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Artists flocked to the region to create frescoes, sculpture, and luxurious objects in gold, silver, and glass for villa owners as well as residents of Pompeii and other towns in the shadow of Vesuvius. 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Motherwell recollects the state of American art in the 1940s and the impact of European emigré painters on the younger generation of emerging artists. He discusses the significance of collage, or papier collée, as an artist's medium and explains how he first became involved with this process. Motherwell offers his interpretations of earlier directions in art and his response to the object oriented painting that emerged in America in the 1960s. A unique document of one of the founding members of the New York School. He died in 1991.",[11],0.1215,"\u002F7hpQTmzIEQm2W4nqMkgFWgx8GDu.jpg","1972-01-01",{"id":234,"adult":6,"title":235,"video":6,"overview":236,"softcore":6,"genre_ids":237,"popularity":238,"vote_count":8,"poster_path":239,"release_date":240,"vote_average":8,"backdrop_path":140,"original_title":235,"original_language":217},613091,"Christo: Works in Progress","“Christo: Works in Progress” takes us around the world on a showcase of the artist’s grand environmental installations. With both critique and praise from members of the communities that have hosted Christo and his works, the film takes a deep look into the process and outcome of pieces such as Wrapped Coast, Running Fence, and Wrapped Walkways. While discussing his inspirations and motives, Christo states, “The work of art is not the fabric, steel poles and cable, the work of art is the hills and the ocean, the sky, the gates, the rocks, the people, the light- this is the work of art.” (Christo Vladimirov Javacheff) Though his work may appear to be visually distracting from the landscapes he creates in, Christo’s aim is to bring attention to the land itself and encourage people to take note of their surroundings.",[11],0.2148,"\u002FkeWma3Cgq8hNypNXJ637Qzeo0dL.jpg","1974-01-01",{"id":242,"adult":6,"title":243,"video":6,"overview":244,"softcore":6,"genre_ids":245,"popularity":246,"vote_count":104,"poster_path":247,"release_date":248,"vote_average":249,"backdrop_path":140,"original_title":243,"original_language":217},261266,"A Test of Violence","Stuart Cooper's short about the work of Spanish artist Juan Genovés is an inspired introduction to the works of this extraordinary artist, exploring its minimalist aesthetic and storytelling qualities through a variety of cinematic techniques, including rostrum, animation, news footage and live action recreations.",[11],0.1914,"\u002F29DX7GLNwdNnwN6A4Se9AtLlgNG.jpg","1969-01-01",6.6,{"id":251,"adult":6,"title":252,"video":6,"overview":253,"softcore":6,"genre_ids":254,"popularity":255,"vote_count":31,"poster_path":256,"release_date":257,"vote_average":70,"backdrop_path":140,"original_title":258,"original_language":217},459656,"Max Ernst: Journey into the Subconscious","The inner world of the great painter Max Ernst is the subject of this film. One of the principal founders of Surrealism, Max Ernst explores the nature of materials and the emotional significance of shapes to combine with his collages and netherworld canvases. The director and Ernst together use the film creatively as a medium to explain the artist's own development.",[11],0.2195,"\u002F9cI1XOP9BXzndnYhg02mdtf0CgU.jpg","1964-01-01","Max Ernst - Entdeckungsfahrten ins Unbewußte",{"id":260,"adult":6,"title":261,"video":6,"overview":262,"softcore":6,"genre_ids":263,"popularity":264,"vote_count":70,"poster_path":265,"release_date":266,"vote_average":267,"backdrop_path":268,"original_title":261,"original_language":206},1378947,"Tracing Light","Light is a fascinating phenomenon. Without light, there would be no cinema, no film – and no life. So light is at the origin of everything, and yet it remains invisible to the eye until it hits matter. This moment is – quite literally – the starting point of Thomas Riedelsheimer’s latest work, for the springtime spectacle of rainbow shreds in the cinematographer and documentary filmmaker’s flat became the starting point of a search for the origin of the images we form of this world. For this quest he dived deep into