[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-128892-en-US":3},{"detail":4,"match":299,"insight":300,"providers":301,"providerLink":25,"trailer":25},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":90,"revenue":8,"runtime":91,"similar":92,"tagline":109,"homepage":109,"overview":277,"softcore":6,"popularity":278,"vote_count":32,"poster_path":279,"release_date":280,"vote_average":281,"backdrop_path":25,"origin_country":282,"original_title":7,"watch\u002Fproviders":284,"spoken_languages":286,"original_language":105,"production_companies":289,"production_countries":296,"belongs_to_collection":25},128892,false,"Nine, Dalmuir West",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":27},[18],{"id":19,"name":20,"adult":6,"order":8,"gender":8,"cast_id":21,"character":22,"credit_id":23,"popularity":24,"profile_path":25,"original_name":20,"known_for_department":26},5625597,"Paul Dickson",5,"Narrator","689df2d3f679f1f9808ec5ef",0.0268,null,"Acting",[28,37,44,51,57,63,71,74,77,85,88],{"id":29,"job":30,"name":31,"adult":6,"gender":32,"credit_id":33,"department":34,"popularity":35,"profile_path":36,"original_name":31,"known_for_department":34},228856,"Director","Kevin Brownlow",2,"52fe4b2dc3a368484e17bb0d","Directing",0.3676,"\u002F2SI8QTnTVgxfH5DSQnaHTmpTzog.jpg",{"id":38,"job":39,"name":40,"adult":6,"gender":8,"credit_id":41,"department":42,"popularity":43,"profile_path":25,"original_name":40,"known_for_department":42},1908652,"Producer","Prince Marshall","689e3e99a1ebf014ce2695e4","Production",0.2393,{"id":45,"job":46,"name":47,"adult":6,"gender":8,"credit_id":48,"department":49,"popularity":8,"profile_path":25,"original_name":47,"known_for_department":50},568423,"Sound Editor","Susan Michie","689e3f157335a303ce6d81c3","Sound","Editing",{"id":52,"job":53,"name":54,"adult":6,"gender":8,"credit_id":55,"department":49,"popularity":56,"profile_path":25,"original_name":54,"known_for_department":42},4210696,"Sound Recordist","Joanna Roeber","689e3f5216d37b39a48ec4c6",0.3408,{"id":58,"job":59,"name":60,"adult":6,"gender":8,"credit_id":61,"department":49,"popularity":62,"profile_path":25,"original_name":60,"known_for_department":26},1797073,"Music","Joe Meek","689e3f7a497941efc61a3d2c",0.226,{"id":64,"job":65,"name":66,"adult":6,"gender":8,"credit_id":67,"department":68,"popularity":69,"profile_path":25,"original_name":66,"known_for_department":70},5625594,"Script","George Behrend","689e3fa5dc9000477cb715c6","Crew",0.0243,"Writing",{"id":29,"job":72,"name":31,"adult":6,"gender":32,"credit_id":73,"department":68,"popularity":35,"profile_path":36,"original_name":31,"known_for_department":34},"Cinematography","689e3fc1dc60600e6a8dbed3",{"id":29,"job":75,"name":31,"adult":6,"gender":32,"credit_id":76,"department":50,"popularity":35,"profile_path":36,"original_name":31,"known_for_department":34},"Editor","689e400e16d37b39a48ec4eb",{"id":78,"job":79,"name":80,"adult":6,"gender":32,"credit_id":81,"department":82,"popularity":83,"profile_path":84,"original_name":80,"known_for_department":70},72810,"Additional Camera","Mamoun Hassan","689e406c2a1796a6851a3f13","Camera",0.1198,"\u002FuS4JnxmuG03CprpXSdWKIbeTDWX.jpg",{"id":29,"job":86,"name":31,"adult":6,"gender":32,"credit_id":87,"department":70,"popularity":35,"profile_path":36,"original_name":31,"known_for_department":34},"Writer","689e41976c45426dd35d2b03",{"id":64,"job":86,"name":66,"adult":6,"gender":8,"credit_id":89,"department":70,"popularity":69,"profile_path":25,"original_name":66,"known_for_department":70},"689e41a92ac418bf515e4e2b","tt0407047",12,{"page":93,"results":94,"total_pages":275,"total_results":276},1,[95,106,117,128,136,145,153,162,171,178,188,198,204,211,220,229,239,250,258,266],{"id":96,"adult":6,"title":97,"video":6,"overview":98,"softcore":6,"genre_ids":99,"popularity":100,"vote_count":8,"poster_path":101,"release_date":102,"vote_average":8,"backdrop_path":103,"original_title":104,"original_language":105},1391234,"Fragmentary","In an attempt to represent reality, the boundary between life and art blurs between fragmentary images of someone