[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1263581-en-US":3},{"detail":4,"match":234,"insight":235,"providers":236,"providerLink":50,"trailer":50},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":28,"revenue":8,"runtime":29,"similar":30,"tagline":36,"homepage":222,"overview":223,"softcore":6,"popularity":224,"vote_count":8,"poster_path":225,"release_date":226,"vote_average":8,"backdrop_path":50,"origin_country":227,"original_title":7,"watch\u002Fproviders":229,"spoken_languages":231,"original_language":52,"production_companies":232,"production_countries":233,"belongs_to_collection":50},1263581,false,"The Red Gate: Magellan at the Gates of Death, Part I",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19],{"id":20,"job":21,"name":22,"adult":6,"gender":23,"credit_id":24,"department":25,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},1092209,"Director","Hollis Frampton",2,"65feefb3226c5601646fdd06","Directing",0.6429,"\u002F94kbHx8NNf5WlZZlq6F94coSmyL.jpg","tt7502952",52,{"page":31,"results":32,"total_pages":220,"total_results":221},1,[33,44,53,62,70,78,90,98,108,118,128,138,148,157,166,177,186,195,203,212],{"id":34,"adult":6,"title":35,"video":6,"overview":36,"softcore":6,"genre_ids":37,"popularity":40,"vote_count":8,"poster_path":41,"release_date":36,"vote_average":8,"backdrop_path":42,"original_title":35,"original_language":43},1444474,"Celina y Chichi","",[11,38,39],35,12,0.8097,"\u002FmOWCaBqcFCkwo6u1V48X0qoZMdn.jpg","\u002FxoHWcZNAVGIqxdoDm6BOCzBHHgE.jpg","es",{"id":45,"adult":6,"title":46,"video":6,"overview":47,"softcore":6,"genre_ids":48,"popularity":49,"vote_count":8,"poster_path":50,"release_date":51,"vote_average":8,"backdrop_path":50,"original_title":46,"original_language":52},1444285,"Between Tides","a sensorial journey  on a scottish island  reminding us of the connection  between the living  questioning our relationship  to the sea and to the land",[11],1.434,null,"2023-11-08","en",{"id":54,"adult":6,"title":55,"video":6,"overview":56,"softcore":6,"genre_ids":57,"popularity":58,"vote_count":8,"poster_path":59,"release_date":60,"vote_average":8,"backdrop_path":61,"original_title":55,"original_language":52},1246089,"No Exorcism Film","As one robotic voice recounts nightmarish returns to Thailand, another seeks to console.",[11],0.8919,"\u002FgwVE2aCKbUXTLhndd49kSIg6b4I.jpg","2024-03-13","\u002FjBEENsSsWpc2WGZlDkvqouRNYd3.jpg",{"id":63,"adult":6,"title":64,"video":6,"overview":36,"softcore":6,"genre_ids":65,"popularity":66,"vote_count":8,"poster_path":67,"release_date":68,"vote_average":8,"backdrop_path":50,"original_title":64,"original_language":69},1247280,"Efêmero",[11],0.9488,"\u002F8YUzA3vmvTMFQFKvsW9Cjp4Ay28.jpg","2023-03-01","pt",{"id":71,"adult":6,"title":72,"video":6,"overview":36,"softcore":6,"genre_ids":73,"popularity":74,"vote_count":8,"poster_path":75,"release_date":36,"vote_average":8,"backdrop_path":76,"original_title":72,"original_language":77},1647006,"Bronze bust, digital guard",[11],0.8678,"\u002Fldiq8jZl5hsAK1WsYgMSd4D2MKT.jpg","\u002FBzig5oyOEZC11NrVKYHuK83uKQ.jpg","de",{"id":79,"adult":6,"title":80,"video":6,"overview":81,"softcore":6,"genre_ids":82,"popularity":83,"vote_count":31,"poster_path":84,"release_date":85,"vote_average":86,"backdrop_path":87,"original_title":88,"original_language":89},1646934,"A tree is a tree","Old Tjikko: a 9.550 years old tree standing alone in the Swedish tundra. Surtsey: an island born only 63 years ago on the coast of Iceland. Lotus Gomeritus: the last and only known specimen of a plant species discovered in the Canary Islands. Through these three main subjects of observation, and many other images collected through a process that took over ten years, photographer Aleix Plademunt and filmmaker Carlos Marques-Marcet set up a meditation on how we construct our world through looking and the complex relationship between images and the spoken language.",[11],1.1848,"\u002F1l9zRvnV1slfIXeTBGVeuAEteFT.jpg","2026-03-06",10,"\u002Fe50RGAKlBwAVmYvHB9XtH0zILoy.jpg","Un arbre és un arbre","ca",{"id":91,"adult":6,"title":92,"video":6,"overview":93,"softcore":6,"genre_ids":94,"popularity":96,"vote_count":8,"poster_path":97,"release_date":36,"vote_average":8,"backdrop_path":50,"original_title":92,"original_language":52},1647359,"Schizoaffreaktive","Snippets