[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1331444-en-US":3},{"detail":4,"match":290,"insight":291,"providers":292,"providerLink":26,"trailer":26},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":26,"revenue":8,"runtime":64,"similar":65,"tagline":165,"homepage":165,"overview":273,"softcore":6,"popularity":274,"vote_count":8,"poster_path":275,"release_date":276,"vote_average":8,"backdrop_path":26,"origin_country":277,"original_title":279,"watch\u002Fproviders":280,"spoken_languages":282,"original_language":107,"production_companies":286,"production_countries":287,"belongs_to_collection":26},1331444,false,"Song of Arirang - Voices from Okinawa",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19,27,36,41,48,55],{"id":20,"job":21,"name":22,"adult":6,"gender":8,"credit_id":23,"department":24,"popularity":25,"profile_path":26,"original_name":22,"known_for_department":24},4890009,"Cinematography","Ichitoku Miyauchi","66bfbb9e1d245995f349e6f3","Crew",0.2739,null,{"id":28,"job":29,"name":30,"adult":6,"gender":31,"credit_id":32,"department":33,"popularity":34,"profile_path":26,"original_name":35,"known_for_department":33},3204395,"Music","Hara Masami",2,"66bfbbd4b897ddc8f7ad7400","Sound",0.3168,"原正美",{"id":37,"job":33,"name":38,"adult":6,"gender":8,"credit_id":39,"department":33,"popularity":40,"profile_path":26,"original_name":38,"known_for_department":33},1804121,"Isamu Katto","66bfbbc850532dab3d489cf2",0.2695,{"id":42,"job":21,"name":43,"adult":6,"gender":31,"credit_id":44,"department":24,"popularity":45,"profile_path":26,"original_name":46,"known_for_department":47},1462266,"Koshiro Otsu","66bfbb8148ba16e0209da5c4",0.3707,"大津幸四郎","Camera",{"id":49,"job":50,"name":51,"adult":6,"gender":8,"credit_id":52,"department":53,"popularity":54,"profile_path":26,"original_name":51,"known_for_department":53},3204392,"Editor","Tomizuka Ryoichi","66bfbbb9956502353e9a0def","Editing",0.2786,{"id":56,"job":57,"name":58,"adult":6,"gender":59,"credit_id":60,"department":61,"popularity":62,"profile_path":26,"original_name":63,"known_for_department":61},2253277,"Director","Park Soo-nam",1,"678141f53881c79419bb6c7b","Directing",0.4958,"朴壽南（パク・スナム）",100,{"page":59,"results":66,"total_pages":271,"total_results":272},[67,80,87,98,108,121,133,143,152,162,171,180,190,200,210,219,231,241,251,261],{"id":68,"adult":6,"title":69,"video":6,"overview":70,"softcore":6,"genre_ids":71,"popularity":74,"vote_count":59,"poster_path":75,"release_date":76,"vote_average":77,"backdrop_path":78,"original_title":69,"original_language":79},465502,"Battle of Okinawa in Color","By mid-1945, Hitler is dead and the war has ended in Europe. Halfway around the world, however, the fighting is still going strong on a small island in the Pacific. Okinawa was the site of the last battle of the last great war of the 20th century, with a casualty rate in the tens of thousands. Through it all, military cameramen risked their lives to film the conflict, from brutal land combat to fierce kamikaze attacks at sea. See the footage they captured and experience this intense battle the way the soldiers saw it -- in color.",[11,72,73],10752,36,1.2961,"\u002F9Heg0z0P6tJ2P3eIuupqGYvZxDF.jpg","2017-06-25",9,"\u002FwDwOGMzUmk6i4EgGJyqfNeaqUxh.jpg","en",{"id":81,"adult":6,"title":82,"video":6,"overview":83,"softcore":6,"genre_ids":84,"popularity":85,"vote_count":8,"poster_path":26,"release_date":86,"vote_average":8,"backdrop_path":26,"original_title":82,"original_language":79},307191,"Tee: The True Spirit of Okinawan Karate","Director Miho Niikura examines the modern practice of tee (Okinawan karate), and its