42,"total_pages":241,"total_results":242},1,[43,53,65,75,89,97,104,114,123,139,148,157,166,176,185,195,204,215,224,233],{"id":44,"adult":6,"title":45,"video":6,"overview":46,"softcore":6,"genre_ids":47,"popularity":48,"vote_count":35,"poster_path":49,"release_date":50,"vote_average":35,"backdrop_path":38,"original_title":51,"original_language":52},1036117,"The Birds Changed Names And The World Turned Into Ice","Migrant families experience violence, but they also keep beautiful memories when they arrive in new lands. Fantastic and intimate stories, recalled from childhood, travel across time and space, magically intermingling with the help of the four elements and breaking the boundaries of cinema.",[11],0.5765,"\u002FppI12GDhXjYIMLyz7QodjZi7tHk.jpg","2022-10-21","Las Aves Cambiaron De Nombre Y El Mundo Se Convirtió De Hielo","es",{"id":54,"adult":6,"title":55,"video":6,"overview":56,"softcore":6,"genre_ids":57,"popularity":58,"vote_count":41,"poster_path":59,"release_date":60,"vote_average":61,"backdrop_path":62,"original_title":63,"original_language":64},663969,"The Lady of the Palace","Sayedat Al-Kasr traces the history of the Joumblatt family of Mount Lebanon from the 17th century to the present, focusing on early 20th century leader and politician Nazira Joumblatt. Born in 1889, Nazira ascended the throne of the Moukhtara palace in 1923, following the assassination of her husband Fouad and the resignation of her brother Aly Joumblatt. She presided over the region as Lady of the Palace for twenty-five years while raising her son Kamal, preparing him to take his place in a long line of Jumblatt leaders. Famous for her wisdom and strong personality, Nazira boldly entered the Lebanese political scene at a time when this field was entirely dominated by men. 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These testimonials while helping to create a collective memory, also show the impossibility of telling a single History of this war. Only fragments of this History are recounted here, held as truth by those expressing them. In ‘Objects of War’, the aim is not to reveal a truth but rather to gather and confront many diverse versions and discourses on the subject.  ‘Objects of War’ started in 1999 assembling the testimonials of eleven persons. It was first shown in 2000 . It continued in 2003 with ‘Objects of War n°2’, recording seven additional testimonials. This time however, and since then, the recorded material is left unedited, shown in its integrity. The work of collecting and assembling these stories continued with ‘Objects of War n°3 & n°4’ in 2006 and ‘n°5 & 6’ in 2014.",[11],0.6089,"\u002FoLovrINVk4x7RipnxR6wCDeEB39.jpg","2000-01-01","Objets de guerre","fr",{"id":115,"adult":6,"title":116,"video":6,"overview":117,"softcore":6,"genre_ids":118,"popularity":119,"vote_count":35,"poster_path":120,"release_date":121,"vote_average":35,"backdrop_path":122,"original_title":116,"original_language":64},1087042,"Recovery","Jean-Claude walks his dog in a neighborhood forever stuck in reconstruction. On his trip, he wonders about life, mortality, and 'what if' scenarios while remembering fragments from the direct impact of the second that almost cost him his life on August 4. At the moment of the explosion, the end of the world, bodies, buildings, roads, and cities may shatter. Perhaps the universe itself breaks apart. But the most severe fragmenting remains that of memory. A picture here and a sound there are vaguely reconstituted. 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Two weeks after the end of filming, her grandmother died of metastatic lung cancer. It would take her 12 years to regain the courage to review their last conversations. Through memories and poems she draws the portrait of her grandmother paying homage to her colorful spirit that made her unique.",[11],0.7029,"\u002FrITcDf0l37itNkm1eY9c9bXw3Mv.jpg","","ليلى و السيجارة",{"id":158,"adult":6,"title":159,"video":6,"overview":160,"softcore":6,"genre_ids":161,"popularity":162,"vote_count":35,"poster_path":163,"release_date":164,"vote_average":35,"backdrop_path":38,"original_title":165,"original_language":113},1053467,"One Dollar a Day","Poetry is everywhere, even in the refugee camps where absolute misery reigns. In front of old plastic advertising posters on which are drawn in giant format the big icons of luxury and consumerism that make up their shelters, refugee children stand like kings. Symbols of life at the heart of war, fragility, and death, these children are shown by Jocelyne Saab as precious notes of hope in the heart of a dehumanized world. One Dollar a Day was filmed in the Syrian refugee camps of the Bekaa plain, Lebanon in 2015, with text by Etel Adnan.",[11],1.0622,"\u002FxVtTvguUVCTIN84iud5MQMBzY8h.jpg","2016-01-01","Un Dollar par Jour",{"id":167,"adult":6,"title":168,"video":6,"overview":169,"softcore":6,"genre_ids":170,"popularity":171,"vote_count":41,"poster_path":172,"release_date":173,"vote_average":174,"backdrop_path":175,"original_title":168,"original_language":113},1472506,"Fouad Elkoury par Fouad","Fouad Elkoury's unique journey, between photojournalism and art