two spheres that seem to follow different laws but always strive to fathom the magical: physics and art.",[11],0.2387,"\u002F4y6DyW4Xob2UYoqvEE5aEVN0AJN.jpg","2025-01-16",5.7,"\u002F9gcrbOMj51rg4lVkqauPlK4iX4F.jpg",{"id":270,"adult":6,"title":271,"video":6,"overview":272,"softcore":6,"genre_ids":273,"popularity":274,"vote_count":46,"poster_path":140,"release_date":275,"vote_average":276,"backdrop_path":140,"original_title":271,"original_language":217},282238,"Fried Shoes Cooked Diamonds","After World War II a group of young writers, outsiders and friends who were disillusioned by the pursuit of the American dream met in New York City. Associated through mutual friendships, these cultural dissidents looked for new ways and means to express themselves. Soon their writings found an audience and the American media took notice, dubbing them the Beat Generation. Members of this group included writers Jack Kerouac, William Burroughs, Allen Ginsberg. a trinity that would ultimately influence the works of others during that era, including the \"hippie\" movement of the '60s.  In this 55-minute video narrated by Allen Ginsberg, members of the Beat Generation (including the aforementioned Burroughs, Anne Waldman, Peter Orlovsky, Amiri Baraka, Diane Di Prima, and Timothy Leary) are reunited at Naropa University in Boulder, CO during the late 1970's to share their works and influence a new generation of young American bohemians.",[11],0.2542,"1979-10-01",7.667,{"id":278,"adult":6,"title":279,"video":6,"overview":280,"softcore":6,"genre_ids":281,"popularity":282,"vote_count":8,"poster_path":283,"release_date":284,"vote_average":8,"backdrop_path":140,"original_title":279,"original_language":217},1190360,"David Hockney: The Art of Seeing","Andrew Marr interviews David Hockney about his exhibition A Bigger Picture at the Royal Academy, made up of works depicting the landscape of his native Yorkshire.",[11],0.2763,"\u002FiDeedNa0fgiadGxwyNKXOJbBQXO.jpg","2012-02-27",{"id":286,"adult":6,"title":287,"video":6,"overview":288,"softcore":6,"genre_ids":289,"popularity":290,"vote_count":46,"poster_path":291,"release_date":292,"vote_average":276,"backdrop_path":140,"original_title":287,"original_language":217},458065,"A Day on the Grand Canal with the Emperor of China or: Surface Is Illusion But So Is Depth","Director Philip Haas and artist David Hockney invite you to join them on a magical journey through China via a marvelous 72-foot long 17th-century Chinese scroll entitled The Kangxi Emperor's Southern Inspection Tour (1691-1698), scroll seven . As Hockney unrolls the beautiful and minutely detailed work of art, he traces the Emperor Kangxi’s second tour of his southern empire in 1689.",[11],0.379,"\u002F58za7pWlTDFr0wGGu4fFHRxKxxz.jpg","1988-03-18",{"id":294,"adult":6,"title":295,"video":6,"overview":296,"softcore":6,"genre_ids":297,"popularity":298,"vote_count":21,"poster_path":299,"release_date":300,"vote_average":96,"backdrop_path":140,"original_title":295,"original_language":217},458069,"Magicians of the Earth: Kings of the Water","Cyprien Tokoudagba is from the city of Abomey in the Benin Republic of West Africa, where he paints the religious houses of the vodun. Haas and his film crew follow Cyprien as he first paints and then takes part in the ceremony to open a new temple. The paintings include three vodun figures and several emblems, including a pipe and a duck. Cyprien explains his work in the context of the religion and takes the crew to film two other local ceremonies, one where the dead are believed to come back to instruct the living through wild dancing and, another, where women warriors perform their war dances.",[11],0.2977,"\u002FsbabZgVIQuTGHhO1MBl77AYJkGd.jpg","1991-06-04",{"id":302,"adult":6,"title":303,"video":6,"overview":23,"softcore":6,"genre_ids":304,"popularity":305,"vote_count":8,"poster_path":306,"release_date":307,"vote_average":8,"backdrop_path":308,"original_title":303,"original_language":309},634460,"Les chiens-loups",[11],0.1443,"\u002F3lZOEMoxTIJgtRTBEezJ5304Hfn.jpg","2019-10-26","\u002FzU5a0B7G7yRfTtE3C1bet6yNVkH.jpg","fr",{"id":311,"adult":6,"title":312,"video":6,"overview":313,"softcore":6,"genre_ids":314,"popularity":315,"vote_count":8,"poster_path":316,"release_date":317,"vote_average":8,"backdrop_path":140,"original_title":312,"original_language":217},990143,"Artpark