attractiveness to Westerners—some of whom travel thousands of miles to study the venerable martial art in its birthplace, Okinawa.",[11],0.5309,"2014-11-02",{"id":88,"adult":6,"title":89,"video":6,"overview":90,"softcore":6,"genre_ids":91,"popularity":92,"vote_count":59,"poster_path":93,"release_date":94,"vote_average":95,"backdrop_path":26,"original_title":96,"original_language":97},498556,"A Secret Buried for 50 Years: The Story of Taiwanese \"Comfort Women\"","This is Taiwan's first documentary about comfort women. The audience gets a glimpse of history as 13 \"grandmothers\" speak of their unspeakable past, unknown even to their family, in front of the camera.",[11],0.9286,"\u002FnTd4FkchW7j9WXYqiFzTb5XZFsh.jpg","1998-09-20",10,"阿媽的秘密─台籍「慰安婦」的故事","zh",{"id":99,"adult":6,"title":100,"video":6,"overview":101,"softcore":6,"genre_ids":102,"popularity":103,"vote_count":8,"poster_path":104,"release_date":105,"vote_average":8,"backdrop_path":26,"original_title":106,"original_language":107},641092,"Senso Daughters","Senso Daughters focuses on the legacy of the Japanese occupation of Papua New Guinea during the Second World War. It is a legacy that arises from rape, starvation and terror. Sekiguchi's documentary lets the residents of Papua New Guinea, especially the women, tell the story of their three years under Japanese Army rule.",[11],1.1722,"\u002FzKODZTBwigpWLRZfmQsaA1DXV1y.jpg","1990-06-08","戦場の女たち","ja",{"id":109,"adult":6,"title":110,"video":6,"overview":111,"softcore":6,"genre_ids":112,"popularity":113,"vote_count":114,"poster_path":115,"release_date":116,"vote_average":117,"backdrop_path":118,"original_title":119,"original_language":120},271796,"The Murmuring","Every Wednesday at noon, women who were kidnapped for sexual purpose by the Japanese army during its imperialism and their supporters demonstrate against Japanese government to request official apology and indemnity for their crimes. This documentary portrays sexually abused old women's suppressed story of overcoming of their shame and forced silence.",[11,72],0.6835,5,"\u002FrIP2OEmgpz3OdYqyj4L2U64ntF2.jpg","1995-04-29",5.8,"\u002F7XtSa1GTlbcqSMpNAIfJzK5nHsY.jpg","낮은 목소리 - 아시아에서 여성으로 산다는 것","ko",{"id":122,"adult":6,"title":123,"video":6,"overview":124,"softcore":6,"genre_ids":125,"popularity":126,"vote_count":127,"poster_path":128,"release_date":129,"vote_average":130,"backdrop_path":131,"original_title":132,"original_language":97},473267,"Twenty Two","Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II.  At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.",[73,11],1.3179,21,"\u002Food5g0qHtWDyoGFhkuVwOQdz6ib.jpg","2017-08-14",7.571,"\u002FzKsuTbEpYujggfLqdY4gMaJ2h8s.jpg","二十二",{"id":134,"adult":6,"title":135,"video":6,"overview":136,"softcore":6,"genre_ids":137,"popularity":138,"vote_count":31,"poster_path":139,"release_date":140,"vote_average":114,"backdrop_path":141,"original_title":142,"original_language":120},349215,"Habitual Sadness","The story of the women at the \"House of Sharing\" continues. Old women who share a common bond lead a peaceful life in the countryside, raising vegetables, chickens and painting pictures. They are no different from the elderly women we see every day. But they are all scarred by pain and sorrow from their collective history of being comfort women during World War 2. They became subject to prejudice in their own homeland after their return to Korea. It is painful for them to watch other peoples' children and grandchildren, and they feel rage when the Japanese government tries to cover up the unspeakable crimes they committed against them. The film