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Abdulwahed cuts between this crack and simple footage of children from Lebanon’s Sabra and Shatila refugee camps playing happily on a swing. Abdulwahed has said he had initially set out to tell a more direct account of war and trauma, but because he was physically unable to reach warzones inside Syria, he felt he couldn’t do such a project justice. Instead, filming the kids, he discovered the swing they were playing on had a crack in it, which inspired him to make the visual connection with the obscured war footage.",[11,137],10752,0.4029,"\u002FyrKLM8k8q4dGVzgtBhpPbjmvaWD.jpg","2013-03-05","شق في ذاكرة","ar",{"id":144,"adult":6,"title":145,"video":6,"overview":146,"softcore":6,"genre_ids":147,"popularity":149,"vote_count":8,"poster_path":150,"release_date":151,"vote_average":8,"backdrop_path":152,"original_title":145,"original_language":77},1636258,"Pêche Capitale","",[11,148],18,0.2449,"\u002Fv17s5BsVLXx3sGyKIrpZOjFHfx8.jpg","2024-11-06","\u002FyHChMzKvodSwAPEdvaNTjCIKVJr.jpg",{"id":154,"adult":6,"title":155,"video":6,"overview":156,"softcore":6,"genre_ids":157,"popularity":158,"vote_count":8,"poster_path":159,"release_date":146,"vote_average":8,"backdrop_path":45,"original_title":155,"original_language":46},1258440,"A Personal Fidget","Based upon a habitual fidget of the filmmaker involving the tags in his clothing, Reilly Mitchell explores the feelings of his past by removing something that has always stayed so close to him and turning it into something new.",[11],0.4101,"\u002FFP5BR4Ga25ew1mhQYEGINXRVx1.jpg",{"id":161,"adult":6,"title":162,"video":6,"overview":163,"softcore":6,"genre_ids":164,"popularity":165,"vote_count":8,"poster_path":166,"release_date":167,"vote_average":8,"backdrop_path":168,"original_title":162,"original_language":46},1052797,"G(ode)ard","An experimental tribute to Jean-Luc Godard, his documentary works and his insights in our modern world.",[11],0.4492,"\u002FmXfVzSE8ZAMuTIhThONH73qJ851.jpg","2022-09-28","\u002F85h2niGx2gezxcGkTxyZgVjePM5.jpg",{"id":170,"adult":6,"title":171,"video":6,"overview":172,"softcore":6,"genre_ids":173,"popularity":174,"vote_count":8,"poster_path":175,"release_date":176,"vote_average":8,"backdrop_path":45,"original_title":171,"original_language":46},1435790,"Shapeless Variations","A condensation of a handful of sunsets with various visual moods. Red and blue as opposites that still find a way to cohere. Concrete silhouettes over an ever-changing, expanding canvas. Every movement is collective, molecular. Over an invisible horizon, a chance presents itself to meditate on the “speed” of water (and the sea) and also for a more fluid kind of editing.",[11],0.448,"\u002FdrkizlmJBG64YI9gyIFB6qTNrsO.jpg","2025-03-30",{"id":178,"adult":6,"title":179,"video":6,"overview":180,"softcore":6,"genre_ids":181,"popularity":183,"vote_count":35,"poster_path":184,"release_date":185,"vote_average":33,"backdrop_path":186,"original_title":179,"original_language":46},1294607,"The Grey Machine","In 1921, an untitled text reminiscent of Edgar Allan Poe's writings was discovered in Boston. It was made by unknown creators, perhaps a techno-spiritualist cult of enthusiasts, for an automaton, that would attempt to model Poe's mind.",[182,11],27,0.5177,"\u002FA3ZqsgzoBSxysQiVQ9RneSdDToK.jpg","2025-02-01","\u002FAlFhwClvpum7leYHygMEWbM0wUK.jpg",{"id":188,"adult":6,"title":189,"video":6,"overview":190,"softcore":6,"genre_ids":191,"popularity":192,"vote_count":8,"poster_path":193,"release_date":194,"vote_average":8,"backdrop_path":195,"original_title":189,"original_language":196},1490525,"The Silenced Soil","Yos Suprapto, an artist who held an art exhibition at the Indonesian National Gallery entitled \"The Rise of Mother Earth for Food Sovereignty\". Unfortunately, this exhibition was canceled due to disagreements between the artist, curator, and gallery. This documentary will explore more deeply the major themes behind it, starting from criticism, history, Arts, and innovation in Indonesia.",[11],0.3726,"\u002Fs0y9u06UHUIRFHNyMyabeP2RNfX.jpg","2025-05-26","\u002FoGP4BhinFnlM5cGANfEtqAXOU20.jpg","id",{"id":198,"adult":6,"title":199,"video":6,"overview":200,"softcore":6,"genre_ids":201,"popularity":202,"vote_count":8,"poster_path":203,"release_date":204,"vote_average":8,"backdrop_path":45,"original_title":199,"original_language":46},1485288,"four of cups","“four of cups” is a film built around four symbolic objects, arranged through layered visuals and voice fragments.  it invites the viewer to feel their way through a still moment of introspection.",[110,11],0.426,"\u002FhfRAtkWSMcCpdvAgTAZYITZ1RHI.jpg","2025-05-09",{"id":206,"adult":6,"title":207,"video":6,"overview":208,"softcore":6,"genre_ids":209,"popularity":210,"vote_count":8,"poster_path":45,"release_date":146,"vote_average":8,"backdrop_path":45,"original_title":207,"original_language":94},1493274,"ovoscopia","The world through an unconventional lens.",[11],0.4216,{"id":212,"adult":6,"title":213,"video":6,"overview":214,"softcore":6,"genre_ids":215,"popularity":216,"vote_count":23,"poster_path":217,"release_date":218,"vote_average":219,"backdrop_path":220,"original_title":221,"original_language":222},1109747,"Stained Night","The light and the noise stain the dark night.",[11],0.3477,"\u002F2DrwEFX36cQMle4Ml98qeM1DMIy.jpg","2023-04-22",1.5,"\u002Fo5UntM8TKTW7XewMQxyWgobQmno.jpg","La noche manchada","xx",1001,20001,"This short film is part of Karpo Aćimović Godina's experimental and documentary work in 1970s Yugoslav cinema. It extends his interest in regional identities, minorities, and the visual traces left by different cultures on Yugoslav territory. The film offers a journey through examples of architecture, decor, and objects related to Islamic tradition in the former Yugoslavia, such as mosques, ornamental elements, and calligraphy. It explores how this art is embedded in the region's history and in the daily lives of the communities that produced it. It is an observational film, without a dramatic plot, functioning primarily as a \"visual essay\" on the material culture of Islam in a Balkan context. 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