photography, from his early days immersed in the complex and tragic history of Lebanon and the Israeli-Palestinian conflict, to his travels from the port of Marseille to Istanbul, from Turkey to Egypt, from the 1970s to the present day, punctuated by the photographs that made him famous. An intimate and privileged encounter with one of the greatest photographers in the Arab world, through his personal archives, his travel stories, and his life stories.",[11],0.7522,"\u002FySFOS7iXZuUITI9APATmYlM9cj3.jpg","2024-04-13",6,"\u002FmVSRnG9mOgg1PsB8PKCYLHHQXG2.jpg",{"id":177,"adult":6,"title":178,"video":6,"overview":179,"softcore":6,"genre_ids":180,"popularity":181,"vote_count":41,"poster_path":182,"release_date":183,"vote_average":61,"backdrop_path":38,"original_title":184,"original_language":64},882111,"Stove","An intimate exploration of life in Bzebdine, a small rural village in Mount Lebanon.",[11],0.7168,"\u002FdMhFaGWuyqIrQlOdyajoUgN2lzg.jpg","2019-01-01","وجاق",{"id":186,"adult":6,"title":187,"video":6,"overview":188,"softcore":6,"genre_ids":189,"popularity":190,"vote_count":174,"poster_path":191,"release_date":192,"vote_average":193,"backdrop_path":194,"original_title":187,"original_language":64},128122,"The Lebanese Rocket Society","Lebanon's brief flirtation with space travel in the 1960s becomes a poignant metaphor for the Arab world's utopian dreams in this riveting documentary.",[11],0.6694,"\u002Fa5RWgXWeReTcKauUI6bpL4oRae.jpg","2012-09-08",6.4,"\u002FnqOuNR07gKcfUZZZbNC8ZDpRuh0.jpg",{"id":196,"adult":6,"title":197,"video":6,"overview":198,"softcore":6,"genre_ids":199,"popularity":200,"vote_count":35,"poster_path":201,"release_date":202,"vote_average":35,"backdrop_path":203,"original_title":197,"original_language":64},1307485,"Kaab l Dayaa","Intimate discussion with the inhabitants of Kfarbaal, a village tucked in the mountains above Byblos. We hear them share their experiences, deceptions and dreams.",[11],0.4958,"\u002FeYcBZNheIrfSFlImGyZvvBzG5II.jpg","2023-09-24","\u002F73N0CS7cd4keWBqmb98iefLKlh.jpg",{"id":205,"adult":6,"title":206,"video":6,"overview":207,"softcore":6,"genre_ids":208,"popularity":209,"vote_count":35,"poster_path":210,"release_date":211,"vote_average":35,"backdrop_path":212,"original_title":213,"original_language":214},1502653,"Boats & Brides","Two realities of life in Lebanon that couldn't be further apart: How a desperate man tries to escape across the Mediterranean because he can no longer cope with poverty and lack of opportunities and, on the other hand, how a successful wedding planner makes the dreams of the rich and beautiful come true.",[11],0.9606,"\u002Fr8NgQP7Oct9W9dq2WxCSsDTZp1H.jpg","2024-04-18","\u002F5fmxApGtJQj3AQI0rGpYaYRPD15.jpg","Feiern oder fliehen?","de",{"id":216,"adult":6,"title":217,"video":6,"overview":155,"softcore":6,"genre_ids":218,"popularity":219,"vote_count":35,"poster_path":220,"release_date":221,"vote_average":35,"backdrop_path":222,"original_title":217,"original_language":223},1321695,"Líban, retrat de l'empoderament",[11],0.9046,"\u002Flvps44rYO0DKsxEizcQk4TFAzS8.jpg","2023-11-27","\u002FkaTNEQuaJBVDRW7tgi436Sv1Igu.jpg","ca",{"id":225,"adult":6,"title":226,"video":6,"overview":227,"softcore":6,"genre_ids":228,"popularity":229,"vote_count":41,"poster_path":230,"release_date":231,"vote_average":174,"backdrop_path":232,"original_title":226,"original_language":64},1310623,"Yalla, Baba!","Lebanese director Angie Obeid embarks on a road trip with her father, Mansour, retracing a journey he made 42 years ago. She tries to reach out to the young Mansour, understand the decisions he made when he was her age, and find common ground. The film explores the challenges and opportunities that arise when navigating the boundaries between tradition and modernity, family and individuality, home and the wider world.",[11],1.5495,"\u002FnJ6Ggh8K13M8gFSBaGm73U1dOhr.jpg","2024-06-29","\u002Fh0fwr3SamzQbwaOTGbLKrxxTREV.jpg",{"id":234,"adult":6,"title":235,"video":6,"overview":236,"softcore":6,"genre_ids":237,"popularity":238,"vote_count":35,"poster_path":239,"release_date":155,"vote_average":35,"backdrop_path":38,"original_title":240,"original_language":64},1714058,"My mother's fig tree","A documentary exploring a personal quest: speaking to our parents before it’s too late. What begins as a search for answers about the Lebanese Civil War evolves into an intimate journey into the director’s relationship with his father after he left the country, and following his mother’s death, an attempt to piece together memory and unresolved emotions",[11],0.9979,"\u002F65l71SjfdmwCCWIGhQZmG9efAb3.jpg","Les figues de ma mère",1001,20001,"https:\u002F\u002Fvimeo.com\u002F107198721","A young journalist is looking to learn and talk with the Lebanese legend, Fairuz.",1.0253,"\u002FyzSKGTaE7NkTXR7P1OJ4RABGncn.jpg","2015-06-05",[249],"US","هذه ليست فيروز",{"results":252},{},[254],{"name":255,"iso_639_1":64,"english_name":256},"العربية","Arabic",[258],{"id":259,"name":260,"logo_path":38,"origin_country":155},222688,"Ananas Productions",[262],{"name":263,"iso_3166_1":264},"Lebanon","LB",45,"A documentary story that tends to land well.",[]]