asks us to remember what these women sacrificed and the shame and misery they faced even as these individuals pass away often forgotten by their own people.",[11],0.8864,"\u002FfvXQRyT43olPzw2qD0rSv7DqWoY.jpg","1997-08-23","\u002F7MkTanN8g6BGsjQieOyAX3ZCjbD.jpg","낮은 목소리 2",{"id":144,"adult":6,"title":145,"video":6,"overview":146,"softcore":6,"genre_ids":147,"popularity":148,"vote_count":8,"poster_path":149,"release_date":150,"vote_average":8,"backdrop_path":151,"original_title":145,"original_language":79},1501141,"OKINAWA PHILADELPHIA","An Okinawan photographer, Mao Ishikawa was 33 years old when she crossed the ocean to Philadelphia in order to photograph the life of her friend, Myron Carr, a former US marine whom she met during his service in Okinawa in the 1970s. The subsequent photo book, “Life in Philly”, is filled with raw and vivid images, capturing the atmosphere and the culture of the predominantly African American neighborhood of downtown Philadelphia in the late 80s. This film looks back on those days, bringing Myron to remembrance as Mao and his surviving family try to find the missing pieces.",[11],0.9337,"\u002F3b2xScdyGDUpxLZTyyAQW1DhkvB.jpg","2024-08-15","\u002F4t8Lx4MeeGgFv2AC4JmhqF8O3vr.jpg",{"id":153,"adult":6,"title":154,"video":6,"overview":155,"softcore":6,"genre_ids":156,"popularity":158,"vote_count":31,"poster_path":159,"release_date":160,"vote_average":77,"backdrop_path":161,"original_title":154,"original_language":107},1295460,"BABYMETAL LEGEND - 43 The Movie","In April 2023, SU-METAL (vocal, dance), MOAMETAL (scream, dance), and MOMOMETAL (scream, dance) entered a new stage as the new BABYMETAL, and since then, they have embarked on their largest-ever world tour, \"BABYMETAL WORLD TOUR 2023-2024,\" visiting 25 countries including Japan.  The 98 performances, excluding festivals and guest act appearances, recorded a total audience of over 280,000 people.",[157,11],10402,1.2614,"\u002FPL4qFLH29dG32v1WRj2Kwu32us.jpg","2024-08-23","\u002FfXjUye4CjpKaFIB6LUTxTwRJQEe.jpg",{"id":163,"adult":6,"title":164,"video":6,"overview":165,"softcore":6,"genre_ids":166,"popularity":167,"vote_count":8,"poster_path":168,"release_date":169,"vote_average":8,"backdrop_path":26,"original_title":164,"original_language":170},1270907,"Ichariba Chode - versão estendida","",[11],0.5543,"\u002FfRh4YALYTSzX92XNilpNdEkYU0L.jpg","2024-04-07","pt",{"id":172,"adult":6,"title":173,"video":6,"overview":174,"softcore":6,"genre_ids":175,"popularity":176,"vote_count":8,"poster_path":177,"release_date":178,"vote_average":8,"backdrop_path":26,"original_title":179,"original_language":107},877466,"TARGET","In 1991, the issue of “comfort women” was raised for the first time through the testimony of the late Kim Hak-sun. One of the first reporters in Japan to write an article about her testimony was Uemura Takashi of The Asahi Shimbun. Since the publication of his article, Uemura has been subjected to blatant attacks from the far-right, including threats on his family’s life, and the issue is still ongoing in 2021. Based on Uemura's defamation lawsuit that began in 2015, TARGET details why he had to be someone's “target.”",[11],0.4939,"\u002F391NxEEpRUijgMJEwmoh1HmuXzD.jpg","2021-10-10","標的",{"id":181,"adult":6,"title":182,"video":6,"overview":183,"softcore":6,"genre_ids":184,"popularity":185,"vote_count":8,"poster_path":186,"release_date":187,"vote_average":8,"backdrop_path":188,"original_title":189,"original_language":107},878010,"Green Jail","The film follows the last 4 years life of Grandma Hashima, the last existent from colonial Taiwan, who knows the secrets of \"Green