[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1262934-en-US":3},{"detail":4,"match":314,"insight":315,"providers":316,"providerLink":25,"trailer":25},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":101,"revenue":8,"runtime":102,"similar":103,"tagline":22,"homepage":22,"overview":294,"softcore":6,"popularity":295,"vote_count":8,"poster_path":25,"release_date":296,"vote_average":8,"backdrop_path":25,"origin_country":297,"original_title":7,"watch\u002Fproviders":299,"spoken_languages":301,"original_language":304,"production_companies":306,"production_countries":311,"belongs_to_collection":25},1262934,false,"Wir haben lange geschwiegen",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":34},[18,27],{"id":19,"name":20,"adult":6,"order":8,"gender":8,"cast_id":21,"character":22,"credit_id":23,"popularity":24,"profile_path":25,"original_name":20,"known_for_department":26},4779843,"Horst Tiessler",14,"","66703220df555db361a652cc",0.0718,null,"Acting",{"id":28,"name":29,"adult":6,"order":30,"gender":8,"cast_id":31,"character":22,"credit_id":32,"popularity":33,"profile_path":25,"original_name":29,"known_for_department":26},12751,"Anita von Ow",1,15,"667032343d9da60060d1e019",0.0761,[35,43,46,50,55,61,70,76,80,85,87,94,96],{"id":36,"job":37,"name":38,"adult":6,"gender":8,"credit_id":39,"department":40,"popularity":41,"profile_path":25,"original_name":38,"known_for_department":42},4779820,"Writer","Sylvia Edwinsson","667030005c73ad7030547578","Writing",0.0772,"Directing",{"id":36,"job":44,"name":38,"adult":6,"gender":8,"credit_id":45,"department":42,"popularity":41,"profile_path":25,"original_name":38,"known_for_department":42},"Director","66702fd62b09314d625476f3",{"id":36,"job":47,"name":38,"adult":6,"gender":8,"credit_id":48,"department":49,"popularity":41,"profile_path":25,"original_name":38,"known_for_department":42},"Editor","66703020abd44b5fbf982b67","Editing",{"id":51,"job":47,"name":52,"adult":6,"gender":8,"credit_id":53,"department":49,"popularity":54,"profile_path":25,"original_name":52,"known_for_department":49},2560035,"Christine Hett","667030e14cfc345a67a655be",0.0627,{"id":56,"job":57,"name":58,"adult":6,"gender":8,"credit_id":59,"department":42,"popularity":60,"profile_path":25,"original_name":58,"known_for_department":42},4779837,"Second Unit First Assistant Director","Gisela Nowka","66703140083a73d14ba65952",0.0739,{"id":62,"job":63,"name":64,"adult":6,"gender":65,"credit_id":66,"department":67,"popularity":68,"profile_path":69,"original_name":64,"known_for_department":26},52059,"Music","Konstantin Wecker",2,"6670308915dcc5bbf0982ba8","Sound",0.38,"\u002FsOCySi1yNdgfWEx5h2HsAyS1kQr.jpg",{"id":71,"job":72,"name":73,"adult":6,"gender":8,"credit_id":74,"department":75,"popularity":60,"profile_path":25,"original_name":73,"known_for_department":75},4779835,"Director of Photography","Monica Ergert","667030a6c74d19b2a4266dd1","Camera",{"id":77,"job":67,"name":78,"adult":6,"gender":8,"credit_id":79,"department":67,"popularity":60,"profile_path":25,"original_name":78,"known_for_department":67},4779839,"Monika Heuser","6670315794dce82062267083",{"id":81,"job":44,"name":82,"adult":6,"gender":8,"credit_id":83,"department":42,"popularity":84,"profile_path":25,"original_name":82,"known_for_department":75},4779842,"Frauenfilmgruppe München","667031bf4a6625dfab54794b",0.0593,{"id":81,"job":37,"name":82,"adult":6,"gender":8,"credit_id":86,"department":40,"popularity":84,"profile_path":25,"original_name":82,"known_for_department":75},"667031d5135d3917f15475b4",{"id":88,"job":89,"name":90,"adult":6,"gender":65,"credit_id":91,"department":92,"popularity":93,"profile_path":25,"original_name":90,"known_for_department":92},1968965,"Producer","Peter