People","Encouraging visitors to engage and connect with on site artist's, Artpark provides a unique environment for those craving culture away from the whirring city. Located in Lewiston, New York the outdoor venue opens itself to artists, musicians and performers seeking a spot to reflect and create. During the summer seasons Artpark serves as an immersive experience, inviting the public to observe the artists as they work. Artpark People observes the vibrant scene and captures candid interactions between artist and onlookers. With a heavy emphasis on outdoor space and environmental influence, Artpark asserts itself as a cultural and communal haven for creatives.",[11],0.1797,"\u002FvkgqVqD8G6GjXJz8M3nQQrged1n.jpg","1976-01-01",{"id":319,"adult":6,"title":320,"video":6,"overview":321,"softcore":6,"genre_ids":322,"popularity":323,"vote_count":8,"poster_path":140,"release_date":324,"vote_average":8,"backdrop_path":325,"original_title":320,"original_language":217},264308,"This Is Not a Dream","The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance.  Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.",[11],0.5959,"2012-10-20","\u002FgXeHVH1ddXY3etArApleSf0Mguq.jpg",{"id":327,"adult":6,"title":328,"video":6,"overview":329,"softcore":6,"genre_ids":330,"popularity":331,"vote_count":8,"poster_path":332,"release_date":333,"vote_average":8,"backdrop_path":140,"original_title":328,"original_language":217},441033,"Schama on Rembrandt: Masterpieces of the Late Years","Simon Schama explains the style, theme and concept of Rembrandt's late masterpieces.",[11],0.2164,"\u002F8TWsLf0xWwiK1dZ19w9Zl3qDOvA.jpg","2014-10-18",{"id":335,"adult":6,"title":336,"video":6,"overview":337,"softcore":6,"genre_ids":338,"popularity":339,"vote_count":21,"poster_path":340,"release_date":23,"vote_average":96,"backdrop_path":341,"original_title":336,"original_language":217},1368144,"Margaret Kilgallen: Heroines","\"I especially hope to inspire young women, because I often feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change the emphasis of what's important when looking at a woman.\"  Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen's heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival  recordings. 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This movie is like a suburban western movie; the boxer and the painting dancing the communal square dance together, in life and death, the meeting-match between Artaserse and an allegorical and remorseless art world, and more generically, the battle of all the colorful characters, appearing throughout.",[11,22],0.2474,"\u002FptjKcNW5N2VcE8Pr8UVkDG27DGM.jpg","2020-01-24","\u002Fr5z82LCB1OGGK9fY51YJnxi10b5.jpg","it",{"id":353,"adult":6,"title":354,"video":6,"overview":355,"softcore":6,"genre_ids":356,"popularity":357,"vote_count":8,"poster_path":358,"release_date":359,"vote_average":8,"backdrop_path":360,"original_title":354,"original_language":361},623940,"Altamira: el origen del arte","A documentary to 'rediscover' the so called Sistine Chapel of Rock Art and to tell the story of the discovery of a cave and some paintings that astonished the world 138 years ago. Filming this documentary lead its director, José Luis López Linares, through many rock caves around the world, grasping information about the life of the Magdalenian man -who lived twenty thousand years ago- and about an art form, the paintings, that make Altamira \"the Prado museum of prehistory\".",[11],0.3944,"\u002F83DUiUfosC7vqW0Hvyiw0nGkhSs.jpg","2018-10-23","\u002Fj29Ow6nvx8KTUlEpaVmvQ7FjOUX.jpg","es",{"id":363,"adult":6,"title":364,"video":6,"overview":365,"softcore":6,"genre_ids":366,"popularity":367,"vote_count":70,"poster_path":368,"release_date":369,"vote_average":370,"backdrop_path":140,"original_title":364,"original_language":217},272285,"Meat Joy","\"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City.\"",[11],0.1565,"\u002Fcg35YWMrooFnoezwFy4KcKwIizi.jpg","1964-05-29",6.667,11426,228513,0.2567,"\u002FaE6xwLcIgjliu9haTbRfiN27a0h.jpg","2017-11-18",6.1,[378],"PT",{"results":380},{},[382],{"name":383,"iso_639_1":384,"english_name":385},"Português","pt","Portuguese",[],[],45,"A documentary story that tends to land well.",[]]