and the praxis of an essay film.",[11],0.1762,"\u002F2shhBnXXcgHuJnpbslvKan2kAxP.jpg","2024-11-25","\u002FpSeabIoOTAWzoEjbj5JEqJnq5QS.jpg","Fragmentária","en",{"id":107,"adult":6,"title":108,"video":6,"overview":109,"softcore":6,"genre_ids":110,"popularity":111,"vote_count":93,"poster_path":112,"release_date":113,"vote_average":114,"backdrop_path":115,"original_title":108,"original_language":116},1391235,"Omniac","",[11],0.1266,"\u002F1q6GdXjQ1LW2btIie2q8syA8Tjd.jpg","2023-12-05",10,"\u002FrBPG2HvEUPeFmm0pxkKdLpRton4.jpg","pt",{"id":118,"adult":6,"title":119,"video":6,"overview":120,"softcore":6,"genre_ids":121,"popularity":123,"vote_count":93,"poster_path":124,"release_date":125,"vote_average":126,"backdrop_path":127,"original_title":119,"original_language":116},1029943,"Memory","Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.",[11,122],10402,0.5359,"\u002FpCBy8Y1PB0IqugVOENAoFCQ2Z8H.jpg","2007-01-01",4,"\u002F7vCksrXyMn6IXUv4TpHN7Q4H8ic.jpg",{"id":129,"adult":6,"title":130,"video":6,"overview":131,"softcore":6,"genre_ids":132,"popularity":133,"vote_count":8,"poster_path":134,"release_date":109,"vote_average":8,"backdrop_path":25,"original_title":130,"original_language":135},1403563,"T-rail","Sanyo Electric Tramway carried 586 million people through Shimonoseki City over the 45 years of operation, from 1926 to 1971. Based on colour footage and photographs taken by former city employee Seiichiro Tomura using an 8 mm camera on the last day  of operation, and featuring rare audio recordings of the train interior and the farewell ceremony, this documentary is a nostalgic look at the history of the city.",[11],0.1621,"\u002Fgv6t4X9cDCKBVnWrPhQiWxNG99J.jpg","ja",{"id":137,"adult":6,"title":138,"video":6,"overview":139,"softcore":6,"genre_ids":140,"popularity":141,"vote_count":8,"poster_path":142,"release_date":143,"vote_average":8,"backdrop_path":25,"original_title":144,"original_language":116},1404044,"Variations on How to Farm a City","Sprout.  In the vacant lots against the hammering of buildings always under construction, between walls of granite, cement and sheet metal with rust, moss and cats; on the hillside between the train and the river, next to the traffic on the highway, facing the subway, vegetable gardens sprout.  In this city, the choreography of ancient gestures of cultivating the land is repeated day after day, without fail. Sowing, digging, harvesting, watering, eating, talking, resting and returning the next day.  The longest day of the year brings S. João and nobody goes to bed, but when the sun rises, the discreet gestures of resistance will restart.",[11],0.2641,"\u002FefdR6SdznKlJJ1b8pOj7xfzu1wV.jpg","2024-11-28","Variações sobre como cultivar uma cidade",{"id":146,"adult":6,"title":147,"video":6,"overview":148,"softcore":6,"genre_ids":149,"popularity":150,"vote_count":8,"poster_path":151,"release_date":152,"vote_average":8,"backdrop_path":25,"original_title":147,"original_language":105},1583208,"Kolmesti: Mikko Sarvanne Garden","Did you look at the sun for too long, until the shapes of the surrounding world stretched and the colors became distorted? In this music documentary, the band Mikko Sarvanne Garden performscompositions set to contemporary poetry: Heräämisen valkea myrsky, Valo jota pöly juo, and Hiljainen kuin metsä.",[11],0.2374,"\u002F66eXchjVZD3Jdkrzs4L7rkhYoGE.jpg","2025-11-29",{"id":154,"adult":6,"title":155,"video":6,"overview":156,"softcore":6,"genre_ids":157,"popularity":158,"vote_count":8,"poster_path":159,"release_date":160,"vote_average":8,"backdrop_path":161,"original_title":155,"original_language":105},1212600,"Mother of the World","Six million tons, suspended by the slightest gesture.  