[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1336704-en-US":3},{"detail":4,"match":229,"insight":230,"providers":231,"providerLink":6,"trailer":6},{"adult":5,"backdrop_path":6,"belongs_to_collection":6,"budget":7,"genres":8,"homepage":12,"id":13,"imdb_id":6,"origin_country":14,"original_language":16,"original_title":17,"overview":18,"popularity":19,"poster_path":20,"production_companies":21,"production_countries":22,"release_date":26,"revenue":7,"runtime":27,"softcore":5,"spoken_languages":28,"status":29,"tagline":12,"title":17,"video":5,"vote_average":7,"vote_count":7,"credits":30,"similar":42,"watch\u002Fproviders":225,"videos":227},false,null,0,[9],{"id":10,"name":11},99,"Documentary","",1336704,[15],"US","en","why i never became a driver","Three women engage with the medical system to confront strange dreams that may not belong to them. Early one morning, I regained consciousness in a hospital bed as the sun was coming up. I was sixteen. First thing I heard was the news: Princess Diana had died in a car accident. Two hours earlier, I was hitchhiking home from a party with friends. We were picked up by a Toyota hatchback; the driver was drunk, but we were desperate. At the bottom of the twisted mountain road we crashed into the wall surrounding my town’s cemetery. As I watched updates on Diana from my hospital bed, images of her smashed-up car crept into my mind and imprinted as my own. 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These images, in an obsessive manner, have embodied the mesmerized gaze of people. In the span of 79 years since the purchase of this camera, Iran has undergone two revolutions and two coups, and throughout all these moments, the camera has been present as the recorder of people's mesmerized gazes. These mesmerized gazes are in a way as if they are the ones looking at us, not the other way around. It seems like these gazes are trying to convey something, but what? No one knows. Now, we gaze at those who have gazed at us from a distant time.",0.6677,"\u002Fp2vJi42EBAMfigrrsdJkbQCkD8d.jpg",{"adult":5,"backdrop_path":6,"genre_ids":122,"id":123,"title":124,"original_language":125,"original_title":124,"overview":12,"popularity":126,"poster_path":127,"release_date":128,"softcore":5,"video":129,"vote_average":130,"vote_count":34},[10,46],1411474,"When you sleep","pt",0.4323,"\u002F87XECnATWO3FRcRuphB41xRwVca.jpg","2024-12-27",true,9,{"adult":5,"backdrop_path":6,"genre_ids":132,"id":133,"title":134,"original_language":135,"original_title":134,"overview":136,"popularity":137,"poster_path":138,"release_date":139,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1600695,"Bonjour la caméra","fr","Over 32 years of archives, patterns emerge and stare back. 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Inspired by the avant-gardist and indigenist Peruvian writer Gamaliel Chumata, the surface and the underground, the real and the extraordinary, mysteriously merge together.",0.4645,"\u002FKHuNtvfrBmlF2C9uRZNsO7KkFH.jpg","2025-02-02",{"adult":5,"backdrop_path":6,"genre_ids":167,"id":168,"title":169,"original_language":125,"original_title":170,"overview":171,"popularity":172,"poster_path":173,"release_date":174,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1404044,"Variations on How to Farm a City","Variações sobre como cultivar uma cidade","Sprout.  In the vacant lots against the hammering of buildings always under construction, between walls of granite, cement and sheet metal with rust, moss and cats; on the hillside between the train and the river, next to the traffic on the highway, facing the subway, vegetable gardens sprout.  In this city, the choreography of ancient gestures of cultivating the land is repeated day after day, without fail. Sowing, digging, harvesting, watering, eating, talking, resting and returning the next day.  The longest day of the year brings S. João and nobody goes to bed, but when the sun rises, the discreet gestures of resistance will restart.",0.6429,"\u002FefdR6SdznKlJJ1b8pOj7xfzu1wV.jpg","2024-11-28",{"adult":5,"backdrop_path":6,"genre_ids":176,"id":177,"title":178,"original_language":16,"original_title":178,"overview":179,"popularity":180,"poster_path":181,"release_date":12,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1590265,"i'm 22 now but i won't be for long","Made primarily using 35mm black & white stills film, which was developed and scanned at home, the film explores themes of memories, nostalgia, and our relationship to still and moving image and how those two mediums differ in regards to how we process the passing of time.",0.4863,"\u002F3PA7GoUPOFxyUHtYTp3TTWwmxbU.jpg",{"adult":5,"backdrop_path":6,"genre_ids":183,"id":184,"title":185,"original_language":125,"original_title":185,"overview":12,"popularity":186,"poster_path":187,"release_date":188,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1211982,"As Janelas Me Diziam Que Os Carros Cor De Lembrança Ainda Percorriam as Movimentadas Ruas do Esquecimento",0.4336,"\u002FjpIXwVKmx4aNXZGMpqUvdZT31qZ.jpg","2024-08-29",{"adult":5,"backdrop_path":6,"genre_ids":190,"id":191,"title":192,"original_language":160,"original_title":192,"overview":193,"popularity":194,"poster_path":195,"release_date":196,"softcore":5,"video":129,"vote_average":7,"vote_count":7},[10],1216190,"Garden of December 9th","Using variations of color and light, this is a method that I attempted to translate how I feel for a special someone on her special day.",0.4378,"\u002Fo50KJVleknInE4eaJX5y2GJ9OAv.jpg","2023-12-10",{"adult":5,"backdrop_path":6,"genre_ids":198,"id":200,"title":201,"original_language":125,"original_title":201,"overview":12,"popularity":202,"poster_path":203,"release_date":12,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10,199],27,1595672,"Japão",0.559,"\u002FyPumT5NOuSnmvZUVL3k3A0CGNBv.jpg",{"adult":5,"backdrop_path":205,"genre_ids":206,"id":207,"title":208,"original_language":50,"original_title":209,"overview":210,"popularity":211,"poster_path":212,"release_date":213,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002F1Tp6OIhBhzhYZdf9Gc4KsMi90N5.jpg",[10,46],1595543,"An Unholy Dance","Una Dança Non Sancta","Every winter, a small town in Castilla-La Mancha called Luzón transforms into a little hell. Its inhabitants, dressed as devils, venture into the darkness and roam its streets with horns, bells, and smeared with soot. Una dança non sancta could have been just an anthropological documentary. Instead, it delves into the inferno with the town’s residents to participate in and immortalize this unholy ritual.",0.7186,"\u002Fr0rMWDapeRSFi0hCFGHRABz1Awf.jpg","2026-03-25",{"adult":5,"backdrop_path":215,"genre_ids":216,"id":217,"title":218,"original_language":160,"original_title":218,"overview":219,"popularity":220,"poster_path":221,"release_date":222,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FdWlA4YS01u83jX46BNFy0QraX7o.jpg",[10],1413365,"Delicacy","A very short film on the exploration of textural nuances through the city of Dublin. Shot on iPhone. Accompanied by a score.",0.5916,"\u002Fad22218HKuH0qZWbZoWSJLDxHSV.jpg","2025-01-01",1001,20001,{"id":13,"results":226},{},{"id":13,"results":228},[],45,"A documentary story that tends to land well.",[]]