Wohlgemuth","667030515c73ad7030547581","Production",0.0804,{"id":81,"job":72,"name":82,"adult":6,"gender":8,"credit_id":95,"department":75,"popularity":84,"profile_path":25,"original_name":82,"known_for_department":75},"667031ac04d8756ea9ec1de2",{"id":97,"job":63,"name":98,"adult":6,"gender":8,"credit_id":99,"department":67,"popularity":100,"profile_path":25,"original_name":98,"known_for_department":67},4779833,"Münchner Frauensonggruppe","66703076bd92f5cb16547884",0.077,"tt7422082",87,{"page":30,"results":104,"total_pages":292,"total_results":293},[105,116,127,139,149,157,167,176,185,195,202,213,223,231,240,249,258,266,275,286],{"id":106,"adult":6,"title":107,"video":6,"overview":108,"softcore":6,"genre_ids":109,"popularity":110,"vote_count":111,"poster_path":112,"release_date":113,"vote_average":114,"backdrop_path":25,"original_title":107,"original_language":115},454940,"Jane: An Abortion Service","This fascinating political look at a little-known chapter in women's history tells the story of \"Jane\", the Chicago-based women's health group who performed nearly 12,000 safe illegal abortions between 1969 and 1973 with no formal medical training. As Jane members describe finding feminism and clients describe finding Jane, archival footage and recreations mingle to depict how the repression of the early sixties and social movements of the late sixties influenced this unique group. Both vital knowledge and meditation on the process of empowerment, Jane: An Abortion Service showcases the importance of preserving women's knowledge in the face of revisionist history.  JANE: AN ABORTION SERVICE was funded by the Independent Television Service (ITVS) with funds provided by the Corporation for Public Broadcasting.",[11],0.3835,3,"\u002FwTU0sKp9J7BsTlwDit4iS48kJcI.jpg","1995-10-06",3.333,"en",{"id":117,"adult":6,"title":118,"video":6,"overview":119,"softcore":6,"genre_ids":120,"popularity":121,"vote_count":122,"poster_path":123,"release_date":124,"vote_average":125,"backdrop_path":126,"original_title":118,"original_language":115},280911,"Radical Harmonies","Interviews and performance footage are used to provide an overview of the women's music scene.",[11],0.2568,4,"\u002Frgxw0fD2KboM8kQyjgdu19rhc7e.jpg","2002-06-28",3.75,"\u002Fga63QY5qfabCD9KJIYGoVZt4Axu.jpg",{"id":128,"adult":6,"title":129,"video":6,"overview":130,"softcore":6,"genre_ids":131,"popularity":132,"vote_count":122,"poster_path":133,"release_date":134,"vote_average":135,"backdrop_path":136,"original_title":137,"original_language":138},460367,"The Prostitutes of Lyon Speak","Documentary about the Lyon sex workers who occupied the church of St. Nizier on June 3, 1975.",[11],1.0172,"\u002FpMpnIg8MljAvEcDaXwHmHbmxgTY.jpg","1975-01-01",7.75,"\u002FhNdMo1zIE4Xe2hsSEJGA9zoLLN2.jpg","Les Prostituées de Lyon parlent","fr",{"id":140,"adult":6,"title":141,"video":6,"overview":142,"softcore":6,"genre_ids":143,"popularity":144,"vote_count":30,"poster_path":145,"release_date":146,"vote_average":147,"backdrop_path":148,"original_title":141,"original_language":138},1575435,"Let Me Run","Let Me Run profiles six inspiring women, famous or anonymous, from yesterday or today, athletes or amateurs, who use sport to gain freedom, while tracing more than 150 years of women's struggle for access to