of the life and happenings of a transsexual schizoaffective \"human\"-dog",[11,95],18,0.4197,"\u002FtMqbj4PEG09OyJfZMWsB5oLA3Q8.jpg",{"id":99,"adult":6,"title":100,"video":6,"overview":101,"softcore":6,"genre_ids":102,"popularity":103,"vote_count":23,"poster_path":104,"release_date":105,"vote_average":106,"backdrop_path":107,"original_title":100,"original_language":52},503111,"Chris and Bernie","The story of two young single mothers who join forces to make a new kind of family unit for themselves and their children.",[11],1.0297,"\u002FsYY9ZXtYf6fEYxURXmiQjYvwkVF.jpg","1975-02-05",7.5,"\u002F2lGXGsjCfg4Rm7DVeChJI8fF5EQ.jpg",{"id":109,"adult":6,"title":110,"video":6,"overview":111,"softcore":6,"genre_ids":112,"popularity":113,"vote_count":8,"poster_path":114,"release_date":115,"vote_average":8,"backdrop_path":50,"original_title":116,"original_language":117},1260528,"Track_ing","A set of 500*500 pixel boxes analyzes a group of image data produced on a train—a train running between Korea and Kazakhstan. Mostly, the detection process appears to be random. However, despite the incoherency, the boxes can generate an output, a story that can make sense.",[11],0.7633,"\u002FkoluRVl5R7JiWGCUK1TlHtHx0zz.jpg","2024-05-03","트랙_잉","ko",{"id":119,"adult":6,"title":120,"video":6,"overview":121,"softcore":6,"genre_ids":122,"popularity":123,"vote_count":8,"poster_path":124,"release_date":125,"vote_average":8,"backdrop_path":126,"original_title":127,"original_language":69},1647820,"Between the Days","An independent Brazilian band sets out on two international tours at different moments in time. Shaped by hardships and unexpected detours, the narratives intertwine, creating intense sensory experiences. Featuring footage captured by the band themselves, Between the Days is gueersh’s journey through South American underground.",[11],0.7151,"\u002F5QB0bo8ACcDcyTrf9Qwcm4nbe0A.jpg","2026-02-28","\u002FkZT7AxjpZz1O1lal4SCulw2JbF5.jpg","Entre os Dias",{"id":129,"adult":6,"title":130,"video":131,"overview":132,"softcore":6,"genre_ids":133,"popularity":134,"vote_count":8,"poster_path":135,"release_date":136,"vote_average":8,"backdrop_path":137,"original_title":130,"original_language":43},1081016,"In Ictu Oculi",true,"A good feast in the countryside.",[11],0.8207,"\u002Fr0II54CnFhfiUBpLzZpOW1gzEA.jpg","2009-01-31","\u002FreAnd3TL2Ob9IFgExQ17yCWhUJM.jpg",{"id":139,"adult":6,"title":140,"video":6,"overview":141,"softcore":6,"genre_ids":142,"popularity":143,"vote_count":8,"poster_path":144,"release_date":145,"vote_average":8,"backdrop_path":146,"original_title":147,"original_language":43},1260786,"Dreamed to sea","A monster that lives in the darkest part of the sea, a dreamlike representation of the journey towards the depths of something that one wants to avoid and that is finally faced.",[11,95],0.6331,"\u002FnQNVm3WrSQeLKc3CSz0RxS4bxMM.jpg","2023-11-16","\u002FyMiCjyU1yHuyCslukQ4rAoPNwZi.jpg","Soñé con el mar",{"id":149,"adult":6,"title":150,"video":6,"overview":151,"softcore":6,"genre_ids":152,"popularity":153,"vote_count":31,"poster_path":154,"release_date":155,"vote_average":86,"backdrop_path":156,"original_title":150,"original_language":52},1078715,"The Pleasure in Pain","A short film that follows key figures of the London kink scene on an exploration into BDSM and the notorious fetish event Klub Verboten. The film touches upon themes of psychology, trauma, LGBTQ+ rights and black representation.",[11],0.9572,"\u002Fjzbb4efPXpGh0RQof4wGAZXOl4a.jpg","2022-12-15","\u002FaDbJujMZsR3FVwwTqrCPdueef4X.jpg",{"id":158,"adult":6,"title":159,"video":6,"overview":160,"softcore":6,"genre_ids":161,"popularity":162,"vote_count":8,"poster_path":163,"release_date":164,"vote_average":8,"backdrop_path":165,"original_title":159,"original_language":52},1078995,"Quiet Remains","A quasi-documentary look at how certain things fit together. This film embraces an unhurried tempo.",[11],0.561,"\u002FbIZbqnvquKZdtMDCTXd4Jgz2OAX.jpg","2020-12-02","\u002Fpw1DrVUK4bYRsHv0z7aNPxmsB5u.jpg",{"id":167,"adult":6,"title":168,"video":6,"overview":169,"softcore":6,"genre_ids":170,"popularity":171,"vote_count":8,"poster_path":172,"release_date":173,"vote_average":8,"backdrop_path":174,"original_title":175,"original_language":176},882579,"Happy