[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1336681-en-US":3},{"detail":4,"match":232,"insight":233,"providers":234,"providerLink":6,"trailer":6},{"adult":5,"backdrop_path":6,"belongs_to_collection":6,"budget":7,"genres":8,"homepage":12,"id":13,"imdb_id":6,"origin_country":14,"original_language":16,"original_title":17,"overview":18,"popularity":19,"poster_path":20,"production_companies":21,"production_countries":22,"release_date":25,"revenue":7,"runtime":26,"softcore":5,"spoken_languages":27,"status":28,"tagline":12,"title":29,"video":5,"vote_average":7,"vote_count":7,"credits":30,"similar":42,"watch\u002Fproviders":228,"videos":230},false,null,0,[9],{"id":10,"name":11},99,"Documentary","",1336681,[15],"MN","en","Nuudelch Khandlaga","Using footage from socialist era Mongolia, Nomadtitude deals with the transition of the traditionally nomadic people to a lifestyle of urbanization. A changing of roads throughout the years and the movement of people from all across the country to the cities. A timeline of changing physical and spiritual paths. Primary instincts of the nomads, such as having a deep respect for natural surroundings, were forcefully replaced by socialist dogma and, later, capitalist machinations. This work presents the roads taken and not taken by the Mongolian nomads up until now. (Zulaa Urchuud)",0.4553,"\u002Fkrt4gRspeVLZix6sbHs0GQwpLrP.jpg",[],[23],{"iso_3166_1":15,"name":24},"Mongolia","2021-08-24",6,[],"Released","Nomadtitude",{"cast":31,"crew":32},[],[33],{"adult":5,"gender":34,"id":35,"known_for_department":36,"name":37,"original_name":37,"popularity":38,"profile_path":39,"credit_id":40,"department":36,"job":41},1,2952912,"Directing","Zulaa Urchuud",0.2563,"\u002FldzCn8ARJtD9tcL8OqWKDic6jRg.jpg","66c52aea626f3fb71cd5ad12","Director",{"page":34,"results":43,"total_pages":226,"total_results":227},[44,55,65,75,84,95,105,114,123,137,146,155,164,173,182,190,196,203,210,218],{"adult":5,"backdrop_path":6,"genre_ids":45,"id":48,"title":49,"original_language":50,"original_title":49,"overview":51,"popularity":52,"poster_path":53,"release_date":54,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10,46,47],36,18,1212943,"Insistir","es","A documentary about the sea and memory. Its movement is its form. Its strength.",1.8559,"\u002FzJ64V9N31hDgLZjCdfi2UM5Emtz.jpg","2023-04-11",{"adult":5,"backdrop_path":6,"genre_ids":56,"id":58,"title":59,"original_language":50,"original_title":60,"overview":61,"popularity":62,"poster_path":63,"release_date":64,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10,57],16,1409019,"Pandemic in Times of Love","Pandemia en Tiempos de Amor","A 16mm archive from 1964 intervened as an emotional diary during the first three months of the COVID-19 pandemic is the basis of this film, reinterpreted in the montage of the sound design, in which the images are reinterpreted, emphasizing the soundscape of the protests from 2020 to 2023 in the streets of Cajamarca, Cusco and Lima, three regions of Peru, questioning the constant political and social crisis.",0.443,"\u002FghdxrzYo5SWCT1Xf2ZFy7iZlcQz.jpg","2023-06-07",{"adult":5,"backdrop_path":66,"genre_ids":67,"id":68,"title":69,"original_language":70,"original_title":69,"overview":71,"popularity":72,"poster_path":73,"release_date":74,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002Fkspftc1PiMAyUv3sMWhSwpPjtBX.jpg",[10],1213547,"Slaughter (Besmel)","fa","\"Slaughter\" is an experimental short film that delves into the archival and historical footage of the Iranian Revolution in 1979, depicting a symbolic narrative surrounding the ritualistic act of animal sacrifice, known as \"Besmel.