sport.",[11],0.3597,"\u002FpXnNrE3Kq8BOy0ASJH8WNrpojeT.jpg","2025-11-20",8,"\u002Fx5FAotb0kl5mG3CBUTc3JJbbz3b.jpg",{"id":150,"adult":6,"title":151,"video":6,"overview":152,"softcore":6,"genre_ids":153,"popularity":154,"vote_count":8,"poster_path":155,"release_date":156,"vote_average":8,"backdrop_path":25,"original_title":151,"original_language":115},1022426,"Like a Prayer","Produced by the activist video collective ACT UP\u002FNY called DIVA TV (Damned Interfering Activist Television), this tape analyzes the collaborative demonstration \"Stop the Church\" by WHAM! (Women's Health Action and Mobilization) and ACT UP\u002FNY on December 10, 1990, against Cardinal John O'Connor and the Roman Catholic Church's murderous stand on abortion rights, safer sex, and homosexuality.",[11],0.2439,"\u002FdonNNLs4YuJcKlQ2Snr4jzarjiy.jpg","1990-01-01",{"id":158,"adult":6,"title":159,"video":6,"overview":160,"softcore":6,"genre_ids":161,"popularity":162,"vote_count":8,"poster_path":163,"release_date":164,"vote_average":8,"backdrop_path":25,"original_title":165,"original_language":166},647103,"Wordsmiths","Vārdotājas (Wordsmiths) traces the recent rise of women's stand-up comedy in Latvia, but it is by no means just for laughs. Feelings of discomfort, shame, shock, are just some of the subjects tackled.",[11],1.0312,"\u002FiDpPKklen1lojc3RX8OChrYkqON.jpg","2019-11-11","Vārdotājas","lv",{"id":168,"adult":6,"title":169,"video":6,"overview":170,"softcore":6,"genre_ids":171,"popularity":172,"vote_count":8,"poster_path":173,"release_date":174,"vote_average":8,"backdrop_path":175,"original_title":169,"original_language":138},1206537,"Women Don't Cycle","A film about what it means to be a woman cycling in different countries around the world. When Manon left to cycle from Brussels to Tokyo, she took a camera with her and met other women cyclists along the way. Hear their stories!",[11],0.1646,"\u002F6PDcUHNT12q0SW7v4OvYTf5Kqmt.jpg","2022-02-22","\u002Fpjek8zSqSILZyzVqN4bkYm0iWKL.jpg",{"id":177,"adult":6,"title":178,"video":6,"overview":179,"softcore":6,"genre_ids":180,"popularity":182,"vote_count":8,"poster_path":183,"release_date":184,"vote_average":8,"backdrop_path":25,"original_title":178,"original_language":115},1574931,"Raise Her Up: Celebrating a Century of Votes","Raise Her Up follows the historian, advocate, and artist creating a statue of Armine Gosling, marking 100 years of womens suffrage in Newfoundland.",[11,181],36,0.1266,"\u002Fhx9kEsWyJ9uAbnrMRiUcQuqvs4S.jpg","2025-10-25",{"id":186,"adult":6,"title":187,"video":6,"overview":188,"softcore":6,"genre_ids":189,"popularity":190,"vote_count":30,"poster_path":191,"release_date":192,"vote_average":193,"backdrop_path":194,"original_title":187,"original_language":115},467648,"The Feminist Library","The Feminist Library: A Short Film was made in support of the Save the Feminist Library Campaign, documenting a crucial moment in the library's herstory as it fights for its very survival. Shortlisted for the Women's History Network Community Prize, the film revisits the story of the library's inception and emphasises why feminism remains essential today.",[11],0.1535,"\u002FqIXBaL43VxKBxnprSQN7n7g8bcv.jpg","2016-09-17",10,"\u002F1Q5TX7rWIUN4f9J9fnevb50ILZk.jpg",{"id":196,"adult":6,"title":197,"video":6,"overview":22,"softcore":6,"genre_ids":198,"popularity":199,"vote_count":8,"poster_path":200,"release_date":22,"vote_average":8,"backdrop_path":25,"original_title":197,"original_language":201},1575702,"Tres mujeres, un camino",[11],0.648,"\u002F360NAAtsqA1POIB7MFhjU70XzSs.jpg","es",{"id":203,"adult":6,"title":204,"video":6,"overview":205,"softcore":6,"genre_ids":206,"popularity":207,"vote_count":208,"poster_path":209,"release_date":210,"vote_average":211,"backdrop_path":212,"original_title":204,"original_language":138},468653,"Ouaga