Jail,\" the notorious coal mine before World War II on Iriomote Island, Okinawa, Japan.",[11],0.8872,"\u002FhSiGl8g7Gyu8Og3hhVkTgFCcljX.jpg","2021-03-27","\u002FngjwO2o00eaqrotEp6eGnNQejlX.jpg","緑の牢獄",{"id":191,"adult":6,"title":192,"video":6,"overview":193,"softcore":6,"genre_ids":194,"popularity":195,"vote_count":8,"poster_path":196,"release_date":197,"vote_average":8,"backdrop_path":198,"original_title":199,"original_language":120},707154,"Comfort","KIM Soonak is a survivor of sex slavery by the Japanese military. The war may have ended, but her life was still at a war. She lived in the prostitute quarters to survive, did sex business in the US military camp town, and peddled goods from the US military. She raised two kids on her own as she worked as a maid. We’ll listen to her story in her absence. The film reconstructs the life story of the deceased KIM Soonak with interviews with activists, archive videos, animation, and read-aloud testimony.",[11],0.9356,"\u002FrmikIkUDZXa9lpTU4RRPbGglXdE.jpg","2022-02-23","\u002FxRCD2YlcuAeeiOrkdytXW4zHYfQ.jpg","보드랍게",{"id":201,"adult":6,"title":202,"video":6,"overview":203,"softcore":6,"genre_ids":204,"popularity":205,"vote_count":8,"poster_path":206,"release_date":207,"vote_average":8,"backdrop_path":26,"original_title":208,"original_language":209},928290,"Horizon","This work was created to commemorate the reversion of Okinawa to Japan.",[11],0.7724,"\u002FhUZ4cNDfTwgBNIk98wsJn81iuiN.jpg","1971-01-01","水平線","xx",{"id":211,"adult":6,"title":212,"video":6,"overview":213,"softcore":6,"genre_ids":214,"popularity":215,"vote_count":8,"poster_path":216,"release_date":217,"vote_average":8,"backdrop_path":26,"original_title":218,"original_language":120},410733,"Red Maria 2","Korean sex worker Yonhee goes to Japan to build solidarity with her counterparts there. YAMASITA Youngae heads for Kyoto to give a lecture on how former prostitute-turned-comfort women were left out of the movement to achieve justice for comfort women. Korean professor PARK Yu-ha is sued by former comfort women because of her book Comfort Women of the Empire. Reportage writer KAWADA Fumiko Tells the story of BAE Bonki, a Korean who worked as a comfort woman in Okinawa. Shuttling between the issue of sex workers who refuse to be pictured as victims and the issue of comfort women who couldn’t even be acknowledged as victims, the film reveals stories that had disappeared from official memory.",[11],0.9059,"\u002FuRNueYSnq5bgFX5tsw5kRB0jglh.jpg","2015-09-18","레드 마리아 2",{"id":220,"adult":6,"title":221,"video":6,"overview":222,"softcore":6,"genre_ids":223,"popularity":224,"vote_count":225,"poster_path":226,"release_date":227,"vote_average":228,"backdrop_path":229,"original_title":230,"original_language":120},600198,"My name is KIM Bok-dong","In 1992, KIM Bok-dong, reported herself as a victim of the sexual slavery, \"comfort women\" during World War Ⅱ. She wanted to receive the proper apology from the Japan government but they denied its responsibility. In 2011, commemorating the 1000th Wednesday demonstration, Statue of Peace was installed in front of the Embassy of Japan. The fight over Japan confronts a new stage.",[11],1.1223,4,"\u002FfSbenG4mPGu43em3OgUbPbSGrTn.jpg","2019-08-08",8.8,"\u002Fm9VGGToYLvqnbmaG4lZ78MjkIW1.jpg","김복동",{"id":232,"adult":6,"title":233,"video":6,"overview":234,"softcore":6,"genre_ids":235,"popularity":236,"vote_count":8,"poster_path":237,"release_date":238,"vote_average":8,"backdrop_path":239,"original_title":240,"original_language":120},603123,"A Long Way Around","Life story of sexually harassed women by Japanese army, so