Mother of the World presents a series of brief vignettes of Cairo just prior to the 2011 Egyptian Revolution. These fragmented scenes choreograph class structure and foreign influence into an intimate, poetic view of a nation about to change.",[11],0.1647,"\u002Fz0DUIhWUgfSBnhFR9XSur9cOYoQ.jpg","2011-11-01","\u002FeD6bY8lPWvvfT3j1afZnI7QjglD.jpg",{"id":163,"adult":6,"title":164,"video":6,"overview":165,"softcore":6,"genre_ids":166,"popularity":167,"vote_count":8,"poster_path":168,"release_date":169,"vote_average":8,"backdrop_path":25,"original_title":164,"original_language":170},1569095,"Oslofilm: Nye forstadsbaner i Oslo","About the work of providing the growing city of Oslo with a network of tramways to the new suburbs: the Lambertseter Line, the Østensjø Line to Bøler, and the Grorud Line. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society.  A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.",[11],0.5421,"\u002FivrsWKE9GhPRj2h9pZp0lKymnrj.jpg","1958-01-01","no",{"id":172,"adult":6,"title":173,"video":6,"overview":174,"softcore":6,"genre_ids":175,"popularity":141,"vote_count":8,"poster_path":176,"release_date":177,"vote_average":8,"backdrop_path":25,"original_title":173,"original_language":105},1390517,"Hart of the Wood ‘Ways of the Plant'","A long-form 'artist moving image' documentary film that sits in a fictitious conceit that begins in a distant future, inspired by Russell Hoban’s cult novel ‘Riddley Walker’. A medley of documentary, fantasy, song and dance: shot on a tapestry of celluloid film stocks and developed by hand.",[11],"\u002FupQ5eUHxVIWFZ58bDyFhyU49wzw.jpg","2024-01-01",{"id":179,"adult":6,"title":180,"video":6,"overview":181,"softcore":6,"genre_ids":182,"popularity":183,"vote_count":8,"poster_path":184,"release_date":185,"vote_average":8,"backdrop_path":25,"original_title":186,"original_language":187},1570940,"Aphasic correspondences","An audiovisual essay constructed from Super 8 footage filmed during camera tests for the short film ‘La Trampa’. Through gestures, light, and silences, it reflects on what the image reveals and what it leaves unsaid.",[11],0.6013,"\u002Fdx6cGnIJGsYdFsbBaStMVuqjbyM.jpg","2026-03-12","Correspondencias afásicas","es",{"id":189,"adult":6,"title":190,"video":6,"overview":191,"softcore":6,"genre_ids":192,"popularity":193,"vote_count":93,"poster_path":194,"release_date":195,"vote_average":114,"backdrop_path":196,"original_title":197,"original_language":187},1220380,"Vibrant Matter","A silent city symphony, projected from gorgeous black and white 16mm film. Materia vibrante lets the resonating frequencies of the urban environment create the inaudible hum that keeps the engines of society running, absent of the inhabitants running around like little ants toiling away.",[11],0.3787,"\u002FiVi3lYpjYFlVjQLRFP9lkGsQlkW.jpg","2024-01-25","\u002Fu9giFRztt3vJgGna3lMQwYic1OW.jpg","Materia vibrante",{"id":199,"adult":6,"title":200,"video":6,"overview":109,"softcore":6,"genre_ids":201,"popularity":202,"vote_count":8,"poster_path":203,"release_date":109,"vote_average":8,"backdrop_path":25,"original_title":200,"original_language":105},1410556,"Atlantic Poems - La Force",[11],0.1611,"\u002FqhFwwQEbJfGxek3mYivvsHRSYkx.jpg",{"id":205,"adult":6,"title":206,"video":6,"overview":109,"softcore":6,"genre_ids":207,"popularity":208,"vote_count":8,"poster_path":209,"release_date":210,"vote_average":8,"backdrop_path":25,"original_title":206,"original_language":187},844890,"Soy",[11],0.7008,"\u002F7KTrJ5dMcUNin5cyEdtHLKqGwbc.jpg","2020-06-10",{"id":212,"adult":6,"title":213,"video":6,"overview":214,"softcore":6,"genre_ids":215,"popularity":216,"vote_count":8,"poster_path":217,"release_date":218,"vote_average":8,"backdrop_path":219,"original_title":213,"original_language":105},1223382,"Duelo","The short film follows Endika, a director who, in the midst of a clash with his reality, transforms a documentary about paternal absence into a personal quest for reconciliation with his own father.",[11],1.6267,"\u002Fu2TuhaYGa94sGMc7gpdMjWh6ilK.jpg","2023-11-03","\u002FhNV05sZIyN83HLPfxNWRfcUy8ag.jpg",{"id":221,"adult":6,"title":222,"video":6,"overview":223,"softcore":6,"genre_ids":224,"popularity":225,"vote_count":8,"poster_path":226,"release_date":227,"vote_average":8,"backdrop_path":228,"original_title":222,"original_language":105},657536,"Fair Use Vol 1. (All This Trouble)","A compilation of TV news about black