[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-130851-en-US":3},{"detail":4,"match":237,"insight":238,"providers":239,"providerLink":7,"trailer":7},{"adult":5,"backdrop_path":6,"belongs_to_collection":7,"budget":8,"genres":9,"homepage":13,"id":14,"imdb_id":15,"origin_country":16,"original_language":18,"original_title":19,"overview":20,"popularity":21,"poster_path":22,"production_companies":23,"production_countries":24,"release_date":27,"revenue":8,"runtime":28,"softcore":5,"spoken_languages":29,"status":30,"tagline":13,"title":19,"video":5,"vote_average":31,"vote_count":32,"credits":33,"similar":45,"watch\u002Fproviders":233,"videos":235},false,"\u002FqG7DlXohHAue4UuLSVCRfOaA8lY.jpg",null,0,[10],{"id":11,"name":12},99,"Documentary","",130851,"tt0309808",[17],"US","en","Looking for Mushrooms","During his year in Mexico, Conner hosted psychedelic guru Timothy Leary, who he had met on an earlier visit to New York. Conner and Leary occupied themselves with mushroom hunts in the Mexican countryside. It’s not clear whether their hunts were successful. But Conner’s staccato home-movies of their walks – combined with movies of previous mushroom hunts in San Francisco – became his film Looking for Mushrooms. The film rushes through the rustic landscape of rural Mexico, flitting past houses and through a crumbling graveyard.  Not to be confused with Conner's re-edited 1996 version of Looking for Mushroom.",0.7497,"\u002FxDpf74kEdI3b7Pzz4vmLJtIDWZm.jpg",[],[25],{"iso_3166_1":17,"name":26},"United States of America","1967-11-29",3,[],"Released",7,6,{"cast":34,"crew":35},[],[36],{"adult":5,"gender":37,"id":38,"known_for_department":39,"name":40,"original_name":40,"popularity":41,"profile_path":42,"credit_id":43,"department":39,"job":44},2,1052867,"Directing","Bruce Conner",0.7521,"\u002Fmw0E9AMe6vmSQfAfTQx53KgfIGU.jpg","52fe4b66c3a368484e18740d","Director",{"page":46,"results":47,"total_pages":231,"total_results":232},1,[48,57,64,73,82,90,97,107,118,126,134,142,153,161,172,182,192,203,213,223],{"adult":5,"backdrop_path":7,"genre_ids":49,"id":50,"title":51,"original_language":52,"original_title":51,"overview":53,"popularity":54,"poster_path":55,"release_date":56,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],633565,"Magma (C)","gl","Drops of fire that create a universe of magmatic asteroids. Liquid and gravitational reality. Cosmic energy. Atomized Rhythm.  Neurons of a liberated unconscious. Elimination of the idea of \"soul\" as \"everything\", reducing it to the condition of units of energy in perpetual process, elementary particles, without duration, that arise in perfect dependence. The \"I\" as a stream of units of force in ceaseless becoming that procures the illusion of an entity. Karmic chain. The idea that eternity resides in the transitory, the eternal belongs to it instantly. Eternity not as infinite duration but as absence of temporality. Universe of a mobile, procedural, relational and interactive nature of everything that exists. Here the \"object\" is conceived as something that is constituted, completed, lost and recovered with the vibrating rhythm of a universe in constant production.",1.0222,"\u002Ff1M5zE0YITMaS3RnHpM5A4uWiys.jpg","2014-08-12",{"adult":5,"backdrop_path":7,"genre_ids":58,"id":59,"title":60,"original_language":18,"original_title":60,"overview":61,"popularity":62,"poster_path":7,"release_date":63,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],264970,"Clouds","Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.",1.0613,"1969-12-19",{"adult":5,"backdrop_path":65,"genre_ids":66,"id":67,"title":68,"original_language":18,"original_title":68,"overview":69,"popularity":70,"poster_path":71,"release_date":72,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002FyeR7uQP7q3ywShn6gXcq6t0JHPH.jpg",[11],824057,"A Night of Soap Water","A watchman at an apartment complex in Assam, India, spends