called \"comfort women\" and the reflected story of Grandma, Ok-seon Lee in that period of time",[11],1.3895,"\u002F4CYDasxSoNns2OrKm9xKnu3NwFl.jpg","2019-06-20","\u002FqlDWwJNWGQFuxip3FG2ecCHa6wA.jpg","에움길",{"id":242,"adult":6,"title":243,"video":6,"overview":244,"softcore":6,"genre_ids":245,"popularity":246,"vote_count":31,"poster_path":247,"release_date":248,"vote_average":95,"backdrop_path":249,"original_title":250,"original_language":107},585411,"The Silence","The Silence narrates the struggle of fifteen \"comfort women\"—former sex slaves by the Imperial Japanese Army during WWII—for recognition and reparation. The \"comfort women\" issue has previously been treated almost exclusively within the framework of Korean nationalism. The Silence will provide insight into the ways in which nationalism and the emergence of post-war Asian nation-states have hindered the understanding of \"comfort women\" narratives through Zainichi Korean documentary filmmaker Soo-nam Park's point of view.",[11],1.4115,"\u002Fkmj8vNn4iJgVS9gouPXqUkx9wa8.jpg","2017-12-02","\u002Fn2sK6xok8cbxY16BNchdldAminY.jpg","沈黙－立ち上がる慰安婦",{"id":252,"adult":6,"title":253,"video":6,"overview":254,"softcore":6,"genre_ids":255,"popularity":256,"vote_count":59,"poster_path":257,"release_date":258,"vote_average":259,"backdrop_path":26,"original_title":260,"original_language":107},946074,"Okinawa Islands","A film documenting life in Okinawa under the domination of American military bases",[11],0.5844,"\u002F5aJeV6WQIDm6xibiLr9228riBO3.jpg","1969-04-11",7,"沖縄列島",{"id":262,"adult":6,"title":263,"video":6,"overview":264,"softcore":6,"genre_ids":265,"popularity":266,"vote_count":59,"poster_path":267,"release_date":268,"vote_average":95,"backdrop_path":269,"original_title":270,"original_language":107},604911,"Boy Soldiers: The Secret War In Okinawa","The greatest taboo of the Battle of Okinawa were Guerrilla units composed of boy soldiers. Until now, not even the Japanese people knew the full scope of these secret troops, and survivors have been afraid to share their tragic details. Okinawa became the bulwark to protect the Japanese mainland toward the end of World War II. After the Americans landed, a violent battle ensued resulting in the loss of over 200,000 lives – many of them civilian. This documentary uncovers Japan’s deepest secrets concerning the Battle of Okinawa, and also sounds alarms about modern Japan’s recent steps toward remilitarization.",[11],1.0469,"\u002F42sUhi8lMlaA9R1UC5IVA45HUlb.jpg","2018-07-21","\u002FbRGtoPo2Ghb88ouHInCjlti1JQB.jpg","沖縄スパイ戦史",1001,20001,"In the final hours of the Pacific War, Okinawa was the destination for Korean men conscripted as “military laborers” and Korean women taken as “comfort women.” Little is known about the number of casualties or their experiences. In 1989, Park Soonam started to track down the survivors of the Battle of Okinawa to record their testimonies. In 1990, Park visits Korea in search of former “military laborers” who had survived Okinawa and repatriated to Korea. The survivors vividly recount their experiences of their compatriots’ murder and about the “comfort women” to the Zainichi Korean female director. The film zeroes in on the murder of Korean “military laborers” and the presence of “comfort women” in Okinawa via testimonies of former Japanese soldiers.",0.8607,"\u002Fj8RRM2sK0Z3aoiZGQGmmIHEsZxT.jpg","1991-01-01",[278],"JP","アリランのうた - オキナワからの証言",{"results":281},{},[283],{"name":284,"iso_639_1":107,"english_name":285},"日本語","Japanese",[],[288],{"name":289,"iso_3166_1":278},"Japan",45,"A documentary story that tends to land well.",[]]