culture.",[11],0.0891,"\u002F1tFWov35FZrfYWLlN6ikHg4MNte.jpg","2016-11-15","\u002FdAjIMDdOdeeEYJ7hvRihqTu5lss.jpg",{"id":230,"adult":6,"title":231,"video":6,"overview":232,"softcore":6,"genre_ids":233,"popularity":234,"vote_count":8,"poster_path":25,"release_date":235,"vote_average":8,"backdrop_path":236,"original_title":237,"original_language":238},1044201,"We Want to Die","A poetic story of a proletarian couple’s relationship during the years of economic crisis and unemployment – of all the films directed by E. F. Burian, the film Chceme žít (We Want to Live, 1949) is probably his worst. The intention to create a powerful work of cinema that would combine modern means of expression with the ideological canons of socialist realism failed completely. Ježek and Tarnovski discovered these „shambles“ and tried to rebuild a structure out of the hopelessness and futility of life. Ježek has photochemically “transcribed” selected passages with the greatest possible degree of humility towards the work of the great avant-gardist, Tarnovski similarly makes the soundtrack visible. The improvised encounter of sound and image in dialogic mode can lead to various misunderstandings resulting in ambiguous compromise.",[11],0.2629,"2022-10-28","\u002FmHEOSopg9V1YP859APuCU6TBOEY.jpg","Chceme umírat","cs",{"id":240,"adult":6,"title":241,"video":6,"overview":242,"softcore":6,"genre_ids":243,"popularity":245,"vote_count":8,"poster_path":246,"release_date":247,"vote_average":8,"backdrop_path":248,"original_title":249,"original_language":116},1561224,"Tiger Bay","The history and myth of a ghost island off the SW African coast are told through a dystopian parable, in which a character undergoes brainwashing to escape the burden of memory in a world he no longer relates to.",[11,244],878,0.2952,"\u002FdtksVs3I3bYKs2hWOyf6qFUK5yG.jpg","2025-10-19","\u002Fbo3g7HZMyjirOh49ZuMX2CHxoHZ.jpg","Baía dos Tigres",{"id":251,"adult":6,"title":252,"video":6,"overview":253,"softcore":6,"genre_ids":254,"popularity":255,"vote_count":8,"poster_path":256,"release_date":125,"vote_average":8,"backdrop_path":25,"original_title":252,"original_language":257},1196682,"Côté jardin","A quick view of three remarkable organic gardens: Le Tomple, Le jardin du Mas d’Abri in the department of Gard and Le jardin des Sambucs in the department of Hérault. The film goes over their general layout along pathways amongst the vegetation, ponds and people or animals that happen to be there at the time.",[11],0.2602,"\u002FueGzP7zL8Sl6VCDzSrDygrCmQKC.jpg","fr",{"id":259,"adult":6,"title":260,"video":6,"overview":261,"softcore":6,"genre_ids":262,"popularity":263,"vote_count":8,"poster_path":264,"release_date":265,"vote_average":8,"backdrop_path":25,"original_title":260,"original_language":105},1567087,"Iron Whispers","A contemplative portrait of a liminal space, where anonymous inscriptions transform a place of transit into a quiet archive of memory",[11],0.2831,"\u002FkTPCHlCdQ1azjiQ9K3NfMz8MrTX.jpg","2025-10-22",{"id":267,"adult":6,"title":268,"video":6,"overview":269,"softcore":6,"genre_ids":270,"popularity":271,"vote_count":8,"poster_path":272,"release_date":265,"vote_average":8,"backdrop_path":273,"original_title":274,"original_language":257},1566723,"Nothingness","The Eye explores silent landscapes where nature and absence coexist. Between the memory of places and resilience in the face of time, the film oscillates between beauty and existential vertigo, capturing what persists and what fades.",[11],1.6938,"\u002F9RpCwVaWpY2mpGdq4qUGwC6RayC.jpg","\u002F4aGDJA92uH1tNSVKlNcxf7beWGQ.jpg","NÉANTS",11780,235596,"The tram system of Glasgow and the last weekend of the service.",0.1921,"\u002FoN5E96cXrzfKq7vSKYAuYSJDFYS.jpg","1962-12-07",6.5,[283],"GB",{"results":285},{},[287],{"name":288,"iso_639_1":105,"english_name":288},"English",[290,293],{"id":291,"name":292,"logo_path":25,"origin_country":283},24708,"BFI Experimental Film Fund",{"id":294,"name":295,"logo_path":25,"origin_country":283},118593,"Rath Films",[297],{"name":298,"iso_3166_1":283},"United Kingdom",45,"A documentary story that tends to land well.",[]]