\" It serves as an allegorical representation of a nation's sacrifice amidst the backdrop of political transformations.",1.1414,"\u002FniEeQd6JEkNyV8w4Sxt0VanOigZ.jpg","2024-03-13",{"adult":5,"backdrop_path":76,"genre_ids":77,"id":78,"title":79,"original_language":16,"original_title":79,"overview":80,"popularity":81,"poster_path":82,"release_date":83,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FnHBfdqpckMHYi08RvvfjkAt62Bf.jpg",[10],1032667,"Shaye Saint John: The Triggers Compilation","Welcome to the funbubble! Over 2 hours of bizarre entertainment. Meet Shaye Saint John, former supermodel who now has no arms or legs and her special friend Kiki (a burnt doll). This series of shorts documents the daily collision of Shaye's glamorous fantasies with the realities of the physical limitations of her everyday life. These films with their juxtaposition of child-like imagery can be genuinely disturbing without a hint of blood, violence, nudity, cursing, or off-color subject matter of any sort. Watching Shaye do her schtick is akin to watching a segment of one of John Waters' early flicks. There is no question about the fine line between maddness and genius here -- it's madness, plain and simple, dizzying in its detachment to reality. Depending on your outlook, Shaye Saint John is either a true testimony to the power of art to rise above adversity or these films are hidden footage from a ward for the criminally insane!",0.5238,"\u002Fj1vWwxnTsoKjZFwJODiNHNS8GFK.jpg","2006-10-30",{"adult":5,"backdrop_path":85,"genre_ids":86,"id":87,"title":88,"original_language":50,"original_title":89,"overview":90,"popularity":91,"poster_path":92,"release_date":93,"softcore":5,"video":5,"vote_average":94,"vote_count":34},"\u002Fu9giFRztt3vJgGna3lMQwYic1OW.jpg",[10],1220380,"Vibrant Matter","Materia vibrante","A silent city symphony, projected from gorgeous black and white 16mm film. Materia vibrante lets the resonating frequencies of the urban environment create the inaudible hum that keeps the engines of society running, absent of the inhabitants running around like little ants toiling away.",1.008,"\u002FiVi3lYpjYFlVjQLRFP9lkGsQlkW.jpg","2024-01-25",10,{"adult":5,"backdrop_path":96,"genre_ids":97,"id":98,"title":99,"original_language":100,"original_title":99,"overview":101,"popularity":102,"poster_path":103,"release_date":104,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FueL7DQXBBc2eP2YzIKrmQXtSnXW.jpg",[10],1600263,"A Study In Meshes","ko","Two layers of mesh overlap on the left. One rotates over the course of a day, its speed  shifting gradually. On the right, a single mesh remains still.  Digital interference is continuously superimposed onto the physical rotation. Where no rotation occurs, motion persists through digital interference alone. Under different conditions, the two images arrive at similar shimmering forms.  The sound drifts with the sky.  Tremolo. Pulse.",0.4958,"\u002FoxL5sWdlkeqd1YremicB3h9rjV9.jpg","2025-12-19",{"adult":5,"backdrop_path":106,"genre_ids":107,"id":108,"title":109,"original_language":110,"original_title":109,"overview":12,"popularity":111,"poster_path":112,"release_date":113,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FkDy1uZZeygJM1oxpuj6vKfS2mFx.jpg",[10],1600126,"Tu lembra?","pt",1.6707,"\u002FsPGoEQBfIs8nsH0KRb0wBwUzdqv.jpg","2025-12-17",{"adult":5,"backdrop_path":6,"genre_ids":115,"id":116,"title":117,"original_language":110,"original_title":117,"overview":12,"popularity":118,"poster_path":119,"release_date":120,"softcore":5,"video":121,"vote_average":122,"vote_count":34},[10,46],1411474,"When you sleep",0.4343,"\u002F87XECnATWO3FRcRuphB41xRwVca.jpg","2024-12-27",true,9,{"adult":5,"backdrop_path":124,"genre_ids":125,"id":129,"title":130,"original_language":131,"original_title":132,"overview":133,"popularity":134,"poster_path":135,"release_date":136,"softcore":5,"video":5,"vote_average":94,"vote_count":34},"\u002FzzJOigfCAh8SOfrjwUTTb1adZYa.jpg",[10,126,127,128],35,10751,10749,1215570,"Fox & Penguin","de","Fuchs & Pinguin","How do German couples communicate in private? What are they arguing about? Is the way to a man’s heart really through his stomach? This docu-fictional hybrid production discusses such questions with the help of authentic interview snippets that were edited under the staged plot. We get an insight into the life of an animal couple, who experience typical everyday situations on behalf of us humans. At first, our fox is emotionally contained, while the penguin lady may get wild as hell. With a wink, the filmmakers hold up a mirror to the audience in the cinema.",2.2017,"\u002F3VmjuE11tCah3rUomHuGHORLDaB.jpg","2021-07-17",{"adult":5,"backdrop_path":138,"genre_ids":139,"id":140,"title":141,"original_language":16,"original_title":141,"overview":142,"popularity":143,"poster_path":144,"release_date":145,"softcore":5,"video":5,"vote_average":94,"vote_count":34},"\u002FqRMC1PiIvCbWraPoxHMvVXw755w.jpg",[10,128],1215369,"A Little Love","Through interspersed conversation and prose, this experimental documentary follows a poet and a neuroscientist as they explore the definition of love, what it means, and why it matters.",0.863,"\u002FbTavXgyTC5SMvZSZSg6cwUk6ehH.jpg","2023-12-13",{"adult":5,"backdrop_path":6,"genre_ids":147,"id":148,"title":149,"original_language":150,"original_title":149,"overview":151,"popularity":152,"poster_path":153,"release_date":154,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1600695,"Bonjour la caméra","fr","Over 32 years of archives, patterns emerge and stare back. Will they shape the films I'm trying to make – or haunt their edges?",0.7256,"\u002F7z2cohfd22iz8LyyD9XlFkqQYGE.jpg","2025-11-04",{"adult":5,"backdrop_path":156,"genre_ids":157,"id":158,"title":159,"original_language":16,"original_title":159,"overview":160,"popularity":161,"poster_path":162,"release_date":163,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FqngwLeHgDJdsfqD1ZPaAZIh9Sdv.jpg",[10],1593081,"Nerd Out","A documentary about three different physical media shop owners \"nerding out\" about the media that their store specializes in and their thoughts on how one day physical media may become obsolete.",1.4455,"\u002FmdaKWpPEgejJJ3nymS1bmcZuWWS.jpg","2025-12-04",{"adult":5,"backdrop_path":165,"genre_ids":166,"id":167,"title":168,"original_language":16,"original_title":168,"overview":169,"popularity":170,"poster_path":171,"release_date":172,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FeD6bY8lPWvvfT3j1afZnI7QjglD.jpg",[10],1212600,"Mother of the World","Six million tons, suspended by the slightest gesture.  Mother of the World presents a series of brief vignettes of Cairo just prior to the 2011 Egyptian Revolution. These fragmented scenes choreograph class structure and foreign influence into an intimate, poetic view of a nation about to change.",0.5665,"\u002Fz0DUIhWUgfSBnhFR9XSur9cOYoQ.jpg","2011-11-01",{"adult":5,"backdrop_path":174,"genre_ids":175,"id":176,"title":177,"original_language":16,"original_title":177,"overview":178,"popularity":179,"poster_path":180,"release_date":181,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FpVXBjRWdTA2lXKMInHa5cqkxZ9l.jpg",[10],1212607,"Giri Chit","GIRI CHIT tells a tale of the subtle trace of irreconcilable worlds. A worker driving a mobile sweeper in hypnotic circles across an already immaculate surface. The high drama of cosplay aficionados clamoring to be seen. A cast of thousands toiling hundreds of feet above the street.  Giri translates as ‘duty’ in Japanese, but the concept is in fact far more complicated. Giri is a sort of interpersonal political capital that informs careers, family relations, and much more. Its presence and flow is palpable in Japan, where this film was shot. A “giri chit” then may be a hypothetical voucher for this intangible flow (with a tip of the cap to Thomas Pynchon’s “Vineland”).  