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The movie also relies extensively on Bernstein's own words to provide the counterpoint to the abundant visual material.  Highlights include excerpts of Bernstein conducting masterworks by Beethoven and Mahler, as well as of the maestro with the New York Philharmonic in Moscow in 1959 before an audience which included composer Dmitri Shostakovich and the dissident poet Boris Pasternak. It also contains never-before-seen footage, such as outtakes from televised concerts and interviews. 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With the demands of a royal performance, the humiliation of playing keyboard tricks in a London pub, a near fatal illness and finding himself heckled on the streets, it was a lot for a child to take. 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