Girls","A group of young women from Ouagadougou study at a girl school to become auto mechanics. The classmates become their port of safety, joy and sisterhood, all while they are going through the life changing transition into becoming adults in a country boiling with political changes. In a country with youth unemployment at 52 percent, jobs are a hot issue. The young girls at a mechanics school in Burkina Faso’s capital Ouagadougou are right in the middle of a crucial point in life when their dreams, hopes and courage are confronted with opinions, fears and society’s expectations of what a woman should be. Using interesting narrative solutions, Theresa Traore Dahlberg depicts their last school years and at the same time succeeds in showing the country’s violent past and present. This is a feature-film debut and coming-of-age film with much warmth, laughs, heartbreak and depth.",[11],0.852,6,"\u002Fghb0Wwi1otwb9snl5fRhvyzkQ06.jpg","2017-08-25",6.2,"\u002FrUkV3P86iNn4vfxpJwvQJje7q6S.jpg",{"id":214,"adult":6,"title":215,"video":6,"overview":216,"softcore":6,"genre_ids":217,"popularity":218,"vote_count":147,"poster_path":219,"release_date":220,"vote_average":221,"backdrop_path":222,"original_title":215,"original_language":115},302383,"Three Lives","Photographed by an all-female crew and directed by the author of Sexual Politics, these are autobiographical interiews with three very different women who talk frankly about their lives, conflicts, and contrasting life styles.",[11],0.149,"\u002FeryZ4g5GHhv9G7mEObxJFypBitv.jpg","1971-11-03",4.625,"\u002FzTl4jy17pMq7vFK4rPwyBJHIJSd.jpg",{"id":224,"adult":6,"title":225,"video":6,"overview":22,"softcore":6,"genre_ids":226,"popularity":227,"vote_count":8,"poster_path":228,"release_date":229,"vote_average":8,"backdrop_path":25,"original_title":225,"original_language":230},483019,"Primavera das Mulheres",[11],0.966,"\u002FieETaTPfnPU5dMI3HjzeA2Xef76.jpg","2017-10-15","pt",{"id":232,"adult":6,"title":233,"video":6,"overview":234,"softcore":6,"genre_ids":235,"popularity":236,"vote_count":8,"poster_path":237,"release_date":238,"vote_average":8,"backdrop_path":239,"original_title":233,"original_language":115},301715,"The End of Men","It used be that everyone knew what it meant to be a man. A man was rugged and reliable and got the job done. But then came the worst recession in 80 years. So what happens now that the job is gone? The End of Men is a compelling new documentary that takes a profound look at how men are coping with the evolving role of masculinity in today's world, where the old rules no longer apply.",[11],0.2095,"\u002FblymCFspZAZKyZdLW5Q8nix3lTT.jpg","2011-02-03","\u002F1B34KFTbBMHi2xsNidwKfRJCk4b.jpg",{"id":241,"adult":6,"title":242,"video":6,"overview":243,"softcore":6,"genre_ids":244,"popularity":245,"vote_count":30,"poster_path":246,"release_date":247,"vote_average":147,"backdrop_path":248,"original_title":242,"original_language":230},482232,"Repense o Elogio","A documentary that proposes a conversation about the way children are praised. While girls are often praised solely for their appearance, boys can receive compliments by highlighting their skills. \"Rethink the Praise\" reflects on the power of words and culture that has brought an imbalance in the way we commend our boys and