Selected Screenings and Awards: DaVinci Film Festival (Best Experimental Film), Chicago Underground Film Festival, Athens International Film and Video Festival, Dallas Videofest, ICDOCS Film Festival,  NewFilmmakers at Anthology Film Archives, Oxford Film Festival, Director’s Lounge Berlin",0.4651,"\u002Fn8aOXgHa8VLvGkIdZobeDEuyNBY.jpg","2009-12-01",{"adult":5,"backdrop_path":183,"genre_ids":184,"id":185,"title":186,"original_language":110,"original_title":186,"overview":187,"popularity":188,"poster_path":189,"release_date":104,"softcore":5,"video":5,"vote_average":94,"vote_count":34},"\u002FlVqHt4YmI23q1akRLWr5amgdbxr.jpg",[10],1601538,"Corpos que Contam","Samba, Popping, and Jazz. Through these dance styles and documentary interviews, Bodies That Tell Stories seeks to discuss the standardization and whitening of dances that had their roots in Black people.",0.8421,"\u002F4u482IScEUmR9CRSso3V9l7CqUQ.jpg",{"adult":5,"backdrop_path":6,"genre_ids":191,"id":192,"title":193,"original_language":16,"original_title":193,"overview":12,"popularity":194,"poster_path":195,"release_date":12,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1410556,"Atlantic Poems - La Force",0.415,"\u002FqhFwwQEbJfGxek3mYivvsHRSYkx.jpg",{"adult":5,"backdrop_path":6,"genre_ids":197,"id":198,"title":199,"original_language":16,"original_title":199,"overview":200,"popularity":201,"poster_path":202,"release_date":12,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1214604,"From a distant time.","In the summer of 1900, the first film camera was purchased by Mozaffar ad-Din Shah Qajar for Iran, and immediately the first Iranian moving images were captured by this camera. These images, in an obsessive manner, have embodied the mesmerized gaze of people. In the span of 79 years since the purchase of this camera, Iran has undergone two revolutions and two coups, and throughout all these moments, the camera has been present as the recorder of people's mesmerized gazes. These mesmerized gazes are in a way as if they are the ones looking at us, not the other way around. It seems like these gazes are trying to convey something, but what? No one knows. Now, we gaze at those who have gazed at us from a distant time.",0.6775,"\u002Fp2vJi42EBAMfigrrsdJkbQCkD8d.jpg",{"adult":5,"backdrop_path":6,"genre_ids":204,"id":205,"title":206,"original_language":110,"original_title":206,"overview":12,"popularity":207,"poster_path":208,"release_date":209,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1211982,"As Janelas Me Diziam Que Os Carros Cor De Lembrança Ainda Percorriam as Movimentadas Ruas do Esquecimento",0.417,"\u002FjpIXwVKmx4aNXZGMpqUvdZT31qZ.jpg","2024-08-29",{"adult":5,"backdrop_path":211,"genre_ids":212,"id":213,"title":214,"original_language":16,"original_title":214,"overview":215,"popularity":216,"poster_path":217,"release_date":12,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002Fkv9YXwED7lyRsIH3DfVCtIILhjj.jpg",[10],1212287,"Letter to L.Y","Letter to L.Y is Stephanie Mavi Garcia Panclas' second experimental film for their class. The film surrounds the feeling of nostalgia shown through the layering of video.",0.4919,"\u002F5DzWrrVmjuCSyny2HeOeTDSf5u5.jpg",{"adult":5,"backdrop_path":6,"genre_ids":219,"id":220,"title":221,"original_language":16,"original_title":221,"overview":222,"popularity":223,"poster_path":224,"release_date":225,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1599412,"Sculptures [short]","A short study on our relationship with natural landscapes, the evolution of spaces and the memories they hold",1.2048,"\u002F4Ro6uepPWHINvYeSAd5mKZBvceR.jpg","2025-12-12",1001,20001,{"results":229},{},{"results":231},[],45,"A documentary story that tends to land well.",[]]