Life","In this anxious and hectic time, Happy Life explores those unusual outlets that soothe the turmoil of the body and mind. In a meditative journey through these analgesic places, this documentary essay paints a portrait of a society in seek of meaning and relief.",[11],0.8828,"\u002F22MHGcVPp69GraQDKv4Cv1T80gZ.jpg","2021-10-07","\u002FncuCUSrbZl0XZUj16t4ANP49O3w.jpg","La vie heureuse","fr",{"id":178,"adult":6,"title":179,"video":6,"overview":180,"softcore":6,"genre_ids":181,"popularity":182,"vote_count":31,"poster_path":183,"release_date":184,"vote_average":185,"backdrop_path":50,"original_title":179,"original_language":52},316401,"At the Academy","A found-footage film made entirely from Academy leader, which is normally used to cue the start of films. The film was hand-printed on a home-made contact printer. It was rolled back and re-printed several times over, to create a complex layering of both image and sound.",[11],0.4273,"\u002F27CARAoZrKAitlm98DZeGA1iO9H.jpg","1974-01-01",5,{"id":187,"adult":6,"title":188,"video":6,"overview":189,"softcore":6,"genre_ids":190,"popularity":191,"vote_count":8,"poster_path":192,"release_date":193,"vote_average":8,"backdrop_path":50,"original_title":194,"original_language":69},1259311,"Lament to Waters","May our smiles not be forced for your enjoyment and may our pains no longer be hidden. May my mother Yemanja help me. A short film about the pain we carry alone and that we only confess to the sea, which is life, but for us, black people from the diaspora, it's also a memory of a past of sadness and death.",[11],0.7902,"\u002F6WNCIRAQPRbX1n5S5LmiskqmwcD.jpg","2023-11-18","Lamento às Águas",{"id":196,"adult":6,"title":197,"video":6,"overview":198,"softcore":6,"genre_ids":199,"popularity":200,"vote_count":8,"poster_path":201,"release_date":202,"vote_average":8,"backdrop_path":50,"original_title":197,"original_language":52},1250274,"That is the Silence","You must once in a while uproot yourself from the daily routine to better see what doesn’t serve you anymore - not to run away from but to get closer to yourself.",[11],0.6659,"\u002FnOBhdvLZ6PpOZJDGGyLlIPrMIZX.jpg","2023-12-01",{"id":204,"adult":6,"title":205,"video":6,"overview":206,"softcore":6,"genre_ids":207,"popularity":208,"vote_count":31,"poster_path":209,"release_date":210,"vote_average":86,"backdrop_path":211,"original_title":205,"original_language":69},1250495,"Próxima Parada","Experimental documentary that poetically exposes the reality of public transport in the city of Curitiba.",[11],1.2152,"\u002FmnPzTHipH2bPStUOGE6UmaGmosE.jpg","2024-02-28","\u002FkNuhicREEEmr30UDSpVijZtHX46.jpg",{"id":213,"adult":6,"title":214,"video":6,"overview":215,"softcore":6,"genre_ids":216,"popularity":217,"vote_count":8,"poster_path":218,"release_date":219,"vote_average":8,"backdrop_path":50,"original_title":214,"original_language":52},1250389,"beer cans under my bed","This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.",[95,11],0.4202,"\u002FkGoyUa4Amw29NUX9VIfozuLa1TK.jpg","2024-03-08",1001,20001,"https:\u002F\u002Ffilm-makerscoop.com\u002Fcatalogue\u002Fhollis-frampton-red-gate-the-magellan-at-the-gates-of-death-part","\"In the final format for MAGELLAN, Frampton had planned to disassemble these two films into twenty-four 'encounters with death' that were to be shown in five-minute segments twice a month. In their present state, seen together and roughly the length of an average feature film, the two parts of MAGELLAN: AT THE GATES OF DEATH constitute perhaps the most gripping, monumental, and wrenching work ever executed on film...Frampton in 1971 began his filming of cedavers at the Gross Anatomy Lab at the University of Pittsburgh. He returned to the lab four times over the course of the next two years and then spent nine months assembling his 'forbidden imagery' into an extraordinary meditation upon death.\"–Bruce Jenkins",0.6859,"\u002F2yjRy9KiwZkJH2lRryr3nHCmA0O.jpg","1976-01-01",[228],"US",{"results":230},{},[],[],[],45,"A documentary story that tends to land well.",[]]