girls.",[11],0.7409,"\u002FhnVYNWl1mioyU1xaWKH0jyZUGKv.jpg","2017-10-18","\u002FbwaSYEaTjLVKrh0zwkCWa8DVIkf.jpg",{"id":250,"adult":6,"title":251,"video":6,"overview":252,"softcore":6,"genre_ids":253,"popularity":254,"vote_count":65,"poster_path":255,"release_date":256,"vote_average":257,"backdrop_path":25,"original_title":251,"original_language":138},1036426,"Janette et filles","Janette Bertrand, 96, is at the time of the balance sheets. Where are the women, where is the fight for gender equality? An hour of History with a capital H and Love with a capital A, to not forget anything and, above all, never stop moving forward.",[11],0.4962,"\u002Fwad08AnHvrcbfhtGwDkD2TC7TPq.jpg","2022-10-12",9,{"id":259,"adult":6,"title":260,"video":6,"overview":22,"softcore":6,"genre_ids":261,"popularity":262,"vote_count":8,"poster_path":263,"release_date":264,"vote_average":8,"backdrop_path":265,"original_title":260,"original_language":138},1419783,"Nous, Jeunesse(s) d'Iran",[11],0.7343,"\u002FqYBtndnJKjWQecgOztYrPkucDpH.jpg","2024-04-21","\u002Fp2elCpUa801ozKjH25oGIYNLxLh.jpg",{"id":267,"adult":6,"title":268,"video":6,"overview":269,"softcore":6,"genre_ids":270,"popularity":271,"vote_count":8,"poster_path":272,"release_date":273,"vote_average":8,"backdrop_path":25,"original_title":268,"original_language":274},1590146,"Not  for Display","This documentary explores how Indian women are taught to conceal something as ordinary as their inner wear while drying it, hiding it under towels or behind doors. Through everyday moments and personal reflections, the film reveals how this small act of shame mirrors a much larger culture of policing women’s bodies and visibility.",[11],0.2104,"\u002FjlEzR0srYeVTgGBo24w1k3a3tqf.jpg","2018-10-07","hi",{"id":276,"adult":6,"title":277,"video":6,"overview":278,"softcore":6,"genre_ids":279,"popularity":280,"vote_count":281,"poster_path":282,"release_date":283,"vote_average":284,"backdrop_path":285,"original_title":277,"original_language":115},39239,"British Sounds","Jean-Luc Godard brings his firebrand political cinema to the UK, exploring the revolutionary signals in late '60s British society. Constructed as a montage of various disconnected political acts (in line with Godard's then appropriation of Soviet director Dziga Vertov's agitprop techniques), it combines a diverse range of footage, from students discussing The Beatles to the production line at the MG factory in Oxfordshire, burnished with onscreen political sloganeering.",[11],0.9379,28,"\u002FxFPT9FwpmZvZZGN4wcsnJJb0DeO.jpg","1970-05-21",5.232,"\u002FhhzYhuvFvvQ675Wwi0CWkmbp17Z.jpg",{"id":287,"adult":6,"title":288,"video":6,"overview":22,"softcore":6,"genre_ids":289,"popularity":290,"vote_count":8,"poster_path":291,"release_date":22,"vote_average":8,"backdrop_path":25,"original_title":288,"original_language":201},1026907,"Noche de agosto sin luz",[11],0.195,"\u002F7E3nJPsG4taRuIKrS6lbjJkhK4U.jpg",11670,233389,"After a woman’s silent rage erupts into a fight post-coitus, a women’s group analyzes her refusal to stay passive. Another scene shows a woman’s despair when her lover misses their meeting, prompting the group to reject passive waiting. Together, they combat issues like rape, prostitution, and abortion rights (§218) to reclaim self-determination.",0.1864,"1975-01-04",[298],"DE",{"results":300},{},[302],{"name":303,"iso_639_1":304,"english_name":305},"Deutsch","de","German",[307],{"id":308,"name":309,"logo_path":310,"origin_country":298},665,"Hochschule für Fernsehen und Film München","\u002FbUomMJoEX2W7XpgvNeWswCFKzrW.png",[312],{"name":313,"iso_3166_1":298},"Germany",45,"A documentary story that tends to land well.",[]]