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Like the motif of water that flows through the documentary and blurs lines between surface and depth, and between water, land and air,  an indefatigable tradition and aesthetic of seafaring is shown to also challenge pat and problematic distinctions between past and present, tradition and modernity, indigenous and Christian religiosity and spirituality,  that prevail in conventional understandings of Micronesian culture and history.",0.7904,[27],{"results":267},{},[269],{"name":270,"iso_639_1":26,"english_name":270},"English",[272,276],{"id":273,"name":274,"logo_path":275,"origin_country":27},13640,"Corporation for Public Broadcasting","\u002FsUaed08coGdAxraWn7vAvvdRFoQ.png",{"id":277,"name":278,"logo_path":279,"origin_country":27},73486,"Pacific Islanders in Communications","\u002F6CiuYMBxpBvuYnNTPFW7KsvNVAh.png",[],45,"A documentary story that tends to land well.",[],{"id":20,"key":21,"name":22,"site":23,"size":24,"type":25,"official":6,"iso_639_1":26,"iso_3166_1":27,"published_at":28}]