an ordinary evening. A surreal, expressionistic landscape unfolds.",0.8527,"\u002FgF2rgudq0GREJ5KhplGvcWVhoUb.jpg","2021-02-24",{"adult":5,"backdrop_path":7,"genre_ids":74,"id":75,"title":76,"original_language":18,"original_title":76,"overview":77,"popularity":78,"poster_path":79,"release_date":80,"softcore":5,"video":5,"vote_average":81,"vote_count":46},[11],453164,"Tree of Knowledge","It started with filming the tree. Something was released in that manner of filming seemingly farthest removed from the procedure of the early films. I first thought a simple ordering of this rich material might be enough, something related to BARN RUSHES [...] But the film only came into its form-life with the idea of linking this deep-rooted and far-outreaching tree material with that film on paranoia that had fascinated me for many years. –L. G.",0.6351,"\u002FcUg6CWBqFHwPeJ4PDLEDkRuFo0H.jpg","1981-01-01",8,{"adult":5,"backdrop_path":7,"genre_ids":83,"id":84,"title":85,"original_language":18,"original_title":85,"overview":86,"popularity":87,"poster_path":88,"release_date":89,"softcore":5,"video":5,"vote_average":32,"vote_count":46},[11],453166,"Machete Gillette... Mama","\"With characteristic wit and rigor, experimental filmmaker Larry Gottheim here applies his impressionistic editing style to footage collected during his travels in the Dominican Republic. Gottheim’s formal emphasis on repetition and fissures between sound and image resonates here as a mode of sociological reflection (with the fragmentary montage mirroring elements of ritual while also destabilizing the ethnographic gaze). A largely overlooked antecedent to the contemporary blending of avant-garde and ethnographic filmmaking, MACHETTE GILLETTE… MAMA still poses a potent challenge to documentary convention.\" - Max Goldberg",0.729,"\u002FlGxDUwlsmTywbnTXWmTbE0PlEoc.jpg","1989-01-01",{"adult":5,"backdrop_path":7,"genre_ids":91,"id":92,"title":93,"original_language":18,"original_title":93,"overview":94,"popularity":95,"poster_path":96,"release_date":13,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],636913,"New Woman","A meditative journey, using and manipulating archival silent film footage, that investigates the look of the \"New Woman\" in Chinese silent screen.",0.553,"\u002Fsmmmv2v2xpyhRYMP9X5u7GnTTjv.jpg",{"adult":5,"backdrop_path":7,"genre_ids":98,"id":100,"title":101,"original_language":102,"original_title":103,"overview":104,"popularity":105,"poster_path":106,"release_date":89,"softcore":5,"video":5,"vote_average":32,"vote_count":46},[11,99],16,264638,"Impressions from the Upper Atmosphere","es","Impresiones en la alta atmósfera","Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope",1.453,"\u002Fyn8D07RpJBHkNwLj3Lv3sGTmsuh.jpg",{"adult":5,"backdrop_path":108,"genre_ids":109,"id":111,"title":112,"original_language":18,"original_title":112,"overview":113,"popularity":114,"poster_path":115,"release_date":116,"softcore":5,"video":5,"vote_average":117,"vote_count":46},"\u002FzAWc2LOevgt6QO2wlB4eTWD8l45.jpg",[110,99,11],10402,824186,"welcome_home.exe","As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.",0.6155,"\u002Fa5DE4owZPRePeBQVCygRzmwPtvM.jpg","2021-04-29",10,{"adult":5,"backdrop_path":7,"genre_ids":119,"id":120,"title":121,"original_language":18,"original_title":121,"overview":122,"popularity":123,"poster_path":124,"release_date":125,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],449815,"Spirit House","A tale of 2 passages within the Spirit house. This is the first in a series that looks at the places we find our spiritual presence augmented, inflamed, or simply acknowledged.",1.1991,"\u002FdgTf0N7xpqojQy5P3ekRREfIj1W.jpg","2008-06-22",{"adult":5,"backdrop_path":7,"genre_ids":127,"id":128,"title":129,"original_language":18,"original_title":129,"overview":130,"popularity":131,"poster_path":132,"release_date":133,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],450952,"Robert Breer At Home","Burford met Breer in February 1992 and filmed his actions. Breer manipulates some of his mutoscopes: he leafs through some cards of his film in the making, Sparkill Ave! A dome-shaped sculpture slowly moves across the space.",0.8419,"\u002FiCC21A4KArbNOHDzyJFYvsJ2z0b.jpg","1992-01-01",{"adult":5,"backdrop_path":7,"genre_ids":135,"id":136,"title":137,"original_language":18,"original_title":137,"overview":138,"popularity":139,"poster_path":140,"release_date":141,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],451207,"White Sands","White Sands is a 3 screen projection 16mm film installation which reflects on the visible and invisible manifestations of the nuclear fuel chain on the land, air, water and people of New Mexico.",0.5568,"\u002FiM88NPipMTOYMC0istj2rx5nxks.jpg","2014-04-08",{"adult":5,"backdrop_path":143,"genre_ids":144,"id":145,"title":146,"original_language":147,"original_title":148,"overview":149,"popularity":150,"poster_path":151,"release_date":152,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002FiuUXxcqDmPtThzav81FpxpXzjuh.jpg",[11],455435,"Russia as a dream","ru","Россия как сон","In the small town of Kansk, the Krasnoyarsk Territory many years in a row there is an international festival of short experimental films, which has a strong reputation throughout the world. \"Russia as a dream\" is an international project, shot by a team of authors and united directors, artists, poets. Each of the guests of the 14th International Kan Video Festival held in 2015 was invited to participate in the creation of a general film, the theme of which was the relationship of man and landscape, civilization and nature, reality and sleep.",1.1439,"\u002FvXQgBDYePWXp7N7EJJpJOoL71yU.jpg","2017-06-22",{"adult":5,"backdrop_path":7,"genre_ids":154,"id":155,"title":156,"original_language":18,"original_title":156,"overview":157,"popularity":158,"poster_path":159,"release_date":160,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],827365,"Misty Picture","The television images of the collapse of the World Trade Center were preceded by manifold stagings of the building, either as a highly symbolic icon, a speculative destruction fantasy or merely as a spectacular backdrop. In Misty Picture, city symphony, disaster movie and media trauma therapy become one.",1.5743,"\u002Fod8E5UFl1pta73HZfsqe7MkWekq.jpg","2021-05-05",{"adult":5,"backdrop_path":162,"genre_ids":163,"id":164,"title":165,"original_language":102,"original_title":166,"overview":167,"popularity":168,"poster_path":169,"release_date":170,"softcore":5,"video":5,"vote_average":31,"vote_count":171},"\u002FiKVQl3jA8bexrmir3V8jzscMzAc.jpg",[11],455507,"The Other Side of the Wall","Al otro lado del muro","Honduran immigrants living in Mexico, teenage siblings Rocío and Ale must take over care of their two younger siblings after their mother is sentenced to prison on dubious grounds. Tensions grow between the pair as the decision must be made on whether to stay together in Mexico or split the family up to cross into the US to work.",0.818,"\u002F3sJbdm5iMnZAiTaZDzEYpP0hHx2.jpg","2017-03-19",31,{"adult":5,"backdrop_path":7,"genre_ids":173,"id":174,"title":175,"original_language":176,"original_title":177,"overview":178,"popularity":179,"poster_path":180,"release_date":181,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],827203,"Notes before the Wind","cn","風景","A loose collection of scenes in Hong Kong shot over a five-year period, this film begins with the Umbrella Movement in 2014 and ends right before the summer of 2019, when large-scale social unrest and violent resistance erupted. The everyday scenes capture the ambience and the landscape of change in the city, standing as a quiet prelude to the ensuing conflicts.",0.4369,"\u002Fx91OOGJIrUmC9dIkkXGSeb75xyK.jpg","2020-01-01",{"adult":5,"backdrop_path":7,"genre_ids":183,"id":184,"title":185,"original_language":102,"original_title":186,"overview":187,"popularity":188,"poster_path":189,"release_date":190,"softcore":5,"video":5,"vote_average":191,"vote_count":81},[11],267959,"Old Thieves: The Legend of Artegio","Los Ladrones Viejos: Las Leyendas del Artegio","Is the story of a generation of thieves who achieved their greatest victories in the sixties; their distinctive code of ethics, the various categories of delinquents inhabiting the city’s streets, their alliances with high ranking police officials that allowed them to operate, the betrayals that followed, and the price they ended up paying.",0.7727,"\u002FAuxmgcevML7goL0i6fyD4IHo0p3.jpg","2007-03-15",6.7,{"adult":5,"backdrop_path":7,"genre_ids":193,"id":194,"title":195,"original_language":18,"original_title":196,"overview":197,"popularity":198,"poster_path":199,"release_date":200,"softcore":5,"video":5,"vote_average":201,"vote_count":202},[11],267916,"Chuy, The Wolf Man","Chuy, el hombre lobo","Jesus 'Chuy' Aceves and a dozen living members of his extended family suffer from the very rare condition of congenital hypertrichosis, meaning they were born with excessive hair on their faces and bodies. Due to their appearance, they suffer from discrimination in all areas of their lives: the children are made fun of at school and abandoned by their 'non-hairy' parents, and the adults cannot find work unless they choose to exhibit themselves as freaks in circuses. This moving and visually arresting documentary is a portrait of Chuy and his family members. It examines their day-to-day lives and their struggle to find love, acceptance and employment.",1.2578,"\u002FghxFzvEEo6FRbX0JjKcuG6j6Tgk.jpg","2015-09-25",7.4,5,{"adult":5,"backdrop_path":204,"genre_ids":205,"id":206,"title":207,"original_language":18,"original_title":207,"overview":208,"popularity":209,"poster_path":210,"release_date":211,"softcore":5,"video":5,"vote_average":212,"vote_count":117},"\u002F1AhLvUSyaioO3SpNvJKZD3WHxnf.jpg",[11],455322,"6-18-67","Filmed during the production of the Columbia Pictures western \"Mackenna’s Gold,\" this short work presents a non-narrative visual study of the Arizona desert. Rather than documenting the film set itself, \"6-18-67\" assembles landscape images, time-lapse photography, and ambient sound into an abstract record of place and duration.",1.2123,"\u002FlazQWN6hVh1vfRnEp6oHBkuSUJu.jpg","1967-07-07",5.9,{"adult":5,"backdrop_path":7,"genre_ids":214,"id":215,"title":216,"original_language":147,"original_title":217,"overview":218,"popularity":219,"poster_path":220,"release_date":221,"softcore":5,"video":5,"vote_average":202,"vote_count":222},[11],449971,"Group Portrait as a Still Life","Групповой портрет в натюрморте","Documentary on the interdependence of the world of the living and the dead, and 'the infernal influence on the thoughts and actions of living people.",0.7588,"\u002FaNke4o9tyC70kdn9Em3Wf6yCobr.jpg","1993-03-30",4,{"adult":5,"backdrop_path":7,"genre_ids":224,"id":225,"title":226,"original_language":18,"original_title":226,"overview":227,"popularity":228,"poster_path":229,"release_date":230,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],451383,"Past Perfect","“Past Perfect” is a spirited meditation on the elusiveness and inaccessibility of (Jewish) history as conveyed through sightseeing tours of “Jewish” Poland, a grandmother’s recollection of life in America during War II, and memoir-like “last moments” of a great aunt believed to have died in Treblinka. Shot almost entirely in contemporary Poland, “Past Perfect” lyrically portrays the relentless yet ultimately futile attempt to resuscitate a history literally gone up in smoke.",0.7855,"\u002Ff8Cr8Zwx0xi1dg4Yvmnvh80WSL1.jpg","2002-04-09",1001,20001,{"results":234},{},{"results":236},[],45,"A documentary story that tends to land well.",[]]